Performance

Writer	Thesis Title	Degree	University	Year	# of Pages
AGGETT, Cathy	Australian art song: Pedagogical strategies for singers and singing teachers (working title)	PhD	University of Western Sydney	In Progress (2005)
AGNEW, Melissa	Consciousness of voice in the Australian theatre from the new wave to the new millennium	PhD	University of Sydney	2002	378
AGOSTINELLI, Josephine	Tradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used	MA (perf)	Monash University	2005	67
AHLERS, Therèse	Intonation: a Survey of Pedagogical Methods and Beliefs of Cello Teachers	M.Ed	University of Canterbury	in progress (2007)
ALLAN, David A.	The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century	PhD	LaTrobe University	2001	229
ALLAN, Miriam	Beyond a Beautiful Voice	MCA	University of Newcastle	2003	190
AMPT, Robert Milton	Music iconography and performance practice in the time of Heinrich Schutz	MMus	University of Adelaide	1973	192
ANDERSON, Elizabeth	A study of fingering in selected sources of English virginal music	MMus	University of Melbourne	1984	174
ANDERSON, Justine	Finding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession	M.Mus.	University of Melbourne	2008	45
ANDERSON, Natasha	Revolts of being : the abject and informe (formless) in music installation/performance	MA	Victoria University (Vic. Australia)	2004	65
ANGUS, Andrew S.	A critical examination and a transcription of the six published oboe sonatas of Giuseppe Sammartini	MMus	University of Western Aust.	2003	1 vol
ANGUS, Quentin	Phrasing and polyrhythm in contemporary jazz guitar: a portfolio of recorded performances and exegesis.	PhD	University of Adelaide	2014	307
ANTONOV, Edward	Formulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'Aranyi	MMus	Monash University	2015
ARCHER, Michaele	The effect of belly-in and belly-out directives on breathing behaviour and vocal perception of female classical singers	MAppSci	University of Sydney	2007	213
ARNOTT, Joanne	Records and electronics: an introduction to the performance of electroacoustic music	MMus	University of Sydney	2014	106
ASKILL, Michael	Reflections on Composition and Consciousness	PhD	University of Queensland	2015	145
ATKINSON, Neil F	Nonverbal communication and choral conducting	MMus Studs	University of Queensland	2002	128
BAJZEK, Dieter	Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance	MA	LaTrobe University	1986	222
BAKRNCHEV, Michael Arthur	Folio of Compositions	MMus	University of Melbourne	2016
BALLARD, Bernadette	Women musicians in late 18th-century London	MMus	University of Melbourne	withdrawn c.2005
BANGERT, Daniel	Doing without thinking? Processes of decision-making in period instrument performance	PhD	University of NSW	2012	248
BANKS, Jy-Perry	Voices of the Australian tuba : a consideration of factors influencing its changing sound and musical status	MMusPerf	University of Sydney	2013	100
BARCLAY, Leah	Sonic Ecologies: Environmental Electroacoustic Music Composition in Cultural Immersion	PhD	Griffith University	2014
BARCLAY, Neil	Self-hypnosis as a tool for practice and performance	MMus Ed.	University of Western Aust.	1996	187
BARDWELL, Glenn	Musical expression and communication: an overview	MMus (perf)	University of Melbourne	1996	121
BARKER, Jade Caroline	Applying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli method	MMus	Monash University	2014
BARKER, Simon	"Scattering rhythms" : The Koreanisation of the Western drumset	PhD	University of Sydney	2010	114 + 1 CD + 1 DVD
BARLOW, Shaun	Beatbox flute : An historical account, performance manual and notational guide	MMusPerf	University of Sydney	2011	101
BARNES, Jennifer Joan	Beyond the act of singing	MMus	University of Newcastle	1998
BARNES, Jennifer Joan	Subjective audibility in the professional operatic soprano voice.	PhD	University of Sydney	2007	139
BARTLEET, Brydie-Leigh	Gendering the podium: the journeys of professional woman conductors	PhD	University of Queensland	2004	328
BARTLETT, Simon John	An Exploration of the Origins and Expression of Implied Harmony in The Gerry Mulligan Quartet with Chet Baker (1952-1953)	MMus	University of Sydney	2016	102
