| ABBOTT, Katrina | Folio of compositions | MMus | University of Melbourne | 2001 | 1 vol + cd |
| ADAMEK, Catherine | Adelaide dance music culture : late 1980s to early 1990s | PHD | University of South Australia | 2016 | 336 |
| ADDISON-SMITH, Dorothy Jane | Collections of Australian music recordings in Melbourne public libraries | MA | Monash University | 1993 | 85 |
| ADSETT, Rosemary | The motivations, experiences and expectations of visitors attending the Tamworth country music festival | PhD | University of Queensland | 2012 | 263 |
| AGGETT, Cathy | Australian art song: Pedagogical strategies for singers and singing teachers (working title) | PhD | University of Western Sydney | In Progress (2005) | |
| AGNEW, Melissa | Consciousness of voice in the Australian theatre from the new wave to the new millennium | PhD | University of Sydney | 2002 | 378 |
| AITKEN, Thomas Craig | Richard Meale: a stylistic survey | MMus | University of Queensland | 1975 | 115 |
| ALEXANDER, Adrienne | A study of current practice in flute pedagogy for beginner students in New South Wales | MMus Ed. | University of Sydney | 1997 | 116 |
| ALEXANDER, Craig and Bob DERRY | An analysis of the wholesaling operations of Allans Music Australia Limited | MBA | University of Melbourne | 1975 | 45 |
| ALHADAD, Hana | Dreamtime Peter Pan: An exploration of participatory theatre processes, performance and the negotiation of identities among marginalised young people in Brisbane | PhD | University of Queensland | 2013 | 294 |
| ALOMES, CA | The Reception of the music of Gustav Holst in Australia 1900 - 1950 | PhD? | University of Tasmania | 2015 | |
| ALONSO-VAZQUEZ, Marisol | Factors that influence engagement in on-site environmentally responsible behaviours at music festivals | PhD | University of Queensland | 2015 | 279 |
| ALSOP, Peter R. | Using aspects of language in computer based composition: three approaches to current Australian texts | MA | LaTrobe University | 1999 | 201 + 3 audio CDs |
| ANCELL, Noel | Christopher Wilcock: Australian liturgical composer | MA | Monash University | 1992 | 64 |
| ANDERSON, Gae Mary | Harry Rickards: a performance-centred portrait from music hall to Vaudeville | PhD | University of Sydney | 1998 | 370 ( 2 vol) |
| ANDERSON, Gregory | Murlarra: a clan song series from central Arnhem Land | PhD | University of Sydney | 1992 | 920 + 2 cass + vid |
| ANDERSON, Peter James | The innovative music of Percy Grainger : an examination of the origins and development of free music | MMus | University of Melbourne | 1979 | 114 + cass |
| ANDREW, Ian Gregory | Singing a new story: a composer's exploration of textual synthesis through composition | PhD | University of Adelaide | 2016 | |
| ANDREWS, Helen Marie | Cognitive impairment, spontaneous recovery and environmental enrichment post stroke | DCP | University of Newcastle | 2015 | |
| ANGUS, Quentin | Phrasing and polyrhythm in contemporary jazz guitar: a portfolio of recorded performances and exegesis. | PhD | University of Adelaide | 2014 | 307 |
| Anon | The wireless and the talkies: new technologies and their impact on the Australian popular music industry | PhD | University of Queensland | in progress (NiC08/07) | |
| Anon | Andrew Schultz's Black River: an analysis | MMus (Hons) | University of Wollongong | in progress (NiC08/07) | |
| Anon | Pianists Perspectives of the Stuart and Sons Piano | MMus | Griffith University | in progress (2005) | |
| Anon | Musicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world music | MMus (Hons) | University of New England | in progress (NiC08/07) | |
| Anon | Giuditta Pasta and Maria Callas: phenomenon and impact of the acting singer | MMus | Australian National University | in progress (NiC08/07) | |
| Anon | Practice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism. | PhD | Queensland University of Technology | in progress (2005) | |
| Anon | Extramusical structures in the concerti of Larry Sitsky | MMus | Australian National University | in progress (NiC08/07) | |
| Anon | Female Australian Aboriginal songwriters/performers | MMus | Australian National University | in progress (NiC08/07) | |
| Anon | The history of music in Western Australia 1900-50 | PhD | University of Western Aust. | in progress (NiC08/07) | |
| Anon | From Mediated to Immediate: The Role of Technology on the Performance of Slovenian Folk Music in Port Lincoln, South Australia | MMus | University of Adelaide | in progress (NiC08/07) | |
| Anon | The Australian song cycle for voice and piano in the second half of the twentieth century: themes of a multi-layered society | PhD | University of Adelaide | in progress (NiC08/07) | |
| Anon | Sense of the sacred: Selected a cappella works by Anne Boyd, Nigel Butterley, and Clare MacLean | PhD | University of Adelaide | in progress (2001) | |
| Anon | Three Way Transplantation of Select Jewish Liturgical Music out of Lithuania through South Africa from 1881, to Australia from 1990 with Special Reference to Vilna, Johannesburg, and Melbourne | PhD | Monash University | in progress (2007) | |
