In progress

Writersort iconThesis TitleDegreeUniversityYear# of Pages
ACKER, YolandaMusic in Madrid during the Spanish Civil War (1936-1939)PhDAustralian National UniversityIn Progress (2014)
AHLERS, TherèseIntonation: a Survey of Pedagogical Methods and Beliefs of Cello TeachersM.EdUniversity of Canterburyin progress (2007)
ALLEN, ChrisAspects of the music of Henry PurcellMMusUniversity of Newcastlein progress (NiC08/07)
ALLEN, ClintCrossover trends: The nexus between the Third Stream Movement and contemporary musicMMusGriffith University2010107
APPELT, Carol R.Fifteenth-century modality: a comparison of the practice of Ockeghem and the theory of TinctorisMAMonash Universityin progress (NiC08/07)
ARCHER, GregAnalysis of selected chamber works by Haydn and BeethovenMMusUniversity of Newcastlein progress (NiC08/07)
ARMSTRONG-GRANT, PatriciaDame Joan Hammond - A Diva of CircumstanceMAMonash UniversityIn Progress (2007)
ARTHUR, Bronwen M.The wireless and the talkies: new technologies and their impact on the Australian popular music industryPhDUniversity of Queenslandin progress (NiC08/07)
ATKINS, PeterMusic and spirituality: Locating spirituality within paradigms of musical meaningPhDUniversity of NSWin progress (2005)
AUGUSTYNIAK, Sylvana FalcomataMusic, Media and the ArtsDPhil Ed.University of NSWin progress (2006)
AYYAR, MohanThe composition process in the music of Bharatanatyam (a South Indian Classical dance form).PhDMacquarie Universityin progress (2007)
BALLARA, CarloDictionary of New Zealand violin makersPhDVictoria University of Wellingtonin progress (NiC08/07)
BARTLETT, FeliciaThe effect of music therapy on early intervention outcomes for Australian children with hearing impairmentsMMus (Therapy)University of MelbourneIn Progress (2009)
BEAR, LeanneSets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie AndersonGradDipMusAustralian National Universityin progress (NiC08/07)
BEAULIEU, MarcTuvalu: an Ethnomusicological Survey.PhDUniversity of New Englandin progress (2007)
BLACKBURN, AndrewThe pipe organ and real-time digital signal processing (DSP) a performer's perspectiveDMAGriffith University2011256
BOCHNER, Nicholas I.Interpretation through improvisationMMusUniversity of Queenslandin progress (NiC08/07)
BOLAND, MargueriteForm and harmony in the later concerted works of Elliott CarterPhDAustralian National UniversityIn progress (2007)
BOLLEY, RichardThe significance and performance practice of Mantra in Buddhism of the VajrayanaPhDUniversity of Aucklandin progress (NiC08/07)
BONACCORSO, SebastianAndrew Schultz's Black River: an analysisMMus (Hons)University of Wollongongin progress (NiC08/07)
BOURNE, TracyIdentifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice.PhDUniversity of Sydneyin progress (2006)
BRACKNELL, ClintNatjal Maya Walang? Investigating, Reconstructing and Repatriating Aboriginal Language Songs from the Southwest of AustraliaPhDUniversity of Western Aust.In Progress (2013)
BRASCHE, IngaOtse Mbaka: An investigation into cultural loss, recuperation and ownership in North Central NamibiaDCADeakin Universityin progress (NiC08/07)
BREWER, JanetPianists Perspectives of the Stuart and Sons PianoMMusGriffith Universityin progress (2005)
BROMAGE, LynetteRelationship between the words and the music in the songs of Ivor GurneyPhDGriffith Universityin progress (NiC08/07)
BROMLEY, MarkMusicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world musicMMus (Hons)University of New Englandin progress (NiC08/07)
BROWN, GregoryVocal writing in Stravinsky's Neo-classic music and especially The Rake's ProgressMCAUniversity of Wollongongin progress (NiC08/07)
