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MSA THESIS REGISTER: SEARCH SELECTION AND RESULTS

You may choose as many items from as many of the six selection boxes as you wish, and then filter each box individually by "all of," "one of" or "none of" the categories selected (Use CTL-click to obtain multiple entries within a box.)

NOTES

  • For more detailed category descriptions go to the Category Description page.
  • The full register appears until selections are submitted.
  • Sortable Columns sort alphabetically.
  • The operand between boxes is "AND" e.g. if you select:   [Speciality: "all of" bibliograhic, philosophical; Chronological: "one of" Baroque, 21st Century]
    you will receive a list of all theses that belong to both the Bibliographic and Philosophical categories, and also belong to either the Baroque or the 21st Century categories.

LocalEthnomusicologySpecialityGeneral Topic AreaChronologicalStatus
Authorsort iconThesis TitleDegreeUniversityYearPages
ALTER, AndrewDancing with the Gods: power and meaning in the music of Garhwal, North IndiaPhDMonash University2000423 + CD
ALTER, Andrew BurtonHindustani vocal music: a case study of oral transmissionMMusUniversity of Adelaide1989281
ALTON-LEE, Amity RoseThe improvisation of Tubby Hayes in 'The New York sessions' MMusNZ School of Music (Victoria + Massey)201080; 42
ALVARO, LorenzoFolio of compositions [music] : 2007- 2008M.Mus.University of Melbourne2008225 + 1 CD
AMABILE, PaulMusical theory in architectural designGDipArchQueensland University of Technology1982183
AMANATIDIS, AgapiComing into being: metaphors of self and becoming in Carnival, on the Aegean Island of SkyrosPhDUniversity of Adelaide2005345
AMARAL, Ulisses CoutinhoNot from here, not from therePhDUniversity of Sydney2014
AMATO, NolaThe design and implementation of a keyboard scale tutoring systemMScUniversity of Western Aust.1988103
AMIN, ManishaDancing to the flutePhDUniversity of Technology Sydney201089
AMIR, Iwan DzulvanSing, Adapt, Persevere: Dynamics of Traditional Vocal Performances in the Islamic Region of Aceh from the Late 19th to the Early 21st CenturyPhDMonash UniversityNiC2005NiC
AMPT, Robert MiltonMusic iconography and performance practice in the time of Heinrich SchutzMMusUniversity of Adelaide1973192
AN, Yu LeePublishers of New Zealand Music: a historical survey from 1840-2002MA MusUniversity of Otago2003364
AN, Yu LeeMusic Publishing in London from 1780 to 1837 as reflected in music-publishers' catalogues.PhDUniversity of Canterbury2008 (nyiC)350 + 932
ANCELL, NoelChristopher Wilcock: Australian liturgical composerMAMonash University199264
ANDERSON, Alan JohnstonDeveloping instructional strategies for desktop video assisted music teaching and learningPhDSouthern Cross University2004214
ANDERSON, ElizabethA study of fingering in selected sources of English virginal music MMusUniversity of Melbourne1984174
ANDERSON, Gae MaryHarry Rickards: a performance-centred portrait from music hall to VaudevillePhDUniversity of Sydney1998370 ( 2 vol)
ANDERSON, Gordon AtholThe motets of the thirteenth century manuscript La Clayette MMusUniversity of Adelaide19692 vol
ANDERSON, Gordon AtholThe development of the motet in the thirteenth centuryD.MusUniversity of Adelaide19773 vol
ANDERSON, GregoryMurlarra: a clan song series from central Arnhem LandPhDUniversity of Sydney1992920 + 2 cass + vid



NiL = Not found in Library Catalogue
NS = Not stated in Library Catalogue
NiC08/07 = Item included in original MSA Thesis Register as "in progress" - Not found in relevant library catalogue in August 2007 - possibly withdrawn
NyiC = Not yet in library catalogue - usually relates to recently awarded theses.

Copyright of Bibliographic data: The Musicological Society of Australia Inc. & Stephanie J. Rocke.
COPYRIGHT NOTICE: Permission is hereby granted for the limited personal use of this material, provided that appropriate acknowledgment of the source is provided, and the copyright notice is attached to complete copies. No authorisation is given for commercial use of the material, unless prior written permission has been given. Requests for permission for use of this material should be directed to the Thesis Register Manager, Musicological Society of Australia, at GPO Box 2404, Canberra ACT 2601.
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