| ENGLISH, Helen Jane | Gerald English [Tenor] | MA | University of Newcastle | 2005 | 216 |
| ERICKSON, Frederick J | The bands and orchestras of colonial Brisbane | PhD | University of Queensland | 1987 | 540 |
| FARRANT, Jean E. | A social history of music in Coolgardie, Kalgoorlie and Boulder, 1892 to 1908 | MA | University of Western Aust. | 1992 | 1 vol |
| FEHSENFELD, Diana Mae | Maori waiata : an examination of intellectual property law issues for music librarians | MLIS | Victoria University of Wellington | 2006 | 92 |
| FOSTER, Duncan | Music and community development [electronic resource] : :perspectives on relationships, roles and structures in music in community | M.Ed | Victoria University (Vic. Australia) | 2010 | |
| FOWLER, Richard J | "I just want to be a successful artist" : Professional pathways to musical theatre careers | MMus | University of Sydney | 2012 | 158 |
| FOX, Robin | Aspects of experimental music in Melbourne, 1975-1979 : focussing on the LaTrobe University Music Department and the Clifton Hill Community Music Centre | MA | Monash University | 2002 | 204 |
| GARBER, Susan Joyce | The Hand-in-Hand community music program: a case study | PhD | Australian National University | 2004 | 349 |
| GARRETT, David | The accidental entrepeneur - how ABC music became more than broadcasting | PhD | University of Wollongong | 2012 | 203 |
| GARTH, Alan | A study of an Australian rural music festival | MA | Deakin University | 2000 | 166 |
| GEBBIE, Rochelle Maree | A musical revolution in Nelson: the German Directors of the Nelson School of Music 1894-1944 | MA | University of Auckland | 1999 | 189 |
| GIBBS, John Charles | Copyright in electronic music | LLM | University of Melbourne | 1992 | 95 |
| GIBSON, Chris | Decentred sounds?: Systems of provision for popular music and a regional music industry | PhD | University of Sydney | 2000 | 374 |
| GILMOUR, Katherine Rose | An historical perspective of the development of the Melba Memorial Conservatorium of Music | M.Ed | RMIT University | 2000 | 1 vol |
| GIUFFRE, Elizabeth | "Even better than the real thing"? : covers and the Australian music industry since 2000 | MA | Macquarie University | 2006 | 211 |
| GLEESON, Jean Clare | Charles Begg and Company Limited : the story of music in New Zealand is the history of Begg's | MA | University of Otago | 2009 | 200 |
| GODDARD, Sarah | "I just find it awkward" : Girls' negotiations of sexualised pop music media | PhD | Victoria University of Wellington | 2016 | 241 |
| GOH, Caleb | Cries from within : the struggles and triumphs of creating a Singaporean voice in musical theatre | PhD | Edith Cowan University | 2015 | |
| GOLDSCHMIED, Jason | A battle royal: digital music piracy v. the music industry, an assessment of Australian copyright law | PhD | Bond University | 2010 | 437 |
| GORFINKEL, Lauren | Performing the Chinese nation : the politics of identity in China Central Television's music-entertainment programs | PhD | University of Technology Sydney | 2011 | 386 |
| GOULD, Anthony James | Promotion, programming and criticism of music in Melbourne : the nineteen thirties and the nineteen seventies compared | MA | Monash University | 1979 | 283 |
| GOULD, Anthony James | The Melbourne Symphony Orchestra : factors influencing its character and identity | PhD | LaTrobe University | 1989 | 374 |
| GRANGER-BROWN, Lorraine | Acting out of the depression : J.C. Williamson, 1893 | M.Mus | University of Melbourne | 2011 | 126 |
| GRANT, Philip Malcom | A comparative analysis of the copyright protection provided to sound recordings and music videos (cinematograph films) under the Copyright Act 1968 (Commonwealth) in light of the development of music videos as independently marketable products | LLM | University of Melbourne | 1988 | 125 |
