| Di RENZO, Mark | The dark side of music and the light side of law | ? [Law] | University of Western Aust. | 2000 | |
| GARTH, Alan | A study of an Australian rural music festival | MA | Deakin University | 2000 | 166 |
| GIBSON, Chris | Decentred sounds?: Systems of provision for popular music and a regional music industry | PhD | University of Sydney | 2000 | 374 |
| GILMOUR, Katherine Rose | An historical perspective of the development of the Melba Memorial Conservatorium of Music | M.Ed | RMIT University | 2000 | 1 vol |
| KOTHANAKUL, Pramote | Factors affecting the establishment of a classical music store in Bangkok | M Int'l Bus. | Swinburne University of Technology | 2000 | 76 |
| MARTIN, Ruth Florence Lee | The dark corner : a study of the dynamic dialectic between women composers and the Australian orchestral milieu | PhD | Australian National University | 2000 | 3 vol + 1 CD |
| McNAMARA, Bernadette | The internationalisation of Musica Viva in schools : an analysis of the implementation of an Australian music education program in Singapore | MA | RMIT University | 2000 | 115 |
| SCHWER, Ruth Elizabeth | The cello in New Zealand: history, composition, education, poular music and performance from the opinions of New Zealand musicians | MMus | Victoria University of Wellington | 2000 | 162 |
| THOMAS, Allan | An historical ethnography of music in the town of Hawera in 1946: from the recordings of the Mobile Unit of the New Zealand Broadcasting Service and oral histories of musicians | PhD | University of Otago | 2000 | 236 |
| NEILL, Karen | Hook, line & singer! : essential criteria for maximising the playlist potential of New Zealand music on commercial radio : a programme directors' perspective | MA | Massey University | 2000 | 111 |
| UBEDA, Patricia Rosalind | From Tin Pan Alley to the Royal Schools of Music : the institutionalisation of classical and jazz music | MA | Massey University | 2000 | 187 |
| MICHALSKI, Yvonne E | Current admission criteria for Texas graduate degree programs: piano performance, piano pegagogy, and music education with piano emphasis | MMus (Mus.Ed.) | Overseas | 2000 | 71 |
| BROWN, David | The role of live musical performance in the recording studio | MA | RMIT University | 2001 | 15 + 4CDs |
| BURK, Ian | The influence of Dr. A.E. Floyd as music critic and broadcaster on musical culture in Australia 1915-1974 | MMus | University of Melbourne | 2001 | 150 |
| CHOONG, Wi Yan Kelly | The diffusion of MP3 and its impact on the music industry : a strategic analysis | MBus | Queensland University of Technology | 2001 | 146 |
| COCKS, Kathleen | The place of the Rock Eisteddfod Challenge in the extracurricular context | M.Ed | University of Western Aust. | 2001 | 129 |
| DUFFY, Michelle | Music of Place: The Performance of Identity in Contemporary Australian Community Music Festivals | PhD | University of Melbourne | 2001 | 220 + 210 |
| HAMNES, David | The role of the Melbourne International Festival of Organ and Harpsichord on fostering Australian organ composition, 1971-1993 | MMus | Australian Catholic University | 2001 | 253 |
| HILL, Carolyn | New Zealand music: into the 21st century: an investigation into the factors affecting the successful post-compositional promulgation of contemporary New Zealand music | MMus | Australian National University | 2001 | 92 |
| POOLEY, Stephen George | The role of the Beatles' production team in the creation and establishment of the virtual nature of the recorded medium | MMus | Griffith University | 2001 | 183 + 1 audio CD |
| SUTHERLAND, Kim | Glasshouses built to scale: conducting a youth choir and commissioning Australian choral music for young people | MCA | University of Newcastle | 2001 | 118 |
| TENISWOOD, Arabella | The 1870s Australian tours of Madame Arabella Goddard | MMus | University of Melbourne | 2001 | 53 |
| WATER, Bolke | Making music: discourses of cultural negotiation in New Zealand | MA | Victoria University of Wellington | 2001 | 175 |
