| ADDISON-SMITH, Dorothy Jane | Collections of Australian music recordings in Melbourne public libraries | MA | Monash University | 1993 | 85 |
| ALEXANDER, Craig and Bob DERRY | An analysis of the wholesaling operations of Allans Music Australia Limited | MBA | University of Melbourne | 1975 | 45 |
| AN, Yu Lee | Publishers of New Zealand Music: a historical survey from 1840-2002 | MA Mus | University of Otago | 2003 | 364 |
| AN, Yu Lee | Music Publishing in London from 1780 to 1837 as reflected in music-publishers' catalogues. | PhD | University of Canterbury | 2008 (nyiC) | 350 + 932 |
| ARMSTRONG-GRANT, Patricia | Dame Joan Hammond - A Diva of Circumstance | MA | Monash University | In Progress (2007) | |
| BANNISTER, Roland Stuart | An ethnomusicological study of music makers in an Australian military band | PhD | Deakin University | 1995 | 370 |
| BARKL, Louise | Professional musicians and the music education programs of arts organisations : case studies of two models | MMus (Mus Ed.) | University of Sydney | 2005 | 268 + DVD |
| BARNES, Gwyneth G | A history of the Newcastle Conservatorium, 1952-1989 | M.Ed | University of Newcastle | 1994 | 142 |
| BARTHOLOMEW, Peter G. | Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works | LL.M | Queensland University of Technology | 1998 | 1 vol |
| BARTLEET, Brydie-Leigh | Gendering the podium: the journeys of professional woman conductors | PhD | University of Queensland | 2004 | 328 |
| BASILE, Christopher | An ethnomusicological study of the Macedonian Women's Choir of Melbourne | MA | Monash University | 1991 | 124 |
| BATHURST, Ralph James | The music of organisations : an aesthetic ethnography | PhD | Victoria University of Wellington | 2006 | 427 |
| BEEVER, Allan David | Development and recapitulation : Wagner and Schopenhauer on music, opera, and art | PhD | University of Auckland | 1998 | 317 |
| BINNS, Georgina M | Patriotic and nationalistic song in Australia in 1919: a study of the popular sheet music genre | MMus | University of Melbourne | 1988 | 2 vol |
| BONG, Jin Guan | Alice Ellen Charbonnet : a French musician in nineteenth-century Australia | MMus | University of Melbourne | 2006 | 162 |
| BORLAGDAN, Joseph Ireneo | Enabling agency and cultural production: the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
| BOWEN, Nigel | After the counterculture : from political protesters to music consumers - middle class youth subcultures 1975-1995 | MA(Hons) | Macquarie University | 1998 | 321 |
| BRAY, Kelsey O.J. | The economic impact of opera tourism : including a case study of the 1992 Ballarat Opera Festival | MBus | Victoria University (Vic. Australia) | 1995 | 235 |
| BREEN, J.W. | The Melbourne Chorale: a study of marketing in a non-profit organisation | MBA | University of Melbourne | 1981 | 44 |
| BREEN, Marcus | The popular music industry in Australia : a study of policy reform and retreat, 1982-1996 | PhD | Victoria University (Vic. Australia) | 1996 | 397 |
| BRENNAN, Marc Andrew | Writing to reach you: consumer music press and music journalism in the UK and Australia | PhD | Queensland University of Technology | 2005 | 271 |
| BRIDGES, Doreen | The role of universities in the development of music education in Australia, 1885-1970 | PhD | University of Sydney | 1970 | 410 |
| BROWN, David | The role of live musical performance in the recording studio | MA | RMIT University | 2001 | 15 + 4CDs |
| BRUCE, Neil Mackay | The role of a musical director in a music centre : an action research study of tutor development | M.Ed | University of Waikato | 1992 | 213 |
| BRUNT, Shelley | "Performing community: Japan's 50th Kouhaku Song Contest" | PhD | University of Adelaide | 2006 | 2 vol + DVD |
| BUNTING, Sue | The protection of music as intellectual property : the historical framework and its effects upon contemporary Australian legislation. | MMus | Australian National University | 1996 | 129 |
