Performance

Writersort iconThesis TitleDegreeUniversityYear# of Pages
AGGETT, CathyAustralian art song: Pedagogical strategies for singers and singing teachers (working title)PhDUniversity of Western SydneyIn Progress (2005)
AGNEW, MelissaConsciousness of voice in the Australian theatre from the new wave to the new millennium PhDUniversity of Sydney2002378
AGOSTINELLI, JosephineTradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used MA (perf)Monash University200567
ALLAN, David A.The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth centuryPhDLaTrobe University2001229
ALLAN, MiriamBeyond a Beautiful VoiceMCAUniversity of Newcastle2003190
AMPT, Robert MiltonMusic iconography and performance practice in the time of Heinrich SchutzMMusUniversity of Adelaide1973192
ANDERSON, ElizabethA study of fingering in selected sources of English virginal music MMusUniversity of Melbourne1984174
ANDERSON, JustineFinding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession M.Mus.University of Melbourne200845
ANDERSON, NatashaRevolts of being : the abject and informe (formless) in music installation/performance MAVictoria University (Vic. Australia)200465
ANGUS, Andrew S.A critical examination and a transcription of the six published oboe sonatas of Giuseppe SammartiniMMusUniversity of Western Aust.20031 vol
ANGUS, QuentinPhrasing and polyrhythm in contemporary jazz guitar: a portfolio of recorded performances and exegesis.PhDUniversity of Adelaide2014307
AnonWomen musicians in late 18th-century LondonMMusUniversity of Melbournewithdrawn c.2005
AnonSets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie AndersonGradDipMusAustralian National Universityin progress (NiC08/07)
AnonInterpretation through improvisationMMusUniversity of Queenslandin progress (NiC08/07)
AnonIdentifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice.PhDUniversity of Sydneyin progress (2006)
AnonGiuditta Pasta and Maria Callas: phenomenon and impact of the acting singerMMusAustralian National Universityin progress (NiC08/07)
AnonOrigins and defining characteristics of the mezzo-soprano voice classificationMCAUniversity of Wollongongin progress (NiC08/07)
AnonGraphic analysis and the performance of contemporary flute musicDCAUniversity of Wollongongin progress (NiC08/07)
AnonPerformance practice in selected works of Sergei ProkofievMMusGriffith Universityin progress (NiC08/07)
AnonEarly Music in Australia: Historic Instruments (Strings) Training & Preventative Support Education (Holistic Musician Education for the Profession)MAUniversity of Newcastlein progress (NiC08/07)
AnonFlamenco guitar in the twentieth centuryMMusUniversity of Adelaidein progress (NiC08/07)
AnonFemale vocal training for musical theatre: the use of 'belt' and 'legit' vocal qualitiesPhDUniversity of Sydneyin progress (NiC08/07)
AnonTrumpet: performance practiceMMusUniversity of New Englandin progress (NiC08/07)
AnonAn historical survey of portamento in the viola's performance practice.DCAUniversity of Wollongongin progress (NiC08/07)
Anon20th-century guitar techniques: a composer's handbookMMusVictoria University of Wellingtonin progress (NiC08/07)
AnonEvos music: The organisation of contemporary music performance in Perth in the 1980s and 90sMMusUniversity of Western Aust.in progress (NiC08/07)
AnonAnnotated bibliography and critical analysis of selected literature pertaining to occupational injuries of violinistsGradDipMusAustralian National Universityin progress (NiC08/07)
AnonHistory of Early Music performance in New ZealandPhDUniversity of Aucklandin progress (2007?)