| BUNTING, Susan Lynette | Can Copyright Cope with Music | PhD | University of Melbourne | 2002 | 412 |
| CARTLEDGE, Damon Neil | Developing professionals for a changing world of work: identity and change in the Australian Army Band Corps. | D.Ed | RMIT University | 2002 | 1 vol |
| DENNIS, Simone | Sensual extensions: joy, pain and music-making in a police band | PhD | University of Adelaide | 2002 | 226 |
| FOX, Robin | Aspects of experimental music in Melbourne, 1975-1979 : focussing on the LaTrobe University Music Department and the Clifton Hill Community Music Centre | MA | Monash University | 2002 | 204 |
| JOYCE, Zita | Hearing ourselves: globalisation, the state, local content and New Zealand radio | MA | University of Canterbury | 2002 | 163 |
| KERSLAKE, Ben | Contemporary opera and the role of technology | MMus | Griffith University | 2002 | 75 |
| LU, Pei-Yun Julia | The Prix de Rome competition: success, failure or prophet | MMus | University of Melbourne | 2002 | 145 |
| NORTHEY, Benjamin | John Hopkins and Australian orchestral music 1960-74 | MMus | University of Melbourne | 2002 | 41 |
| PALOMO, Connie | Invisibility and visibility : exploring issues, problems and solutions for regional environmental arts practice in Australia | MCA | James Cook University | 2002 | 184 |
| PAPADOPOULOUS, Theo | The economics of copyright, parallel imports and piracy in the music recording industry | PhD | Victoria University (Vic. Australia) | 2002 | 279 |
| POWER, Geraldine | Yvette Guilbert: A Career of Public Applause and Personal Disappointment | MMus | University of Melbourne | 2002 | 164 |
| STOESSEL, Jason | The captive scribe: the context and culture of scribal notational process in the music of the ars subtilior | PhD | University of New England | 2002 | >372 2 vol |
| TSOUNIS, Demeter | Rebetika music-making in Adelaide: diaspora musical style and identity | PhD | University of Adelaide | 2002 | 275 |
| JENKINS, Laurence L | Claudia Muzio (1889-1936), her life and career | M.Phil | Massey University | 2003 | 166 |
| AN, Yu Lee | Publishers of New Zealand Music: a historical survey from 1840-2002 | MA Mus | University of Otago | 2003 | 364 |
| CAMPBELL, Peter J. | "Semper sint in flore:" historical, organisational, individual and musical aspects of the Intervarsity choral movement in Australia | PhD | University of Melbourne | 2003 | 968 |
| CARTER, Karen | Itinerant teachers of music: a state of flux | MTeaching | University of Canterbury | 2003 | 95 |
| GRIFFITHS, Pauline | Chamber Music Audiences: Access, Participation and Pleasure at Melbourne concerts | PhD | University of Melbourne | 2003 | 235 |
| JONES, Amanda L | Revisiting the early format of the big band : "So you want to be a band leader?" | MA | Edith Cowan University | 2003 | 2 microfiche |
| LARSEN, Gretchen L. | The symbolic consumption of music | PhD | University of Otago | 2003 | 263 |
| LEES, Jennifer Anne | Eisteddfoditis : the significance of the City of Sydney Eisteddfod in Australian cultural history 1933-1941 | PhD | University of Western Sydney | 2003 | 1 vol |
| SMART, Bonnie | Leon Caron and the music profession in Australia | MMus | University of Melbourne | 2003 | 67 |
| WONG, Maria | Percy Grainger's promotion of early music to Australian audiences in 1934: a critical evaluation | MMus | University of Melbourne | 2003 | 136 |
| BARTLEET, Brydie-Leigh | Gendering the podium: the journeys of professional woman conductors | PhD | University of Queensland | 2004 | 328 |
| BURGESS, Jean | High culture as subculture: Brisbane's contemporary chamber music scene | M.Phil | University of Queensland | 2004 | 101 |
| CVETKOVSKI, Trajce | The political economy of the music industry : technological change and the political control of music | PhD | University of Queensland | 2004 | 272 |
| ELLIS, Bronwyn Irene | These sad, distracted tymes : the impact of the Civil War and Interregnum on English music, c.1640 to c.1660 | PhD | University of Tasmania | 2004 | 324 |
| GARBER, Susan Joyce | The Hand-in-Hand community music program: a case study | PhD | Australian National University | 2004 | 349 |
