MARETT, Allan | 1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga no | PhD | Overseas | 1976 | |
MARETT, Allan | An examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, Samgitaratnakara | MA | Overseas | 1972 | |
BARNES, Jennifer Joan | Beyond the act of singing | MMus | University of Newcastle | 1998 | |
Di RENZO, Mark | The dark side of music and the light side of law | ? [Law] | University of Western Aust. | 2000 | |
ELLSMORE, Caroline | The siren subverted : the role of Violetta Valery in Giuseppe Verdi's 'La traviata' (1853) | MMus (Hons) | University of New England | 2010 | |
GAME-LOPATA, Jenny | Gillian Karawe Whitehead: her life and work | MA | Monash University | 1999 | |
GRETTON, Harold | Historically-informed interpretation : a process in relation to the Deuxième grande sonate op.25 for solo guitar by Fernando Sor | PhD | Australian National University | 2010 | |
McMAHON, Paul | Baroque performance practice pedogogy and the twenty-first century practitioner: the tenor repertoire of George Frideric Handel | PhD | Griffith University | 2012 | |
MERCER, Christine | Henry Tate (1873 - 1926) and the creation of Australian Musical Identity | PhD | University of Melbourne | 2010 nyic | |
O'BRIEN, Ian | The Nature of Orchestral Noise and Viable Solutions | MPhil | University of Queensland | 2008 | |
PURCELL, Kevin John | The exposition of drama in Puccini's La Boheme : an analysis of the opera's musical and dramatic congruence as evident through its structural proportionality | MMus | University of Melbourne | 1992 | |
BRUER, Tim | A study of pianist Keith Jarrett's approach to the structuring of an improvised performance, based upon the standard song, from the years 1985 to 1989 | MMus (Jazz) | University of Sydney | 2003 | |
WHITEOAK, Ralph Andrew | A SEARING SOUND - A preliminary investigation into the legend of Australian saxophonist, Frank Smith. | MMus (Perf) | University of Melbourne | 2004 (NiC) | |
BROWNLEE, Philip | PhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee] | PhD | Victoria University of Wellington | 2007 | |
MORGAN, Rachael | Composition portfolio for the completion of a Masters of Music | MMus | Victoria University of Wellington | 2006 | |
MANN, Matthew | MMus (composition) portfolio | MMus | Victoria University of Wellington | 2005 | |
HALL, Clare | Voices of distinction: choirboys' narratives of music, masculinity and the middle-class | PhD | Monash University | 2012 | |
KENNEDY, Anne | Kicking round home : atonality in The Bone People | MA | Victoria University of Wellington | 2007 | |
Cammell, Shane | What can I understand about children with special needs from the musical offerings that emerge in the music therapy process? | MMus Therapy | NZ School of Music (Victoria + Massey) | 2008 | |
WANG, Anna Ping-An | Music analysis of clinical improvisations with an adolescent who has communication difficulties | MMus Therapy | NZ School of Music (Victoria + Massey) | 2010 | |
BRENNAN, Carolyn W | From Alam Melayu to Melayu Baru : understanding Dikir Barat in Singapore = From Malay world to New Malay : From Malay world to New Malay | PhD | University of Melbourne | 2009 | |
FAY, Poppy | Sounds of industry : reactions to music and noise in nineteenth-century Manchester : ...on the lips, in the halls , on the streets | M.Mus. | University of Melbourne | 2009 | |
HOLLAND, Michael Edward | Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice | MA | University of Otago | 2011 | |
GILLETT, Rachel Anne | Crossing the pond: Jazz, race and gender in interwar Paris | PhD | University of Otago | 2010 | |
CRESSWELL, Ian | Critical commentary [electronic resource] | MPhil | University of Queensland | 2009 | |
CARAH, Nicholas | ‘Empowerment' within the brandscapes of popular music culture [electronic resource] | PhD | University of Queensland | 2008 | |
