Writersort iconThesis TitleDegreeUniversityYear# of Pages
AnonDictionary of New Zealand violin makersPhDVictoria University of Wellingtonin progress (NiC08/07)
AnonPianists Perspectives of the Stuart and Sons PianoMMusGriffith Universityin progress (2005)
AnonOrigins and defining characteristics of the mezzo-soprano voice classificationMCAUniversity of Wollongongin progress (NiC08/07)
BAJZEK, DieterPercussion - an annotated bibliography : with special emphasis on contemporary notation and performance MALaTrobe University1986222
BANKS, ZaneThe electric guitar in contemporary arts musicPhDUniversity of Sydney2014399
BARKER, Jade CarolineApplying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli methodMMusMonash University2014
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
BARLOW, ShaunBeatbox flute : An historical account, performance manual and notational guideMMusPerfUniversity of Sydney2011101
BARRACLOUGH, TimothyIterative Design for Approachable, Mobile-Based Collaborative Electronic Music InstrumentsMEngVictoria University of Wellington2015128
BEDELL, KingsleyMetamorphosis : a history of the pedal harp from 1720 to 2001 AD MMusAustralian National University2001144
BELL, RobertPAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they producePhDSwinburne University of Technology2015536
BENTON, Robert LThe effect of lip-slur practice on increasing pitch range in brasswind instrument students M.EdEdith Cowan University19982 microfiche
BIEDERMAN, Daniel, MarcThe Turntable as a musical instrument and the emergence of the concert turntablist : analytical notesMMusUniversity of Sydney2014
BLACKBURN, AndrewThe pipe organ and real-time digital signal processing (DSP): A performer's perspectiveDMAGriffith University2011256
BLORE, Ann Orriss'A strange madness' : organ festivals in Australia 1968-1973MMusUniversity of Melbourne2011109
BOGG, LoisCountertenor characteristics : case studies from interview and acoustic investigationsMApScUniversity of Sydney2003157
BOLTON, Alan GrahamThe design of an electronic music synthesizerMAppSCUniversity of Adelaide19771 vol
BUTLER, GaryPrepared instruments in improvised music : precedents and purposesPhDUniversity of Wollongong2000374
CAMERON, Christopher PaulExploring applications of multi-dexterity in drum kit performanceMMusMonash University2016
CASSON, DonaldThe development of woodwind instruments and their timbresMAUniversity of Western Aust.1977158
CATLIN, TimExtended timbral possibilities in acoustic and electric guitar productionMARMIT University20001 vol + 2 cds
CHAI, Chang-ningThe dizi (Chinese bamboo flute) its representative repertoires in the years from 1949 to 1985PhDUniversity of Sydney2014305
CHAO, Peter Yu-ChunMulti-stylistic fluency on the saxophone: Delineating pedagogical strategies for the interpretation of jazz-influenced classical saxophone worksMMusUniversity of Sydney201683
CHEN, Sarah Yi-YingA study of the ShengMMusUniversity of Sydney199477
CHENG, Lancini Jen-Hao Taxonomies of Taiwanese Aboriginal musical instruments PhDUniversity of Otago2014989
CLINCH, PeterOral tract fluctuations in clarinet and saxophone performance: an acoustical analysis PhDMonash University1980188
COLLINS, GrantSolo Drumset: Revering the Drumset as a Solo Instrument with Expansions for the Instrument, Notation, Physical Expression and Compositional WorksDMAGriffith University2014238
CONNELLY, Patrice C.The Viola da Gamba: the development of its technique and pedagogy to the presentMMusUniversity of Sydney1995139
CORN, Aaron David SamuelMusical instruments in cultural heritage collections : a case study of the Queensland Museum MPhilGriffith University1995199+ 112
COSTELLO, ChristopherThe timpaniMMusUniversity of Adelaide1990167
CRONIN, StephenThe harpsichord in the twentieth century: an analysis of three selected worksMMusUniversity of Queensland198584
CROSS, RodneyThis blows : social and cultural perceptions of ancient Roman brass instruments and musiciansMResMacquarie University201564
CUBBIN, David RThe flute in the eighteenth centuryMAFlinders University1971513
CUMMINGS, Timothy JamesThe Great Highland bagpipe: extended techniques and their musical potential.MAVictoria University of Wellington2002224