| HARDIE, David L. | The structure and function of Western Australia's School of Instrumental Music | M.Ed.Man | University of Western Aust. | 2004 | 81 |
| MOE, Anders Grimso | The economics of the music industry : uncertainty in demand and implications for economic organisation and strategy | M.Econ | University of Queensland | 2004 | 93 |
| MOORE, Laurence James | Sing to the Lord a new song: a study of changing musical practices in the Presbyterian Church of Victoria, 1861-1901 | MMus | Australian Catholic University | 2004 | 188 |
| PINNER, Mark | A history of brass bands in New South Wales 1788-1901 | MA (Hons) | Macquarie University | 2004 | 227 |
| ROBERTSON, Sally | Music as a medium for human engagement: indigenous/non-indigenous musical interactions at two Australian festival sites | MA | University of Western Aust. | 2004 | 151 |
| STREET, Timothy | Nobody can stop the music: a critique of the responses of the American music industry to the onset of digital distribution in the late 1990s | MA | University of Canterbury | 2004 | 165 |
| THORNLEY, Clare | The Royal Philharmonic Society of Sydney: The rise and fall of a musical organisation | MMus | University of Sydney | 2004 | 195 |
| WELSH, Juanita M.F. | George Frederick Tendall (1845-1901): the career of a professional musician in late-Victorian Christchurch | MA | University of Canterbury | 2004 | 302 |
| BORLAGDAN, Joseph Ireneo | Enabling agency and cultural production: the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
| BRENNAN, Marc Andrew | Writing to reach you: consumer music press and music journalism in the UK and Australia | PhD | Queensland University of Technology | 2005 | 271 |
| CHITTY, Gina Ismene Shenaz | Public postures, private positions: baila and Sydney Sri Lankans | PhD | Macquarie University | 2005 | 226 |
| COLLETT, Morwenna | The role of Australian youth orchestras in the development of young musicians : a case study of the Queensland Youth Orchestra | MMus Studs | Griffith University | 2005 | 1 vol + 1 audio CD |
| DUKE, Patricia Beryl | Foundations of Early Music in Melbourne: Leonard Fullard and Other Pioneers | PhD | University of Melbourne | 2005 | 454 |
| ENGLISH, Helen Jane | Gerald English [Tenor] | MA | University of Newcastle | 2005 | 216 |
| HOWLETT, May Catherine | The production of a contemporary chamber opera (The boy who wasn't there) | MA | Macquarie University | 2005 | 141 |
| JEFFS, Nick | Counting the Beatz : hip hop culture, commercialisation and the state in Aotearoa New Zealand | MA | Auckland University of Technology | 2005 | 113 |
| LANGSTON, Thomas W. | Capitalizing on community music : a case study of the manifestation of social capital in a community choir | EdD | University of Tasmania | 2005 | 347 |
| MANNING, Lisa Jane | Towards a new approach: an evaluation and critique of the Australian orchestral audition process | M.Phil (sub) | Australian National University | 2005 | 80 |
| MITCHELL, Euan | Making noises : contextualising the politics of Rorty's neopragmatism to assess its sustainability | PhD | Victoria University (Vic. Australia) | 2005 | 2 vol (310 + 139) |
| NINAN, Abraham | What are the roles of networks and clusters in the operation of an industry? : the case of Queensland music | PhD | Queensland University of Technology | 2005 | 329 |
| O'BRIEN, Betty | Marjorie Lawrence: Her Australian Concert Tours 1939-1951 | MMus | University of Melbourne | 2005 | 115 |
| RISCHITELLI, Victor | Henry Cowell (1897-1965) and the Impact of his First European Concert Tour (1923) | MMus | Australian Catholic University | 2005 | 122 |
| BARKL, Louise | Professional musicians and the music education programs of arts organisations : case studies of two models | MMus (Mus Ed.) | University of Sydney | 2005 | 268 + DVD |
| WILLIAMS, Megan Jane | Making both ends meet : a critical perspective on becoming an artist in the new cultural economy | M.Ed (Mus) | University of Auckland | 2005 | 174 |
