| ADDISON-SMITH, Dorothy Jane | Collections of Australian music recordings in Melbourne public libraries | MA | Monash University | 1993 | 85 |
| ALEXANDER, Craig and Bob DERRY | An analysis of the wholesaling operations of Allans Music Australia Limited | MBA | University of Melbourne | 1975 | 45 |
| AN, Yu Lee | Publishers of New Zealand Music: a historical survey from 1840-2002 | MA Mus | University of Otago | 2003 | 364 |
| AN, Yu Lee | Music Publishing in London from 1780 to 1837 as reflected in music-publishers' catalogues. | PhD | University of Canterbury | 2008 (nyiC) | 350 + 932 |
| Anon | Music in advertising - how corporate demands impact on the artistic process | DMA | Griffith University | in progress (NiC08/07) | |
| Anon | The Diva Desire: an examination of the perceptions and aspirations of Australian women striving to achieve an operatic career. | PhD | Australian National University | in progress (2007) | |
| Anon | The dissemination of music through the Internet | MMus | University of Sydney | in progress (NiC08/07) | |
| Anon | The history of music in Western Australia 1900-50 | PhD | University of Western Aust. | in progress (NiC08/07) | |
| Anon | Early Music in Australia: Historic Instruments (Strings) Training & Preventative Support Education (Holistic Musician Education for the Profession) | MA | University of Newcastle | in progress (NiC08/07) | |
| Anon | Music in Australia during the Gold Rush: A Biography of Madame Cavendish | MPhil | Australian National University | in progress (NiC08/07) | |
| Anon | A history of the Australian Opera and Ballet Orchestra | MMus | University of NSW | in progress (NiC08/07) | |
| Anon | An ethnomusicological survey of the songs currently performed in folk clubs/festivals in Australia | PhD | University of NSW | in progress (NiC08/07) | |
| Anon | The life and music of English cellist Robert Lindley (1776-1855) | PhD | University of Melbourne | in progress (2006) | |
| Anon | History of Early Music performance in New Zealand | PhD | University of Auckland | in progress (2007?) | |
| Anon | Dame Joan Hammond - A Diva of Circumstance | MA | Monash University | In Progress (2007) | |
| Anon | New Zealand's published music 1850-1913 | PhD | University of Auckland | In Progress (2009) | |
| Anon | Defining the Indefinable: An historical and cultural exploration of excellence in music | PhD | Australian National University | In progress (2010) | |
| ANTHONY, Brendan | ‘The Stairways to Mixing Heaven’: Designs for the Optimisation of Creative Mixing Practices in Popular Music Record Production | MMus | Griffith University | 2015 | |
| ASHTON, Graham R | Got ‘em on a String: The Collective Skills, Knowledge and Attributes of Group String Teachers in Queensland | MPhil | Griffith University | 2015 | |
| BAKER, Andrea J. | Youths and net-radio, exploring subcultural models of audiences | PhD | Monash University | 2010 | 387 |
| BAKER, Jane Susanne | Learning, identity work, and music use in young garage band | PhD | University of Queensland | 2014 | |
| BALLICO, Christina | Bury me deep in isolation: A cultural examination of a peripheral music industry and scene | PhD | Edith Cowan University | 2013 | |
| BANNISTER, Roland Stuart | An ethnomusicological study of music makers in an Australian military band | PhD | Deakin University | 1995 | 370 |
| BARKL, Louise | Professional musicians and the music education programs of arts organisations : case studies of two models | MMus (Mus Ed.) | University of Sydney | 2005 | 268 + DVD |
| BARNES, Gwyneth G | A history of the Newcastle Conservatorium, 1952-1989 | M.Ed | University of Newcastle | 1994 | 142 |
| BARTHOLOMEW, Peter G. | Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works | LLM | Queensland University of Technology | 1998 | 1 vol |
