| BALLARD, Bernadette | Women musicians in late 18th-century London | MMus | University of Melbourne | withdrawn c.2005 | |
| BARKER, J.W. | Max Reger and the orchestra | PhD | University of Adelaide | withdrawn 1967 | |
| BERGIN, A.M. | The music of Giovanni Rovetta (?-1668) | MA | University of Otago | withdrawn 1968 | |
| BUTCHER, Kathy | An investigation into the role of eclectic music therapy as a possible treatment for pre-adolescent children with anxiety disorder. | M.Phil | University of Queensland | withdrawn 2008 | |
| CASHMAN, David W. | Text and music in the songs of troubadours of generation III (1160-1210) | PhD | University of Sydney | withdrawn c.2007 | |
| CLARK, Jodi R. | The songs of Henry Handel Richardson | MMus | Monash University | withdrawn c.2005 | |
| CONSTANTINO, R. | An approach to the language of music through the relationship of poetic texts to song writing | PhD | University of Sydney | withdrawn 1968 | |
| Davies, P. | The repertoire of chamber music for wind instruments | MMus | University of Melbourne | withdrawn 1968 | |
| DIXON, H. | Motets in the 15th century | MA | University of Sydney | withdrawn 1968 | |
| DRABER, Christopher | The chamber music of Brahms presents an unusual array of progressive features disguised in a veil of conservatism | MA | Monash University | withdrawn c.2005 | |
| EVANS, W. | The fortepiano in the 18th century | MMus | University of Sydney | withdrawn 1968 | |
| GLYNN, G. | The atonal works of Arnold Schoenberg | MA | University of Sydney | withdrawn 1968 | |
| HAMILTON, Vivien | The French cantata and French vocal performance of eighteenth century France | MMus | University of Melbourne | withdrawn c.2006 | |
| LE, Duy Ngoc Linh | Mon traditional music | MA | Monash University | withdrawn | |
| MARLOW, Lorna | Spirituality of rock music for young people | PhD | Monash University | withdrawn | |
| McLENNAN, Isobel J. | Concepts of women patrons of music in the Renaissance | PhD | Monash University | withdrawn | |
| McNAB, Michael | The employment and use of instrumental musicians or ministriles in the sixteenth and early seventeenth century | MMus | University of Melbourne | withdrawn c.2006 | |
| MILLER, D.G. | The linguistic implications of Messiaen's music | MA | University of Sydney | withdrawn 1968 | |
| Moyle, Alice M. | A comparative study of the metrical structure of North Australian Aboriginal songs | PhD | Monash University | withdrawn 1969 | |
| MUIR, Martin | The exposition, delineation and social impact of character in twentieth century opera: a comparative study of Alban Berg's Wozzeck and Larry Sitsky's The Golem | MMus | Australian National University | withdrawn c.2006 | |
| MURPHY, M.S. | The use of handplucked instruments in the continuo body of the 17th and 18th centuries | MA | University of Sydney | withdrawn 1968 | |
| PAYNE, Christopher | Towards a morphology of rock: considerations in stylistic analysis | PhD | Monash University | withdrawn c.2005 | |
| PENDER, Graeme | A study of the original Graeme Bell jazz band and its influence upon other jazz bands in Australia during the 1940s and 1950s | PhD | Monash University | withdrawn c.2005 | |
| PETHERICK, Bruce | Orchestration treatises of the 19th and early 20th centuries | MMus | University of Melbourne | withdrawn c.2006 | |
| RAE, S. | A study of some modern techniques in choral composition | MMus | University of Sydney | withdrawn 1968 | |
| SEREBRIANIK, Dmitry | The European trumpet in the 19th century: history and development | MA | Monash University | withdrawn c.2005 | |
| SONEGO, Anthony | An investigation of the effect of instrumental design and the impact it has had on musical performance for the synthesizer | MMus | University of Melbourne | withdrawn c.2006 | |
| SPINK, I.W.A. | The stylistic development of English song between 1620 and 1680 | PhD | University of Sydney | withdrawn 1968 | |
| THOMPSON, L. | Australian symphonic film score composition during the 1950s and 1960s | PhD | University of Melbourne | withdrawn c.2005 | |
| TSOU, Nan Chien | Chopin's Preludes opus 28: Historical context, performance practice, and pedagogical implications | PhD | Monash University | withdrawn c.2005 | |
| VAN DER MEULEN, S. | Empfindsamkeit in the music of the eighteenth century. | PhD | University of Melbourne | withdrawn c.2005 | |
| WALLWORK, Joanne | Schools of violin technique and their common and relative merits | PhD | Monash University | withdrawn | |
| WERETKA, John | Four settings of Metastasio's Siroe: did a musico-dramatic theory exist in the Baroque period? | MMus | University of Melbourne | withdrawn c.2005 | |
| WICKES, L. | The music theatre of Franz Schrecker | PhD | University of Adelaide | withdrawn 1968 | |
| YARDLEY, Duncan | David del Tredici and the curse of tonality | MA | Monash University | withdrawn c.2006 | |
