| BALLARD, Bernadette | Women musicians in late 18th-century London | MMus | University of Melbourne | withdrawn c.2005 | |
| CROWE, Chantal-Marie | Female Australian Aboriginal songwriters/performers | MMus | Australian National University | in progress (NiC08/07) | |
| DeVERE, Catriona | The Diva Desire: an examination of the perceptions and aspirations of Australian women striving to achieve an operatic career. | PhD | Australian National University | in progress (2007) | |
| HALL, Clare | Voices of distinction: choirboys' narratives of music, masculinity and the middle-class | PhD | Monash University | 2012 | |
| HARRIS, Amanda | Composing Women and Feminist Movements in France, Germany and England at the turn of the twentieth century | PhD | University of NSW | In progress (2005) | |
| RICHARDS, Rosemary | Three manuscript music collections transcribed by Georgiana McCrae | PhD | University of Melbourne | In Progress (2009) | |
| GILLETT, Rachel Anne | Crossing the pond: Jazz, race and gender in interwar Paris | PhD | University of Otago | 2010 | |
| ROBINSON, Angela Nicole | Clarinet music by Australian women composers [electronic resource] : an examination of its under-representation in repertoire and performance | MPhil | University of Queensland | 2007 | |
| KELLY, Eamonn | Maidservants to the muse: professional female musicians in Roman Italy, 200 BC - 400 AD | MMus | University of Melbourne | 2002 | 101 |
| PRITCHETT, Sarah | Living to perform, playing for passion : a "girls" guide to rock | MA | University of Auckland | 2002 | 103 |
| JACKSON-TRETCHIKOFF, Julie | The operas of Michael Tippett : the inner values of Tippett as portrayed by selected female characters | MPhil | Massey University | 2006 | 107 |
| CALLINAN-ROBERTSON, Joanne | The effects on vocal quality of the Marchesi pedagogical approach in female singers in the western classical tradition | MMus | University of Sydney | 2007 | 112 |
| EMERSON, Helen Katrine | A voice of her own: Ethel Smyth and early feminist musicology. | MA | University of Otago | 1999 | 115 |
| GIBSON, Lorena | Versioning for the love of it: Hip-Hop culture in Aotearoa | MA | Massey University | 2000 | 116 |
| JOHNSON, Chloe Hope | Sonic intersections : subjectivity within punk aesthetics | M.A. | University of Melbourne | 2007 | 124 + 1 CD |
| KEMP, Johanna | Contradictory representations of women in female performer music videos | MA | University of Auckland | 1996 | 125 |
| GIBSON, Robert R. | Parsifal and Homosexuality: A study of the reception of Parsifal as a homoerotic text | MMus | University of Sydney | 1998 | 131 |
| KIEK, Mara | Spectral characteristics of traditional Bulgarian female folk singing | MAppSci | University of Sydney | 2008 | 131 |
| VAUGHAN, Leigh T | The missing males : factors which contribute to low participation of adolescent boys singing in secondary school | MMus Ed. | University of Sydney | 1998 | 133 |
| CONNELLY, Kathrine Jane | Women in exercise to music : individual experiences of influences to be slim | MA | Deakin University | 1997 | 140 |
| MARTIN, Rosemary Ellen | Women, disability and rock 'n roll : a social semiological analysis | MA | Australian Catholic University | 1994 | 148 |
| DOWNIE, Ellaine | Why a cappella? Why women? Why now? The a cappella movement in popular music in Australia from 1987-1995 | MA | Monash University | 1996 | 151 |
| LOUISE, Jennie | Gendered difference in music : feminist and feminine aesthetics in the music of Mary Mageau, Sarah Hopkins and Betty Beath | MMus | Griffith University | 1997 | 165 |
| SHADE, Fiona C. | The representation of the female musicians in the art of the Italian Renaissance | MA | LaTrobe University | 1998 | 168 |
| LANGTREE, Joanne | Discourses that impinge on student numbers in senior music in one Far North Queensland girls' school | M.Ed (Hons) | James Cook University | 2001 | 173 |
| WELLS, Sarah Ellen | Women as musical leaders : experiences and perceptions of female conductors and concertmasters in Perth, Western Australia | MA | University of Western Aust. | 2011 | 173 |
| KNOX, Sarah | Female violin virtuoso : their emergence and growing acceptance in the Nineteenth and early Twentieth centuries | MMus | Griffith University | 2003 | 196 |
| ELTON, Jane | Music in secondary education in girls' schools in Victoria | MMus | University of Melbourne | 1967 | 2 vol |
| WHITE, Melita | Music composition as an expression of research in feminist theory | MA | Monash University | 2006 | 2 vol + CD |
| RICKWOOD, Julie Ann | Liberating Voices: towards an ethnography of women's community a cappella choirs in Australia | MA | Australian National University | 1997 | 209 + 1 cass. |