LIVINGSTONE, Steven R | Changing musical emotion through score and performance with a computational rule system [electronic resource] | PhD | University of Queensland | 2008 | |
SHEPHARD, Leah Dawn | The relationship between the music audiation capacities and language comprehension capacities of children age 5 years [electronic resource] | MPhil | University of Queensland | 2008 | |
POMPILI, Claudio | Between two worlds [electronic resource] : Claudio Pompili, Italian-Australian composer | PhD | University of Queensland | 2008 | |
SALECICH, Daniel | Folio of compositions and critical commentary [electronic resource] | PhD | University of Queensland | 2007 | |
CADELL, Adam Broughton | The final violin sonatas of Beethoven and Brahms [electronic resource] : a consideration of the influence of Pierre Rode and Joseph Joachim | MPhil | University of Queensland | 2007 | |
ROBINSON, Angela Nicole | Clarinet music by Australian women composers [electronic resource] : an examination of its under-representation in repertoire and performance | MPhil | University of Queensland | 2007 | |
MCLENNAN, Ross Donald James | Musicalvisual relationships a folio of compositions and critical commentary [electronic resource] | PhD | University of Queensland | 2007 | |
SHIN, Hyukjin | Critical commentary on a folio of compositions [electronic resource] | MPhil | University of Queensland | 2007 | |
EVANS, Lely Dai | Implications of compound dynamic accent markings in Beethoven's early chamber works with the fortepiano | MMus | University of Western Aust. | 2008 | |
COLE, Malcolm A | Tropical Sounds: A Music Education History of Cairns and Yarrabah: 1930 to 1970 | PhD | James Cook University | 2014 | |
MOORCROFT, Lynda | Pre-performance practices [electronic resource] : breathing imagery and warm-up for singers | PhD | University of Sydney | 2011 | |
MCNAMARA, Peter | The role of timbre and microtones in the music of Peter McNamara | PhD | University of Sydney | 2011 | |
FOSTER, Duncan | Music and community development [electronic resource] : :perspectives on relationships, roles and structures in music in community | M.Ed | Victoria University (Vic. Australia) | 2010 | |
NOWAK, Raphael | The digital age of the sound environment: an investigation of everyday interactions between listeners and music | PhD | Griffith University | 2013 | |
VAN GEENEN, Jurgen Lippold | Formal methods for the design of imitative polyphonic structures | PhD | University of Sydney | 2013 | |
BASTANINEZHAD, Arya/Ali | A critical study of the music pedagogy in post-revolutionary Iran (1979-2010): breaking down the boundaries between two musical methods | PhD | Monash University | 2013 | |
Dominik Karski dissertation | KARSKI, Dominik | PhD | University of Melbourne | 2010 | |
McKERN, Brett M. | The evening canticles : A creative response | PhD | University of Sydney | 2011 | |
O'HALLORAN, Tom | Sustained aspects and precursors : towards a stylistic synthesis | MMus (Comp) | University of Sydney | 2011 | |
NETHSINGHE, Nishantha Rohan | Attaining proximal simulation in multicultural music education | PhD | Monash University | 2012 | |
TAKRU, Radhika | "I prefer their early stuff" : the effects of online music journalism on the authority of the popular music critic | MA | Monash University | 2013 | |
LEWIS, Anthony | Becoming a garamut drummer in Baluan Island, Manus Province, Papua New Guinea | PhD | University of Sydney | 2012 | |
HUBMAYER, Antony Peter | The secondary school music curriculum: an investigation of designed learning experiences that promote musical understanding. | D.Ed. | University of Adelaide | 2013 | |
MOORE, Kate | The point of origin : six essays on six pieces | PhD | University of Sydney | 2012 | |
TERZER, Armin | Transcribing symphonic repertoire for eight horns principles and process leading from sources of inspiration and final product | DMA | Griffith University | 2011 | |