| GREEN, Phillip R.O. | The impetus for the change from shared to single direction in the European orchestra of the late eighteenth and early nineteenth centuries | MMus | University of Queensland | 1994 | 45 |
| GREGORY, Mark | Sixty years of Australian Union Songs: the Australian folk revival and the Australian Labour Movement since the Second World War | MA | Macquarie University | 2007 | 172 + 1 CD + 1 bookl |
| GRIFFITHS, Pauline | Chamber Music Audiences: Access, Participation and Pleasure at Melbourne concerts | PhD | University of Melbourne | 2003 | 235 |
| GROENEWEGEN, David | The real thing? The rock music industry and the creation of Australian images 1958-1987 | MA | University of Melbourne | 1993 | 142 |
| GUGLIELMINO, Edward | A qualitative study of small-scale artist run 'Indie' music business in Brisbane | MA | Queensland University of Technology | 2014 | 109 |
| GUSTAVSON, Corliss | Pianists of Australia | MMus | University of Queensland | 1977 | 328 |
| GWATKIN, Jan | Investigating the Viability of a National Accreditation System for Australian Piano Teachers | PhD | University of Western Aust. | 2008 | 302 + Appendices 57 |
| HALBERT, Colin | Music, language and style in Perth fanzines | MA | University of Western Aust. | 1996 | 136 |
| HAMNES, David | The role of the Melbourne International Festival of Organ and Harpsichord on fostering Australian organ composition, 1971-1993 | MMus | Australian Catholic University | 2001 | 253 |
| HARDIE, David L. | The structure and function of Western Australia's School of Instrumental Music | M.Ed.Man | University of Western Aust. | 2004 | 81 |
| HARDWICK, Robert | Australian silent film music 1896-1909: the role of the Salvation Army Limelight Department | MMus | University of Melbourne | 1999 | 149 |
| HARKNESS, Edward L | Some aspects of stage design in concert halls | M.Arch | University of Newcastle | 1976 | 271 |
| HARKNESS, Edward L | An introduction to the design of auditoria for the performance of chamber music. | MBlgSc | University of Sydney | 1967 | 1 vol |
| HARRIS, Elisabeth | Zwischenfach: Paradox or Paradigm? | M.M.A | NZ School of Music (Victoria + Massey) | 2014 | 57p+1DVD |
| HARVEY, Douglas Ross | Henry Playford: a bibliographical study | PhD | Victoria University of Wellington | 1985 | 838 |
| HAUGEN, H | Allans Music Services | MBA | University of Melbourne | 1976 | 101 |
| HAWKEY, Rachael M. | Vernon Griffiths (1894-1985): his life and philosophy of music education as demonstrated in his collected papers | PhD | University of Canterbury | 1993 | 403 |
| HILL, Carolyn | New Zealand music: into the 21st century: an investigation into the factors affecting the successful post-compositional promulgation of contemporary New Zealand music | MMus | Australian National University | 2001 | 92 |
| HILL, Michael | Slave to the rhythm : animation at the service of the popular music industry | MA | University of Technology Sydney | 1995 | 155 |
| HOLIBAR, Bernard | Berlioz as music critic | MA | University of Auckland | 1960 | 190 |
| HOMAN, Shane | The mayor's a square: a regulatory history of Sydney rock venues, 1957-1997 | PhD | Macquarie University | 1998 | 386 |
| HORTON, Luke | Selling the sounds of the south : the visual and verbal rehetoric of Race Records and Old Time Records marketing, 1920-1929 | PhD | University of Melbourne | 2011 | 223 |
| HOWLETT, May Catherine | The production of a contemporary chamber opera (The boy who wasn't there) | MA | Macquarie University | 2005 | 141 |
| IBELL, Jonathan | The Helfgott phenomenon : a study in critical discourse | MA | Massey University | 1999 | 123 |
| INGARDYA, Yuanindita | The Relationship between Musicians and their Fans on Social Networking Sites: A Look into Musicians as Human Brands | PhD | Victoria University of Wellington | 2014 | 317 |
