O'seas Awards
| BARKER, Bram Wesley | The Jebediah Jones Mystical Montrose Tour, 1999 | MM | Overseas | 1999 | 22 |
| BIRDWELL, John Cody | The utilization of folk song elements in selected works by Ralph Vaughan Williams and Percy Grainger with subsequent treatment exemplified in the wind band music of David Stanhope | DMA | Overseas | 1996 | 104 |
| COMTE, Martin Milton | Arts Education in the State School system in Victoria, Australia: 1945 to 1980. | PhD | Overseas | 1983 | 336 |
| CYBA, Hanna Dorota | A performer's guide to the piano sonatas by Carl Vine | DMA | Overseas | 2002 | 102 |
| DALTON, Grant B. | Nigel Westlake's "Omphalo Centric Lecture": A guide for performance including a biography of the composer and an examination of the different versions of the work | DMA | Overseas | 2006 | 181 |
| GENOVA, Vincent Anthony | Torres Strait island music: A cantometric study | PhD | Overseas | 1991 | 379 |
| GRENFELL, Julia Michele | The influences of traditional Asian music on an Australian composer: A study of three works for flute and piano by Anne Boyd | DMA | Overseas | 2003 | 146 |
| HARDIE, Richard Lawrence | Jenny McLeod: The emergence of a New Zealand voice | MM | Overseas | 1994 | 68 |
| HODGES, Glen John | "Eyre," a three movement instrumental work for small chamber ensemble. (Original composition); | MM | Overseas | 1991 | 117 |
| HOOPER, Michael J | The Music of David Lumsdaine (1966-1980) | PhD | Overseas | 2007 (NyiC) | tba |
| JACKSON-GOUGH, Julie J. | Music events among four-year-old children in naturalistic contexts, within selected New Zealand kindergartens | PhD | Overseas | 2003 | 162 |
| JOYCE, Brendan Clive | Three Australian faces: An anthology (performed) of recital music for violin written by Australian composers since the federation of Australia (1901), including new scores written on the theme of reconciliation between indigenous and non-indigenous Australians | DMA | Overseas | 2002 | 199 |
| JUTSUM, Ross Frederick | An examination of musical-textual relationships in the choral music of Colin Brumby, a lecture recital, with three recitals of selected works by Bartok, Durufle-Chevalier, Duson, Mendelssohn, Poulenc, Sallinen, and Schoenberg | DMA | Overseas | 1995 | 101 |
| LAURIDSEN, Jan | Musical scales in Australian aboriginal songs: structure and social implications (didjeridu, folksongs) | PhD | Overseas | 1983 | 140 |
| LICKISS ALEO, Angela | The oboe and English horn works of Ross Edwards and his place in Australian music | DMA | Overseas | 2016 | 127 |
| LINDHEIMER, Joel David | I. The didjeridu: From 'dreamtime' to a new emblem of Pan-Australian Aboriginal identity. II. Concerto for violoncello and orchestra | PhD | Overseas | 2000 | 137 |
| LOGAN, Christine | Some Aspects of Australian Piano Music since 1945. | DMA | Overseas | 1988 | 189 |
| MARETT, Allan | 1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga no | PhD | Overseas | 1976 | |
| MARETT, Allan | An examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, Samgitaratnakara | MA | Overseas | 1972 | |
| McCUBBIN, Alison Rosemary | An introduction for the singer to the solo vocal works of Nigel Butterley with particular emphasis on his works between 1976 and 2003 | DMA | Overseas | 2004 | 217 |
| MICHALSKI, Yvonne E | Current admission criteria for Texas graduate degree programs: piano performance, piano pegagogy, and music education with piano emphasis | MMus (Mus.Ed.) | Overseas | 2000 | 71 |
| MILTON, Nicholas | The string quartets of Peter Sculthorpe: A study in stylistic synthesis | DMA | Overseas | 2004 | 313 |
| PEERY, Irene Weiss | GEORGE F. BOYLE: PIANIST, TEACHER, COMPOSER (AUSTRALIA) | DMA | Overseas | 1987 | 409 |
| POWELL, Thomas Raymond | Moon Came Down: For soprano voice and eight instrumentalists | DMA | Overseas | 2003 | 183 + 22 + 2CDs |
| RAKENA, Te Oti Paipeta | The synthesis of Polynesian and western traditions in contemporary New Zealand composers | DMA | Overseas | 1998 | 106 |
| RODGERS, Robert Mark | The "Hill-songs" of Percy Aldridge Grainger: An historical and analytic study with a new performance edition (Volumes I and II) | DMA | Overseas | 1987 | 306 |
| SHEARER, Debra A. | Emerging Voices in Australian Choral Music: Selected Choral Works of Sculthorpe, Boyd, Edwards, Hopkins, Maclean, Leek, Stanhope, Grandage, Orlovich, and Atherton. | DM | Overseas | 2003 | 151 |
| THOMPSON, Roy Harold | A Curriculum model for instrumental music education in the schools of Queensland, Australia. | DMA | Overseas | 1983 | 263 |
| VINES, Nicholas Paul | The Hive: A chamber opera in seven tableaux | PhD | Overseas | 2007 | 233 |
| WALKER, Judith Ann | Rhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musics | PhD | Overseas | 1983 | 599 |
| WHITMORE, Keith | The piano music of Percy Grainger: An analysis of ten original works | DMA | Overseas | 2004 | 112 |
| WILLIAMS, Ross Adrian | On Open Sky | DMA | Overseas | 2002 | 27 |
| WILSON, Brian Scott | Orchestrational archetypes in Percy Grainger's wind band music | A.Mus.D. | Overseas | 1992 | 237 |
| YANG, Eun-Kyoung | The piano sonatas of Carl Vine: A guideline to performance and style analysis | DMA | Overseas | 2003 | 97 |
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