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MSA THESIS REGISTER: SEARCH SELECTION AND RESULTS

You may choose as many items from as many of the six selection boxes as you wish, and then filter each box individually by "all of," "one of" or "none of" the categories selected (Use CTL-click to obtain multiple entries within a box.)

NOTES

  • For more detailed category descriptions go to the Category Description page.
  • The full register appears until selections are submitted.
  • Sortable Columns sort alphabetically.
  • The operand between boxes is "AND" e.g. if you select:   [Speciality: "all of" bibliograhic, philosophical; Chronological: "one of" Baroque, 21st Century]
    you will receive a list of all theses that belong to both the Bibliographic and Philosophical categories, and also belong to either the Baroque or the 21st Century categories.

LocalEthnomusicologySpecialityGeneral Topic AreaChronologicalStatus
AuthorThesis TitleDegreeUniversityYearPagessort icon
AnonRelationship between the words and the music in the songs of Ivor GurneyPhDGriffith Universityin progress (NiC08/07)
AnonMusicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world musicMMus (Hons)University of New Englandin progress (NiC08/07)
AnonVocal writing in Stravinsky's Neo-classic music and especially The Rake's ProgressMCAUniversity of Wollongongin progress (NiC08/07)
BROWN, Patricia A.Sempre Libera: changes in singing style in Verdi's opera La Traviata during the first century of operatic sound recording THIS SEEMS TO BE A MISTAKE - CONFUSED WITH A THESIS BY AN AMERICAN PATRICIA BROWNPhDUniversity of NSW1996
AnonGiuditta Pasta and Maria Callas: phenomenon and impact of the acting singerMMusAustralian National Universityin progress (NiC08/07)
BUTCHER, KathyAn investigation into the role of eclectic music therapy as a possible treatment for pre-adolescent children with anxiety disorder.M.PhilUniversity of Queenslandwithdrawn 2008
AnonThe application of Dalcroze eurhythmics to music educationPhDUniversity of Newcastlein progress (NiC08/07)
AnonOrigins and defining characteristics of the mezzo-soprano voice classificationMCAUniversity of Wollongongin progress (NiC08/07)
CASHMAN, David W.Text and music in the songs of troubadours of generation III (1160-1210)PhDUniversity of Sydneywithdrawn c.2007
AnonThe use of the tuba family in Wagner's RingMMusUniversity of Newcastlein progress (NiC08/07)
AnonTimbral perception: a study in sound colour, with emphasis on the listener's perspective, and aspects of Skryabin and KandinskyMMusUniversity of Melbournein progress (NiC08/07)
AnonPractice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism.PhDQueensland University of Technologyin progress (2005)
AnonTraditional opera in TaiwanMCAUniversity of Wollongongin progress (NiC08/07)
AnonTowards an ideal model in violin study and playingMMusGriffith Universityin progress (NiC08/07)
AnonGraphic analysis and the performance of contemporary flute musicDCAUniversity of Wollongongin progress (NiC08/07)
AnonMusic in advertising - how corporate demands impact on the artistic processDMAGriffith Universityin progress (NiC08/07)
CLARK, Jodi R.The songs of Henry Handel RichardsonMMusMonash Universitywithdrawn c.2005
AnonFemale Vocal Writing in Operas of the Late 18th CenturyPhDUniversity of Newcastlein progress (NiC08/07)
AnonExtramusical structures in the concerti of Larry SitskyMMusAustralian National Universityin progress (NiC08/07)
AnonFemale Australian Aboriginal songwriters/performersMMusAustralian National Universityin progress (NiC08/07)



NiL = Not found in Library Catalogue
NS = Not stated in Library Catalogue
NiC08/07 = Item included in original MSA Thesis Register as "in progress" - Not found in relevant library catalogue in August 2007 - possibly withdrawn
NyiC = Not yet in library catalogue - usually relates to recently awarded theses.

Copyright of Bibliographic data: The Musicological Society of Australia Inc. & Stephanie J. Rocke.
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