Home

MSA THESIS REGISTER: SEARCH SELECTION AND RESULTS

You may choose as many items from as many of the six selection boxes as you wish, and then filter each box individually by "all of," "one of" or "none of" the categories selected (Use CTL-click to obtain multiple entries within a box.)

NOTES

  • For more detailed category descriptions go to the Category Description page.
  • The full register appears until selections are submitted.
  • Sortable Columns sort alphabetically.
  • The operand between boxes is "AND" e.g. if you select:   [Speciality: "all of" bibliograhic, philosophical; Chronological: "one of" Baroque, 21st Century]
    you will receive a list of all theses that belong to both the Bibliographic and Philosophical categories, and also belong to either the Baroque or the 21st Century categories.

LocalEthnomusicologySpecialityGeneral Topic AreaChronologicalStatus
AuthorThesis TitleDegreesort iconUniversityYearPages
PERREN, Media and compositional action: Folio of compositions and critical commentaryPhDUniversity of Queensland201469
HALLO, Rosemary MargaretErard, Bochsa and their impact on harp music-making in Australia (1830-1866): an early history from documents.PhDUniversity of Adelaide2014236
BYRNES, Jonathan LawrenceThe devil’s horn and the music of the brothel approaching adaptation and performance of tango for the classical saxophonistPhDUniversity of Sydney2016111
HEISER, Marshall StuartThe Playful Frame of Mind: An Exploration of its Influence upon Creative Flow in a Post-War Popular Music-Making ContextPhDGriffith University2015
WOLFE, Jocelyn KayHow Far Can You Stretch a Note?: Developing an Approach to the Study of Metaphor in the Language of Music InstructionPhDGriffith University2014329
YEADON, Daniel EdwardThe Sydney Conservatorium Early Music Ensemble: An activity-theoretical study of the impact of period instruments, historically-informed performance and a unique pedagogy on tertiary group-learning experiencePhDUniversity of Sydney2016232
HUNT, Kevin PatrickPerceptions of the Stuart &​ Sons Piano Sound: Realising a creative, active visionPhDUniversity of Sydney2016
WRIGHT, Rev Stephen JohnDogmatic Aesthetics: A theology of beauty in dialogue with Robert W. JensonPhDCharles Sturt University2014236
POWELL, Sarah JanePerceptions of success influencing male participation in choirPhDUniversity of Western Sydney2014
JIN, JospehineFolio of compositions and critical commentaryPhDUniversity of Queensland2014286
DENT, Lachlan JamesThe application of the pedagogy of Evangeline Benedetti and Christopher Bunting to the performance of Grieg’s Sonata in A minor for cello and piano, and Carl Vine’s Inner World for cello and pre-recorded CDPhDMonash University2015
WHITE, GregTowards maximal convergence: the relationship between composition, performance, and production in realtime software environmentsPhDUniversity of Newcastle2015200
MCKAY, JanetThe significant other: A flutist's role in performer-composer collaborationsPhDUniversity of Queensland2016
MORGAN, Craig AshleyThe Use of Virtual Instruments by Australian Screen ComposersPhDUniversity of Sydney2016
O'BRIEN, EmmaThe effect and experience of therapeutic songwriting on adult cancer patients’ quality of life, mood, distress levels and satisfaction with hospital stayPhDUniversity of Melbourne2014
GEORGOULASHybrid identities: being a Greek musicker in Melbourne and in GreecePhDMonash University2016
SMITH, Kylie DeborahHarmonisation with nature: enhancing health education through empathetic ecomusicationPhDUniversity of Newcastle2015468
BRACKNELL, Clint ThomasNatj Waalanginy (What singing?): Nyungar song from the south-west of Western AustraliaPhDUniversity of Western Aust.2015
JAMES, Stuart GeorgeSpectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domainPhDEdith Cowan University2015
LYONS, AnthonyConstructing the musical work: an examination of structural organisation and extra-musical interaction in an individual composition practicePhDUniversity of Melbourne2014



NiL = Not found in Library Catalogue
NS = Not stated in Library Catalogue
NiC08/07 = Item included in original MSA Thesis Register as "in progress" - Not found in relevant library catalogue in August 2007 - possibly withdrawn
NyiC = Not yet in library catalogue - usually relates to recently awarded theses.

Copyright of Bibliographic data: The Musicological Society of Australia Inc. & Stephanie J. Rocke.
COPYRIGHT NOTICE: Permission is hereby granted for the limited personal use of this material, provided that appropriate acknowledgment of the source is provided, and the copyright notice is attached to complete copies. No authorisation is given for commercial use of the material, unless prior written permission has been given. Requests for permission for use of this material should be directed to the Thesis Register Manager, Musicological Society of Australia, at GPO Box 2404, Canberra ACT 2601.
DISCLAIMER OF LIABILITY FOR INFORMATION
While every effort has been made to ensure the material on this site is accurate and up to date, no responsibility is or can be accepted.

Top of
Page
« first‹ previous…188189190191192193194195196next ›last »