Writersort iconThesis TitleDegreeUniversityYear# of Pages
AnonAspects of the music of Henry PurcellMMusUniversity of NewcastleIn Progress (2006)
AnonFifteenth-century modality: a comparison of the practice of Ockeghem and the theory of TinctorisMAMonash Universityin progress 2005
AnonAnalysis of selected chamber works by Haydn and BeethovenMMusUniversity of Newcastlein progress (NiC08/07)
AnonThe wireless and the talkies: new technologies and their impact on the Australian popular music industryPhDUniversity of Queenslandin progress (NiC08/07)
AnonMusic, Media and the ArtsDPhil Ed.University of NSWin progress (2006)
AnonThe composition process in the music of Bharatanatyam (a South Indian Classical dance form).PhDMacquarie Universityin progress (2007)
AnonDictionary of New Zealand violin makersPhDVictoria University of Wellingtonin progress (NiC08/07)
AnonWomen musicians in late 18th-century LondonMMusUniversity of Melbournewithdrawn c.2005
AnonSets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie AndersonGradDipMusAustralian National Universityin progress (NiC08/07)
AnonTuvalu: an Ethnomusicological Survey.PhDUniversity of New Englandin progress (2007)
AnonInterpretation through improvisationMMusUniversity of Queenslandin progress (NiC08/07)
AnonThe significance and performance practice of Mantra in Buddhism of the VajrayanaPhDUniversity of Aucklandin progress (NiC08/07)
AnonAndrew Schultz's Black River: an analysisMMus (Hons)University of Wollongongin progress (NiC08/07)
AnonIdentifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice.PhDUniversity of Sydneyin progress (2006)
AnonOtse Mbaka: An investigation into cultural loss, recuperation and ownership in North Central NamibiaDCADeakin Universityin progress (NiC08/07)
AnonPianists Perspectives of the Stuart and Sons PianoMMusGriffith Universityin progress (2005)
AnonRelationship between the words and the music in the songs of Ivor GurneyPhDGriffith Universityin progress (NiC08/07)
AnonMusicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world musicMMus (Hons)University of New Englandin progress (NiC08/07)
AnonVocal writing in Stravinsky's Neo-classic music and especially The Rake's ProgressMCAUniversity of Wollongongin progress (NiC08/07)
AnonGiuditta Pasta and Maria Callas: phenomenon and impact of the acting singerMMusAustralian National Universityin progress (NiC08/07)
AnonThe application of Dalcroze eurhythmics to music educationPhDUniversity of Newcastlein progress (NiC08/07)
AnonOrigins and defining characteristics of the mezzo-soprano voice classificationMCAUniversity of Wollongongin progress (NiC08/07)
AnonThe use of the tuba family in Wagner's RingMMusUniversity of Newcastlein progress (NiC08/07)
AnonTimbral perception: a study in sound colour, with emphasis on the listener's perspective, and aspects of Skryabin and KandinskyMMusUniversity of Melbournein progress (NiC08/07)
AnonPractice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism.PhDQueensland University of Technologyin progress (2005)
AnonTraditional opera in TaiwanMCAUniversity of Wollongongin progress (NiC08/07)
AnonTowards an ideal model in violin study and playingMMusGriffith Universityin progress (NiC08/07)
AnonGraphic analysis and the performance of contemporary flute musicDCAUniversity of Wollongongin progress (NiC08/07)
AnonMusic in advertising - how corporate demands impact on the artistic processDMAGriffith Universityin progress (NiC08/07)
AnonFemale Vocal Writing in Operas of the Late 18th CenturyPhDUniversity of Newcastlein progress (NiC08/07)
AnonExtramusical structures in the concerti of Larry SitskyMMusAustralian National Universityin progress (NiC08/07)
AnonFemale Australian Aboriginal songwriters/performersMMusAustralian National Universityin progress (NiC08/07)
AnonThe orchestral music of Pierre Boulez: an examination of the musical and extramusical influences on three major works for orchestra by Pierre Boulez, from the point of view of the conductorPhDUniversity of Western Aust.in progress (NiC08/07)
AnonThe Australian Musical: A Critical and Musical SurveyPhDUniversity of Sydneyin progress (NiC08/07)
AnonPerformance practice in selected works of Sergei ProkofievMMusGriffith Universityin progress (NiC08/07)
AnonThe Art of Lyric Improvisation: A Comparative Study of Two great Jazz VocalistsMMusUniversity of Canterburyin progress (2007)
AnonThe Diva Desire: an examination of the perceptions and aspirations of Australian women striving to achieve an operatic career.PhDAustralian National Universityin progress (2007)
AnonMetaphor in songs of the Kewa people of the Southern Highlands of Papua New GuineaMMusUniversity of NSWin progress (NiC08/07)