| Anon | World music: a perspective from Adelaide | MMus | University of Adelaide | in progress (NiC08/07) | |
| Anon | Forward into the Past: Toward a Dance Ethnology of the Society of Creative Anachronism in Australia | MPhil | Australian National University | in progress (NiC08/07) | |
| Anon | "Light Music" by Australian composers in the postwar era. | PhD | University of Adelaide | in progress (2007) | |
| Anon | The life and music of Charles Edgar Ford (1881-1961) | MA | University of Western Aust. | in progress (NiC08/07) | |
| Anon | Music in Australia during the Gold Rush: A Biography of Madame Cavendish | MPhil | Australian National University | in progress (NiC08/07) | |
| Anon | Evos music: The organisation of contemporary music performance in Perth in the 1980s and 90s | MMus | University of Western Aust. | in progress (NiC08/07) | |
| Anon | A history of the Australian Opera and Ballet Orchestra | MMus | University of NSW | in progress (NiC08/07) | |
| Anon | An ethnomusicological survey of the songs currently performed in folk clubs/festivals in Australia | PhD | University of NSW | in progress (NiC08/07) | |
| Anon | An exploration of the Theological significance of Liturgical Music Practice in an Australian Catholic Parish | PhD | Australian Catholic University | in progress c. 2002 | |
| Anon | The symphonies of Carl Vine | MPhil | University of Sydney | in progress (NiC08/07) | |
| Anon | Slovenian folk music and identity maintenance in remote Port Lincoln, South Australia | MMus | University of Adelaide | in progress (2007) | |
| Anon | Dame Joan Hammond - A Diva of Circumstance | MA | Monash University | In Progress (2007) | |
| Anon | Minding the Hymn: Catherine Winkworth and the Transmission of German Hymnody to Australia, 1840-1999 | PhD | Charles Sturt University | in progress (2006) | |
| Anon | Acoustic Ecology and the Documentation of Environments Using Soundscape Composition [working title] | PhD | University of South Australia | In Progress (2009) | |
| Anon | Exploring the influence of Confucianism on music learning among the Chinese-Australian Diaspora | PhD | Monash University | in progress (2013) | |
| Anon | Evolving music undergraduate education in Australia: A comparative and generative investigation of student expectations, experiences, and perceptions of quality | PhD | University of Western Aust. | In Progress (2012) | |
| ANTHONY, Brendan | ‘The Stairways to Mixing Heaven’: Designs for the Optimisation of Creative Mixing Practices in Popular Music Record Production | MMus | Griffith University | 2015 | |
| ARNOLD, Greg | Writing songs and writing a record: Inside the composition of an Acoustic Pop Album | PhD | University of Tasmania | 2013 | 175 |
| ARONOWICZ, Andrew | Composition folio | MMus | University of Melbourne | 2013 | |
| ARONSON, Gregory | Guided By Voices : Living and Learning Music | PHD | Victoria University (Vic. Australia) | 2016 | 331 |
| ASHTON, Graham R | Got ‘em on a String: The Collective Skills, Knowledge and Attributes of Group String Teachers in Queensland | MPhil | Griffith University | 2015 | |
| ASKILL, Michael | Reflections on Composition and Consciousness | PhD | University of Queensland | 2015 | 145 |
| ATHAN, Melissa | Control I'm here. | MA | Monash University | 1994 | 316 |
| AUÉ, Johannes | (E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesis | MMus | University of Adelaide | 2010 | 240 + CD |
| AYRTON, Brook | Keith Stirling : An introduction to his life and examination of his music | MMus | University of Sydney | 2011 | 57 |
| BACKSTROM, Lynne | An investigation into the relationship between the experiences, philosophy and cello compositions of composer/performer Sarah Hopkins | MMus | University of Queensland | 1994 | 62 |
| BAILEY, Lionel | The improvisational styles of Australian saxophonists Jamie Oehlers and Julien Wilson | MA | Monash University | 2011 | 69 |
| BAKER, Andrea J. | Youths and net-radio, exploring subcultural models of audiences | PhD | Monash University | 2010 | 387 |
| BAKER, Jane Susanne | Learning, identity work, and music use in young garage band | PhD | University of Queensland | 2014 | |
| BAKRNCHEV, Michael Arthur | Folio of Compositions | MMus | University of Melbourne | 2016 | |
| BALLICO, Christina | Bury me deep in isolation: A cultural examination of a peripheral music industry and scene | PhD | Edith Cowan University | 2013 | |
| BALOUGH, Teresa | The essential Grainger: Percy Grainger's Kipling settings, 1898-1947 | PhD | University of Western Aust. | 1985 | 524 + 1 vocal score |
| BAN, Louise Giselle | Problems and solutions in adapting the Kodaly method for use in Australia | MA | University of Sydney | 1976 | 281 |
| BANKS, Jy-Perry | Voices of the Australian tuba : a consideration of factors influencing its changing sound and musical status | MMusPerf | University of Sydney | 2013 | 100 |