| BUNTING, Susan Lynette | Can Copyright Cope with Music | PhD | University of Melbourne | 2002 | 412 |
| BURGESS, Jean | High culture as subculture: Brisbane's contemporary chamber music scene | M.Phil | University of Queensland | 2004 | 101 |
| BURK, Ian | The influence of Dr. A.E. Floyd as music critic and broadcaster on musical culture in Australia 1915-1974 | MMus | University of Melbourne | 2001 | 150 |
| CAMERON, Kevin | Joseph Post: Australia's maestro? | MMus | University of Western Aust. | 1995 | 75 |
| CAMERON, Kevin John | A Fantastic Symphony: The life of Henri Verbruggen | PhD | University of Newcastle | 1999 | 248 |
| CAMPBELL, Peter J. | "Semper sint in flore:" historical, organisational, individual and musical aspects of the Intervarsity choral movement in Australia | PhD | University of Melbourne | 2003 | 968 |
| CAMPBELL, Peter John | Limestone Plains-song: an historical survey of choral music in Canberra, 1913-1993 | MMus | Australian National University | 1996 | 432 |
| CARTER, Karen | Itinerant teachers of music: a state of flux | MTeaching | University of Canterbury | 2003 | 95 |
| CARTLEDGE, Damon Neil | Developing professionals for a changing world of work: identity and change in the Australian Army Band Corps. | D.Ed | RMIT University | 2002 | 1 vol |
| CHAMBERS, Allison Margaret | Concert organ recital programming: an investigation and critical account of the contemporary resurrection of the English symphonic organ ethos with particular emphasis on the programming styles of W.T. Best, E.H. Lemare, A. Hollins and W. Wolstenholme. | MMus | University of Queensland | 1993 | 110 |
| CHITTY, Gina Ismene Shenaz | Public postures, private positions: baila and Sydney Sri Lankans | PhD | Macquarie University | 2005 | 226 |
| CHOONG, Wi Yan Kelly | The diffusion of MP3 and its impact on the music industry : a strategic analysis | MBus | Queensland University of Technology | 2001 | 146 |
| CLARK, Glenn | Music in advertising - how corporate demands impact on the artistic process | DMA | Griffith University | in progress (NiC08/07) | |
| COCKS, Kathleen | The place of the Rock Eisteddfod Challenge in the extracurricular context | M.Ed | University of Western Aust. | 2001 | 129 |
| COLLETT, Morwenna | The role of Australian youth orchestras in the development of young musicians : a case study of the Queensland Youth Orchestra | MMus Studs | Griffith University | 2005 | 1 vol + 1 audio CD |
| COLLINS, Stephen | The greater right of the wrong [copyright] | PhD | Macquarie University | 2006 | 365 |
| CONNELL, Robert | Brigands on the virtual sea: online music piracy and copyright under Australian law in the digital age | ? [Law] | University of Western Aust. | 1999 | NS |
| CROWLEY, John | Alfred Hill: A Grand Old Man of Australian Music | MA | Monash University | 1999 | 166 |
| CVETKOVSKI, Trajce | The political economy of the music industry : technological change and the political control of music | PhD | University of Queensland | 2004 | 272 |
| D'OMBRAIN, Geoffrey Robert | The concept of the electronic music studio North America 1972 | MMus | University of Melbourne | 1974 | 264 |
| DART, Peter J. | Criticism in a developing culture : Australian music periodicals to 1931 | PhD | University of Queensland | 1998 | 360 |
| DAVIDSON, Jim | The career of a musical expatriate : Louise Hanson-Dyer of l'oiseau-lyre, 1927-1962 | PhD | University of Melbourne | 1992 | 668 |
| DAVIS, Petra | A history of the Australian chamber orchestra : the first decade | MMus | University of Sydney | 1996 | 61 |
| DAWSON, Jenny | Opera in colonial Brisbane: the first twenty-five years (1859-1884) | MMus | University of Queensland | 1987 | 221 |
| De SILVA, Dayaneetha | Taking on the big boys: rock music and oppositionality in Singapore | MA | Australian National University | 1996 | 293 |
