Anon | The wireless and the talkies: new technologies and their impact on the Australian popular music industry | PhD | University of Queensland | in progress (NiC08/07) | |
Anon | Andrew Schultz's Black River: an analysis | MMus (Hons) | University of Wollongong | in progress (NiC08/07) | |
Anon | Pianists Perspectives of the Stuart and Sons Piano | MMus | Griffith University | in progress (2005) | |
Anon | Musicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world music | MMus (Hons) | University of New England | in progress (NiC08/07) | |
Anon | Giuditta Pasta and Maria Callas: phenomenon and impact of the acting singer | MMus | Australian National University | in progress (NiC08/07) | |
Anon | Practice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism. | PhD | Queensland University of Technology | in progress (2005) | |
CLARK, Jodi R. | The songs of Henry Handel Richardson | MMus | Monash University | withdrawn c.2005 | |
Anon | Extramusical structures in the concerti of Larry Sitsky | MMus | Australian National University | in progress (NiC08/07) | |
Anon | Female Australian Aboriginal songwriters/performers | MMus | Australian National University | in progress (NiC08/07) | |
Anon | The history of music in Western Australia 1900-50 | PhD | University of Western Aust. | in progress (NiC08/07) | |
Anon | From Mediated to Immediate: The Role of Technology on the Performance of Slovenian Folk Music in Port Lincoln, South Australia | MMus | University of Adelaide | in progress (NiC08/07) | |
Anon | The Australian song cycle for voice and piano in the second half of the twentieth century: themes of a multi-layered society | PhD | University of Adelaide | in progress (NiC08/07) | |
Anon | Sense of the sacred: Selected a cappella works by Anne Boyd, Nigel Butterley, and Clare MacLean | PhD | University of Adelaide | in progress (2001) | |
Anon | Three Way Transplantation of Select Jewish Liturgical Music out of Lithuania through South Africa from 1881, to Australia from 1990 with Special Reference to Vilna, Johannesburg, and Melbourne | PhD | Monash University | in progress (2007) | |
Anon | World music: a perspective from Adelaide | MMus | University of Adelaide | in progress (NiC08/07) | |
Anon | Forward into the Past: Toward a Dance Ethnology of the Society of Creative Anachronism in Australia | MPhil | Australian National University | in progress (NiC08/07) | |
Anon | "Light Music" by Australian composers in the postwar era. | PhD | University of Adelaide | in progress (2007) | |
Anon | The life and music of Charles Edgar Ford (1881-1961) | MA | University of Western Aust. | in progress (NiC08/07) | |
Anon | Music in Australia during the Gold Rush: A Biography of Madame Cavendish | MPhil | Australian National University | in progress (NiC08/07) | |
MERCER, Christine | Henry Tate (1873 - 1926) and the creation of Australian Musical Identity | PhD | University of Melbourne | 2010 nyic | |
Anon | Evos music: The organisation of contemporary music performance in Perth in the 1980s and 90s | MMus | University of Western Aust. | in progress (NiC08/07) | |
Anon | A history of the Australian Opera and Ballet Orchestra | MMus | University of NSW | in progress (NiC08/07) | |
PENDER, Graeme | A study of the original Graeme Bell jazz band and its influence upon other jazz bands in Australia during the 1940s and 1950s | PhD | Monash University | withdrawn c.2005 | |
Anon | An ethnomusicological survey of the songs currently performed in folk clubs/festivals in Australia | PhD | University of NSW | in progress (NiC08/07) | |
Anon | An exploration of the Theological significance of Liturgical Music Practice in an Australian Catholic Parish | PhD | Australian Catholic University | in progress c. 2002 | |
THOMPSON, L. | Australian symphonic film score composition during the 1950s and 1960s | PhD | University of Melbourne | withdrawn c.2005 | |
Anon | The symphonies of Carl Vine | MPhil | University of Sydney | in progress (NiC08/07) | |
WHITEOAK, Ralph Andrew | A SEARING SOUND - A preliminary investigation into the legend of Australian saxophonist, Frank Smith. | MMus (Perf) | University of Melbourne | 2004 (NiC) | |
Anon | Slovenian folk music and identity maintenance in remote Port Lincoln, South Australia | MMus | University of Adelaide | in progress (2007) | |
Anon | Dame Joan Hammond - A Diva of Circumstance | MA | Monash University | In Progress (2007) | |
Anon | Minding the Hymn: Catherine Winkworth and the Transmission of German Hymnody to Australia, 1840-1999 | PhD | Charles Sturt University | in progress (2006) | |
Anon | Acoustic Ecology and the Documentation of Environments Using Soundscape Composition [working title] | PhD | University of South Australia | In Progress (2009) | |
ROBINSON, Angela Nicole | Clarinet music by Australian women composers [electronic resource] : an examination of its under-representation in repertoire and performance | MPhil | University of Queensland | 2007 | |