| BARBELER, Damian | Shades of mimesis : self-similarity and other nature-based inspiration in composition | PhD | University of Sydney | 2010 | 89 + 8 score+ 2 CDs |
| BARKL, Louise | Professional musicians and the music education programs of arts organisations : case studies of two models | MMus (Mus Ed.) | University of Sydney | 2005 | 268 + DVD |
| BARKL, Michael | Franco Donatoni's Etwas Ruhiger in Ausdruck; and folio of compositions | MMus (Hons) | University of New England | 1985 | 2 vol |
| BARKL, Michael Laurence Gordon | Vertigo: Riccardo Formosa's composition technique | PhD | Deakin University | 1994 | 301 |
| BARNES, Gwyneth G | A history of the Newcastle Conservatorium, 1952-1989 | M.Ed | University of Newcastle | 1994 | 142 |
| BARNES, Julie | Whitsunday: a bicentennial opera | MA | Monash University | 1991 | 121 |
| BARNEY, Katelyn | Playing Musical Hopscotch: How Indigenous Australian Women Perform Around, Within and Against Aboriginalism | PhD | University of Queensland | 2006 | 309 + CD |
| BARR, Adrian B. | The transcendent experience in experimental popular music performance | PhD | University of Western Sydney | 2012 | 364 |
| BARTHOLOMEW, Peter G. | Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works | LLM | Queensland University of Technology | 1998 | 1 vol |
| BARTLETT, Irene Mary | Sing out loud, sing out long: a profile of professional contemporary gig singers in the Australian context | DMA | Griffith University | 2011 | 212 |
| BARTON, Georgina | The influence of culture in instrumental music teaching : a particpant-observation case study of Karnatic and Queensland instrumental music teachers in context | PhD | Queensland University of Technology | 2003 | 257 |
| BASILE, Christopher | An ethnomusicological study of the Macedonian Women's Choir of Melbourne | MA | Monash University | 1991 | 124 |
| BATTERHAM, Andrew | Folio of compositions 2010-2011 | MMus(Comp) | University of Melbourne | 2011 | 239 |
| BATTERHAM, Andrew Bruce | Footprints: the assimilation of extra-Classical elements in a compositional language | PhD | University of Melbourne | 2015 | |
| BAUDER, Amy | Authenticity in Australian country music | PhD | Macquarie University | 2016 | 329 |
| BEAUGEAIS, Katia | Compositions by Katia Beaugeais | MMus | University of Sydney | 2010 | 148 + 1 CD |
| BEBBINGTON, Warren Arthur | The operas of G.W.L. Marshall Hall | MMus | University of Melbourne | 1978 | 295 |
| BEHRENS, Lisa | Aspects of postmodernity in Australian piano miniatures: an analysis with regard to new tonality | MMus | Griffith University | 1996 | 306 |
| BEILHARZ, Kristy | Portfolio of musical compositions | PhD | University of Sydney | 1996 | 287+cass |
| BELCHER, Steven James | The development of a 15 minute direct instruction program for year 7 students for the Victorian music classroom and an evaluation of its effectiveness in advancing students' music literacy | M.Ed | Edith Cowan University | 2010 | 94 + Music |
| BELL, Robert | PAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they produce | PhD | Swinburne University of Technology | 2015 | 536 |
| BELLIO, Natalie Stephanie | Percy Grainger and new worlds of concert pianism: a study of repertoire and programming (1901-1926) | MMus | University of Melbourne | 2013 | 96 |
| BELSHAM-REVELL, Geoffrey | A biography of Dom Stephen Moreno, O.S.B., with a complete catalogue of his works | MA | University of Western Aust. | 1990 | 145 |
| BEN-SALAMON, Nissan | a folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio files | MA | Monash University | 2003 | c.50 + 4 scores + CD |
| BENDRUPS, Faye | Service station : straying the Australian landscape : a modern Aussie ballad opera | PhD | Victoria University (Vic. Australia) | 1996 | 196 |
| BENIUK, David | Contemporary aboriginal songs and songwriters : post-colonialism, categorisation and orality | MA (Hons) | University of Wollongong | 1995 | 98 |
| BENNETT, Jane L. | An examination of five serial compositions by Don Banks | MMus | University of Queensland | 1998 | 155 |
| BENNETTS, Kathleen | The status of music literacy in selected Melbourne primary schools in the mid 1990s | MA | Monash University | 1999 | 106 |
| BESTON, Pauline M. | Composition, assessment and pedagogy in NSW senior secondary music education | PhD | University of Sydney | 2001 | 363 + 3 CDs |
| BETTCHER, Nathan James | The process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church) | MMus | University of Adelaide | 2010 | 135 + DVD |
| BIEZAITIS, Mara | Volfgangs Darzins (1906-1962) : a response to Latvian music traditions in emigration | MMus | University of Adelaide | 1984 | 179 |
| BINNS, Georgina M | Patriotic and nationalistic song in Australia in 1919: a study of the popular sheet music genre | MMus | University of Melbourne | 1988 | 2 vol |
| BIRDWELL, John Cody | The utilization of folk song elements in selected works by Ralph Vaughan Williams and Percy Grainger with subsequent treatment exemplified in the wind band music of David Stanhope | DMA | Overseas | 1996 | 104 |
