DAVY, Ruby C | An exercise for the degree of Mus. Doc. Libretto compiled and music composed by Ruby Claudia E. Davy | DMus | University of Adelaide | 1917 | 278 |
CANNON, Herbert | Music in the English drama up to 1600 | MA | University of Queensland | 1927 | 151 |
PHILLIPS, Irene Margaret Constance | Maori music, a historical survey | MA | University of Auckland | 1929 | NS |
FIELDHOUSE, Acrobat A.E. | The development of musical taste and judgement : an investigation of the standard of musical taste and judgement in an unselected group of New Zealand school children | MA (Hons) | University of New Zealand | 1933 | 69 |
DAWSON, Hazel Copeland | The psychological bases of musical appreciation : being an investigation of the psychological factors involved in the appreciation of consonance and dissonance in music | MA | University of Sydney | 1939 | 162 |
PEARSON, E. | History of music in Otago | MA | University of Otago | 1941 NiC | unknown |
TAYLOR, Joan Elizabeth | An investigation of some factors relating to the instrumental music at the Hutt Valley Memorial Technical College | MA | Victoria University of Wellington | 1948 | 76 |
STEELE, John H. | The origins and development of organ music in 17th century Germany | MA | University of Otago | 1952 | 84 |
MARINOVICH, Vinka Millicent | Some features of the rise of tonality in instrumental music up to the end of the seventeenth century | MA | University of Auckland | 1954 | 315 |
GALE, Annas Thelma | Studies in the history and development of solo song and its accompaniment. | MA | University of Canterbury | 1954 | 152 |
PRICE, Desmond Charles | The assessment of musical ability | MA | University of Auckland | 1954 | 55 |
WAUGH, Donald Ford | The English virginal school | MA | University of Otago | 1955 | 81 |
TAIT, Malcolm John | Music in education | MA | University of Canterbury | 1956 | 79 |
CHYNOWETH, Neville James | The influence of the Oxford movement on the music of the church [Communion in F]. | MA | University of Sydney | 1957 | 2 vol |
DOUGLAS, Clive | Symphony | DMus | University of Melbourne | 1957 | 1 score |
MOYLE, Alice M | The intervallic structure of Australian Aboriginal singing | MA | University of Sydney | 1957 | 94 |
REID, Dorothy Margaret | The Beethoven quartets | MA | University of Canterbury | 1957 | 56 |
MOORE, V. | The lute in consort music during the 17th century | MA | University of Sydney | 1958 | NiC |
McLEAN, Mervyn | Field work in Maori music (a preliminary study) | MA (Hons) | University of Otago | 1958 | 184 |
HOSKING, John S | Samuel Sebastian Wesley, reformer in church music | MA | University of Auckland | 1959 | 172 |
HEAGNEY, Roger | History of keyboard instruments and technique | MMus | University of Melbourne | 196-? | 64 |
HOLIBAR, Bernard | Berlioz as music critic | MA | University of Auckland | 1960 | 190 |
CARTER, John Edward | Schumann the critic | MA | University of Canterbury | 1961 | 108 |
HOLLAND, R. J. T. | The madrigals of Peter Philips | MA | University of Sydney | 1962 | NiLc |
WATERS, Edgar Pemberton | Some aspects of the popular arts in Australia, 1880-1915 | PhD | Australian National University | 1962 | 1 vol |
DRAKE, George Warren James | Dramatic irony in Wagner | MA | University of Auckland | 1962 | 95 |
RIMMER, John | Giovanni Gabrieli and the development of instrumental music | MA | University of Auckland | 1962 | 2 vol |
RIVE, Thomas N. | An investigation into harmonic and cadential procedure in the works of Tomas Luis de Victoria, 1548-1611 | MA | University of Auckland | 1963 | 2 vol |
CHAPPELL, William Fielder | The late nineteenth century renaissance of music in England (with special reference to the work of Parry and Stanford) | MA | University of Melbourne | 1963 | 317 |
GARRETTY, J.D. (Joyce Dulcie) | Three Australian composers [Sutherland, Hughes, LeGallienne] | MA | University of Melbourne | 1963 | 2 vol |
HARDIE, Jane | French song in the nineteenth century: aspects of the relationship of music and poetry | MMus | University of Melbourne | 1963 | 209 |
WENTZEL, Ann Kirsten | The first hundred years of music in Australia, 1788-1888 | MA | University of Sydney | 1963 | 276 |
LUKEY, Lesley Helen | Dramatic and pictorial elements in Schütz | MA | University of Auckland | 1963 | 148 |
MACONIE, Robin | Analysis and criticism of music since 1950 | MA | Victoria University of Wellington | 1963 | 137 |
SAMSON, Patricia Woraine | Music and criticism : a study of some trends during the twentieth century | MA | University of Melbourne | 1964 | 240 |
SHEEHAN, Janet | The purpose of music in education : an investigation based on the philosophy of Aristotle | MMus | University of Melbourne | 1964 | 124 |