| ARCHER, Michaele | The effect of belly-in and belly-out directives on breathing behaviour and vocal perception of female classical singers | MAppSci | University of Sydney | 2007 | 213 |
| FAIGEN, Sandra | Women's music in rituals in the Bhojpuri region of North India | MA | Monash University | 1982 | 217 |
| ROUTLEY, Lois M | Adolescent girls' interest in pop music : a mass media study | M.Ed | Monash University | 1978 | 225 |
| HURLEY, Jennifer Mary | Music video and gendered pleasures in the lives of young women and men | PhD | Deakin University | 1996 | 247 |
| OTTOSSON, Ase-Britt Charlotta | Making Aboriginal Men and Music in Central Australia | PhD | Australian National University | 2006 | 294 |
| TAYLOR, Jodie | Playing it Queer: Understanding queer gender, sexual and musical praxis in a 'new' musicological context | PhD | Griffith University | 2009 | 294 + 1 CD |
| RICKSON, Daphne Joan | Is music therapy effective in promoting proscocial behaviours in aggressive adolescent boys? | MHealthSc. | University of Otago | 2002 | 300 |
| BARNEY, Katelyn | Playing Musical Hopscotch: How Indigenous Australian Women Perform Around, Within and Against Aboriginalism | PhD | University of Queensland | 2006 | 309 + CD |
| HOPKINS, Susan | Pop heroines and female icons : youthful femininity and popular culture | PhD | Queensland University of Technology | 1999 | 310 |
| BARTLEET, Brydie-Leigh | Gendering the podium: the journeys of professional woman conductors | PhD | University of Queensland | 2004 | 328 |
| KALESKI, Catherine | They think it's girl's stuff : gender issues surrounding playing the violin at lower primary and lower secondary levels | M.Ed | University of Melbourne | 1995 | 331 |
| MAYHEW, Emma | The representation of the feminine, feminist and musical subject in popular music culture | PhD | University of Wollongong | 2001 | 332 |
| GRAHAM, Jillian | Composing Biographies of Four Australian Women: Feminism, Motherhood and Music | PhD | University of Melbourne | 2009 | 332 |
| GALL, Jennifer | Redefining the tradition : the role of women in the evolution and transmission of Australian folk music | PhD | Australian National University | 2008 | 334 p + CD |
| BREEN, Andrea | Creating a place : women, land and improvisation | PhD | University of Tasmania | 2000 | 335 + 2 cass + 2 CD |
| BANNISTER, Matthew | White man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa | PhD | University of Auckland | 2002 | 339 + 2 CDs |
| RENZO, Adrian | Love in the first degree: handbag dance music and gay male culture | PhD | University of Western Sydney | 2007 | 342 |
| RUSAK, Helen | Simply Divine : feminist aesthetics in three music theatre works of Elena Kats-Chernin | PhD | University of Adelaide | 2005 | 345 |
| BENNETTS, Kathleen Scott | Boys and music : a comparative case study of middle school boys' attitudes to music | PhD | Monash University | 2008 | 349 |
| KOUVARAS, Linda Ioanna | Sweet Death : strategies of the feminine grotesque in a contemporary Australian chamber opera | PhD | University of Melbourne | 1996 | 354 |
| JENKINS, Louise Ellen | Australian women composers, performers and music teachers from 1890 to 1950 | PhD | Monash University | 2007 | 384 |
| HARRISON, Scott D | Musical participation by boys: the role of gender in the choice of musical activities by males in Australian schools | PhD | Griffith University | 2004 | 387 |
| KYRIAKOU, Mary-Anne | Guitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonists | MMus(Comp) | University of Sydney | 2006 | 41 + 2 scores |
| FREILICH, Rachel | Song as the spiritual elevation of the soul: Habad women in Australia and their musical expression | PhD | University of Sydney | 2006 | 416 |
| SEGAL, Deviani Sarah | The impact of feminist studies on the portrayal of women in music history : Fanny Hensel, a case study | MMus | University of Melbourne | 1993 | 42 |
| JOHNSON, Julie Anne | A woman's work: a music composition portfolio | MMus | University of Canterbury | 2007 | 482 + 15 + CD |
| MACARTHUR, Sally | Feminist aesthetics in music: politics and practices in Australia | PhD | University of Sydney | 1997 | 510 + 1 tape |
| Le, Thi Kim | Vietnamese women composers and their emergence in Vietnamese music | MA | Monash University | 1991 | 78 |
| HALL, Clare | Understanding and improving boys' singing in the first year of school | MMus.Ed | Monash University | 2003 | 85 |
| DUANCE, Karyn | Compositional and performance techniques of women rock musicians | MMus | University of Sydney | 1999 | NiC |