MSA THESIS REGISTER: SEARCH SELECTION AND RESULTS

You may choose as many items from as many of the six selection boxes as you wish, and then filter each box individually by "all of," "one of" or "none of" the categories selected (Use CTL-click to obtain multiple entries within a box.)

NOTES

  • For more detailed category descriptions go to the Category Description page.
  • The full register appears until selections are submitted.
  • Sortable Columns sort alphabetically.
  • The operand between boxes is "AND" e.g. if you select:   [Speciality: "all of" bibliograhic, philosophical; Chronological: "one of" Baroque, 21st Century]
    you will receive a list of all theses that belong to both the Bibliographic and Philosophical categories, and also belong to either the Baroque or the 21st Century categories.

LocalEthnomusicologySpecialityGeneral Topic AreaChronologicalStatus
Authorsort iconThesis TitleDegreeUniversityYearPages
BARCLAY, LeahSonic Ecologies: Environmental Electroacoustic Music Composition in Cultural ImmersionPhDGriffith University2014
BARCLAY, NeilSelf-hypnosis as a tool for practice and performanceMMus Ed.University of Western Aust.1996187
BARDWELL, GlennMusical expression and communication: an overviewMMus (perf)University of Melbourne1996121
BARKER, Bram WesleyThe Jebediah Jones Mystical Montrose Tour, 1999MMOverseas199922
BARKER, J.W.Max Reger and the orchestraPhDUniversity of Adelaidewithdrawn 1967
BARKER, Jade CarolineApplying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli methodMMusMonash University2014
BARKER, Simon"Scattering rhythms" : The Koreanisation of the Western drumsetPhDUniversity of Sydney2010114 + 1 CD + 1 DVD
BARKL, LouiseProfessional musicians and the music education programs of arts organisations : case studies of two models MMus (Mus Ed.)University of Sydney2005268 + DVD
BARKL, MichaelFranco Donatoni's Etwas Ruhiger in Ausdruck; and folio of compositionsMMus (Hons)University of New England19852 vol
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
BARKL, Michael Laurence GordonVertigo: Riccardo Formosa's composition techniquePhDDeakin University1994301
BARLOW, DaleA portfolio of transcriptions and analyses towards Masters of Music MMus (Jazz)University of Canberra19972 vol
BARLOW, ShaunBeatbox flute : An historical account, performance manual and notational guideMMusPerfUniversity of Sydney2011101
BARNARD, Geoffrey DavidIndeterminate composition and ideological determination MAUniversity of Technology Sydney2003106
BARNES, Gwyneth GA history of the Newcastle Conservatorium, 1952-1989M.EdUniversity of Newcastle1994142
BARNES, Jennifer JoanBeyond the act of singing MMusUniversity of Newcastle1998
BARNES, Jennifer JoanSubjective audibility in the professional operatic soprano voice.PhDUniversity of Sydney2007139
BARNES, JulieWhitsunday: a bicentennial operaMAMonash University1991121
BARNEY, KatelynPlaying Musical Hopscotch: How Indigenous Australian Women Perform Around, Within and Against AboriginalismPhDUniversity of Queensland2006309 + CD
BARON, AnnetteA comparison of unaccompanied singing of familiar songs and vocal improvisation for older adults with severe late stage dementiaMMusUniversity of Melbourne2004142