AnonPlaying-related discomfort/pain among string studentsPhDAustralian Catholic Universityin progress (2006)
AnonAcquiring the ability to improvise: a cross-cultural study examining the learning processes and performance strategies of musicians in jazz, Hindustani music, and Arabic taqsimPhDUniversity of NSWin progress (2007)
AnonSpinto Repertoire and The Development of the Spinto VoiceMCAUniversity of Newcastlein progress (NiC08/07)
AnonIntonation: a Survey of Pedagogical Methods and Beliefs of Cello TeachersM.EdUniversity of Canterburyin progress (2007)
AnonThe lays of Fionn mac Cumhaill: Performance practice and insights into Gaelic musicPhDUniversity of OtagoIn progress (2008)
AnonHow does the Vincenzo Vitale piano pedagogy impact the musical arts?PhDUniversity of MelbourneIn progress (2008)
AnonAn Aural Analysis of Bel Canto:Tradition and interpretations as preserved through selected sound recordingsMMusUniversity of AdelaideIn progress (2006)
AnonA New Methodology for the Analysis of Drum Kit Accompaniment Techniques for Big Band Performance. A Case Study Involving Jazz Drummer Bernard 'Buddy' Rich (30/9/1917 - 2/4/1987)PhDUniversity of TasmaniaIn Progress (2008)
AnonDefining the Indefinable: An historical and cultural exploration of excellence in musicPhDAustralian National UniversityIn progress (2010)
AnonThe Concert Virtuoso Then And Now: From Nineteenth-Century Virtuosity to ModernityPhDUniversity of SydneyIn Progress (2012)
ANTONOV, EdwardFormulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'AranyiMMusMonash University2015
ARCHER, MichaeleThe effect of belly-in and belly-out directives on breathing behaviour and vocal perception of female classical singersMAppSciUniversity of Sydney2007213
ARNOTT, JoanneRecords and electronics: an introduction to the performance of electroacoustic musicMMusUniversity of Sydney2014106
ASKILL, MichaelReflections on Composition and ConsciousnessPhDUniversity of Queensland2015145
ASZODI, JessicaVoicing subjectivity: Artistic Research in the realization of new Vocal MusicPHDGriffith University2016189
ATKINSON, Neil FNonverbal communication and choral conductingMMus StudsUniversity of Queensland2002128
BAJZEK, DieterPercussion - an annotated bibliography : with special emphasis on contemporary notation and performance MALaTrobe University1986222
BAKRNCHEV, Michael ArthurFolio of CompositionsMMusUniversity of Melbourne2016
BANGERT, DanielDoing without thinking? Processes of decision-making in period instrument performancePhDUniversity of NSW2012248
BANKS, Jy-PerryVoices of the Australian tuba : a consideration of factors influencing its changing sound and musical statusMMusPerfUniversity of Sydney2013100
BARCLAY, LeahSonic Ecologies: Environmental Electroacoustic Music Composition in Cultural ImmersionPhDGriffith University2014
BARCLAY, NeilSelf-hypnosis as a tool for practice and performanceMMus Ed.University of Western Aust.1996187
BARDWELL, GlennMusical expression and communication: an overviewMMus (perf)University of Melbourne1996121
BARKER, Jade CarolineApplying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli methodMMusMonash University2014
BARKER, Simon"Scattering rhythms" : The Koreanisation of the Western drumsetPhDUniversity of Sydney2010114 + 1 CD + 1 DVD
BARLOW, ShaunBeatbox flute : An historical account, performance manual and notational guideMMusPerfUniversity of Sydney2011101
BARNES, Jennifer JoanBeyond the act of singing MMusUniversity of Newcastle1998
BARNES, Jennifer JoanSubjective audibility in the professional operatic soprano voice.PhDUniversity of Sydney2007139
BARTLEET, Brydie-LeighGendering the podium: the journeys of professional woman conductorsPhDUniversity of Queensland2004328
BARTLETT, Simon JohnAn Exploration of the Origins and Expression of Implied Harmony in The Gerry Mulligan Quartet with Chet Baker (1952-1953)MMusUniversity of Sydney2016102
BARWICK, LindaCritical perspectives on oral song in performance : the case of Donna Lombarda PhDFlinders University19862 vol + 2 cass
BATTERHAM, Andrew BruceFootprints: the assimilation of extra-Classical elements in a compositional languagePhDUniversity of Melbourne2015
BEARDMORE, MeredithInterpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo fluteMMusUniversity of Sydney2011125
BEARE, MichaelBritish clarinet playing from 1940MMusUniversity of Adelaide1987130
BEECHE, Jack TrewhellaImprovised counterpoint: a study of contrapuntal strategies and interchangeable roles between two soloists in jazz improvisationMMusMonash University2015121
BEILHARZ, KristyContemporary violin techniquesMMusUniversity of Sydney1994105
BELTMAN, SusanMotivation of high-achieving athletes and musicians: A person-context perspective.PhDAustralian Catholic University2005423
BENTLEY, Danielle SarahRestrung new chamber festival : an exploration of contemporary string practicePhDQueensland University of Technology2011275 + 14 Discs
