Bibliographic

Writer	Thesis Title	Degree	University	Year	# of Pages
ACKER, Yolanda	The Castilian composer Antonio José Martínez Palacios (1902-1936) : a biographical study with a catalogue of works	MMus	University of Melbourne	1995	470
Anon	New Zealand's published music 1850-1913	PhD	University of Auckland	In Progress (2009)
ANTONOV, Edward	Formulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'Aranyi	MMus	Monash University	2015
BARKER, Jade Caroline	Applying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli method	MMus	Monash University	2014
BARTUP, Marie Patricia	An annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand	MLIS	Victoria University of Wellington	2002	86
BELL, Robert	PAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they produce	PhD	Swinburne University of Technology	2015	536
BUCKINGHAM, Alice	Informed Performance Practice of Sonata for Viola and Piano, op. 147 by Dmitri Shostakovich: A Study of Interpretation	MPhil	University of Queensland	2014
CHOE, Minah	Pedagogy and performance practice of David Popper (1843-1913): An analysis of influence and legacy of Popper’s compositions in studio teaching	DMA	University of Sydney	2016	159
CHONG, Kristian	Sergei Rachmaninoff in Melbourne; a performer's reflection through the twenty-four Preludes Opp, 23 and 32; from Mack Jost to the twenty-first century	PhD	Australian Catholic University	2014
COYLE, James	The contrabass as a vehicle for Australian music; how a small repertoire can inform the creative output of one composer	MMus	University of Sydney	2015	82
DAVIES, Ryan	Uncovering the unpublished chamber music of George Frederick Boyle Volume I: Dissertation	MArts	Edith Cowan University	2016	111
DILLON, Teressa	Canons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La Serre	MMus	Victoria University of Wellington	2010	121; 99
EAST, Simone Michelle	Science: a model and a metaphor in the work of four British composers	MMus	University of Sydney	2014	53
FEHSENFELD, Diana Mae	Maori waiata : an examination of intellectual property law issues for music librarians	MLIS	Victoria University of Wellington	2006	92
FRAMPTON, Andrew Leslie	Jan Dismas Zelenka's Missa Sancti Spiritus, ZWV 4: a critical edition and study of the manuscript sources	MMus	University of Melbourne	2015
GIJSBERS, Lucy	The Three Great Soviet Composers and Mstislav Rostropovich – Talent, Music and Politics in the Soviet Union	MMus	Victoria University of Wellington	2014
GLEESON, Jean Clare	Counting time: a content analysis of the covers of the popular sheet music published by Charles Begg & Co. Ltd.	MLIS	Victoria University of Wellington	2003	65
HANNAY, Karen	The Wellington Youth Choir, 1989-1997: A comprehensive bibliography	MLIS	Victoria University of Wellington	1998	72
HARVEY, Douglas Ross	Henry Playford: a bibliographical study	PhD	Victoria University of Wellington	1985	838
MCEVOY, David	Aspects of Herbie Hancock’s pre-electric improvisational language and their application in contemporary jazz performance: a portfolio of recorded performances and exegesis.	MPhil	University of Adelaide	2014
McINTYRE, Brent	Customer expectations and perceptions of music reference service quality in public libraries: a quantitative analysis	MLIS	Victoria University of Wellington	2003	87
MENDEZ, Shauna	Bibliographic relationships and FRBR : an examination of user needs in the music library	MLIS	Victoria University of Wellington	2006	72
NG, Siong Ngor	Music and culture : the information seeking behaviour and needs of academic ethnomusicologists in New Zealand	MLIS	Victoria University of Wellington	2003	76
O'CONNOR, Joseph	Developing approaches to jazz composition and improvisation informed by the dissonant counterpoint methods of Charles Seeger and Ruth Crawford	PhD	Monash University	2016
PLEDGER, Timothy Mark	Charles Ives and Henry Cowell: an unlikely alliance for American music	MMus	University of Melbourne	2016
SCOTT, Rebecca Marie	A case study of the use of the Dewey Decimal Classification scheme at the University of Auckland's Music Library	MLIS	Victoria University of Wellington	2003	106
STACHURSKI, Michael Raymund	We will sing our own songs : a content analysis of selected Presbyterian hymnals, 1982-1993	MLIS	Victoria University of Wellington	2004	114
SUTTON, Mark Morgan	You can always come back, but you can't come back all the way: late style and memory in Bob Dylan's recent work	PhD	University of Sydney	2015
THACKER, Eric Charles	Catalogue Raisonné of the material relevant to Percy Grainger as an artist and as a man, contained in the Percy Grainger Museum, University of Melbourne	MA	University of Melbourne	1965 NiL	unknown
TOWNSHEND, D	Metaphor, Narrative and Musical Analysis: György Ligeti's Compositions from 'Atmosphéres' to His Second String Quartet	PhD	University of New England	2014
WILKINSON, Christine E	The compilation of thematic catalogues with special reference to thematic locators and the effect of computerization	MA	Monash University	1981	118
WILSON, Robin	Style and interpretation in the nineteenth‐century German violin school with particular reference to the three sonatas for pianoforte and violin by Johannes Brahms	PhD	University of Sydney	2014
WIRJAPRANATA, Josephine	Bibliography of New Zealand composers and composition: selected newspapers and periodicals, 1984-1989, monographs and theses 1984-1997	MLIS	Victoria University of Wellington	1998	99
ZHANG, Shaojing	Ornamentation in C.P.E. Bach’s keyboard compositions and its relationship to motivic and harmonic structure	MMus	University of Sydney	2016	163

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