BARWICK, Linda	Critical perspectives on oral song in performance : the case of Donna Lombarda	PhD	Flinders University	1986	2 vol + 2 cass
BATTERHAM, Andrew Bruce	Footprints: the assimilation of extra-Classical elements in a compositional language	PhD	University of Melbourne	2015
BEAR, Leanne	Sets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie Anderson	GradDipMus	Australian National University	in progress (NiC08/07)
BEARDMORE, Meredith	Interpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo flute	MMus	University of Sydney	2011	125
BEARE, Michael	British clarinet playing from 1940	MMus	University of Adelaide	1987	130
BEECHE, Jack Trewhella	Improvised counterpoint: a study of contrapuntal strategies and interchangeable roles between two soloists in jazz improvisation	MMus	Monash University	2015	121
BEILHARZ, Kristy	Contemporary violin techniques	MMus	University of Sydney	1994	105
BELTMAN, Susan	Motivation of high-achieving athletes and musicians: A person-context perspective.	PhD	Australian Catholic University	2005	423
BENTLEY, Danielle Sarah	Restrung new chamber festival : an exploration of contemporary string practice	PhD	Queensland University of Technology	2011	275 + 14 Discs
BENTON, Robert L	The effect of lip-slur practice on increasing pitch range in brasswind instrument students	M.Ed	Edith Cowan University	1998	2 microfiche
BERENSEN, Chris	Figured-bass solo traditions and J.S. Bach	MMus	University of Sydney	2009	137
BETTCHER, Nathan James	The process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church)	MMus	University of Adelaide	2010	135 + DVD
BETTS, Catherine	Reading the signs : assessing the salience of percussion symbols for use in percussion notation	MMus	University of Western Aust.	2010	73
BEVAN, Andrew	From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist	MMus	University of Adelaide	2006	44+3cds
BINNIE, Michele	Finding the Drastic : Exploring Forms of Attention in Piano Performance	MMus	Victoria University of Wellington	2014
BLACKBURN, Andrew	The pipe organ and real-time digital signal processing (DSP) a performer's perspective	DMA	Griffith University	2011	256
BLEAKLEY, Helen Ruth	Schumann's sonata for violin and piano op. 121: approaches to performance	MMus	University of Queensland	1999	43
BOCHNER, Nicholas I.	Interpretation through improvisation	MMus	University of Queensland	in progress (NiC08/07)
BOGG, Lois	Countertenor characteristics : case studies from interview and acoustic investigations	MApSc	University of Sydney	2003	157
BONETTI, Ruth	A performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboard	MMus	University of Queensland	1989	1 vol + 4 parts
BORER, Phillippe	Aspects of European influences on violin playing and teaching in Australia	MMus	University of Tasmania	1988	205
BORNMAN, Richard M.	An analysis of the jazz guitar style of Lenny Breau : late 1960s	MMus (Perf)	University of Sydney	2004	1 vol
BOTTOMLEY, John A	Jazz/culture : styles, formations, politics	MA	Australian Catholic University	1991	94
BOUNDS, Carolyn Z	Performing flute music of the French Baroque : an approach for modern flautists [manuscript]	MA	University of Newcastle	2010	126
BOURNE, Tracy	Identifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice.	PhD	University of Sydney	in progress (2006)
BOYLE, Antares	"The pattern and the fabric" : complexity and ambiguity in the solo flute works of Toshio Hosokawa	MMus	University of Sydney	2007	80
BRENNAN, David	The opera performer as actor: an Australian perspective	PhD	University of Newcastle	2005	530
BRETT, Marilyn	A study of ways in which classically trained singing teachers meet the pedagogical needs of singers of contemporary popular styles	MMus	University of Sydney	2008	115
BRIEN, Stephen	An investigation of forward motion as an analytic template	MMus (Perf)	University of Sydney	2004	112
BROADFOOT, Marianne Claire	“A NEW MODE OF EXPRESSION”: KAROL SZYMANOWSKI’S FIRST VIOLIN CONCERTO OP. 35 WITHIN A DIONYSIAN CONTEXT	PhD	University of Sydney	2015	252
