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MSA THESIS REGISTER: SEARCH SELECTION AND RESULTS

You may choose as many items from as many of the six selection boxes as you wish, and then filter each box individually by "all of," "one of" or "none of" the categories selected (Use CTL-click to obtain multiple entries within a box.)

NOTES

  • For more detailed category descriptions go to the Category Description page.
  • The full register appears until selections are submitted.
  • Sortable Columns sort alphabetically.
  • The operand between boxes is "AND" e.g. if you select:   [Speciality: "all of" bibliograhic, philosophical; Chronological: "one of" Baroque, 21st Century]
    you will receive a list of all theses that belong to both the Bibliographic and Philosophical categories, and also belong to either the Baroque or the 21st Century categories.

LocalEthnomusicologySpecialityGeneral Topic AreaChronologicalStatus
AuthorThesis TitleDegreeUniversityYearPagessort icon
LAU, Thomas“Developing and Assessing the Effectiveness of a Performance-based Methodology for the Learning of Harmonic Perception in Tertiary Music Students” PhDAustralian National UniversityIn progress (2007)
MARETT, Allan1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga noPhDOverseas1976
MARETT, AllanAn examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, SamgitaratnakaraMAOverseas1972
AnonAspects of the music of Henry PurcellMMusUniversity of NewcastleIn Progress (2006)
AnonFifteenth-century modality: a comparison of the practice of Ockeghem and the theory of TinctorisMAMonash Universityin progress 2005
AnonAnalysis of selected chamber works by Haydn and BeethovenMMusUniversity of Newcastlein progress (NiC08/07)
AnonThe wireless and the talkies: new technologies and their impact on the Australian popular music industryPhDUniversity of Queenslandin progress (NiC08/07)
AnonMusic, Media and the ArtsDPhil Ed.University of NSWin progress (2006)
AnonThe composition process in the music of Bharatanatyam (a South Indian Classical dance form).PhDMacquarie Universityin progress (2007)
AnonDictionary of New Zealand violin makersPhDVictoria University of Wellingtonin progress (NiC08/07)
AnonWomen musicians in late 18th-century LondonMMusUniversity of Melbournewithdrawn c.2005
BARNES, Jennifer JoanBeyond the act of singing MMusUniversity of Newcastle1998
AnonSets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie AndersonGradDipMusAustralian National Universityin progress (NiC08/07)
AnonTuvalu: an Ethnomusicological Survey.PhDUniversity of New Englandin progress (2007)
AnonInterpretation through improvisationMMusUniversity of Queenslandin progress (NiC08/07)
AnonThe significance and performance practice of Mantra in Buddhism of the VajrayanaPhDUniversity of Aucklandin progress (NiC08/07)
AnonAndrew Schultz's Black River: an analysisMMus (Hons)University of Wollongongin progress (NiC08/07)
AnonIdentifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice.PhDUniversity of Sydneyin progress (2006)
AnonOtse Mbaka: An investigation into cultural loss, recuperation and ownership in North Central NamibiaDCADeakin Universityin progress (NiC08/07)
AnonPianists Perspectives of the Stuart and Sons PianoMMusGriffith Universityin progress (2005)



NiL = Not found in Library Catalogue
NS = Not stated in Library Catalogue
NiC08/07 = Item included in original MSA Thesis Register as "in progress" - Not found in relevant library catalogue in August 2007 - possibly withdrawn
NyiC = Not yet in library catalogue - usually relates to recently awarded theses.

Copyright of Bibliographic data: The Musicological Society of Australia Inc. & Stephanie J. Rocke.
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