CHILDS, David Christopher | Landmarks in twentieth century organ music, with particular reference to Messiaen | MA | Victoria University of Wellington | 1964 | 132 |
SIMPSON, Adrienne Marie | Two Georgian songwriters: Ivor Gurney and Peter Warlock | MA | Victoria University of Wellington | 1964 | 114 |
ROSENBERG, R. M. | The motets of Pierre de la Rue (c.1460-1518) | MA | University of Sydney | 1965 | 2 vol |
GARDEN, Greer | Tonal and modal resource in the Latin motets of William Byrd | MA | University of Otago | 1965 | 76 |
ELLINGWORTH, Susan | An investigation into the early music written for the harpsichord in Italy up to the time of Frescobaldi : with special consideration for the Venetian school of harpsichord composers, 1550-1650. | MMus | University of Sydney | 1965 | 3 vol |
McLEAN, Mervyn | Maori chant : a study in ethnomusicology | PhD | University of Otago | 1965 | 477 + 450 |
ROSENBERG, Ruth Marianne | The motets of Pierre de la Rue, c.1460-1518 / | MA | University of Sydney | 1965 | 2 vol |
RUSHTON, Jeffrey Milton | The contribution of radio and television to the teaching of music in the New South Wales state primary schools | M.Ed | University of Sydney | 1965 | 373 |
THORNTON, Donald W | A survey of the music of William Walton | MMus | University of Melbourne | 1965 | 184 |
PRITCHARD, Brian W. | Societies in society: a case in historical sociology of music | MA | University of Canterbury | 1965 | 367 |
HYATT, John Bamford | Otello and Othello | MA | University of Canberra | 1965 | 116 |
THACKER, Eric Charles | Catalogue Raisonné of the material relevant to Percy Grainger as an artist and as a man, contained in the Percy Grainger Museum, University of Melbourne | MA | University of Melbourne | 1965 NiL | unknown |
BRACANIN, Philip | Matyas Seiber: his three string quartets | MA | University of Western Aust. | 1966 | 152 |
DREYFUS [LUCAS], Kay | Hector Berlioz and the dramatic symphony | DMus | University of Melbourne | 1966 | 258 |
HARDIE, Graham | The chamber music and piano music of Aaron Copland and Elliott Carter | MMus | University of Melbourne | 1966 | 165 |
KIDD, Carolyn | Issues and solutions for the guitarist in the performance of Mario Castelnuovo-Tedesco's The divan of Moses-Ibn-Ezra : a cycle of songs for voice and guitar : op. 207 : (1966) | MMus | Australian National University | 1966 | 59 |
MacKERRAS, Joan | The art of bowing : an enquiry into the history of bowing technique in violin playing from c1675-c.1842 | MA | University of Sydney | 1966 | 224 |
McCOLL, Fairlie | A study of the musical abilities of four year old children attending a sample of Melbourne kindergartens | DipAdvStEd | University of Melbourne | 1966 | 78 |
QUONG, Judith | Some studies in nineteenth-century lieder : an investigation of the developments of the lied in the nineteenth century and the relationship between poem and setting in the lieder of Schubert, Schumann and Wolff | MMus | University of Melbourne | 1966 | 285 |
SYMONS, David John | Technical aspects of the music of Hans Werner Henze | MA | University of Sydney | 1966 | 134 |
TALBOT, John | The music of Gustav Mahler and Richard Strauss | MA | University of Melbourne | 1966 | 209 |
WILD, Stephen | E.J. Moeran - an assessment | MA | University of Western Aust. | 1966 | 2 vol |
LINDSAY, Ian McNeil | The comparative effectiveness of different methods of classroom preparation for orchestral concerts | M.Ed | University of Western Aust. | 1966 | 237 |
BOURNE, Warren | The evolution of the German church cantata | MA | Victoria University of Wellington | 1966 | 219 |
WHITEHEAD, G | Polynesian musical instruments | MMus | University of Sydney | 1966 NiC | unknown |
ELTON, Jane | Music in secondary education in girls' schools in Victoria | MMus | University of Melbourne | 1967 | 2 vol |
HAIR, Graham | The serial system in the compositional techniques of Pierre Boulez and Arnold Schoenberg : different conceptions and functions | MMus | University of Melbourne | 1967 | 44 |
HARKNESS, Edward L | An introduction to the design of auditoria for the performance of chamber music. | MBlgSc | University of Sydney | 1967 | 1 vol |
JENNINGS, John M | The viol music of Thomas Lupo | MMus | University of Sydney | 1967 | 2 vol |
O'BRIEN, Paul | Perspectives historical, thematic, structural and symmetrical in Bartok's string quartets | MMus | University of Melbourne | 1967 | 85 |
ROBINSON, Frances Helen | The ritornello principle in Handel’s Concerti grossi, Opus 3 and and Opus 6 | MA | University of Auckland | 1967 | 156 |
SOUTHGATE (MARTIN), Rosemary. | An analysis of Mozart's Don Giovanni, with particular reference to characterization | MA | University of Otago | 1967 | 81 |