| BARTLEET, Brydie-Leigh | Gendering the podium: the journeys of professional woman conductors | PhD | University of Queensland | 2004 | 328 |
| BARTLETT, Irene Mary | Sing out loud, sing out long: a profile of professional contemporary gig singers in the Australian context | DMA | Griffith University | 2011 | 212 |
| BASILE, Christopher | An ethnomusicological study of the Macedonian Women's Choir of Melbourne | MA | Monash University | 1991 | 124 |
| BATHURST, Ralph James | The music of organisations : an aesthetic ethnography | PhD | Victoria University of Wellington | 2006 | 427 |
| BEEKHUYZEN, Jenine | A critical ethnography of an online file sharing community : :an actor-network theory perspective of controversies in the digital music world / Jenine Peta Beekhuyzen | PhD | Griffith University | 2010 | 269 |
| BEEVER, Allan David | Development and recapitulation : Wagner and Schopenhauer on music, opera, and art | PhD | University of Auckland | 1998 | 317 |
| BETTCHER, Nathan James | The process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church) | MMus | University of Adelaide | 2010 | 135 + DVD |
| BINNS, Georgina M | Patriotic and nationalistic song in Australia in 1919: a study of the popular sheet music genre | MMus | University of Melbourne | 1988 | 2 vol |
| BIRON, Dean Leonard | Contemporary music and its audiences | PhD | University of New England | 2008 | 224 |
| BLACK, Jessica Catherine | The New York Philharmonic behind the Iron Curtain: goodwill tour or Cold War propaganda? | MMus | University of Melbourne | 2012 | |
| BLORE, Ann Orriss | 'A strange madness' : organ festivals in Australia 1968-1973 | MMus | University of Melbourne | 2011 | 109 |
| BONG, Jin Guan | Alice Ellen Charbonnet : a French musician in nineteenth-century Australia | MMus | University of Melbourne | 2006 | 162 |
| BOOTH, Alison Stevens | Performance networks : Indian cultural production in Aotearoa/ New Zealand | PhD | University of Otago | 2014 | 299 |
| BORIAGDAN, Joseph Ireneo | Enabling agency and cultural production [manuscript] : the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
| BORLAGDAN, Joseph Ireneo | Enabling agency and cultural production: the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
| BOWEN, Nigel | After the counterculture : from political protesters to music consumers - middle class youth subcultures 1975-1995 | MA(Hons) | Macquarie University | 1998 | 321 |
| BRAY, Kelsey O.J. | The economic impact of opera tourism : including a case study of the 1992 Ballarat Opera Festival | MBus | Victoria University (Vic. Australia) | 1995 | 235 |
| BREEN, J.W. | The Melbourne Chorale: a study of marketing in a non-profit organisation | MBA | University of Melbourne | 1981 | 44 |
| BREEN, Marcus | The popular music industry in Australia : a study of policy reform and retreat, 1982-1996 | PhD | Victoria University (Vic. Australia) | 1996 | 397 |
| BRENNAN, Marc Andrew | Writing to reach you: consumer music press and music journalism in the UK and Australia | PhD | Queensland University of Technology | 2005 | 271 |
| BRIDGES, Doreen | The role of universities in the development of music education in Australia, 1885-1970 | PhD | University of Sydney | 1970 | 410 |
| BRIGGS, Maria Sergeevna (née Okunev) | Tertiary Opera Training in Australia and UK: Ethnographic Perspective | PhD | University of Sydney | 2015 | |
| BROOKS, Wendy Louise | An investigation of music and screen media in the lives of young children | PhD | University of Sydney | 2015 | |
| BROWN, David | The role of live musical performance in the recording studio | MA | RMIT University | 2001 | 15 + 4CDs |
| BROWN, Hugh | It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century | PhD | Queensland University of Technology | 2010 | 349 |
