| BAJZEK, Dieter | Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance | MA | LaTrobe University | 1986 | 222 |
| BALLARA, Carlo | Dictionary of New Zealand violin makers | PhD | Victoria University of Wellington | in progress (NiC08/07) | |
| BARKL, Michael Laurence Gordon | Pure data as a Meta-Compositional Instrument | DCA | University of Wollongong | 2009 | 133 + CD |
| BEDELL, Kingsley | Metamorphosis : a history of the pedal harp from 1720 to 2001 AD | MMus | Australian National University | 2001 | 144 |
| BENTON, Robert L | The effect of lip-slur practice on increasing pitch range in brasswind instrument students | M.Ed | Edith Cowan University | 1998 | 2 microfiche |
| BLACKBURN, Andrew | The pipe organ and real-time digital signal processing (DSP):Towards a new sound-scape and context | DMA | Griffith University | In Progress (2005) | |
| BOGG, Lois | Countertenor characteristics : case studies from interview and acoustic investigations | MApSc | University of Sydney | 2003 | 157 |
| BOLTON, Alan Graham | The design of an electronic music synthesizer | MAppSC | University of Adelaide | 1977 | 1 vol |
| BREWER, Janet | Pianists Perspectives of the Stuart and Sons Piano | MMus | Griffith University | in progress (2005) | |
| BUTLER, Gary | Prepared instruments in improvised music : precedents and purposes | PhD | University of Wollongong | 2000 | 374 |
| CALWELL, Linda | Origins and defining characteristics of the mezzo-soprano voice classification | MCA | University of Wollongong | in progress (NiC08/07) | |
| CASSON, Donald | The development of woodwind instruments and their timbres | MA | University of Western Aust. | 1977 | 158 |
| CATLIN, Tim | Extended timbral possibilities in acoustic and electric guitar production | MA | RMIT University | 2000 | 1 vol + 2 cds |
| CHEN, Sarah Yi-Ying | A study of the Sheng | MMus | University of Sydney | 1994 | 77 |
| CLINCH, Peter | Oral tract fluctuations in clarinet and saxophone performance: an acoustical analysis | PhD | Monash University | 1980 | 188 |
| CONNELLY, Patrice C. | The Viola da Gamba: the development of its technique and pedagogy to the present | MMus | University of Sydney | 1995 | 139 |
| CORN, Aaron David Samuel | Musical instruments in cultural heritage collections : a case study of the Queensland Museum | MPhil | Griffith University | 1995 | 199+ 112 |
| COSTELLO, Christopher | The timpani | MMus | University of Adelaide | 1990 | 167 |
| CRONIN, Stephen | The harpsichord in the twentieth century: an analysis of three selected works | MMus | University of Queensland | 1985 | 84 |
| CUBBIN, David R | The flute in the eighteenth century | MA | Flinders University | 1971 | 513 |
| CUMMINGS, Timothy James | The Great Highland bagpipe: extended techniques and their musical potential. | MA | Victoria University of Wellington | 2002 | 224 |
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| DENG, Wei | Historical and stylistic development in the Chinese four-stringed lute pipa and in pipa music from 1800 to 1995 : with particular reference to "Spring River" | PhD | Queensland University of Technology | 1996 | 519 |
| DJACHENKO, Yuri | A short history of English bowmakers | MMus | University of Queensland | 1998 | 65 |
| DOWNER, Caroline Isobel | Music in the museum : an examination of the collection of musical instruments in the Powerhouse, Museum of Applied Arts and Sciences in Sydney | MA | University of Melbourne | 1997 | 149 |
| ELLIS, Angelina M. | The Classical guitar in Australia: Foundations | MA | Queensland University of Technology | 2000 | 112 |
| EVANS, W. | The fortepiano in the 18th century | MMus | University of Sydney | withdrawn 1968 | |
| FARQUHAR, Jonathan R | The history of the Eb" clarinet : with a bibliography of solo and chamber works written for the Eb" clarinet | MMus | Griffith University | 2003 | 147 |
| GOULD, Alannah | The bassoon at the time of Carl Maria von Weber | MMus Studs | University of Queensland | 2001 | 55 |
| GRANTHAM, Edward McNeal | Hill organs in Australia, 1850-1910 : a critical survey and chronicle of developments in organs sent to Australia by William Hill and Sons, London | MMus | University of NSW | 1988 | 157 |
| HADFIELD, Karen | Mannheim and the Clarinet | MPhil (perf) | University of Queensland | 2006 | 83 |
| HEAGNEY, Roger | History of keyboard instruments and technique | MMus | University of Melbourne | 196-? | 64 |
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| JOHNSTON, Robert Bruce | The influence of vocal tract resonances on the operation of reed wind instruments | MSc | Monash University | 1990 | 1 vol |
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| KAZIMIERCZAK, Bogdan | The percursors of the violin family : emergent technology and technique from late classical antiquity to the early Renaissance | MMus | University of Adelaide | 1980 | 96 |
| KELLY, Caleb | Cracked and broken media in 20th and 21st century music and sound | PhD | University of Canberra | 2006 | 249 |