| JAEGER, Cathrin Lena | From South Auckland to Germany : international urban music marketing through online media channels | MA | University of Auckland | 2010 | 160 |
| JEFFS, Nick | Counting the Beatz : hip hop culture, commercialisation and the state in Aotearoa New Zealand | MA | Auckland University of Technology | 2005 | 113 |
| JENKINS, Laurence L | Claudia Muzio (1889-1936), her life and career | M.Phil | Massey University | 2003 | 166 |
| JONES, Amanda L | Revisiting the early format of the big band : "So you want to be a band leader?" | MA | Edith Cowan University | 2003 | 2 microfiche |
| JONES, Maree-Rose | A cultural history: Musical activities at the Royal Victoria Theatre Van Diemen's Land; considering 1827-1857. | PhD | University of Sydney | 2009 | 309 |
| JOYCE, Zita | Hearing ourselves: globalisation, the state, local content and New Zealand radio | MA | University of Canterbury | 2002 | 163 |
| KARTAWIDJAJA, David | How much Australian television production has been produced during the period 2000-2005? | MMus | Wesley Institute | 2008 | 64 + CD |
| KELMAN, Kristina L | From music student to industry professional: An entrepreneurial learning design | PhD | Queensland University of Technology | 2015 | 349 |
| KEOGH, Brent | Analyzing world music discourse in Australia | PhD | Macquarie University | 2014 | 298 |
| KERSLAKE, Ben | Contemporary opera and the role of technology | MMus | Griffith University | 2002 | 75 |
| KILDEA, Paul Francis | World War I and the British music industry | MMus | University of Melbourne | 1991 | 158 |
| KIM, Joseph | Interactive relationship between firms' activities and their environment: the case study of Korean music industry | PhD | University of NSW | 2014 | |
| KIRCHNER, Astrid Susan | More Kiwi music : upgrading New Zealand's music industry through successful music export | MBA | Massey University | 2007 | 137 |
| KIRKWOOD, Sandra | Frameworks of culturally engaged community music practice for rural Ipswich, Australia | MPhil | Griffith University | 2010 | 295 |
| KOTHANAKUL, Pramote | Factors affecting the establishment of a classical music store in Bangkok | M Int'l Bus. | Swinburne University of Technology | 2000 | 76 |
| KRUEGER, Cornelia Corinna | The impact of the internet on business model evolution within the news and music sectors | PhD | University of South Australia | 2006 | 336 |
| LAI, Chi-Hsia | Hands on stage : a performance media space | MPhil | Australian National University | 2009 | 70 + CD |
| LANCASTER, Helen | Leading conservatoria through change: new challenges for music institutions and their leaders 1985-2005 | PhD | University of Queensland | 2006 | 327 |
| LANGSTON, Thomas W. | Capitalizing on community music : a case study of the manifestation of social capital in a community choir | EdD | University of Tasmania | 2005 | 347 |
| LARSEN, Gretchen L. | The symbolic consumption of music | PhD | University of Otago | 2003 | 263 |
| LAUER, Helena | The role of the first five Elder professors in the development of music in the Elder Conservatorium, 1885-1985 | MA | University of Adelaide | 1998 | 192 |
| LAUNDRY, Beverly Alice | Sheet Music Unbound: A fluid approach to sheet music display and annotation on a multi-touch screen | MSci | University of Waikato | 2011 | 191 |
| LEES, Jennifer Anne | Eisteddfoditis : the significance of the City of Sydney Eisteddfod in Australian cultural history 1933-1941 | PhD | University of Western Sydney | 2003 | 1 vol |
| LEMKE, Claudi | Maori involvement in sound recording and broadcasting 1919 to 1958 | MA (Anthrop) | University of Auckland | 1995 | 199 |
| LEONARD, James Mitchell | Lukthung and 'the Isan question" : the history and development of Thai country song | PhD | Macquarie University | 2012 | 289 |
| LI, Fangjun | China's music industries: evolution, development and convergence | PhD | Macquarie University | 2015 | 398 |