BENTON, Robert LThe effect of lip-slur practice on increasing pitch range in brasswind instrument students M.EdEdith Cowan University19982 microfiche
BERENSEN, ChrisFigured-bass solo traditions and J.S. BachMMusUniversity of Sydney2009137
BETTCHER, Nathan JamesThe process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church)MMusUniversity of Adelaide2010135 + DVD
BETTS, CatherineReading the signs : assessing the salience of percussion symbols for use in percussion notationMMusUniversity of Western Aust.201073
BEVAN, AndrewFrom conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist MMusUniversity of Adelaide200644+3cds
BINNIE, MicheleFinding the Drastic : Exploring Forms of Attention in Piano PerformanceMMusVictoria University of Wellington2014
BLACKBURN, AndrewThe pipe organ and real-time digital signal processing (DSP): A performer's perspectiveDMAGriffith University2011256
BLEAKLEY, Helen RuthSchumann's sonata for violin and piano op. 121: approaches to performanceMMusUniversity of Queensland199943
BOGG, LoisCountertenor characteristics : case studies from interview and acoustic investigationsMApScUniversity of Sydney2003157
BONETTI, RuthA performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboardMMusUniversity of Queensland19891 vol + 4 parts
BORER, PhillippeAspects of European influences on violin playing and teaching in AustraliaMMusUniversity of Tasmania1988205
BORNMAN, Richard M.An analysis of the jazz guitar style of Lenny Breau : late 1960sMMus (Perf)University of Sydney20041 vol
BOTTOMLEY, John AJazz/culture : styles, formations, politics MAAustralian Catholic University199194
BOUNDS, Carolyn ZPerforming flute music of the French Baroque : an approach for modern flautists [manuscript]MAUniversity of Newcastle2010126
BOYLE, Antares"The pattern and the fabric" : complexity and ambiguity in the solo flute works of Toshio HosokawaMMusUniversity of Sydney200780
BRENNAN, DavidThe opera performer as actor: an Australian perspective PhDUniversity of Newcastle2005530
BRETT, MarilynA study of ways in which classically trained singing teachers meet the pedagogical needs of singers of contemporary popular stylesMMusUniversity of Sydney2008115
BRIEN, StephenAn investigation of forward motion as an analytic template MMus (Perf)University of Sydney2004112
BROADFOOT, Marianne Claire“A new mode of expression”: Karol Szymanowski’s first violin concerto op. 35 within a Dionysian contextPhDUniversity of Sydney2015252
BROOMHEAD, ChristopherThe second line influence in the drumming of Keith Carlock: a practical and theoretical investigationMMusMonash University2012
BROPHY, GerardNorth meets South - East meets West : a personal accommodation of divergent aesthetic, cultural and technological compositional approaches : a portfolio of four compositions and exegesisPhDUniversity of Adelaide2014
BROUGHTON, MaryMusic, movement and marimba[electronic resource] :solo marimbists' bodily gesture in the perception and production of expressive performancePhDUniversity of Western Sydney2008284
BROWN, Andrew R.Teaching synthesizer performance : issues for an instrumental music program for synthesizer M.EdUniversity of Melbourne1994147
BROWN, DavidThe role of live musical performance in the recording studioMARMIT University200115 + 4CDs
BROWN, JamesIntellect and intuition: reflections on the role of improvisation in contemporary jazz composition and performance MMusUniversity of Adelaide200762 + 2CDR
BROWN, Patricia A.Sempre Libera: changes in singing style in Verdi's opera La Traviata during the first century of operatic sound recording THIS SEEMS TO BE A MISTAKE - CONFUSED WITH A THESIS BY AN AMERICAN PATRICIA BROWNPhDUniversity of NSW1996
BROWN, Shaun JosephInterpreting the Early Lieder of Erich Korngold: A Performer’s Perspective on So Gott und Papa will (1910)MMus?University of Queensland2016
BROWNLEE, JaneThe transmission of traditional fiddle music in AustraliaMMusUniversity of Sydney2009193
BRUER, TimA study of pianist Keith Jarrett's approach to the structuring of an improvised performance, based upon the standard song, from the years 1985 to 1989 MMus (Jazz)University of Sydney2003
BRUSKY, PaulaPerformance-related musculoskeletal disorders in bassoon playersPhDUniversity of Sydney2009170
BRYON, ExperienceThe integrative performance theory: an anti-hermeneutic approach for operaPhDMonash University1999235
BUCKINGHAM, AliceInformed Performance Practice of Sonata for Viola and Piano, op. 147 by Dmitri Shostakovich: A Study of InterpretationMPhilUniversity of Queensland2014
BUCKLEY, DarylFrom body schema to score: creating spatial grammars in contemporary electric guitar practice.PhDRMIT University2015108
BURGESS, JeanHigh culture as subculture: Brisbane's contemporary chamber music sceneM.PhilUniversity of Queensland2004101
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