AnonThe dissemination of music through the InternetMMusUniversity of Sydneyin progress (NiC08/07)
AnonMusic therapy with hospitalised childrenMMusUniversity of Melbournein progress (NiC08/07)
AnonThe history of music in Western Australia 1900-50PhDUniversity of Western Aust.in progress (NiC08/07)
AnonThe role of the Christian church in the development of music education in Hong KongPhDUniversity of Western Aust.in progress (NiC08/07)
AnonEarly Music in Australia: Historic Instruments (Strings) Training & Preventative Support Education (Holistic Musician Education for the Profession)MAUniversity of Newcastlein progress (NiC08/07)
AnonThe harmonic language of The Triumph of Time by Harrison BirtwhistlePhDUniversity of Otagoin progress (NiC08/07)
AnonFrom Mediated to Immediate: The Role of Technology on the Performance of Slovenian Folk Music in Port Lincoln, South AustraliaMMusUniversity of Adelaidein progress (NiC08/07)
AnonFlamenco guitar in the twentieth centuryMMusUniversity of Adelaidein progress (NiC08/07)
AnonFemale vocal training for musical theatre: the use of 'belt' and 'legit' vocal qualitiesPhDUniversity of Sydneyin progress (NiC08/07)
AnonThe Australian song cycle for voice and piano in the second half of the twentieth century: themes of a multi-layered societyPhDUniversity of Adelaidein progress (NiC08/07)
AnonSense of the sacred: Selected a cappella works by Anne Boyd, Nigel Butterley, and Clare MacLeanPhDUniversity of Adelaidein progress (2001)
AnonDramma per musica: A critical study of Handel's cantatas for solo voice and obbligato instruments, 1706 - 1709MMusUniversity of Sydneyin progress (NiC08/07)
AnonMusic as metaphor in filmMMusUniversity of NSWin progress (NiC08/07)
AnonTumultuous Times amid Outward Calm: A Study of Liturgical Organ Music in the Church of Norway 1924-1985PhDAustralian Catholic Universityin progress (2004?)
AnonThree Way Transplantation of Select Jewish Liturgical Music out of Lithuania through South Africa from 1881, to Australia from 1990 with Special Reference to Vilna, Johannesburg, and MelbournePhDMonash Universityin progress (2007)
AnonJazz Improvisation: Addressing VocalistsPhDGriffith Universityin progress (2007)
AnonWorld music: a perspective from AdelaideMMusUniversity of Adelaidein progress (NiC08/07)
AnonLate 19th-century Italian operaMMusUniversity of Newcastlein progress (NiC08/07)
AnonFernando Sor's theory of harmony applied to the guitarPhDUniversity of Auckland20111008
AnonAspects of the operas of MenottiMMusUniversity of Newcastlein progress (NiC08/07)
AnonGamelan in Japan: Expressions of Japaneseness in pedagogical infrastructure and practice MAMonash Universityin progress (2006)
AnonBuffy the vampire Slayer : a study of popular music on commercial televisionPhDUniversity of Sydney2008446 + 2 CD
AnonCrossing the nexus from performer to student centred teacherPhDGriffith Universityin progress (2007)
AnonStudio music teachers and public music examinations: the quality interface.PhDJames Cook UniversityIn Progress (2006)
AnonFrank Bridge and the English pastoral tradition.MAUniversity of Western Aust.in progress (NiC08/07)
AnonConceptions of time and their implications in the analysis of selected twentieth century compositionsPhDUniversity of Newcastlein progress (NiC08/07)
AnonAnalysis of Scenes de Ballet by Igor StravinskyMMusUniversity of Adelaidein progress (NiC08/07)
AnonForward into the Past: Toward a Dance Ethnology of the Society of Creative Anachronism in AustraliaMPhilAustralian National Universityin progress (NiC08/07)
AnonElements of orchestrationMCAUniversity of Wollongongin progress (NiC08/07)
AnonWilliam Walton's solo songs and song cyclesMMusUniversity of NSWin progress (NiC08/07)
AnonTonal and atonal fusion in Bartok's studies, Opus 18PhDUniversity of Melbournein progress (NiC08/07)
AnonThe power of oral tradition in the transmission of faith: a study of Same in two areas of the Western District of FijiMMusUniversity of NSWin progress (NiC08/07)
AnonTrumpet: performance practiceMMusUniversity of New Englandin progress (NiC08/07)
Anon"Light Music" by Australian composers in the postwar era.PhDUniversity of Adelaidein progress (2007)
AnonEthnomusicology and its educational applicationPhDDeakin Universityin progress (NiC08/07)
AnonThe life and music of Charles Edgar Ford (1881-1961)MAUniversity of Western Aust.in progress (NiC08/07)
AnonDevelopment of the brass band genre in the nineteenth centuryMMusUniversity of Adelaidein progress (NiC08/07)
AnonContemporary Tradition: Japanese Traditional Music and the Live Club Scene in TokyoPhDUniversity of Adelaidein progress (2002?)