AGGETT, Cathy | Australian art song: Pedagogical strategies for singers and singing teachers (working title) | PhD | University of Western Sydney | In Progress (2005) | |
COLE, Malcolm A | Tropical Sounds: A Music Education History of Cairns and Yarrabah: 1930 to 1970 | PhD | James Cook University | 2014 | |
MCNAMARA, Peter | The role of timbre and microtones in the music of Peter McNamara | PhD | University of Sydney | 2011 | |
Anon | Exploring the influence of Confucianism on music learning among the Chinese-Australian Diaspora | PhD | Monash University | in progress (2013) | |
COTTELL, Sam | Australian Light Music 1950-1980: An analysis of genre and style | PhD | University of Sydney | In Progress (2014) | |
Anon | Evolving music undergraduate education in Australia: A comparative and generative investigation of student expectations, experiences, and perceptions of quality | PhD | University of Western Aust. | In Progress (2012) | |
Dominik Karski dissertation | KARSKI, Dominik | PhD | University of Melbourne | 2010 | |
O'HALLORAN, Tom | Sustained aspects and precursors : towards a stylistic synthesis | MMus (Comp) | University of Sydney | 2011 | |
NETHSINGHE, Nishantha Rohan | Attaining proximal simulation in multicultural music education | PhD | Monash University | 2012 | |
MOORE, Kate | The point of origin : six essays on six pieces | PhD | University of Sydney | 2012 | |
POLLARD, Mark Clement | Silent Spring: eight original music compositions by Mark Clement Pollard | PhD | University of Melbourne | 2012 | |
BALLICO, Christina | Bury me deep in isolation: A cultural examination of a peripheral music industry and scene | PhD | Edith Cowan University | 2013 | |
LI, Sicong | Older Chinese-Australian and Chinese community music engagement | PhD | Monash University | 2013 | |
SUTHERLAND, Andrew Thomas | Principles for designing an effective, post-compulsory music curriculum suitable for Western Australia | M.Ed | Edith Cowan University | 2012 | |
O’BRIEN, Christian | Composition folio | M.Mus | University of Melbourne | 2010 | |
BURREL, Robert W. B. | A Process of Becoming: A Musical Enquiry into Process-Relational Philosophy Through Autoethnographical and Zoomusicological Means | PhD | Griffith University | 2013 | |
SHEEHY, Kerri-Anne R. | Home in the making: place, body and music in migratory practices of movement | PhD | University of South Queensland | 2012 | |
WOOLF, Hayden | Analysis of two works : Red liquid triangular conditon and Next minute paints Kate's collapse | M.Mus | University of Sydney | 2010 | |
HENRY, Thomas Robert | Folio of compositions | M.Mus | University of Melbourne | 2012 | |
PINTO D'AGUIAR MONTT, Felipe | Folio of Compositions | M.Mus | University of Melbourne | 2011 | |
MACINNES, Charles | Folio of compositions | MMus | University of Melbourne | 2013 | |
NOACK, Phillip J. | Folio of compositions | MMus | University of Melbourne | 2012 | |
VAN KONKELENBERG, Joshua Marc | Portfolio of compositions and exegesis: an investigation of the expressive quality of six aspects of form. | PhD | University of Adelaide | 2013 | |
STARR, Adam Daniel | Issues of indeterminacy, metric modulation and “interference” in an individual compositional practice | PhD | University of Melbourne | 2011 | |
STREVENS, Luke | Manifesto 87 | M.F.A | University of Sydney | 2012 | |
THORPE, Wayne | Watbalimba : language of song, story and dance. | M.Ed | Monash University | 2011 | |
ARONOWICZ, Andrew | Composition folio | MMus | University of Melbourne | 2013 | |
HARALAMPOU, Luke | And their lungs reflect what the sun means to them | MA | University of Melbourne | 2012 | |
VIGGIANI, Mark | Folio of original compositions 2009 - 2012 | PhD | University of Melbourne | 2013 | |
WYVILL, Janet | Australian Choral Conductors and Current Choral Practice: A Longitudinal Study of Australian Choral Experts | PhD | Griffith University | 2012 | |
CAMPBELL, Rachel | Peter Sculthorpe's Irkanda period, 1954-1965: music, nationalism, 'aboriginality' and landscape | PhD | University of Sydney | 2015 | |
BURGESS, Nadia | A study of compositional techniques used in the fusion of art music with jazz and popular music | PhD | University of Sydney | 2014 | |
MATIAS, Natalie | The study of narratology and its impact on programmatic music : with specific practice in writing for the piano | MMus | University of Sydney | 2015 | |
BONETTI, Paul-Antoni | Sound and style: a compositional exploration of appropriated source material: portfolio of compositions and exegesis | PhD | University of Adelaide | 2015 | |
GRANT, Natalie | Momentum: experiential development in music composition | PhD | University of Melbourne | 2014 | |
ANDREW, Ian Gregory | Singing a new story: a composer's exploration of textual synthesis through composition | PhD | University of Adelaide | 2016 | |