| LALOR, Stephen James | Domra, Russian plucked-string instrument | MMus | University of NSW | 1988 | 115 |
| LANCASTER, Coral J. | The forms and development of the bass violin in seventeenth-century Italy | MusM | University of Western Aust. | 1999 | 168 |
| LAVAN, Daniel | Vibrational characteristics of bell plates | MSc | University of Technology Sydney | 2002 | 92 |
| LAWRENCE, Douglas | Organ registration in the French and German Baroque | MMus | University of Melbourne | 1974 | 66 |
| LIM, Elizabeth | The evolution of the post-Romantic clarinet | MMus | University of Sydney | 1990 | 82 |
| LOK, Lay Hong | The erhu and its role as a vehicle for syncretic music performance in Singapore | M.Phil | Massey University | 2004 | 130 |
| MANDENO, Jennifer | The reception of the Boehm system flute in Paris | MMus | University of Melbourne | 2002 | 46 |
| McCORKILL, Catherine | Aspects of breathing in clarinet playing + Existing problems, developments and possible improvements of modern clarinet keywork | GradDipMus | Australian National University | 1986 | 25 + 35 |
| McEWEN, Timothy Michael | The Australian organ and its music: past, present and future | MMus | Griffith University | 1998 | 187 |
| MIECHEL, Phillip A | The classical clarinet | MMus | University of Melbourne | 1972 | 115 |
| MILLS, Jonathan | Sound design: essays with micro-tonal tunings, musical instruments & sound spaces | MA | RMIT University | 1997 | 46 |
| MUMFORD, Monte Hilton | The development of the trombone as an ensemble instrument during the seventeenth and eighteenth centuries | MMus | University of Tasmania | 1987 | 88 |
| NAPIER, John J. | The introduction and use of the harmonium in North Indian classical music | MMus | University of NSW | 1994 | 174 |
| NAYLOR, Bruce Allan | Gazetteer of organs in South Australia & Organ Building in South Australia | MMus | University of Adelaide | 1969 + 1973 | 320 |
| NEWTON, Ronald | Organ building in New Zealand 1895-1930: a documentation of cultural context | PhD | University of Canterbury | 1996 | 983 |
| O'BRIEN, Ian | The Nature of Orchestral Noise and Viable Solutions | PhD | University of Queensland | In progress (2006) | |
| O'NEILL, David G | The role of the organ in Early English Music, 800-1759 | MusM | University of Western Aust. | 1979 | 1 vol |
| OPIE, Timothy Tristram | Creation of a real-time granular synthesis instrument for live performance | MA | Queensland University of Technology | 2003 | 183 |
| ORTUSO, Joseph | The oboe reed : investigations and comparisons of the oboe reed for the development of the pedagogy of the oboe | MMus | University of Tasmania | 1993 | 80 |
| PANAGAKIS, Connie | The influence of vocal tract configurations on the resonance balance of the singing voice | MA | Monash University | 1999 | 193 |
| REDHEAD, Grant | On the acoustical theory of the trumpet : is it sound? | M.Sc. | Massey University | 1997 | 266 |
| REIBEL, Michael B | The development of the German system clarinet: circa 1700-1900 | MMus | University of Queensland | 2003 | 54 |
| ROSIER, Veronica A.C.S | Music instrument collections in museums: basic principles and contemporary practices | MA | Monash University | 1979 | NS |
| RUBIN, Lauren | The Didjeridu and the Shakuhachi: Processes and results of contemporary transplantation from indigenous roots to Western Societies | PhD | Monash University | in progress (2006) | |
| SCHWER, Ruth Elizabeth | The cello in New Zealand: history, composition, education, poular music and performance from the opinions of New Zealand musicians | MMus | Victoria University of Wellington | 2000 | 162 |
| SEREBRIANIK, Dmitry | The European trumpet in the 19th century: history and development | MA | Monash University | withdrawn c.2005 | |
| SONEGO, Anthony | An investigation of the effect of instrumental design and the impact it has had on musical performance for the synthesizer | MMus | University of Melbourne | withdrawn c.2006 | |
| STENDER, Alexandra D'Elia | Bows made before 1800 in the collection of the Powerhouse Museum : a background, history and description | MMus Perf | University of Sydney | 1991 | 21 |
| SUITER, Wendy | Text Manipulation: Voice with Audio or Acoustic Augmentation | MCA | University of Wollongong | 2007 | 2 vol + data disk + CD |
| TOBIN, Ashleigh | The organ in the Netherlands from the fifteenth century to the early nineteenth century | MMus | University of Adelaide | 1971 | 85 |
| TZENKA, Dianova | John Cage’s prepared piano : the nuts and bolts : an exegesis submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Piano Performance)` | DMA | University of Auckland | 2007 | 146 |
| WALSH, Andrew | The muting of organ pipes | MSc | University of Sydney | 1993 | 91 |
| WAUGH, Donald Ford | The English vifginal school | MA | University of Otago | 1955 | 81 |
| WEI, Deng | Historical development of the pipa [Chinese Lute] | MMus | University of Tasmania | 1987 | 192 |
| WILLIAMS, Alexandra | The Dodo was Really a Phoenix: The Renaissance and Revival of the Recorder in England 1879-1941 | PhD | University of Melbourne | 2005 | 453 |