| ABBOTT, Katrina | Folio of compositions | MMus | University of Melbourne | 2001 | 1 vol + cd |
| ABECASIS REQUENA, Silvana Beatriz | A study of the Argentine composer's style through analysis of selected instrumental pieces with piano. [Guastavino Carlos] | MMus | University of Newcastle | 2005 | 102 |
| ABERNETHY, Stephen James | Parents' reasons for supporting their child's music training in an expatriate school in Taiwan | M.Ed | Monash University | 2006 | 95 |
| ACKER, Yolanda | The Castilian composer Antonio José Martínez Palacios (1902-1936) : a biographical study with a catalogue of works | MMus | University of Melbourne | 1995 | 470 |
| ADAMS, Christopher Patten | Composition portfolio | MMus | University of Auckland | 2006 | 126 + 2 CDs |
| ADAMS, Zilla Emily | Recent developments in the mainstreaming of blind students into lower secondary school class music | MMus Ed. | University of Western Aust. | 1995 | 172 |
| ADAMSON, Amanda | Petrucci's Motetti C : a critical edition and study of the anonymous motets | MMus | University of Auckland | 1992 | 310 |
| ADDISON-SMITH, Dorothy Jane | Collections of Australian music recordings in Melbourne public libraries | MA | Monash University | 1993 | 85 |
| AGNEW, Melissa | Consciousness of voice in the Australian theatre from the new wave to the new millennium | PhD | University of Sydney | 2002 | 378 |
| AGOSTINELLI, Josephine | Tradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used | MA (perf) | Monash University | 2005 | 67 |
| AIRY, Samuel P. G. | Music teachers' beliefs and their use of MIDI Technology | M.Ed | University of Auckland | 1999 | 247 |
| AITKEN, Thomas Craig | Richard Meale: a stylistic survey | MMus | University of Queensland | 1975 | 115 |
| ALDRED, Helen Mary | Ifi palasa: brass bands in Tonga | MMus | Victoria University of Wellington | 1997 | 330 |
| ALEXANDER, Adrienne | A study of current practice in flute pedagogy for beginner students in New South Wales | MMus Ed. | University of Sydney | 1997 | 116 |
| ALEXANDER, Craig and Bob DERRY | An analysis of the wholesaling operations of Allans Music Australia Limited | MBA | University of Melbourne | 1975 | 45 |
| ALLAN, David A. | The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century | PhD | LaTrobe University | 2001 | 229 |
| ALLAN, David Anthony | A dual study of English lute repertoire of the renaissance period and English guitar repertoire of the twentieth century | MMus | University of Adelaide | 1980 | 205 |
| ALLAN, John McDonald | Die tote Stadt: An Opera by Erich Wolfgang Korngold (1897-1957) | MA | Monash University | 2000 | 348 |
| ALLAN, Miriam | Beyond a Beautiful Voice | MCA | University of Newcastle | 2003 | 190 |
| ALLISON, Diane Joy | The use of programmed music versus non-programmed and no music during childbirth | MMus | University of Melbourne | 1993 | 158 |
| ALSOP, Peter R. | Using aspects of language in computer based composition: three approaches to current Australian texts | MA | LaTrobe University | 1999 | 201 + 3 audio CDs |
| ALTER, Andrew | Dancing with the Gods: power and meaning in the music of Garhwal, North India | PhD | Monash University | 2000 | 423 + CD |
| ALTER, Andrew Burton | Hindustani vocal music: a case study of oral transmission | MMus | University of Adelaide | 1989 | 281 |
| AMABILE, Paul | Musical theory in architectural design | GDipArch | Queensland University of Technology | 1982 | 183 |
| AMANATIDIS, Agapi | Coming into being: metaphors of self and becoming in Carnival, on the Aegean Island of Skyros | PhD | University of Adelaide | 2005 | 345 |
| AMATO, Nola | The design and implementation of a keyboard scale tutoring system | MSc | University of Western Aust. | 1988 | 103 |
| AMPT, Robert Milton | Music iconography and performance practice in the time of Heinrich Schutz | MMus | University of Adelaide | 1973 | 192 |
| AN, Yu Lee | Publishers of New Zealand Music: a historical survey from 1840-2002 | MA Mus | University of Otago | 2003 | 364 |
| ANCELL, Noel | Christopher Wilcock: Australian liturgical composer | MA | Monash University | 1992 | 64 |
| ANDERSON, Alan Johnston | Developing instructional strategies for desktop video assisted music teaching and learning | PhD | Southern Cross University | 2004 | 214 |
| ANDERSON, Elizabeth | A study of fingering in selected sources of English virginal music | MMus | University of Melbourne | 1984 | 174 |
| ANDERSON, Gae Mary | Harry Rickards: a performance-centred portrait from music hall to Vaudeville | PhD | University of Sydney | 1998 | 370 ( 2 vol) |
| ANDERSON, Gordon Athol | The motets of the thirteenth century manuscript La Clayette | MMus | University of Adelaide | 1969 | 2 vol |
| ANDERSON, Gordon Athol | The development of the motet in the thirteenth century | D.Mus | University of Adelaide | 1977 | 3 vol |
| ANDERSON, Gregory | Murlarra: a clan song series from central Arnhem Land | PhD | University of Sydney | 1992 | 920 + 2 cass + vid |