WALKER, David | Drawing music aesthetica : a personalized technique | PhD | Monash University | 2015 | |
ALOMES, CA | The Reception of the music of Gustav Holst in Australia 1900 - 1950 | PhD? | University of Tasmania | 2015 | |
MIDDENWAY, R | 'If music and sweet poetry agree' : the marriage of two art-forms, with particular emphasis on speech rhythm & inflection, dramatic intensity & musical coherence | PhD | University of Tasmania | 2015 | |
HARRISON, Holly | The logic of nonsense : personal process towards oppositionality and reorganisation as music composition | PhD | University of Western Sydney | 2014 | |
FRANZ, Emma Kate | Resounding cinema: exploring misconceptions of the nature and obligation of nonfiction film through the challenges of the ‘music documentary | MMus | University of Melbourne | 2015 | |
HAYCOCK, John | Revolution rock: a study of a public pedagogy of protest music | PhD | Monash University | 2015 | |
GEE, Narelle | Maintaining our rage: Inside Australia's longest-running music video program | PhD | Queensland University of Technology | 2015 | |
TOWNSHEND, D | Metaphor, Narrative and Musical Analysis: György Ligeti's Compositions from 'Atmosphéres' to His Second String Quartet | PhD | University of New England | 2014 | |
CROOKE, Alexander Hew Dale | Critical reflections on how research design and the attributes of a music program can affect investigations of the psychosocial wellbeing benefits of musical participation in mainstream schools | PhD | University of Melbourne | 2015 | |
BAKER, Jane Susanne | Learning, identity work, and music use in young garage band | PhD | University of Queensland | 2014 | |
HARDCASTLE, Adam Christopher | 'Letting good happen' sustaining community music in regional Australia: a study of the Green Triangle cross-border region | PhD | Monash University | 2015 | |
HAMMOND, Jane | Dancing with ghosts: the topic of the pastoral explored in a folio of music compositions | PhD | Monash University | 2015 | |
NEVILLE, Stephen Patrick | Improvising with words: a drummer’s perspective on the integration of recorded speech with jazz performance – a portfolio of recorded performances and exegesis | MPhil | University of Adelaide | 2015 | |
Cox, Geraldine | Music matters in fiction: Creative and critical reflections | PhD | Murdock University | 2015 | |
MOORE, Sarah Jane | Title Reconciliation through Music and Art. A study in Two Schools | PhD | University of Sydney | 2015 | |
BROOKS, Wendy Louise | An investigation of music and screen media in the lives of young children | PhD | University of Sydney | 2015 | |
BROPHY, Gerard | North meets South - East meets West : a personal accommodation of divergent aesthetic, cultural and technological compositional approaches : a portfolio of four compositions and exegesis | PhD | University of Adelaide | 2014 | |
WALTERS, Reynold | The moment of performance | MMus | University of Melbourne | 2014 | |
ANTHONY, Brendan | ‘The Stairways to Mixing Heaven’: Designs for the Optimisation of Creative Mixing Practices in Popular Music Record Production | MMus | Griffith University | 2015 | |
BAKRNCHEV, Michael Arthur | Folio of Compositions | MMus | University of Melbourne | 2016 | |
HUNT, Kevin Patrick | Perceptions of the Stuart & Sons Piano Sound: Realising a creative, active vision | PhD | University of Sydney | 2016 | |
POWELL, Sarah Jane | Perceptions of success influencing male participation in choir | PhD | University of Western Sydney | 2014 | |
MORGAN, Craig Ashley | The Use of Virtual Instruments by Australian Screen Composers | PhD | University of Sydney | 2016 | |
MARTIN, Charles | Percussion and computer in live performance | MMus | Australian National University | 2015 | |
YAP, Tsok Wee | The composer as bricoleur : notions of contemporary opera in the genesis of a short film | MA | Edith Cowan University | 2016 | |
O'BRIEN, Emma | The effect and experience of therapeutic songwriting on adult cancer patients’ quality of life, mood, distress levels and satisfaction with hospital stay | PhD | University of Melbourne | 2014 | |
MILLS, Jennifer | Orchestral cello auditions in Australia: an assessment of commonly set excerpts | MMus | Monash University | 2016 | |
GARFINKEL, Caleb | Investigations in guitar signal processing: 'folding' and its outcomes in composition and performance | MMus | Monash University | 2014 | |
GEORGOULAS | Hybrid identities: being a Greek musicker in Melbourne and in Greece | PhD | Monash University | 2016 | |
BRACKNELL, Clint Thomas | Natj Waalanginy (What singing?): Nyungar song from the south-west of Western Australia | PhD | University of Western Aust. | 2015 | |
LYONS, Anthony | Constructing the musical work: an examination of structural organisation and extra-musical interaction in an individual composition practice | PhD | University of Melbourne | 2014 | |