BROWN, ReubenThe performance of kun-borrk–an Aboriginal song and dance tradition of western Arnhem Land–and its role in contemporary life at Goulburn Island and Kunbarlanja, Northern TerritoryPhDUniversity of SydneyIn Progress (2011)
BRUCE, KarenGiuditta Pasta and Maria Callas: phenomenon and impact of the acting singerMMusAustralian National Universityin progress (NiC08/07)
CALLINAN, JoanneThe application of Dalcroze eurhythmics to music educationPhDUniversity of Newcastlein progress (NiC08/07)
CALWELL, LindaOrigins and defining characteristics of the mezzo-soprano voice classificationMCAUniversity of Wollongongin progress (NiC08/07)
CAMPBELL, GenevieveTiwi Song in Historical and Contemporary PracticePhDCharles Darwin UniversityIn Progress (2009)
CAULFIELD, AlanThe use of the tuba family in Wagner's RingMMusUniversity of Newcastlein progress (NiC08/07)
CEFF, LindaTimbral perception: a study in sound colour, with emphasis on the listener's perspective, and aspects of Skryabin and KandinskyMMusUniversity of Melbournein progress (NiC08/07)
CHAN, SimonPractice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism.PhDQueensland University of Technologyin progress (2005)
CHEN, Zhi-JunTraditional opera in TaiwanMCAUniversity of Wollongongin progress (NiC08/07)
CHIN, StephenTowards an ideal model in violin study and playingMMusGriffith Universityin progress (NiC08/07)
CHISLETT, Laura G.Graphic analysis and the performance of contemporary flute musicDCAUniversity of Wollongongin progress (NiC08/07)
CLARK, GlennMusic in advertising - how corporate demands impact on the artistic processDMAGriffith Universityin progress (NiC08/07)
COBCROFT, SamanthaFemale Vocal Writing in Operas of the Late 18th CenturyPhDUniversity of Newcastlein progress (NiC08/07)
COLSON, GeoffroySustainability of musical heritage in the Tahiti: An analysis of aesthetic and cultural issues of change and hybridity with creative and collaborative responsesPhDUniversity of SydneyIn Progress (2012)
CRISPIN-CRESWELL, IanExtramusical structures in the concerti of Larry SitskyMMusAustralian National Universityin progress (NiC08/07)
CROWE, Chantal-MarieFemale Australian Aboriginal songwriters/performersMMusAustralian National Universityin progress (NiC08/07)
CUNEO, Ollivier P.The orchestral music of Pierre Boulez: an examination of the musical and extramusical influences on three major works for orchestra by Pierre Boulez, from the point of view of the conductorPhDUniversity of Western progress (NiC08/07)
DAVIDSON, AndrewThe Australian Musical: A Critical and Musical SurveyPhDUniversity of Sydneyin progress (NiC08/07)
DAVIDSON, KyliePerformance practice in selected works of Sergei ProkofievMMusGriffith Universityin progress (NiC08/07)
de GRAFF, DeborahPractice Strategies of Elite Instrumental Performers PhDUniversity of NSWIn progress (2007)
de JONG, SusanThe Art of Lyric Improvisation: A Comparative Study of Two great Jazz VocalistsMMusUniversity of Canterburyin progress (2007)
DeVERE, CatrionaThe Diva Desire: an examination of the perceptions and aspirations of Australian women striving to achieve an operatic career.PhDAustralian National Universityin progress (2007)
DIKMANS, Gregory P.Rhetoric and the performance practice of early eighteenth-century French instrumental music.PhDUniversity of Melbournein progress
DJURIC, DeannaMessiaen’s musical language for the jazz pianist - an exploration through performanceMMusUniversity of Adelaide20092 Discs + exegesis
DOHERTY, Peter J.Metaphor in songs of the Kewa people of the Southern Highlands of Papua New GuineaMMusUniversity of NSWin progress (NiC08/07)
DOSER, Poppi Narelle-fayeAcoustic Ecology and the Documentation of Environments Using Soundscape Composition [working title]PhDUniversity of South AustraliaIn Progress (2009)