| BORIAGDAN, Joseph Ireneo | Enabling agency and cultural production [manuscript] : the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
| BRUNT, Shelley | "Performing community: Japan's 50th Kouhaku Song Contest" | PhD | University of Adelaide | 2006 | 2 vol + DVD |
| COLLINS, Stephen | The greater right of the wrong [copyright] | PhD | Macquarie University | 2006 | 365 |
| DOGGETT, Anne | 'And for harmony most ardently we long', Musical Life in Ballarat, 1851-1871 | PhD | University of Ballarat | 2006 | 2 vol |
| EARL, Cameron Phillip | Public health management at outdoor festivals | PhD | Queensland University of Technology | 2006 | 281 |
| GIUFFRE, Elizabeth | "Even better than the real thing"? : covers and the Australian music industry since 2000 | MA | Macquarie University | 2006 | 211 |
| KRUEGER, Cornelia Corinna | The impact of the internet on business model evolution within the news and music sectors | PhD | University of South Australia | 2006 | 336 |
| LANCASTER, Helen | Leading conservatoria through change: new challenges for music institutions and their leaders 1985-2005 | PhD | University of Queensland | 2006 | 327 |
| MICOS, Maria | Music in the Greek Festival of Sydney, 1980 to 2005 | MMus Ed. | University of Sydney | 2006 | 186 |
| MONTANO, Edward James | DJs, clubs and vinyl : the cultural commodification and operational logics of contemporary commercial dance music in Sydney | PhD | Macquarie University | 2006 | 334 |
| MORROW, Guy Richard | Managerial creativity: a study of artist management practices in the Australian popular music industry | PhD | Macquarie University | 2006 | 390 |
| MURUGIAH, Seravanen | The debate of music downloading | MA | Griffith University | 2006 | 1 vol |
| PALMER, Roger John | Participating in the classical music world: four amateur organisations and the persepectives of their members | MMus | Victoria University of Wellington | 2006 | 149 |
| MABEY, Nicholas William | On the New Zealand music industry: a qualitative value chain analysis | MSc | University of Auckland | 2006 | 126 |
| BONG, Jin Guan | Alice Ellen Charbonnet : a French musician in nineteenth-century Australia | MMus | University of Melbourne | 2006 | 162 |
| FEHSENFELD, Diana Mae | Maori waiata : an examination of intellectual property law issues for music librarians | MLIS | Victoria University of Wellington | 2006 | 92 |
| BATHURST, Ralph James | The music of organisations : an aesthetic ethnography | PhD | Victoria University of Wellington | 2006 | 427 |
| VOORN, Rebecca J | The effectiveness of the Internet as a medium for the promoting of independent Australian music acts | MProfComm | University of South Queensland | 2006 | 199 |
| YEOLAND, Rosemary | <cite>La contribution littéraire de Camille Mauclair au domaine musical Parisien à la fin du dix-neuvième siècle.</cite> The literary contribution of Camille Mauclair to the late nineteenth century musical world of Paris | PhD | University of Tasmania | 2006 | 272 |
| GREGORY, Mark | Sixty years of Australian Union Songs: the Australian folk revival and the Australian Labour Movement since the Second World War | MA | Macquarie University | 2007 | 172 + 1 CD + 1 bookl |
| YASUMOTO, Elina | Edward Goll : Melbourne pianist and teacher : the war years 1914-1918 | MMus | University of Melbourne | 2007 | 118 |
| SELLECK, Johanna | Notions of identity, a socio-cultural interpretation of music in Melbourne 1880-1902. Folio of compositions and thesis | PhD | University of Melbourne | 2007 | 3 vol. + 2 CDs + 2 D |
| MALONEY, Belinda | Phenomenological investigation of e-value chains from Australian music stakeholders perceptions | PhD | Deakin University | 2007 | 290 |
| KIRCHNER, Astrid Susan | More Kiwi music : upgrading New Zealand's music industry through successful music export | MBA | Massey University | 2007 | 137 |
| MONTGOMERY, Anna Lucille Ford | Governing a copyright culture in post-WTO China : copyright in the film and music industries, 2001-2005 | Ph.D. | Queensland University of Technology | 2007 | 270 |
