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MSA THESIS REGISTER: SEARCH SELECTION AND RESULTS

You may choose as many items from as many of the six selection boxes as you wish, and then filter each box individually by "all of," "one of" or "none of" the categories selected (Use CTL-click to obtain multiple entries within a box.)

NOTES

  • For more detailed category descriptions go to the Category Description page.
  • The full register appears until selections are submitted.
  • Sortable Columns sort alphabetically.
  • The operand between boxes is "AND" e.g. if you select:   [Speciality: "all of" bibliograhic, philosophical; Chronological: "one of" Baroque, 21st Century]
    you will receive a list of all theses that belong to both the Bibliographic and Philosophical categories, and also belong to either the Baroque or the 21st Century categories.

LocalEthnomusicologySpecialityGeneral Topic AreaChronologicalStatus
Authorsort iconThesis TitleDegreeUniversityYearPages
AnonDictionary of New Zealand violin makersPhDVictoria University of Wellingtonin progress (NiC08/07)
AnonWomen musicians in late 18th-century LondonMMusUniversity of Melbournewithdrawn c.2005
AnonSets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie AndersonGradDipMusAustralian National Universityin progress (NiC08/07)
AnonTuvalu: an Ethnomusicological Survey.PhDUniversity of New Englandin progress (2007)
AnonInterpretation through improvisationMMusUniversity of Queenslandin progress (NiC08/07)
AnonThe significance and performance practice of Mantra in Buddhism of the VajrayanaPhDUniversity of Aucklandin progress (NiC08/07)
AnonAndrew Schultz's Black River: an analysisMMus (Hons)University of Wollongongin progress (NiC08/07)
AnonIdentifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice.PhDUniversity of Sydneyin progress (2006)
AnonOtse Mbaka: An investigation into cultural loss, recuperation and ownership in North Central NamibiaDCADeakin Universityin progress (NiC08/07)
AnonPianists Perspectives of the Stuart and Sons PianoMMusGriffith Universityin progress (2005)
AnonRelationship between the words and the music in the songs of Ivor GurneyPhDGriffith Universityin progress (NiC08/07)
AnonMusicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world musicMMus (Hons)University of New Englandin progress (NiC08/07)
AnonVocal writing in Stravinsky's Neo-classic music and especially The Rake's ProgressMCAUniversity of Wollongongin progress (NiC08/07)
AnonGiuditta Pasta and Maria Callas: phenomenon and impact of the acting singerMMusAustralian National Universityin progress (NiC08/07)
AnonThe application of Dalcroze eurhythmics to music educationPhDUniversity of Newcastlein progress (NiC08/07)
AnonOrigins and defining characteristics of the mezzo-soprano voice classificationMCAUniversity of Wollongongin progress (NiC08/07)
AnonThe use of the tuba family in Wagner's RingMMusUniversity of Newcastlein progress (NiC08/07)
AnonTimbral perception: a study in sound colour, with emphasis on the listener's perspective, and aspects of Skryabin and KandinskyMMusUniversity of Melbournein progress (NiC08/07)
AnonPractice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism.PhDQueensland University of Technologyin progress (2005)
AnonTraditional opera in TaiwanMCAUniversity of Wollongongin progress (NiC08/07)



NiL = Not found in Library Catalogue
NS = Not stated in Library Catalogue
NiC08/07 = Item included in original MSA Thesis Register as "in progress" - Not found in relevant library catalogue in August 2007 - possibly withdrawn
NyiC = Not yet in library catalogue - usually relates to recently awarded theses.

Copyright of Bibliographic data: The Musicological Society of Australia Inc. & Stephanie J. Rocke.
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