Writersort iconThesis TitleDegreeUniversityYear# of Pages
ACKER, YolandaThe Castilian composer Antonio José Martínez Palacios (1902-1936) : a biographical study with a catalogue of worksMMusUniversity of Melbourne1995470
AnonNew Zealand's published music 1850-1913PhDUniversity of AucklandIn Progress (2009)
ANTONOV, EdwardFormulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'AranyiMMusMonash University2015
BARKER, Jade CarolineApplying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli methodMMusMonash University2014
BARTUP, Marie PatriciaAn annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand MLISVictoria University of Wellington200286
BELL, RobertPAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they producePhDSwinburne University of Technology2015536
BUCKINGHAM, AliceInformed Performance Practice of Sonata for Viola and Piano, op. 147 by Dmitri Shostakovich: A Study of InterpretationMPhilUniversity of Queensland2014
CHOE, MinahPedagogy and performance practice of David Popper (1843-1913): An analysis of influence and legacy of Popper’s compositions in studio teachingDMAUniversity of Sydney2016159
CHONG, KristianSergei Rachmaninoff in Melbourne; a performer's reflection through the twenty-four Preludes Opp, 23 and 32; from Mack Jost to the twenty-first centuryPhDAustralian Catholic University2014
COYLE, JamesThe contrabass as a vehicle for Australian music; how a small repertoire can inform the creative output of one composerMMusUniversity of Sydney201582
DAVIES, RyanUncovering the unpublished chamber music of George Frederick Boyle Volume I: DissertationMArtsEdith Cowan University2016111
DILLON, TeressaCanons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La SerreMMusVictoria University of Wellington2010121; 99
EAST, Simone MichelleScience: a model and a metaphor in the work of four British composersMMusUniversity of Sydney201453
FEHSENFELD, Diana MaeMaori waiata : an examination of intellectual property law issues for music librarians MLISVictoria University of Wellington200692
FRAMPTON, Andrew LeslieJan Dismas Zelenka's Missa Sancti Spiritus, ZWV 4: a critical edition and study of the manuscript sourcesMMusUniversity of Melbourne2015
GIJSBERS, LucyThe Three Great Soviet Composers and Mstislav Rostropovich – Talent, Music and Politics in the Soviet UnionMMusVictoria University of Wellington2014
GLEESON, Jean ClareCounting time: a content analysis of the covers of the popular sheet music published by Charles Begg & Co. Ltd.MLISVictoria University of Wellington200365
HANNAY, KarenThe Wellington Youth Choir, 1989-1997: A comprehensive bibliographyMLISVictoria University of Wellington199872
HARVEY, Douglas RossHenry Playford: a bibliographical studyPhDVictoria University of Wellington1985838
MCEVOY, DavidAspects of Herbie Hancock’s pre-electric improvisational language and their application in contemporary jazz performance: a portfolio of recorded performances and exegesis.MPhilUniversity of Adelaide2014
McINTYRE, BrentCustomer expectations and perceptions of music reference service quality in public libraries: a quantitative analysisMLISVictoria University of Wellington200387
MENDEZ, ShaunaBibliographic relationships and FRBR : an examination of user needs in the music libraryMLISVictoria University of Wellington200672
NG, Siong NgorMusic and culture : the information seeking behaviour and needs of academic ethnomusicologists in New Zealand MLISVictoria University of Wellington200376
O'CONNOR, JosephDeveloping approaches to jazz composition and improvisation informed by the dissonant counterpoint methods of Charles Seeger and Ruth CrawfordPhDMonash University2016
PLEDGER, Timothy MarkCharles Ives and Henry Cowell: an unlikely alliance for American musicMMusUniversity of Melbourne2016
SCOTT, Rebecca MarieA case study of the use of the Dewey Decimal Classification scheme at the University of Auckland's Music LibraryMLISVictoria University of Wellington2003106
STACHURSKI, Michael RaymundWe will sing our own songs : a content analysis of selected Presbyterian hymnals, 1982-1993 MLISVictoria University of Wellington2004114
SUTTON, Mark MorganYou can always come back, but you can't come back all the way: late style and memory in Bob Dylan's recent workPhDUniversity of Sydney2015
THACKER, Eric CharlesCatalogue Raisonné of the material relevant to Percy Grainger as an artist and as a man, contained in the Percy Grainger Museum, University of MelbourneMAUniversity of Melbourne1965 NiLunknown
TOWNSHEND, DMetaphor, Narrative and Musical Analysis: György Ligeti's Compositions from 'Atmosphéres' to His Second String QuartetPhDUniversity of New England2014
WILKINSON, Christine EThe compilation of thematic catalogues with special reference to thematic locators and the effect of computerizationMAMonash University1981118
WILSON, RobinStyle and interpretation in the nineteenth‐century German violin school with particular reference to the three sonatas for pianoforte and violin by Johannes BrahmsPhDUniversity of Sydney2014
WIRJAPRANATA, JosephineBibliography of New Zealand composers and composition: selected newspapers and periodicals, 1984-1989, monographs and theses 1984-1997MLISVictoria University of Wellington199899
ZHANG, ShaojingOrnamentation in C.P.E. Bach’s keyboard compositions and its relationship to motivic and harmonic structureMMusUniversity of Sydney2016163
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