| BRUCE, Neil Mackay | The role of a musical director in a music centre : an action research study of tutor development | M.Ed | University of Waikato | 1992 | 213 |
| BRUNT, Shelley | "Performing community: Japan's 50th Kouhaku Song Contest" | PhD | University of Adelaide | 2006 | 2 vol + DVD |
| BUNTING, Sue | The protection of music as intellectual property : the historical framework and its effects upon contemporary Australian legislation. | MMus | Australian National University | 1996 | 129 |
| BUNTING, Susan Lynette | Can Copyright Cope with Music | PhD | University of Melbourne | 2002 | 412 |
| BURGESS, Jean | High culture as subculture: Brisbane's contemporary chamber music scene | M.Phil | University of Queensland | 2004 | 101 |
| BURK, Ian | The influence of Dr. A.E. Floyd as music critic and broadcaster on musical culture in Australia 1915-1974 | MMus | University of Melbourne | 2001 | 150 |
| BURNS, Christopher | Parading kiwis : New Zealand soldier concert parties, 1916-1954 | MA | University of Auckland | 2012 | 157 |
| BURNS, Robert | Transforming folk : innovation and tradition in English folk-rock music | PhD | University of Otago | 2008 | 307 |
| CAMERON, Kevin | Joseph Post: Australia's maestro? | MMus | University of Western Aust. | 1995 | 75 |
| CAMERON, Kevin John | A Fantastic Symphony: The life of Henri Verbruggen | PhD | University of Newcastle | 1999 | 248 |
| CAMPBELL, Peter J. | "Semper sint in flore:" historical, organisational, individual and musical aspects of the Intervarsity choral movement in Australia | PhD | University of Melbourne | 2003 | 968 |
| CAMPBELL, Peter John | Limestone Plains-song: an historical survey of choral music in Canberra, 1913-1993 | MMus | Australian National University | 1996 | 432 |
| CARTER, Karen | Itinerant teachers of music: a state of flux | MTeaching | University of Canterbury | 2003 | 95 |
| CARTLEDGE, Damon Neil | Developing professionals for a changing world of work: identity and change in the Australian Army Band Corps. | D.Ed | RMIT University | 2002 | 1 vol |
| CHAMBERS, Allison Margaret | Concert organ recital programming: an investigation and critical account of the contemporary resurrection of the English symphonic organ ethos with particular emphasis on the programming styles of W.T. Best, E.H. Lemare, A. Hollins and W. Wolstenholme. | MMus | University of Queensland | 1993 | 110 |
| CHITTY, Gina Ismene Shenaz | Public postures, private positions: baila and Sydney Sri Lankans | PhD | Macquarie University | 2005 | 226 |
| CHOONG, Wi Yan Kelly | The diffusion of MP3 and its impact on the music industry : a strategic analysis | MBus | Queensland University of Technology | 2001 | 146 |
| CLARK, Glenn R. | Production library music in adviertising : contrasts in licensing mechanisms | MMus. | Griffith University | 2011 | 95 |
| COCKS, Kathleen | The place of the Rock Eisteddfod Challenge in the extracurricular context | M.Ed | University of Western Aust. | 2001 | 129 |
| COLLETT, Morwenna | The role of Australian youth orchestras in the development of young musicians : a case study of the Queensland Youth Orchestra | MMus Studs | Griffith University | 2005 | 1 vol + 1 audio CD |
| COLLINS, Stephen | The greater right of the wrong [copyright] | PhD | Macquarie University | 2006 | 365 |
| CONNELL, Robert | Brigands on the virtual sea: online music piracy and copyright under Australian law in the digital age | ? [Law] | University of Western Aust. | 1999 | NS |
| CROWLEY, John | Alfred Hill: A Grand Old Man of Australian Music | MA | Monash University | 1999 | 166 |
| CVETKOVSKI, Trajce | The political economy of the music industry : technological change and the political control of music | PhD | University of Queensland | 2004 | 272 |