| DENNIS, Simone | Sensual extensions: joy, pain and music-making in a police band | PhD | University of Adelaide | 2002 | 226 |
| DERRY, Bob & Craig ALEXANDER | An analysis of the wholesaling operations of Allans Music Australia Limited | MBA | University of Melbourne | 1975 | 45 |
| DeVERE, Catriona | The Diva Desire: an examination of the perceptions and aspirations of Australian women striving to achieve an operatic career. | PhD | Australian National University | in progress (2007) | |
| DEVERS, Deanna | The use of music for morale sustaining and propaganda purposes in Australia during World War II | MMus | University of Melbourne | 1995 | 36 |
| Di RENZO, Mark | The dark side of music and the light side of law | ? [Law] | University of Western Aust. | 2000 | |
| DJACHENKO, Yuri | A short history of English bowmakers | MMus | University of Queensland | 1998 | 65 |
| DOAR, Bruce Gordon | "We will create a music for the following empire" : developments in Chinese dramatic criticism, 1898-1918 | PhD | University of Sydney | 1982 | 280 |
| DOGGETT, Anne | 'And for harmony most ardently we long', Musical Life in Ballarat, 1851-1871 | PhD | University of Ballarat | 2006 | 2 vol |
| DOUGLASS, Mitchell | The dissemination of music through the Internet | MMus | University of Sydney | in progress (NiC08/07) | |
| DOWNER, Caroline Isobel | Music in the museum : an examination of the collection of musical instruments in the Powerhouse, Museum of Applied Arts and Sciences in Sydney | MA | University of Melbourne | 1997 | 149 |
| DUFFY, Michelle | Music of Place: The Performance of Identity in Contemporary Australian Community Music Festivals | PhD | University of Melbourne | 2001 | 220 + 210 |
| DUKE, Patricia Beryl | Foundations of Early Music in Melbourne: Leonard Fullard and Other Pioneers | PhD | University of Melbourne | 2005 | 454 |
| DUNBAR, Mark | 'All take, take, take ....' migrant musicians, the Australia Council, multiculturalism and music-making in Australia | MA | Monash University | 1989 | 123 |
| EARL, Cameron Phillip | Public health management at outdoor festivals | PhD | Queensland University of Technology | 2006 | 281 |
| ELLIS, Bronwyn Irene | These sad, distracted tymes : the impact of the Civil War and Interregnum on English music, c.1640 to c.1660 | PhD | University of Tasmania | 2004 | 324 |
| EMERSON, Helen Katrine | A voice of her own: Ethel Smyth and early feminist musicology. | MA | University of Otago | 1999 | 115 |
| ENGLISH, Helen Jane | Gerald English [Tenor] | MA | University of Newcastle | 2005 | 216 |
| ERICKSON, Frederick J | The bands and orchestras of colonial Brisbane | PhD | University of Queensland | 1987 | 540 |
| FARRANT, Jean | The history of music in Western Australia 1900-50 | PhD | University of Western Aust. | in progress (NiC08/07) | |
| FARRANT, Jean E. | A social history of music in Coolgardie, Kalgoorlie and Boulder, 1892 to 1908 | MA | University of Western Aust. | 1992 | 1 vol |
| FEHSENFELD, Diana Mae | Maori waiata : an examination of intellectual property law issues for music librarians | MLIS | Victoria University of Wellington | 2006 | 92 |
| FORSYTH, Nicole | Early Music in Australia: Historic Instruments (Strings) Training & Preventative Support Education (Holistic Musician Education for the Profession) | MA | University of Newcastle | in progress (NiC08/07) | |
| FOX, Robin | Aspects of experimental music in Melbourne, 1975-1979 : focussing on the LaTrobe University Music Department and the Clifton Hill Community Music Centre | MA | Monash University | 2002 | 204 |
| GARBER, Susan Joyce | The Hand-in-Hand community music program: a case study | PhD | Australian National University | 2004 | 349 |
| GARTH, Alan | A study of an Australian rural music festival | MA | Deakin University | 2000 | 166 |
