MARETT, Allan | 1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga no | PhD | Overseas | 1976 | |
MARETT, Allan | An examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, Samgitaratnakara | MA | Overseas | 1972 | |
Anon | Traditional opera in Taiwan | MCA | University of Wollongong | in progress (NiC08/07) | |
Anon | From Mediated to Immediate: The Role of Technology on the Performance of Slovenian Folk Music in Port Lincoln, South Australia | MMus | University of Adelaide | in progress (NiC08/07) | |
Anon | Flamenco guitar in the twentieth century | MMus | University of Adelaide | in progress (NiC08/07) | |
Anon | Gamelan in Japan: Expressions of Japaneseness in pedagogical infrastructure and practice | MA | Monash University | in progress (2006) | |
Anon | Contemporary Tradition: Japanese Traditional Music and the Live Club Scene in Tokyo | PhD | University of Adelaide | in progress (2002?) | |
Anon | The music of Chinese communities in Indonesia | MMus | University of Sydney | in progress (NiC08/07) | |
Anon | The folk music revival in Otago | MA | University of Otago | in progress (NiC08/07) | |
Anon | An ethnomusicological survey of the songs currently performed in folk clubs/festivals in Australia | PhD | University of NSW | in progress (NiC08/07) | |
Anon | Acquiring the ability to improvise: a cross-cultural study examining the learning processes and performance strategies of musicians in jazz, Hindustani music, and Arabic taqsim | PhD | University of NSW | in progress (2007) | |
Anon | Slovenian folk music and identity maintenance in remote Port Lincoln, South Australia | MMus | University of Adelaide | in progress (2007) | |
Anon | The lays of Fionn mac Cumhaill: Performance practice and insights into Gaelic music | PhD | University of Otago | In progress (2008) | |
BRENNAN, Carolyn W | From Alam Melayu to Melayu Baru : understanding Dikir Barat in Singapore = From Malay world to New Malay : From Malay world to New Malay | PhD | University of Melbourne | 2009 | |
LEWIS, Anthony | Becoming a garamut drummer in Baluan Island, Manus Province, Papua New Guinea | PhD | University of Sydney | 2012 | |
LI, Sicong | Older Chinese-Australian and Chinese community music engagement | PhD | Monash University | 2013 | |
BURSLEM, Megan | Articulating Armenian folk music characteristics in Tigran Mansurian's Havik for viola and percussion (1998), as mediated by the work of Komitas Vardapet | M.A | Monash University | 2014 | |
WEIGHTMAN, Monica | The dancing brolga: a musical journey of deepening connection to identity | MA | Monash University | 2013 | |
TAO, Yu Lara. | Yosakoi soran : a transplanted performance tradition in New Zealand | M.A | University of Auckland | 2010 | |
ACKER, Yolanda | Music in Madrid during the Spanish Civil War (1936-1939) | PhD | Australian National University | 2020 | |
Anon | Music of Nepalese Festivals in Migration and Its Social and Musical Implications, in Singapore | PhD | University of Otago | In Progress (2015) | |
KEWENE-DOIG, Louise Mahinarangi | Turning Up the Māori: The Showband Mix-O-Matic App | MMus | University of Otago | 2016 | |
ROCKELL, Kim | The Philippine rondalla [videorecording] : recreating musical heritage in contemporary Australasia | PhD | University of Canterbury | 2012 | |
PAPESCH, Te Rita Bernadette | Creating a modern Maori identity through Kapa Haka | PhD | University of Canterbury | 2015 | |
SCHOTS, Edwin | Title Transformative influence of Afro-Brazilian syncopation on European compound melodies in Brazilian Choro music melorhythmical re-organization of interleaved melodic structures in progressive Afro-Brazilian music from the late-19th century | MMus | University of Sydney | 2015 | |