| LO, Chi Yhun | Melodic contour training and its effect on speech perception for cochlear implant recipients | MRes | Macquarie University | 2014 | 108 |
| LO, Steven | Marketing plans for Allans Music | MBA | University of Melbourne | 1976 | 119 |
| LOGIE-SMITH, R.G. | Market performance and inventory control system, Rose Music Pty. Ltd. | MBA | University of Melbourne | 1970 | 3 vol |
| LU, Pei-Yun Julia | The Prix de Rome competition: success, failure or prophet | MMus | University of Melbourne | 2002 | 145 |
| LUBIN, Tom | An historical survey of technology used in the production & presentation of music in the 20th century | MA (Hons) | University of Western Sydney | 1997 | 236 |
| MABEY, Nicholas William | On the New Zealand music industry: a qualitative value chain analysis | MSc | University of Auckland | 2006 | 126 |
| MACKLEY-CRUMP, Jared | The festivalisation of Pacific cultures in New Zealand : diasporic flow and identity within 'a sea of islands' | PhD | University of Otago | 2012 | 353 |
| MACONIE, Robin | Analysis and criticism of music since 1950 | MA | Victoria University of Wellington | 1963 | 137 |
| MALONEY, Belinda | Phenomenological investigation of e-value chains from Australian music stakeholders perceptions | PhD | Deakin University | 2007 | 290 |
| MANNING, Lisa Jane | Towards a new approach: an evaluation and critique of the Australian orchestral audition process | M.Phil (sub) | Australian National University | 2005 | 80 |
| MARTIN, Ruth Florence Lee | The dark corner : a study of the dynamic dialectic between women composers and the Australian orchestral milieu | PhD | Australian National University | 2000 | 3 vol + 1 CD |
| MAUVAN, John | Shoe box : an analysis of the concert hall and its adaption to small-scale music performance space | MArch | NZ School of Music (Victoria + Massey) | 2011 | 177 + Plans |
| MAY, Judith Mary | Thus spake the Triad : a view of music in New Zealand 1893-1915 | MMus | University of Auckland | 1991 | 210 |
| McCOLL, Sandra Florence | Kritisch bewegte Formen : music in the Viennese press 1896-1897 | PhD | University of Melbourne | 1992 | 470 |
| McKAY, Kieryn | The cult phenomenon : literature, music, and madness | PhD | University of Sydney | 2012 | 230 |
| McLEAY, Colin Ross | The circuit of popular music: production, consumption, globalisation | PhD | Macquarie University | 1998 | 352 |
| McLENNAN, Isobel J. | Concepts of women patrons of music in the Renaissance | PhD | Monash University | withdrawn | |
| McNAB, Michael | The employment and use of instrumental musicians or ministriles in the sixteenth and early seventeenth century | MMus | University of Melbourne | withdrawn c.2006 | |
| McNAMARA, Bernadette | The internationalisation of Musica Viva in schools : an analysis of the implementation of an Australian music education program in Singapore | MA | RMIT University | 2000 | 115 |
| McTAGGART, Stephen M | The use of nostalgic music in television advertising | MA | University of Auckland | 1998 | 149 |
| MESSENGER, Cory Luke Joseph | Calling the tune: Hollywood and the business of music | PhD | Griffith University | 2011 | 331 |
| MICHALSKI, Yvonne E | Current admission criteria for Texas graduate degree programs: piano performance, piano pegagogy, and music education with piano emphasis | MMus (Mus.Ed.) | Overseas | 2000 | 71 |
| MICHALSKI, Yvonne E | Skills and behaviours important for effective piano teaching: A survey of the piano pedagogy components of current undergraduate music degrees in Australian tertiary institutions | PhD | University of Queensland | 2008 | 359 |
| MICOS, Maria | Music in the Greek Festival of Sydney, 1980 to 2005 | MMus Ed. | University of Sydney | 2006 | 186 |
| MILLINGTON, Aliese | Subject to Change: Nine constructions of the crossover between Western art music and popular musics | PhD | University of Adelaide | submitted 2007 | 257 |