JAMESON, Jennifer A. (Cutler) | Music education at the secondary level in a New Zealand urban area | MA | University of Canterbury | 1967 | 104 |
HEYWARD, E | Germany and the heritage of the Hebrew Psalter from Luther to the death of Bach | PhD | University of Tasmania | 1968 | 310 |
MEYER, John A | Bartok and the piano concerto | MA | University of Western Aust. | 1968 | 214 |
RADIC, Therese | Aspects of organised amateur music in Melbourne, 1836-1890 | MMus | University of Melbourne | 1968 | 749 |
ANNABELL, Angela Ruth | Music in Auckland 1840-1855 : with reference to aspects of music in the Bay of Islands area both before and after 1840. | MA | University of Auckland | 1968 | 239 |
ANDERSON, Gordon Athol | The motets of the thirteenth century manuscript La Clayette | MMus | University of Adelaide | 1969 | 2 vol |
BISHOP, Dianne | Jean Calvin and the Genevan Psalter : a study of the Calvinist aesthetic and its application in the music of the Psalter | MMus | University of Melbourne | 1969 | 197 |
BROWN, Patricia Anne | John Dowland and the emergence of the English lute song | MA | University of Queensland | 1969 | 240 |
CAMERON, Alexandra E | The class teaching of music in secondary schools, Victoria, 1905-1955 : an investigation into the major influences affecting the development of music as a class subject in Victorian secondary schools | M.Ed | University of Melbourne | 1969 | 387 |
CARR-BOYD, Ann | Music in Australia, 1788-1888 : Anne Wentzel | MA | University of Sydney | 1969 | 159 |
DUGDALE, John Harold | The place of music in the national and public schools of New South Wales, 1848-1880 | M.Ed | University of Sydney | 1969 | 135 |
LONG, Martin | The music of Daniel Bachelor : A critical study. | MA | University of Sydney | 1969 | 2 vol |
SPANNEY, K.D. | Aspects of form in electronic music | MA | University of Western Aust. | 1969 | 1 vol |
TUNLEY, David | The eighteenth-century secular French cantata | D.Litt | University of Western Aust. | 1969 | 3 vol |
BOURNE, Warren George | A kindling fever a study of some religious, socio-ethical and literary themes in music, between 1890 and 1920; with special reference to Debussy, Stravinsky and Schoenberg | PhD | University of Auckland | 1969 | 648 |
NAYLOR, Bruce Allan | Gazetteer of organs in South Australia & Organ Building in South Australia | MMus | University of Adelaide | 1969 + 1973 | 320 |
BONDS, Marion Carol | The symphonies of Sibelius: a re-examination of their technical and formal development-through progressive excision: compresson and integration | MA | University of Western Aust. | 1970 | 237 |
BRACANIN, Philip | The function of the thematic process in dodecaphonic music : a study in analytical method | PhD | University of Western Aust. | 1970 | 345 |
BRIDGES, Doreen | The role of universities in the development of music education in Australia, 1885-1970 | PhD | University of Sydney | 1970 | 410 |
FORSYTH, James Alexander | Handel's organ concertos | MMus | University of Melbourne | 1970 | 80 |
HOLLANDER, Emma den | The development of early keyboard fingering till 1800 | MMus | University of Adelaide | 1970 | 134 |
LOGIE-SMITH, R.G. | Market performance and inventory control system, Rose Music Pty. Ltd. | MBA | University of Melbourne | 1970 | 3 vol |
O'BRIEN, Sally | The symphonic thought of Gustav Mahler: a further perspective | MA | University of Western Aust. | 1970 | 166 |
WESLEY-SMITH, Martin | The orchestral score of "Interval piece" : the score of "Hansard music" : the score of "To noddy-man" for high voice and piano : and a tape of "Vietnam image". | MMus | University of Adelaide | 1970 | 3 vol + tape |
JENKINS, Michael William Graham | Froberger and his musical environment with special reference to his keyboard works, and a survey of the cultural influences of the early baroque | MA | University of Auckland | 1970 | 405 |
DART, William | The lieder of Franz Liszt | MMus | University of Auckland | 1970 | 296 |
KUIPER, Johannes Jurrian | Some aspects of Britten's life and music | MA | University of Auckland | 1970 | 276 |
THACKER, Eric Charles | George Percy Grainger (1882-1961), professionally known as Percy Aldridge Grainger: a biographical estimate | PhD | University of Melbourne | 1970 | 2 vol |
BONIGHTON, Ian | Concerto da camera ; Sequenza ; Herod : an instrumental theatre mosaic | DMus | University of Melbourne | 1971 | 2 scores |
BREEN, Julia | Literary sources in the work of Debussy | MMus | University of Melbourne | 1971 | 266 |
BRUMBY, Colin | Litanies of the sun ; Stabat Mater speciosa | DMus | University of Melbourne | 1971 | 2 scores |
CUBBIN, David R | The flute in the eighteenth century | MA | Flinders University | 1971 | 513 |