WALLACE, Brenda | Reconstructing clients self-narrative: the role of metaphor and imagery in guided imagery and music | M.Mus | University of Melbourne | 2013 | |
CHIN, Tan Chyuan | To muse beyond formal music training: the development and use of a measure of music engagement in everyday life | PhD | Monash University | 2014 | |
POLLARD, Mark Clement | Silent Spring: eight original music compositions by Mark Clement Pollard | PhD | University of Melbourne | 2012 | |
BALLICO, Christina | Bury me deep in isolation: A cultural examination of a peripheral music industry and scene | PhD | Edith Cowan University | 2013 | |
CHEONG-CLINCH, Carmen | Musical diaries: an investigation of preferred music listening by young people with mental illness in various contexts and conditions | PhD | University of Melbourne | 2013 | |
LI, Sicong | Older Chinese-Australian and Chinese community music engagement | PhD | Monash University | 2013 | |
SUTHERLAND, Andrew Thomas | Principles for designing an effective, post-compulsory music curriculum suitable for Western Australia | M.Ed | Edith Cowan University | 2012 | |
BARRETT, B. E. | An errorless versus a traditional procedure for teaching reading of music notation | M.Ed. | James Cook University | 1990 | |
GAO, Zhiwen | The psychological role of music listening in emotion regulation for stress coping amongst university students | PhD | Monash University | 2014 | |
PEMBERTON, Mark | Absolute Music: Its relevance to the articulation of meaning in contemporary artistic practice | MFA | University of Sydney | 2014 | |
O’BRIEN, Christian | Composition folio | M.Mus | University of Melbourne | 2010 | |
BURSLEM, Megan | Articulating Armenian folk music characteristics in Tigran Mansurian's Havik for viola and percussion (1998), as mediated by the work of Komitas Vardapet | M.A | Monash University | 2014 | |
BURREL, Robert W. B. | A Process of Becoming: A Musical Enquiry into Process-Relational Philosophy Through Autoethnographical and Zoomusicological Means | PhD | Griffith University | 2013 | |
VAN DER WERFF, Lauren | Music performance and the chronically ill body: an autoethnographic approach to Body Mapping through illness narratives, Bonneau's Caprice en forme de valse and Leonard's Recitative and Abracadabra | M.Mus | Monash University | 2014 | |
CHARLES, Simon Bernard | Ideokinesis as a practice strategy in musical performance | M.Mus | University of Melbourne | 2013 | |
SHEEHY, Kerri-Anne R. | Home in the making: place, body and music in migratory practices of movement | PhD | University of South Queensland | 2012 | |
TOMLINSON, Michelle M. | Transformational and Transmodal Redesign in Children's Music Invention: An Exploration Using the Space of Music Dialogue | PhD | Griffith University | 2013 | |
KIM, Jeong-Ha | Korean Primary School Music Education during Japanese Colonial Rule (1910-1945) | PhD | Griffith University | 2013 | |
HONEYBUN, Katherine Anne | A complex of tendencies: the evolution of the use of the tritone in the music of Wagner, Debussy, and Bartók | M.Mus | University of Melbourne | 2014 | |
JAYASINGHE, Rohan | The application of serial technique to tonal music: the emancipation of consonance | PhD | University of Queensland | 2011 | |
WOOLF, Hayden | Analysis of two works : Red liquid triangular conditon and Next minute paints Kate's collapse | M.Mus | University of Sydney | 2010 | |
STANKE, Steven | Essential and inevitable ideas: a musico-dramatic analysis of Fritz Hart's 1919 opera "The Fantasticks" op. 35 | PhD | University of Melbourne | 2010 | |
BUTLER, Ronald Kenneth | The Influence of Theosophy on the Tradition of Speculative and Esoteric Theories of Music | PhD | Griffith University | 2013 | |
HODDER, Amanda Louise | The influence of Igor Stravinsky on the compositional style of Aaron Copland's Piano Variations | M.Mus | University of Melbourne | 2010 | |