| ANDERSON, Lauren | The glue of the world : popular music in film soundtracks | MA | Massey University | 1999 | 160 |
| ANDERSON, Lynne | Kindergarten teachers' perspectives on the role of music in early childhood education | M.Ed | University of South Australia | 2002 | 91 |
| ANDERSON, Natasha | Revolts of being : the abject and informe (formless) in music installation/performance | MA | Victoria University (Vic. Australia) | 2004 | 65 |
| ANDERSON, Peter James | The innovative music of Percy Grainger : an examination of the origins and development of free music | MMus | University of Melbourne | 1979 | 114 + cass |
| ANDREASEN, Felicity Anne | Musically gifted students in the first year of secondary school : identification and curriculum differentiation | M.Ed | Southern Cross University | 1997 | 135 |
| ANGUS, Andrew S. | A critical examination and a transcription of the six published oboe sonatas of Giuseppe Sammartini | MMus | University of Western Aust. | 2003 | 1 vol |
| ANNABELL, Angela Ruth | New Zealand’s cultural and economic development reflected in song : aspects of the New Zealand folk song ethos. | PhD | University of Auckland | 1976 | 473+ cass |
| ANNABELL, Angela Ruth | Music in Auckland 1840-1855 : with reference to aspects of music in the Bay of Islands area both before and after 1840. | MA | University of Auckland | 1968 | 239 |
| ANSLOW, Dayle | Three masses by Antonio Cifra and their background in the Roman Counter-Reformation: a study and edition. | MMus | University of Auckland | 1998 | 348 |
| ARCHER, Christine A | What changes in relationship with their children do primary caregivers perceive as having occured since being involved in a centre-based early intervention music therapy programme? | MMus Therapy | Massey University | 2004 | 179 |
| ARMSTRONG, Newton | Folio of compositions [plus analysis of Brian Ferneyhough's Fourth string quartet] | M.Mus | University of Melbourne | 1996 | 49 + 7 scores |
| ARNOLD, Martin | Why play jazz? : an investigation into meaning of participation in a primary school music ensemble | M.Ed | University of Melbourne | 2000 | 126 |
| ARTINGSTALL, Elizabeth M. | Dufay, a man of the world: An investigation into Dufay's ceremonial motets | MA | Monash University | 1996 | 110 |
| ASHLEY, J. V. | The influence of early formal music training on the music aptitude of young children : an evaluation of levels I and II of the Yamaha Junior Music Course | M.Ed | Australian Catholic University | 1986 | 124 |
| ASHURST, Prudence M. | The influence of experience in the Kodaly-based intonation and rhythmic techniques on the sight singing abilities of adolescent students | MusM | University of Western Aust. | 1997 | 141 |
| ASKER, Donald | Personal meanings and artistic processes | PhD | University of Melbourne | 2001 | 3 vol |
| ASKEW, Graeme | A Buberian perspective on music education : implications for the music curriculum in Victorian primary schools | M.Ed | LaTrobe University | 1992 | 117 |
| ASPDEN, Suzanne Elizabeth | Psyche's borrowed plumes | MMus | Victoria University of Wellington | 1992 | 332 |
| ATCHISON, Mary | The structures and scribes of the chansonnier of the Oxford Bodleian MS Douce 308 | PhD | Monash University | 1995 | 2 vol |
| ATHAN, Melissa | Control I'm here. | MA | Monash University | 1994 | 316 |
| ATKIN, Nancy | Why song is useful in teaching pronunciation and spoken English | M.Ed | LaTrobe University | 1998 | 110 |
| ATKINSON, Neil F | Nonverbal communication and choral conducting | MMus Studs | University of Queensland | 2002 | 128 |
| AUBREY, David Graham | The influence of music in redefining nationalism in Wales in the nineteenth and early twentieth centuries | MA | University of Sydney | 1995 | 212 |
| AYRES, Christopher Vivian | An examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896 | MA (Hons) | Macquarie University | 1977 | 212 |
| AYRES, Helen | George Enescu : the complete musician : a study of violin virtuosity in Enescu's third sonata for piano and violin | DMusArts | University of Melbourne | 2006 | 74 |
| AYREY, Craig Leslie | Rameau and the Pastorale heroique a dramatic and structural analysis of Zais | MMus | University of Auckland | 1978 | 172 |
| BAAS, Warren Peter | Structure and functional harmony in the first and fifth symphonies of Gustav Mahler | MMus | University of Auckland | 1992 | 214 |
| BACKSTROM, Lynne | An investigation into the relationship between the experiences, philosophy and cello compositions of composer/performer Sarah Hopkins | MMus | University of Queensland | 1994 | 62 |
| BADLEY, Allan | The concertos of Leopold Hofmann (l738-l793) | PhD | University of Auckland | 1986 | 3 vol |
| BAHR, Nanette Margaret | The impact of developmental experiences on exceptional pitch labelling skill | PhD | University of Queensland | 1999 | 331 |