NIETO, Alejandro, Miranda | Mobilities of practice : the circulation of traditional music making across Mexico and the United States | PhD | University of Western Sydney | 2015 | |
POSSE EMILIANI, Maria Elvira | From the Colombian Caribbean to the South Pacific: Cultural hybridity and resistance in film, music and art | PhD | Australian Catholic University | 2015 | |
HARDCASTLE, Adam Christopher | 'Letting good happen' sustaining community music in regional Australia: a study of the Green Triangle cross-border region | PhD | Monash University | 2015 | |
WATSON, KA | Processes and Concepts in Present-Day Transcultural Violin Performance Practice | PhD | University of New England | 2014 | |
MCNAUGHTON, Lorelle Sarah Kiriona | Interpreting the Piano Music of Albéniz: A detailed study of selected works from Iberia | MMus | University of Sydney | 2016 | |
GEORGOULAS | Hybrid identities: being a Greek musicker in Melbourne and in Greece | PhD | Monash University | 2016 | |
BRACKNELL, Clint Thomas | Natj Waalanginy (What singing?): Nyungar song from the south-west of Western Australia | PhD | University of Western Aust. | 2015 | |
ABDOLLAH POUR, Shima Gelareh | The lives of Iranian women singers in diaspora | MRes | University of Melbourne | 2014 | |
SEVERN, John | Shakespeare as Jukebox Musical | PhD | University of NSW | 2015 | |
GREGORY, Mark | Australian working songs and poems - a rebel heritage | PhD | University of Wollongong | 2014 | |
GOH, Caleb | Cries from within : the struggles and triumphs of creating a Singaporean voice in musical theatre | PhD | Edith Cowan University | 2015 | |
ELTON, Kim Cecile | Tango, from Perception to Creation: A Pianist’s Quest to Capture and Embody Tango in Performance and Composition | DMA | Griffith University | 2014 | |
SUTTON, Mark Morgan | You can always come back, but you can't come back all the way: late style and memory in Bob Dylan's recent work | PhD | University of Sydney | 2015 | |
BRYANT, Helen Julia | The nature and role of music in No - with special reference to the play, Hogoromo | MA | Australian National University | 1975 | 1 vol |
LEE, Elsa | Sunan Chui Da : an investigation of the Role of Percussion in Traditional Chinese Music | MMus | University of Adelaide | 1988 | 1 vol |
BOURCHIER, Randall | Australian multicultural policies, the arts and traditional music and dance within the Cambodian community of Melbourne | MA | Monash University | 1991 | 102 |
EVANS, Julie Spithill | A study of music and tradition at Sydney Assyrian wedding receptions | MMus | University of Sydney | 2002 | 108 + video |
ZHANG, Hongxia | The evolution of national vocal music in the People's Republic of China | MMus | University of Auckland | 2013 | 109 |
MARSH, Nicholas | The decline of speech surrogacy in Cuban bàtá drumming | MMus | University of Auckland | 2013 | 111 |
BYRNES, Jonathan Lawrence | The devil’s horn and the music of the brothel approaching adaptation and performance of tango for the classical saxophonist | PhD | University of Sydney | 2016 | 111 |
GALVIN, Stephen Patrick | The furrowed field : views of song and literature in Ireland 1840-1922 A.D | MMus | University of Auckland | 1999 | 122 |
DUNBAR, Mark | 'All take, take, take ....' migrant musicians, the Australia Council, multiculturalism and music-making in Australia | MA | Monash University | 1989 | 123 |
BASILE, Christopher | An ethnomusicological study of the Macedonian Women's Choir of Melbourne | MA | Monash University | 1991 | 124 |
de JONG, Holly | Continuity and change : some aspects of Ethiopian music in Australia | MMus | University of Melbourne | 2011 | 126 |
WANG, Zheng-Ting | A history of Chinese music in Victoria | MA | Monash University | 1995 | 127 |
