MSA THESIS REGISTER: SEARCH SELECTION AND RESULTS

You may choose as many items from as many of the six selection boxes as you wish, and then filter each box individually by "all of," "one of" or "none of" the categories selected (Use CTL-click to obtain multiple entries within a box.)

NOTES

  • For more detailed category descriptions go to the Category Description page.
  • The full register appears until selections are submitted.
  • Sortable Columns sort alphabetically.
  • The operand between boxes is "AND" e.g. if you select:   [Speciality: "all of" bibliograhic, philosophical; Chronological: "one of" Baroque, 21st Century]
    you will receive a list of all theses that belong to both the Bibliographic and Philosophical categories, and also belong to either the Baroque or the 21st Century categories.

LocalEthnomusicologySpecialityGeneral Topic AreaChronologicalStatus
AuthorThesis TitleDegreeUniversityYearPagessort icon
AnonMeanings in music texts and texts about music in Western Europe in the late 19th to early 20th centuriesGradDipMusAustralian National Universityin progress (NiC08/07)
TSOU, Nan ChienChopin's Preludes opus 28: Historical context, performance practice, and pedagogical implicationsPhDMonash Universitywithdrawn c.2005
AnonDissent and Dissonance: Understanding Musical Experiences and social movements in resistance in the early twenty first centuryPhDUniversity of Melbournein progress (2006)
AnonMusic learning and teaching for the blindPhDUniversity of Adelaidein progress (NiC08/07)
VAN DER MEULEN, S.Empfindsamkeit in the music of the eighteenth century.PhDUniversity of Melbournewithdrawn c.2005
AnonAn analysis of Stockhausen's TraumformelMusMUniversity of Western Aust.in progress (NiC08/07)
WALLWORK, JoanneSchools of violin technique and their common and relative meritsPhDMonash Universitywithdrawn
AnonPlaying-related discomfort/pain among string studentsPhDAustralian Catholic Universityin progress (2006)
AnonAcquiring the ability to improvise: a cross-cultural study examining the learning processes and performance strategies of musicians in jazz, Hindustani music, and Arabic taqsimPhDUniversity of NSWin progress (2007)
WERETKA, JohnFour settings of Metastasio's Siroe: did a musico-dramatic theory exist in the Baroque period?MMusUniversity of Melbournewithdrawn c.2005
AnonMelodicMatch - Music Analysis Software for the 21st CenturyPhDUniversity of Melbournein progress (2006)
AnonSatie's Socrate: an analytical studyMAUniversity of Otagoin progress (NiC08/07)
AnonThe symphonies of Carl VineMPhilUniversity of Sydneyin progress (NiC08/07)
AnonSpinto Repertoire and The Development of the Spinto VoiceMCAUniversity of Newcastlein progress (NiC08/07)
AnonThe Liber primus missarum (1602) of Alfonso LoboMAUniversity of Queenslandin progress (NiC08/07)
AnonPles and the production of lokal music in Port Moresby, Papua New GuineaPhDUniversity of Otago2011
AnonVocal expression and text portrayal in the music of BerioMMusGriffith Universityin progress (NiC08/07)
WOOLER, ReneTechniques for automated and interactive note sequence morphing of mainstream electronic musicPhDQueensland University of Technologysubmitted 2007
AnonThe use of popular music techniques in contemporary Australian guitar compositionsMMusAustralian National Universityin progress (NiC08/07)
AnonA comparative and stylistic study of two scenes from Benjamin Britten's opera Peter Grimes opus 33, from the complete studio recordings to the end of 1994MMusUniversity of NSWin progress (NiC08/07)