MSA THESIS REGISTER: SEARCH SELECTION AND RESULTS

You may choose as many items from as many of the six selection boxes as you wish, and then filter each box individually by "all of," "one of" or "none of" the categories selected (Use CTL-click to obtain multiple entries within a box.)

NOTES

  • For more detailed category descriptions go to the Category Description page.
  • The full register appears until selections are submitted.
  • Sortable Columns sort alphabetically.
  • The operand between boxes is "AND" e.g. if you select:   [Speciality: "all of" bibliograhic, philosophical; Chronological: "one of" Baroque, 21st Century]
    you will receive a list of all theses that belong to both the Bibliographic and Philosophical categories, and also belong to either the Baroque or the 21st Century categories.

LocalEthnomusicologySpecialityGeneral Topic AreaChronologicalStatus
AuthorThesis TitleDegreeUniversityYearPagessort icon
HALL, Stephen MarshallDesign issues in low-cost interactive multimedia show systemsMARMIT University1998vid
NG, Nicholas FrancisCelestial roots : the music of Sydney's Chinese, 1954-2004PhDAustralian National University2008various + DVD + 2 CD
HILL, GarethAn application of the musical style of jazz saxaphone to the double bassMPhil MusicAustralian National University2008various
HABERFIELD, DavidExplorations in contemporary electronic dance music, style and soundMARMIT University1996var
KESMINAS, Damius & Mike STEVENSONSlave pianos (of the art cult): investigating and re-contextualising selected Australian and international artists' music projects since the 1950s through the process of transcription, re-enactment and creative appropriationMARMIT University1999var
SAMARTZIS, PhilipContemporary narrative film sound stylistsMARMIT University1997var
STEVENSON, Mike & KESMINAS, DamiusSlave pianos (of the art cult): investigating and re-contextualising selected Australian and international artists' music projects since the 1950s through the process of transcription, re-enactment and creative appropriationMARMIT University1999var
THACKER, Eric CharlesCatalogue Raisonné of the material relevant to Percy Grainger as an artist and as a man, contained in the Percy Grainger Museum, University of MelbourneMAUniversity of Melbourne1965 NiLunknown
JONES, T.A.Arnhem Land musicMAUniversity of Sydney1958 NiCUnknown
WHITEHEAD, GPolynesian musical instrumentsMMusUniversity of Sydney1966 NiCunknown
PEARSON, E.History of music in OtagoMAUniversity of Otago1941 NiCunknown
HARVEY, Anne ThereseDonald Hollier's compositional method: Integration of diverse idioms in three of his variation worksMMusUniversity of NSW1990 (NiC)tba
HOOPER, Michael J.The compositional approaches of Liza LimMMusUniversity of Sydney2002 NiCtba
HOOPER, Michael JThe Music of David Lumsdaine (1966-1980)PhDOverseas2007 (NyiC)tba
WATERS, Julie Anne“Against the stream”: intersections of music and politics in the conception, composition and reception of Alan Bush’s first three symphoniesPhDMonash University2012TBA
WARD, JillAndrea Zani (1696-1757) - life and works - through a study of the documents together with a collected edition and thematic cataloguePhDUniversity of Canterbury2010TBA
BUCHANAN, Heather JoanBody mapping : self-reflective views of student musiciansPhDUniversity of New England2010TBA
WESTON, DianaBeyond the figures : a search for styles in harpsichord accompaniment 1600-1750MMus (Hons)University of New England2009TBA
BUCK, MaryMusic, geometry, and the listener : space in the history of Western philosophy and Western classical musicPhDUniversity of New England2008TBA
WHITELEY, Christina JenniferReading the past through colonial piano music of New South WalesPhDUniversity of New England2007TBA