YU, Julian | Ornamentation in traditional Chinese instrumental music and its application in original compositions | MA | LaTrobe University | 1993 | 127 |
ENIZILIS, Demetra | The language of rebetika: a description and analysis | MA | University of Melbourne | 1996 | 128 |
ENCARNACAO, John | Punk aesthetics in independent "new folk", 1990-2008 | MA | University of Technology Sydney | 2009 | 129 |
LOK, Lay Hong | The erhu and its role as a vehicle for syncretic music performance in Singapore | M.Phil | Massey University | 2004 | 130 |
KIEK, Mara | Spectral characteristics of traditional Bulgarian female folk singing | MAppSci | University of Sydney | 2008 | 131 |
FORWARD, Ian | The music of Finnish migrants in Canberra and Melbourne | MA | Monash University | 1997 | 133 |
SOLOMONA, Telesia | Teuila : an ethnography of Samoan music and identity | MA | University of Otago | 2009 | 133 |
THURSTON, Donna | Irish music in Wellington : a study of a local music community | MMus | Victoria University of Wellington | 2010 | 133 + CD |
NOORY, Siamak | Farāmarz Pāyvar and his place in Iranian music | MMus | University of Melbourne | 2002 | 134 |
WALLACE, Catherine Jane | An examination of the supernatural in Scottish Gaelic folksongs and folktales | MA | University of Sydney | 1994 | 145 + cass tape |
TALO, Ruth Rene | Festival of fusion : the celebration, representation and identification of Pacific cultures at Auckland’s Pasifika festival | MA | University of Auckland | 2008 | 148 |
CUNDELL, Roger Guy Scott | Across the Pacific: the transformation of the steel guitar from Hawaiian folk instrument to popular music mainstay. | MPhil | University of Adelaide | 2014 | 151 |
KAIWAI, Hector Moana | Pūkana rawatia! : Mickey Mouse does the haka | MA | University of Auckland | 2003 | 152 |
STOJISAVLJEVIC, Miroslav | The gusle - the sound of Serbian epic poetry: an examination of contemporary gusle performance practices and gusle instrument-making in Serbia and the Serbian-Australian diaspora community | PhD | RMIT University | 2013 | 154 |
DIOR, Dalia | Sephardic song [manuscript] : a bridge between cultures | MA | Macquarie University | 2009 | 155 + Map + CD |
GUNTER, Philip | Ornamentation in performance styles on the contemporary Arabic 'ud | MA | Monash University | 1996 | 156 |
COURTEAU, Mona-Lynn | Music and dance performance, longing, and the construction of Brazil in Auckland, New Zealand | MA | University of Auckland | 2006 | 160 |
TSITSISHVILI, Nino | Table and solo work song genres in Kartli-Kakheti, eastern Georgia: context of performance, musical style, and culture contact | MA | Monash University | 1998 | 160 + cass |
DAVIDSON-IRWIN, Rhonda G. | The role of Chinese music in the Queensland primary school curriculum | MMus Ed. | University of Western Aust. | 1997 | 161 |
GARTH, Alan | A study of an Australian rural music festival | MA | Deakin University | 2000 | 166 |
HAMIORA, Angeline Maurice | Aku waiata mo ngā tamariki, mokopuna: 1980 - 1990 | M.Ed | University of Auckland | 2003 | 172 |
NAPIER, John J. | The introduction and use of the harmonium in North Indian classical music | MMus | University of NSW | 1994 | 174 |
LA TROBE, Joanne | Red earth: music-culture of Rār̥h, India | MA (Anthrop) | University of Auckland | 1998 | 175 + disc |
HUNTER, Cynthia L | The folkies: an ethnography of folkies and their songs | MA | University of Western Aust. | 1983 | 178 |
BIEZAITIS, Mara | Volfgangs Darzins (1906-1962) : a response to Latvian music traditions in emigration | MMus | University of Adelaide | 1984 | 179 |
DALTON, Fion Margaret Page | Transforming Dalit identity : ancient drum beat, new song | MDev.Stud. | Victoria University of Wellington | 2008 | 179 |