| BAINBRIDGE, David | Extensible optical music recognition | PhD | University of Canterbury | 1997 | 277 |
| BAJZEK, Dieter | Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance | MA | LaTrobe University | 1986 | 222 |
| BAKER, Amanda | Composing with computers: aesthetics, methods and music | MMus | University of Melbourne | 1988 | 143 |
| BAKER, Felicity | The effects of live and taped music on the agitation and orientation levels of people experiencing posttraumatic amnesia | MMus | University of Melbourne | 1999 | 150 |
| BAKKER-KING, Margaret R. | The cantatas of Domenico Cimarosa (1749-1801) | PhD | University of Adelaide | 1988 | 2 vol |
| BALL, Dorothy Louie | The popular element in the music of the English virginal school | MMus | University of Auckland | 1979 | 186 |
| BALLANTYNE, Julie | Effectiveness of preservice music teacher education programs : perceptions of early-career music teachers | Ed.D | Queensland University of Technology | 2005 | 263 |
| BALOUGH, Teresa | The essential Grainger: Percy Grainger's Kipling settings, 1898-1947 | PhD | University of Western Aust. | 1985 | 524 + 1 vocal score + 1 CD |
| BAN, Louise Giselle | Problems and solutions in adapting the Kodaly method for use in Australia | MA | University of Sydney | 1976 | 281 |
| BANDT, Rosalie | Chance operations and indeterminate procedures in the work of John Cage, 1950-1970 | MA | Monash University | 1974 | 129 |
| BANDT, Rosalie | Models and processes in repetitive music, 1960-1983 | PhD | Monash University | 1983 | 433 |
| BANNISTER, Matthew | White man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa | PhD | University of Auckland | 2002 | 339 + 2 CDs |
| BANNISTER, Roland Stuart | An ethnomusicological study of music makers in an Australian military band | PhD | Deakin University | 1995 | 370 |
| BARBELER, Damien | Experiential learning in musical composition. | MMus | Griffith University | 1997 | 109 |
| BARBER, Bruce | An analytical survey of percussion education at the immediate pre-tertiary level | MMus | University of Melbourne | 1989 | 344 |
| BARBER, Jonathan B. | An investigation of neural processes in music cognition using quantative electroencephalography | PhD | University of Melbourne | 1999 | 294 |
| BARCLAY, Daryl James | Luther and the restoration of vernacular congregational hymnody | MA | Australian Catholic University | 2004 | 75 |
| BARCLAY, Neil | Self-hypnosis as a tool for practice and performance | MMus Ed. | University of Western Aust. | 1996 | 187 |
| BARDWELL, Glenn | Musical expression and communication: an overview | MMus (perf) | University of Melbourne | 1996 | 121 |
| BARKER, Bram Wesley | The Jebediah Jones Mystical Montrose Tour, 1999 | MM | Overseas | 1999 | 22 |
| BARKL, Louise | Professional musicians and the music education programs of arts organisations : case studies of two models | MMus (Mus Ed.) | University of Sydney | 2005 | 268 + DVD |
| BARKL, Michael | Franco Donatoni's Etwas Ruhiger in Ausdruck; and folio of compositions | MMus (Hons) | University of New England | 1985 | 2 vol |
| BARKL, Michael Laurence Gordon | Pure data as a Meta-Compositional Instrument | DCA | University of Wollongong | 2009 | 133 + CD |
| BARKL, Michael Laurence Gordon | Vertigo: Riccardo Formosa's composition technique | PhD | Deakin University | 1994 | 301 |
| BARLOW, Dale | A portfolio of transcriptions and analyses towards Masters of Music | MMus (Jazz) | University of Canberra | 1997 | 2 vol |
| BARNARD, Geoffrey David | Indeterminate composition and ideological determination | MA | University of Technology Sydney | 2003 | 106 |
| BARNES, Gwyneth G | A history of the Newcastle Conservatorium, 1952-1989 | M.Ed | University of Newcastle | 1994 | 142 |
| BARNES, Jennifer Joan | Beyond the act of singing | MMus | University of Newcastle | 1998 | |
| BARNES, Julie | Whitsunday: a bicentennial opera | MA | Monash University | 1991 | 121 |
| BARNEY, Katelyn | Playing Musical Hopscotch: How Indigenous Australian Women Perform Around, Within and Against Aboriginalism | PhD | University of Queensland | 2006 | 309 + CD |
| BARON, Annette | A comparison of unaccompanied singing of familiar songs and vocal improvisation for older adults with severe late stage dementia | MMus | University of Melbourne | 2004 | 142 |
| BARRETT, Margaret Sylvia | Children's aesthetic decision-making: an analysis of children's musical discourse as composers | PhD | Monash University | 1996 | 2 vol |
| Barry, Jennifer | Stories and gaps: a study of narrative, discourse and musical awareness in a group of year six children's responses to music | MTeach | University of Canterbury | 2006 | 117 |
| BARTHOLOMEW, Peter G. | Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works | LL.M | Queensland University of Technology | 1998 | 1 vol |
| BARTLEET, Brydie-Leigh | Gendering the podium: the journeys of professional woman conductors | PhD | University of Queensland | 2004 | 328 |