DOUGLASS, MitchellThe dissemination of music through the InternetMMusUniversity of Sydneyin progress (NiC08/07)
DUN, BethMusic therapy with hospitalised childrenMMusUniversity of Melbournein progress (NiC08/07)
EIKAS-LEE, WendyMusic of Nepalese Festivals in Migration and Its Social and Musical Implications, in SingaporePhDUniversity of OtagoIn Progress (2015)
FARRANT, JeanThe history of music in Western Australia 1900-50PhDUniversity of Western progress (NiC08/07)
FERRARI, Viviana NicoletaHow does the Vincenzo Vitale piano pedagogy impact the musical arts?PhDUniversity of MelbourneIn progress (2008)
FERREIRA, RetteMusic by New Zealand composers for feature films made in New Zealand: historical background and case studiesPhDUniversity of AucklandIn Progress (2007)
FLYNN, MadeleineMusic in the work of Compagnie Maguy Marin: choreo-musical collaborative processesPhDUniversity of MelbourneIn Progress (2001)
FONG, Kam-YuenThe role of the Christian church in the development of music education in Hong KongPhDUniversity of Western progress (NiC08/07)
FOOTE, Andrew R.Schubert's Winterreise in recordings: performance practice trends as revealed by a comparison of selected twentieth-century recordingsMusMUniversity of Western progress (NiC08/07)
FORSYTH, NicoleEarly Music in Australia: Historic Instruments (Strings) Training & Preventative Support Education (Holistic Musician Education for the Profession)MAUniversity of Newcastlein progress (NiC08/07)
FRANCIS, RichardThe harmonic language of The Triumph of Time by Harrison BirtwhistlePhDUniversity of Otagoin progress (NiC08/07)
FRANCO-HARDWICK, Kathryn G.From Mediated to Immediate: The Role of Technology on the Performance of Slovenian Folk Music in Port Lincoln, South AustraliaMMusUniversity of Adelaidein progress (NiC08/07)
FUNG, AnnabellaExploring the influence of Confucianism on music learning among the Chinese-Australian DiasporaPhDMonash Universityin progress (2013)
GAETJENS, Peter W.Flamenco guitar in the twentieth centuryMMusUniversity of Adelaidein progress (NiC08/07)
GARDNER, Lisa A.-M.Female vocal training for musical theatre: the use of 'belt' and 'legit' vocal qualitiesPhDUniversity of Sydneyin progress (NiC08/07)
GIALIDIS, EfrosiniThe Australian song cycle for voice and piano in the second half of the twentieth century: themes of a multi-layered societyPhDUniversity of Adelaidein progress (NiC08/07)
GINTHER, Gerald ChristopherLife and Music of Reinhold GlièrePhDUniversity of CanterburyIn Progress (2008)
GORDON, CathieSense of the sacred: Selected a cappella works by Anne Boyd, Nigel Butterley, and Clare MacLeanPhDUniversity of Adelaidein progress (2001)
GRANT, CatherineSafeguarding endangered musical heritage: The potential of language maintenance approaches to inform the vitality and viability of threatened music culturesPhDGriffith UniversityIn progress (2009)
GREEN, Thomas"An integration of score-based and digitally produced composition" - folio of compositions and critical commentaryPhDUniversity of QueenslandIn Progress (2009)
GRIFFITHS, GabrielDramma per musica: A critical study of Handel's cantatas for solo voice and obbligato instruments, 1706 - 1709MMusUniversity of Sydneyin progress (NiC08/07)
Grigsby, Nicholas StephenThe Lutheran Chorale in Variation Form: A Study of Source, Context,Genre, Textural Interpretation & Compositional Procedure in the Music of J.S. BachPhDUniversity of WaikatoIn Progress (2007)
GROUNDS, Robyn E.Music as metaphor in filmMMusUniversity of NSWin progress (NiC08/07)
HAMNES, DavidTumultuous Times amid Outward Calm: A Study of Liturgical Organ Music in the Church of Norway 1924-1985PhDAustralian Catholic Universityin progress (2004?)