McGRATH-KERR, Peter Alastair | The application of jazz methods to Brazilian drum kit improvisatory techniques in choro, samba and bossa nova | MPhil | Australian National University | 2012 | 180 |
WITT, Penelope | National dance and folk elements in Argentine cello compositions | PhD | University of Tasmania | 2008 | 185 |
MICOS, Maria | Music in the Greek Festival of Sydney, 1980 to 2005 | MMus Ed. | University of Sydney | 2006 | 186 |
BALL, Dorothy Louie | The popular element in the music of the English virginal school | MMus | University of Auckland | 1979 | 186 |
WILLYAMS, Michelle | Singing faith : a history of the Waiata Maori Choir, 1924-1938 | MA | University of Otago | 2012 | 187 |
DENSON, Marjorie Louise | Music from the Margins: An Autoethnographic Study of the Development of a Jazz Composer’s Voice | DMA | Griffith University | 2014 | 190 |
BROWNLEE, Jane | The transmission of traditional fiddle music in Australia | MMus | University of Sydney | 2009 | 193 |
DIAZ-GOMEZ, Justo J | La Peña : the politics of early world music | PhD | University of Western Sydney | 2010 | 195 |
HALDEY, Olga | Voices of the Russian calendar : the design of a program of computer-assisted instruction using traditional calendric songs of West and South of Russia | MMus Ed. | University of Sydney | 1995 | 197 |
MILOSAVLJEVIC, Daniel | Finding New Zealand in pipe bands : an ethnography of the 2008 Royal New Zealand pipe band championships | MA | University of Otago | 2009 | 199 |
MOK, Raymond Kin-yee | Portfolio of original compositions and exegesis [music] : to fuse or to confront - five compositions for Chinese traditional and Western orchestral instruments | PhD | University of Adelaide | 2010 | 1v. + CD |
NG, Kwok Wai | The modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories | PhD | University of Sydney | 2007 | 2 v |
WRIGHT, Melisande Dale | Portfolio of compositions and exegesis [electronic resource]: a personal interpretation of the klezmer tradition | PhD | University of Adelaide | 2010 | 2 v. + CD |
CAINGLET, Enrique Cantel | Hispanic influences on the West Visayan folk song tradition of the Philippines | PhD | University of Adelaide | 1981 | 2 vol |
CALLAGHAN, Laurel Jean | A comparative framework for an analysis of the influence of language on national music style | MA | University of Western Aust. | 1979 | 2 vol |
VARNEY, John | Colombian Bambuco: the evolution of a national music style | PhD | Griffith University | 1999 | 2 vol |
BARWICK, Linda | Critical perspectives on oral song in performance : the case of Donna Lombarda | PhD | Flinders University | 1986 | 2 vol + 2 cass |
BRUNT, Shelley | "Performing community: Japan's 50th Kouhaku Song Contest" | PhD | University of Adelaide | 2006 | 2 vol + DVD |
JONES, Anthony Linden | Themes of Signification: Representions of Aboriginality in Australian Film Music, 1931 - 1971 | PhD | University of Sydney | 2018 | 2 Vols |
COLSON, Geoffroy | Compositional Ethnomusicology and the Tahitian Musical Landscape: Towards Meta-Sustainability through Creative Practice Research Informed by Ethnographic Fieldwork | PhD | University of Sydney | 2016 | 2 Vols |
MADULID, Jerome Cherubim | An analysis of selected slide guitar techniques used by Jerry Douglas, Bob Brozman and Debashish Bhattacharya | MA (Hons) | Macquarie University | 2006 | 204 + 1 CD |
KHOO, Sui Sin | The single hidden layer neural network based classifiers for Han Chinese folk songs | PhD | Swinburne University of Technology | 2013 | 213 |
POOLE, Kim M. | A stylistic analysis of the guitar accompaniments of the British folk revival 1961-1988 | MMus | University of NSW | 1990 | 214 |
DUFFY, Michelle | Music of Place: The Performance of Identity in Contemporary Australian Community Music Festivals | PhD | University of Melbourne | 2001 | 220 + 210 |