MSA Australia and New Zealand Postgraduate Music Research Thesis Register

This Register, designed, populated and maintained for the Musicological Society of Australia, spans the period 1917 to 2009 and contains 2453 records (Last update 25 August 2009)

CATEGORIES

Click on a category to obtain a list of all theses in that category, or go to the Full Register & Multi-category Search page to search in a combination of categories (e.g. 20th Century + Performance + New Zealand). Each thesis appears in all categories relevant to it.


CHRONOLOGICAL

  • 21st Century
  • 20th Century
  • 19th Century
  • Classical
  • Baroque
  • Renaissance
  • Ancient to Medieval


    STATUS

  • Completed
  • Submitted
  • In Progress
  • Withdrawn
  • HISTORICAL

    Includes music analysis, biography, and context studies

    Edition: transcription of MS

    Jazz/Improvisation

    Music in the Arts: Iconography, music in literature, criticism

    Music Industry: Institutions, Economic, Law, Printing, Publishing, Personality Biographies

    Music Theatre: Dance, Film, Musicals, Opera

    Organology

    Performance: Historical performance practice; Injuries, Methods, Techniques, Theories; Performers

    Popular: Music; Culture

    Sacred, Spiritual, Religious

    Western Art Music

    SPECIALITIES

    Bibliographic, Catalogue, Library Services

    Clinical, Psychiatric, Psychological

    Education & Pedagogy

    Folk, Ethnic, Traditional

    Gender and sexuality

    Portfolio of original compositions

    Philosophical

    Technology: Acoustics, Architecture, Electronics, Science

    Theory/Techniques/Tools: Analytical methods, theories and aids; Composition: exegesis, tools; Notation; Technical Treatises

    Therapy

    LOCAL

  • Australian Topic
  • New Zealand Topic
  • Overseas Awards:
    (i)Theses on Australian and New Zealand Topics completed at Overseas Universities; (ii)Theses written by Australians or New Zealanders completed at Overseas Universities. Note: this category is not comprehensive and relies upon submissions by authors.
  • ETHNOMUSICOLOGY

  • Indigenous
  • Other Ethnomusicological:
    (i)Ethnomusicological approach applied to non-indigenous topic; (ii)About ethnomusicology.



  • CONTENTS

    The Register provides as much of the following information for each project as is available:

  • Researcher’s full name

  • Type of Degree
  • University
  • Topic or Title
  • No. of Pages etc.
  • Year Completed Records of projects currently in progress include commencement date if known.

  • Abstract (if provided by author)
  • Notes
  • Link to electronic copy of thesis

  • Email Forwarding status
  • Link to author's website
  • Other relevant Link
  • We endeavour to collect and include all music-related post-graduate theses completed at Australian or New Zealand Universities, together with current projects.

    Register your project now.

    RILM
    RILM is the first stop for the music researcher who wants clear, verified bibliographic information on world-wide, music-related publications, fully cited, abstracted, and indexed. By submitting bibliographic citations and abstracts to RILM, you are ensuring that music researchers worldwide will find out about your work. Online forms are available from the website. You are able to submit retrospectively for works that have not been submitted in past years. Submission is a straightforward process. MSA supports the work of RILM and believes that it is important that Australian content on RILM is improved and maintained. You can submit citations and abstracts to RILM directly via the RILM website.

    Top of
    Page