HANCOCK, KerrinThree Way Transplantation of Select Jewish Liturgical Music out of Lithuania through South Africa from 1881, to Australia from 1990 with Special Reference to Vilna, Johannesburg, and MelbournePhDMonash Universityin progress (2007)
HARDWICK-FRANCO, KathrynSlovenian folk music and identity maintenance in remote Port Lincoln, South AustraliaMMusUniversity of Adelaidein progress (2007)
HARGREAVES, WendyJazz Improvisation: Addressing VocalistsPhDGriffith Universityin progress (2007)
HARRIS, AmandaComposing Women and Feminist Movements in France, Germany and England at the turn of the twentieth centuryPhDUniversity of NSWIn progress (2005)
HART, David L.World music: a perspective from AdelaideMMusUniversity of Adelaidein progress (NiC08/07)
HART, SusanLate 19th-century Italian operaMMusUniversity of Newcastlein progress (NiC08/07)
HARTDEGEN, Kenneth A.Fernando Sor's theory of harmony applied to the guitarPhDUniversity of Auckland20111008
HAWKINS, KarenAspects of the operas of MenottiMMusUniversity of Newcastlein progress (NiC08/07)
HELM, StephanieGamelan in Japan: Expressions of Japaneseness in pedagogical infrastructure and practice MAMonash Universityin progress (2006)
HILL, Kathryn R.Buffy the vampire Slayer : a study of popular music on commercial televisionPhDUniversity of Sydney2008446 + 2 CD
HIRT, AndreasThe lays of Fionn mac Cumhaill: Performance practice and insights into Gaelic musicPhDUniversity of OtagoIn progress (2008)
HOEY, DamianCrossing the nexus from performer to student centred teacherPhDGriffith Universityin progress (2007)
HOLMES, IvanStudio music teachers and public music examinations: the quality interface.PhDJames Cook UniversityIn Progress (2006)
HOPWOOD, Paul A.Frank Bridge and the English pastoral tradition.MAUniversity of Western progress (NiC08/07)
HOUSE, DanielConceptions of time and their implications in the analysis of selected twentieth century compositionsPhDUniversity of Newcastlein progress (NiC08/07)
HUGHES, William D.Analysis of Scenes de Ballet by Igor StravinskyMMusUniversity of Adelaidein progress (NiC08/07)
HUNT, KatrinaForward into the Past: Toward a Dance Ethnology of the Society of Creative Anachronism in AustraliaMPhilAustralian National Universityin progress (NiC08/07)
INGRAM, CatherineHwun hwun jon ka ("Listen") : Kam villagers singing big song in early twenty-first-century ChinaPhDUniversity of Melbourne2010614 + 1 CD + 1 DVD
IVES, Matthew G.A New Methodology for the Analysis of Drum Kit Accompaniment Techniques for Big Band Performance. A Case Study Involving Jazz Drummer Bernard 'Buddy' Rich (30/9/1917 - 2/4/1987)PhDUniversity of TasmaniaIn Progress (2008)
JONES, Anthony LindenThemes of Signification: Representing Aboriginality in Australian Film Music, 1930 to 1970PhDUniversity of SydneyIn progress (2008)
JONES, Maree-RoseA cultural history: Musical acitivites at the Royal Victoria Theatre Van Diemen's Land; considering 1827-1857.PhDUniversity of Sydneyin progress (2001)
JOSEPH, TommyElements of orchestrationMCAUniversity of Wollongongin progress (NiC08/07)
JUNG, Hong HeeWilliam Walton's solo songs and song cyclesMMusUniversity of NSWin progress (NiC08/07)
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