AnonThe music of Chinese communities in IndonesiaMMusUniversity of Sydneyin progress (NiC08/07)
AnonAn historical survey of portamento in the viola's performance practice.DCAUniversity of Wollongongin progress (NiC08/07)
AnonThe folk music revival in OtagoMAUniversity of Otagoin progress (NiC08/07)
AnonA comparative analysis of the 'Sonate Posthume'GradDipMusAustralian National Universityin progress (NiC08/07)
Anon20th-century guitar techniques: a composer's handbookMMusVictoria University of Wellingtonin progress (NiC08/07)
AnonMusic in Australia during the Gold Rush: A Biography of Madame CavendishMPhilAustralian National Universityin progress (NiC08/07)
AnonScottish Presbyterian Music and Hymnody from 1901 to 1977MPhilAustralian Catholic Universityin progress c.2006
AnonEvos music: The organisation of contemporary music performance in Perth in the 1980s and 90sMMusUniversity of Western Aust.in progress (NiC08/07)
AnonVietnamese model systemsGradDipMusAustralian National Universityin progress (NiC08/07)
AnonThe relationship between traditional Viet folk songs and traditional Viet cultureMMusUniversity of Adelaidein progress (NiC08/07)
AnonA history of the Australian Opera and Ballet OrchestraMMusUniversity of NSWin progress (NiC08/07)
AnonAnnotated bibliography and critical analysis of selected literature pertaining to occupational injuries of violinistsGradDipMusAustralian National Universityin progress (NiC08/07)
AnonA study in the comparison and contrast of the English Anthem of Pelham HumphreyMMusUniversity of NSWin progress (NiC08/07)
AnonThe world interpreted: extra-musical influences on the composition and interpretation of Benjamin Britten and Peter PearsPhDUniversity of Queenslandin progress (NiC08/07)
AnonArrangements of Mozart's Operas for HarmoniemusikMMusVictoria University of Wellingtonin progress (NiC08/07)
AnonChoral conducting technique and the choral responsePhDUniversity of Adelaidein progress
AnonAn ethnomusicological survey of the songs currently performed in folk clubs/festivals in AustraliaPhDUniversity of NSWin progress (NiC08/07)
ÁnonDance Films as adaptations of Film MusicalsPhDMacquarie Universityin progress (2004)
AnonThe Preludes of ScriabinPhDUniversity of Newcastlein progress (NiC08/07)
AnonSemiotic aspects of music and dance in GhanaPhDUniversity of New Englandin progress (NiC08/07)
AnonMusic education in an era of change: social, political and epistemological issues in curriculumPhDUniversity of Queenslandin progress (NiC08/07)
AnonThe inner voice: musical language and meaning in Clara Wieck Schumann's Piano Sonata, Lieder and other worksPhDGriffith Universityin progress (2007)
AnonAesthetics in the Orchestration of Maurice RavelPhDUniversity of Melbournein progress
AnonKurt Weill: music and politics in GermanyMMusGriffith Universityin progress (NiC08/07)
Syndicate content