CUNDELL, Roger Guy ScottAcross the Pacific: the transformation of the steel guitar from Hawaiian folk instrument to popular music mainstay.MPhilUniversity of Adelaide2014151
CWACH, Michael.The pukl and Chodsko : aspects of linkage between a bagpipe and an ethnographic regionPhDUniversity of Canterbury2012583p +2 DVD
D'ARCY, SingThe organ as architecture : reconfiguring the ecclesiastical space of the Hispanic BaroquePhDUniversity of Sydney2010
DAVISON, MichaelDidjeridu journeyMCAUniversity of Newcastle200554
DELAVERE, SaraChallenging the drumkit: musical identities and habitusMResMacquarie University201588
DELL, Natalie LouiseInvestigation into factors affecting the acoustics and playability of the horn, and the effect of auditory feedback on horn playingPhDUniversity of Western Aust.2011418
DENG, WeiHistorical and stylistic development in the Chinese four-stringed lute pipa and in pipa music from 1800 to 1995 : with particular reference to "Spring River" PhDQueensland University of Technology1996519
DENT, Lachlan JamesThe application of the pedagogy of Evangeline Benedetti and Christopher Bunting to the performance of Grieg’s Sonata in A minor for cello and piano, and Carl Vine’s Inner World for cello and pre-recorded CDPhDMonash University2015
DJACHENKO, YuriA short history of English bowmakersMMusUniversity of Queensland199865
DOWNER, Caroline IsobelMusic in the museum : an examination of the collection of musical instruments in the Powerhouse, Museum of Applied Arts and Sciences in Sydney MAUniversity of Melbourne1997149
DUNLOP, Roslyn AnnThe indigenous music of East Timor and its relationship to the social and cultural mores and lulik worldview of its autochthonous peoplePhDUniversity of Newcastle2016278
ELLIS, Angelina M.The Classical guitar in Australia: FoundationsMAQueensland University of Technology2000112
ESPLIN, PenelopeThe Musical Imagery in Dante Gabriel Rossetti’s paintings for his patron, Frederick LeylandMArtsUniversity of Otago2016
EVANS, W.The fortepiano in the 18th centuryMMusUniversity of Sydneywithdrawn 1968
FARQUHAR, Jonathan RThe history of the Eb" clarinet : with a bibliography of solo and chamber works written for the Eb" clarinet MMusGriffith University2003147
GIFFORD, TobyImprovisation in interactive music systemsPhDQueensland University of Technology2011205 + Disc
GOULD, AlannahThe bassoon at the time of Carl Maria von WeberMMus StudsUniversity of Queensland200155
GRANTHAM, Edward McNealHill organs in Australia, 1850-1910 : a critical survey and chronicle of developments in organs sent to Australia by William Hill and Sons, London MMusUniversity of NSW1988157
Griffith, JoelenePerformance fitness: physiological benefits of aerobic exercise for performing singersMPhilUniversity of Newcastle201184
HADFIELD, KarenMannheim and the ClarinetMPhil (perf)University of Queensland200683
HALLO, Rosemary MargaretErard, Bochsa and their impact on harp music-making in Australia (1830-1866): an early history from documents.PhDUniversity of Adelaide2014236
HEAGNEY, RogerHistory of keyboard instruments and techniqueMMusUniversity of Melbourne196-?64
HEALEY, KristineFrom the Birdcage to the Concert Stage: The Transformation of the Boehm FluteMPhil (perf)University of Queensland200649
HILL, MatthewHit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologiesPhDJames Cook University2007301 + CD Rom + DVD
HUNT, Kevin PatrickPerceptions of the Stuart &​ Sons Piano Sound: Realising a creative, active visionPhDUniversity of Sydney2016
JOHNSTON, Robert BruceThe influence of vocal tract resonances on the operation of reed wind instruments MScMonash University19901 vol
KAMINSKI, JasonKolokol : spectres of the Russian bell.PhDUniversity of Technology Sydney2006346
KAZIMIERCZAK, BogdanThe percursors of the violin family : emergent technology and technique from late classical antiquity to the early RenaissanceMMusUniversity of Adelaide198096
KEITH, Sarah LouiseStandards for deviation: developing laptop performance of generative contemporary electronic musicPhDMacquarie University2010250 + CD-R
KELLY, CalebCracked and broken media in 20th and 21st century music and sound PhDUniversity of Canberra2006249
KEMP, David JamesCompositions Combining Acoustic, Electro-Acoustic And Synthetic Instruments For Modern Jazz PerformanceMMusUniversity of Sydney2016181