LETIZI, Roberto Galliano Edward | The void of experience: moments of musical rupture in cinema | PhD | Monash University | 2014 | |
HENRY, Thomas Robert | Folio of compositions | M.Mus | University of Melbourne | 2012 | |
CURRAN, Michelle Louise | Effects of synchronous music in sport and exercise: a meta-analytic review and field studies of ultra-distance athletes | PhD | University of South Queensland | 2012 | |
SHORT, Alexander | Emotional Sensitivity to Music in Adults in a Community Sample and in Adults with Substance Dependence | PhD | University of Queensland | 2013 | |
MOSWA, Melisa Rumbidzai | The construction of femininity through the lyrical and visual portrayal of women in Afro-American and African mainstream hip-hop music | M.A | Monash University | 2014 | |
RICKARD-FORD, Paul | Portfolio of recorded performances and exegesis: the late piano works of Robert Schumann. | PhD | University of Adelaide | 2010 | |
NILAND, Amanda | The lives of songs an exploration of how new songs become part of young children's musical cultures | PhD | University of Western Sydney | 2011 | |
PINTO D'AGUIAR MONTT, Felipe | Folio of Compositions | M.Mus | University of Melbourne | 2011 | |
MACINNES, Charles | Folio of compositions | MMus | University of Melbourne | 2013 | |
MCPHEE, Eleanor A. | Shared concerns : investigating ways instrumental teachers learn to teach | PhD | University of Western Sydney | 2013 | |
CARBONELLI, Guendalina Maria | Fabrizio de André: a popular intellectual | PhD | Monash University | 2013 | |
NOACK, Phillip J. | Folio of compositions | MMus | University of Melbourne | 2012 | |
VAN KONKELENBERG, Joshua Marc | Portfolio of compositions and exegesis: an investigation of the expressive quality of six aspects of form. | PhD | University of Adelaide | 2013 | |
FEWSTER, Russell David | An examination of the relationship between the live performer and projected media in stage performance | PhD | University of Melbourne | 2010 | |
HOLLINGSWORTH, Claire | From seed to song: a case study exploring collaborative songwriting | M.Ed. | Monash University | 2014 | |
STARR, Adam Daniel | Issues of indeterminacy, metric modulation and “interference” in an individual compositional practice | PhD | University of Melbourne | 2011 | |
TOPPI, Antonio | An investigation into narrative as a compositional approach | MMus | Monash University | 2013 | |
BROOKE, Vivienne | The use of studies to conform to the ideals of deliberate practice and overcome its inherent constraints with particular reference to Georges Gillet's Studies for the Advanced teaching of the Oboe and Antonino Pasculli's 15 Capricci a guisa di Studi | MMus | Monash University | 2013 | |
GASSER, Mark | Ronald Stevenson, composer-pianist : an exegetical critique from a pianistic perspective | PhD | Edith Cowan University | 2013 | |
BLACK, Jessica Catherine | The New York Philharmonic behind the Iron Curtain: goodwill tour or Cold War propaganda? | MMus | University of Melbourne | 2012 | |
FARNAN, Peter | Distilling an essence: the structuring of the recorded pop/rock song form | MMus | University of Melbourne | 2014 | |
RAMPANT, David | Gaining an understanding of Hindemith's compositional techniques in order to present an informed performance of his Sonata for Four Horns (1952) | MMus | Monash University | 2014 | |
FREW, Rebecca Elizabeth | Bridging the training divide between studio preparation and characterisation in operatic performance using Michael Chekhov’s theory of Psychological Gesture | MMus | University of Melbourne | 2010 | |
MARCO, David John-Tom | Familiarity and the perception of dissonance in musical intervals and chords | PhD | University of Melbourne | 2014 | |
VIGGERS, Elisabeth | Connections: nothing exists in isolation | MSD (Sound Design) | University of Melbourne | 2011 | |