| GEBBIE, Rochelle Maree | A musical revolution in Nelson: the German Directors of the Nelson School of Music 1894-1944 | MA | University of Auckland | 1999 | 189 |
| GIBBS, John Charles | Copyright in electronic music | LLM | University of Melbourne | 1992 | 95 |
| GIBSON, Chris | Decentred sounds?: Systems of provision for popular music and a regional music industry | PhD | University of Sydney | 2000 | 374 |
| GILMOUR, Katherine Rose | An historical perspective of the development of the Melba Memorial Conservatorium of Music | M.Ed | RMIT University | 2000 | 1 vol |
| GIUFFRE, Elizabeth | "Even better than the real thing"? : covers and the Australian music industry since 2000 | MA | Macquarie University | 2006 | 211 |
| GOULD, Anthony James | Promotion, programming and criticism of music in Melbourne : the nineteen thirties and the nineteen seventies compared | MA | Monash University | 1979 | 283 |
| GOULD, Anthony James | The Melbourne Symphony Orchestra : factors influencing its character and identity | PhD | LaTrobe University | 1989 | 374 |
| GRANT, Philip Malcom | A comparative analysis of the copyright protection provided to sound recordings and music videos (cinematograph films) under the Copyright Act 1968 (Commonwealth) in light of the development of music videos as independently marketable products | LL.M | University of Melbourne | 1988 | 125 |
| GREEN, Phillip R.O. | The impetus for the change from shared to single direction in the European orchestra of the late eighteenth and early nineteenth centuries | MMus | University of Queensland | 1994 | 45 |
| GREGORY, Mark | Sixty years of Australian Union Songs: the Australian folk revival and the Australian Labour Movement since the Second World War | MA | Macquarie University | 2007 | 172 + 1 CD + 1 booklet (CD slick) |
| GRIFFITHS, Pauline | Chamber Music Audiences: Access, Participation and Pleasure at Melbourne concerts | PhD | University of Melbourne | 2003 | 235 |
| GROENEWEGEN, David | The real thing? The rock music industry and the creation of Australian images 1958-1987 | MA | University of Melbourne | 1993 | 142 |
| GUSTAVSON, Corliss | Pianists of Australia | MMus | University of Queensland | 1977 | 328 |
| HALBERT, Colin | Music, language and style in Perth fanzines | MA | University of Western Aust. | 1996 | 136 |
| HAMNES, David | The role of the Melbourne International Festival of Organ and Harpsichord on fostering Australian organ composition, 1971-1993 | MMus | Australian Catholic University | 2001 | 253 |
| HARDIE, David L. | The structure and function of Western Australia's School of Instrumental Music | M.Ed.Man | University of Western Aust. | 2004 | 81 |
| HARDWICK, Robert | Australian silent film music 1896-1909: the role of the Salvation Army Limelight Department | MMus | University of Melbourne | 1999 | 149 |
| HARKNESS, Edward L | Some aspects of stage design in concert halls | M.Arch | University of Newcastle | 1976 | 271 |
| HARKNESS, Edward L | An introduction to the design of auditoria for the performance of chamber music. | MBlgSc | University of Sydney | 1967 | 1 vol |
| HARVEY, Douglas Ross | Henry Playford: a bibliographical study | PhD | Victoria University of Wellington | 1985 | 838 |
| HAUGEN, H | Allans Music Services | MBA | University of Melbourne | 1976 | 101 |
| HAWKEY, Rachael M. | Vernon Griffiths (1894-1985): his life and philosophy of music education as demonstrated in his collected papers | PhD | University of Canterbury | 1993 | 403 |
| HILL, Carolyn | New Zealand music: into the 21st century: an investigation into the factors affecting the successful post-compositional promulgation of contemporary New Zealand music | MMus | Australian National University | 2001 | 92 |
| HILL, Michael | Slave to the rhythm : animation at the service of the popular music industry | MA | University of Technology Sydney | 1995 | 155 |