LALOR, StephenEthnicities of soundPhDUniversity of Sydney2014160
LALOR, Stephen JamesDomra, Russian plucked-string instrumentMMusUniversity of NSW1988115
LANCASTER, Coral J.The forms and development of the bass violin in seventeenth-century ItalyMusMUniversity of Western Aust.1999168
LAVAN, DanielVibrational characteristics of bell platesMScUniversity of Technology Sydney200292
LAWRENCE, DouglasOrgan registration in the French and German Baroque MMusUniversity of Melbourne197466
LEE, DanielA global approach to guitar tuition : developing an electric guitar meta-canonMEduCharles Darwin University2015253
LI, WeicongThe physics of playing clarinet and saxophone: how players control articulation and timbrePhDUniversity of NSW2016152
LIM, ElizabethThe evolution of the post-Romantic clarinetMMusUniversity of Sydney199082
LINTON, SeanThe Music of 'Are'are: Acoustemology, Environmental Influences and SustainabilityPhDUniversity of Otago2013325
LOK, Lay HongThe erhu and its role as a vehicle for syncretic music performance in Singapore M.PhilMassey University2004130
MANDENO, JenniferThe reception of the Boehm system flute in ParisMMusUniversity of Melbourne200246
MARSH, NicholasThe decline of speech surrogacy in Cuban bàtá drummingMMusUniversity of Auckland2013111
MARTIN, Charles PatrickApps, Agents, and Improvisation: Ensemble Interaction with Touch-Screen Digital Musical InstrumentsPhDAustralian National University2016279
McCORKILL, CatherineAspects of breathing in clarinet playing + Existing problems, developments and possible improvements of modern clarinet keyworkGradDipMusAustralian National University198625 + 35
McEWEN, Timothy MichaelThe Australian organ and its music: past, present and futureMMusGriffith University1998187
MCNAUGHTON, AndrewSensor horn: creating an electronically augmented trumpetM.MusUniversity of Melbourne201060
McPHERSON, AngusThe glissando headjoint : Expanding the musical palette of the flute through mechanical inventionMMusPerfUniversity of Sydney201170
MIECHEL, Phillip AThe classical clarinetMMusUniversity of Melbourne1972115
MILLS, JonathanSound design: essays with micro-tonal tunings, musical instruments & sound spacesMARMIT University199746
MING-HUI, MaA comparison between Chinese "pipa" and Indian "Sitar" in contemporary performancePhDUniversity of Sydney2013351 + CD + DVD
MOORE, RobertComputer recognition of musical instruments [electronic resource] : an examination of within class classificationPhDVictoria University (Vic. Australia)2007201
MORGAN, Craig AshleyThe Use of Virtual Instruments by Australian Screen ComposersPhDUniversity of Sydney2016
MUMFORD, Monte HiltonThe development of the trombone as an ensemble instrument during the seventeenth and eighteenth centuries MMusUniversity of Tasmania198788
MURPHY, JimExpressive Musical Robots : Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments PhDVictoria University of Wellington2014
NAPIER, John J.The introduction and use of the harmonium in North Indian classical music MMusUniversity of NSW1994174
NAYLOR, Bruce AllanGazetteer of organs in South Australia & Organ Building in South AustraliaMMusUniversity of Adelaide1969 + 1973320
NEWTON, RonaldOrgan building in New Zealand 1895-1930: a documentation of cultural contextPhDUniversity of Canterbury1996983
O'BRIEN, IanThe Nature of Orchestral Noise and Viable SolutionsMPhilUniversity of Queensland2008
O'NEILL, David GThe role of the organ in Early English Music, 800-1759 MusMUniversity of Western Aust.19791 vol
OPIE, Timothy TristramCreation of a real-time granular synthesis instrument for live performanceMAQueensland University of Technology2003183
ORTUSO, JosephThe oboe reed : investigations and comparisons of the oboe reed for the development of the pedagogy of the oboe MMusUniversity of Tasmania199380
PALAJE, Jane MarieThe distinctive features of musical drones [manuscript] MAMacquarie University2009168
PANAGAKIS, ConnieThe influence of vocal tract configurations on the resonance balance of the singing voiceMAMonash University1999193
RABINOVICI, AlisonA history of horned strings : organology and early sound recording 1899-1945 MMUniversity of Melbourne2010187
Syndicate content