| D'OMBRAIN, Geoffrey Robert | The concept of the electronic music studio North America 1972 | MMus | University of Melbourne | 1974 | 264 |
| DANIEL, Anna
| The nature, cause and trajectory of emerging business models in the digital music sector: opportunities for specialised musicians | PhD | Australian Catholic University | 2010 | 325 |
| DART, Peter J. | Criticism in a developing culture : Australian music periodicals to 1931 | PhD | University of Queensland | 1998 | 360 |
| DAVIDSON, Jim | The career of a musical expatriate : Louise Hanson-Dyer of l'oiseau-lyre, 1927-1962 | PhD | University of Melbourne | 1992 | 668 |
| DAVIS, Petra | A history of the Australian chamber orchestra : the first decade | MMus | University of Sydney | 1996 | 61 |
| DAWSON, Jenny | Opera in colonial Brisbane: the first twenty-five years (1859-1884) | MMus | University of Queensland | 1987 | 221 |
| De SILVA, Dayaneetha | Taking on the big boys: rock music and oppositionality in Singapore | MA | Australian National University | 1996 | 293 |
| DENNIS, Simone | Sensual extensions: joy, pain and music-making in a police band | PhD | University of Adelaide | 2002 | 226 |
| DERRY, Bob & Craig ALEXANDER | An analysis of the wholesaling operations of Allans Music Australia Limited | MBA | University of Melbourne | 1975 | 45 |
| DESHON-HEALY, Janet Christine | Fame, Fortune, Failure: Musicians Surviving Revolutionary France (1789–1875) examined through a Theoretical Model Construct from Max Weber’s Socio-Political Economic Theories | PhD | Monash University | 2019 | 333 |
| DEVERS, Deanna | The use of music for morale sustaining and propaganda purposes in Australia during World War II | MMus | University of Melbourne | 1995 | 36 |
| Di RENZO, Mark | The dark side of music and the light side of law | ? [Law] | University of Western Aust. | 2000 | |
| DISTABANJONG, Supatchara | Implementing copyright collective management in Asia : a case study of Thailand | PhD | University of South Australia | 2010 | 196 |
| DJACHENKO, Yuri | A short history of English bowmakers | MMus | University of Queensland | 1998 | 65 |
| DOAR, Bruce Gordon | "We will create a music for the following empire" : developments in Chinese dramatic criticism, 1898-1918 | PhD | University of Sydney | 1982 | 280 |
| DOGGETT, Anne | 'And for harmony most ardently we long', Musical Life in Ballarat, 1851-1871 | PhD | University of Ballarat | 2006 | 2 vol |
| DOWNER, Caroline Isobel | Music in the museum : an examination of the collection of musical instruments in the Powerhouse, Museum of Applied Arts and Sciences in Sydney | MA | University of Melbourne | 1997 | 149 |
| DUFFY, Michelle | Music of Place: The Performance of Identity in Contemporary Australian Community Music Festivals | PhD | University of Melbourne | 2001 | 220 + 210 |
| DUKE, Patricia Beryl | Foundations of Early Music in Melbourne: Leonard Fullard and Other Pioneers | PhD | University of Melbourne | 2005 | 454 |
| DUNBAR, Mark | 'All take, take, take ....' migrant musicians, the Australia Council, multiculturalism and music-making in Australia | MA | Monash University | 1989 | 123 |
| EARL, Cameron Phillip | Public health management at outdoor festivals | PhD | Queensland University of Technology | 2006 | 281 |
| ECKERSLEY, Peter Daniel | Digital copyright & the alternatives : an interdisciplinary inquiry | PhD | University of Melbourne | 2012 | 321 |
| EGENES, John R. | The Record Producer's Evolving Role: A Study of Three Recording Projects | DMA | University of Otago | 2016 | |
| ELLIS, Bronwyn Irene | These sad, distracted tymes : the impact of the Civil War and Interregnum on English music, c.1640 to c.1660 | PhD | University of Tasmania | 2004 | 324 |
| EMERSON, Helen Katrine | A voice of her own: Ethel Smyth and early feminist musicology. | MA | University of Otago | 1999 | 115 |
