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MSA THESIS REGISTER: SEARCH SELECTION AND RESULTS

You may choose as many items from as many of the six selection boxes as you wish, and then filter each box individually by "all of," "one of" or "none of" the categories selected (Use CTL-click to obtain multiple entries within a box.)

NOTES

  • For more detailed category descriptions go to the Category Description page.
  • The full register appears until selections are submitted.
  • Sortable Columns sort alphabetically.
  • The operand between boxes is "AND" e.g. if you select:   [Speciality: "all of" bibliograhic, philosophical; Chronological: "one of" Baroque, 21st Century]
    you will receive a list of all theses that belong to both the Bibliographic and Philosophical categories, and also belong to either the Baroque or the 21st Century categories.

LocalEthnomusicologySpecialityGeneral Topic AreaChronologicalStatus
AuthorThesis TitleDegreesort iconUniversityYearPages
SEVERN, JohnShakespeare as Jukebox MusicalPhDUniversity of NSW2015
SHERIDAN, GHard ass: representation, diaspora and globalisation in kuduroPhDRMIT University2014
LIFSCHITZ, SonyaCreative collaboration in and as contemporary performance practicePhDUniversity of Melbourne2015328
OBRYAN, JessicaInvestigating participant values, beliefs and practices in one-to-one tertiary classical singing lessons: a collective case studyPhDUniversity of Queensland2015
GREGORY, MarkAustralian working songs and poems - a rebel heritagePhDUniversity of Wollongong2014
KHOZANATU LAHPAN, Neneng YantiNegotiating ethnicity and Islam in musical performances in West Java IndonesiaPhDMonash University2015307
LOCKITT, Matthew JamesThe musical is drama: apollonian and dionysian dynamics and liminal ruptures in the contemporary musical theatre.PhDMonash University2014
CHALABI, Karen LouiseThe architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire.PhDUniversity of Melbourne2014271
O'BRIEN, Ian Morgan DalzielProtecting the hearing of professional orchestral musicians : an industry-focused investigationPhDUniversity of Sydney2014
ROBINSON, CamilleListening art: making sonic artworks that critique listeningPhDUniversity of Melbourne2016195
POTTER, WarwickA case study of the life and work of an Australian Orchestral Portfolio ConductorPhDUniversity of Queensland2015151
CREIGHTON, Alison, LPlay songs and lullabies : features of emotional communication and developing mother-infant attachmentPhDUniversity of Western Sydney2014
EVANS, AlsionThe prevalence, causes and management of stress velopharyngeal insufficiency in woodwind and brass playersPhDUniversity of Sydney2014
HUNT, Katrina MargaretThe Female Voice in American Musical Theatre (1940-1955): Mary Martin and the Development of Integrated Vocal StylePhDAustralian National University2016436
THIA, Sock SiangPortfolio of recorded performances and exegesis: Fanny Mendelssohn-Hensel and Clara Wieck-Schumann: a study through performance of their selected piano works.PhDUniversity of Adelaide2014212
ASKILL, MichaelReflections on Composition and ConsciousnessPhDUniversity of Queensland2015145
GOH, CalebCries from within : the struggles and triumphs of creating a Singaporean voice in musical theatrePhDEdith Cowan University2015
ISTVANDITY, LaurenMusically Motivated Autobiographical Memories and the Lifetime SoundtrackPhDGriffith University2014280
COLSON, GeoffroyCompositional Ethnomusicology and the Tahitian Musical Landscape: Towards Meta-Sustainability through Creative Practice Research Informed by Ethnographic FieldworkPhDUniversity of Sydney20162 Vols
CAREY, Benjamin Leigh_derivations and the performer-developer : co-evolving digital artefacts and human-machine performance practicesPhDUniversity of Technology Sydney2016328



NiL = Not found in Library Catalogue
NS = Not stated in Library Catalogue
NiC08/07 = Item included in original MSA Thesis Register as "in progress" - Not found in relevant library catalogue in August 2007 - possibly withdrawn
NyiC = Not yet in library catalogue - usually relates to recently awarded theses.

Copyright of Bibliographic data: The Musicological Society of Australia Inc. & Stephanie J. Rocke.
COPYRIGHT NOTICE: Permission is hereby granted for the limited personal use of this material, provided that appropriate acknowledgment of the source is provided, and the copyright notice is attached to complete copies. No authorisation is given for commercial use of the material, unless prior written permission has been given. Requests for permission for use of this material should be directed to the Thesis Register Manager, Musicological Society of Australia, at GPO Box 2404, Canberra ACT 2601.
DISCLAIMER OF LIABILITY FOR INFORMATION
While every effort has been made to ensure the material on this site is accurate and up to date, no responsibility is or can be accepted.

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