BROOMHEAD, Christopher	The second line influence in the drumming of Keith Carlock: a practical and theoretical investigation	MMus	Monash University	2012
BROPHY, Gerard	North meets South - East meets West : a personal accommodation of divergent aesthetic, cultural and technological compositional approaches : a portfolio of four compositions and exegesis	PhD	University of Adelaide	2014
BROUGHTON, Mary	Music, movement and marimba[electronic resource] :solo marimbists' bodily gesture in the perception and production of expressive performance	PhD	University of Western Sydney	2008	284
BROWN, Andrew R.	Teaching synthesizer performance : issues for an instrumental music program for synthesizer	M.Ed	University of Melbourne	1994	147
BROWN, David	The role of live musical performance in the recording studio	MA	RMIT University	2001	15 + 4CDs
BROWN, James	Intellect and intuition: reflections on the role of improvisation in contemporary jazz composition and performance	MMus	University of Adelaide	2007	62 + 2CDR
BROWN, Patricia A.	Sempre Libera: changes in singing style in Verdi's opera La Traviata during the first century of operatic sound recording THIS SEEMS TO BE A MISTAKE - CONFUSED WITH A THESIS BY AN AMERICAN PATRICIA BROWN	PhD	University of NSW	1996
BROWN, Shaun Joseph	Interpreting the Early Lieder of Erich Korngold: A Performer’s Perspective on So Gott und Papa will (1910)	MMus?	University of Queensland	2016
BROWNLEE, Jane	The transmission of traditional fiddle music in Australia	MMus	University of Sydney	2009	193
BRUCE, Karen	Giuditta Pasta and Maria Callas: phenomenon and impact of the acting singer	MMus	Australian National University	in progress (NiC08/07)
BRUER, Tim	A study of pianist Keith Jarrett's approach to the structuring of an improvised performance, based upon the standard song, from the years 1985 to 1989	MMus (Jazz)	University of Sydney	2003
BRUSKY, Paula	Performance-related musculoskeletal disorders in bassoon players	PhD	University of Sydney	2009	170
BRYON, Experience	The integrative performance theory: an anti-hermeneutic approach for opera	PhD	Monash University	1999	235
BUCKINGHAM, Alice	Informed Performance Practice of Sonata for Viola and Piano, op. 147 by Dmitri Shostakovich: A Study of Interpretation	MPhil	University of Queensland	2014
BUCKLEY, Daryl	From body schema to score: creating spatial grammars in contemporary electric guitar practice.	PhD	RMIT University	2015	108
BURGESS, Jean	High culture as subculture: Brisbane's contemporary chamber music scene	M.Phil	University of Queensland	2004	101
BURKE RIGO, B	Escapee gloss : a symphony of polymedia	M?	University of Tasmania	2014
BURTON, Russell	The effect of non-visual conductor activities on the quality of an instrumental ensemble as judged by Eisteddfod scores	MMus	University of Adelaide	1998	111
BUTTERSWORTH, Louise, M.	Personality variables and other predictors of musical performance achievement	MA	University of Queensland	1994	183
BYRNES, Jonathan Lawrence	The devil’s horn and the music of the brothel approaching adaptation and performance of tango for the classical saxophonist	PhD	University of Sydney	2016	111
CAESAR, Michael	The use of indeterminacy in music composition as a stimulus for developing music improvisation skill in performers	PhD	Australian National University	2005	2 vol
CALLINAN-ROBERTSON, Joanne	The effects on vocal quality of the Marchesi pedagogical approach in female singers in the western classical tradition	MMus	University of Sydney	2007	112
CALWELL, Linda	Origins and defining characteristics of the mezzo-soprano voice classification	MCA	University of Wollongong	in progress (NiC08/07)
CAMERON, Christopher Paul	Exploring applications of multi-dexterity in drum kit performance	MMus	Monash University	2016
CAMERON, Eleanor Elise	Music in tempore belli: an exploration of how to perform Dmitri Shostakovich's Eighth String Quartet and George Crumb's Black Angels: thirteen images from the dark land for electric string quartet as works written in response to war	MA (perf)	Monash University	2006	58 + CD
CAMPBELL, Peter John	Limestone Plains-song: an historical survey of choral music in Canberra, 1913-1993	MMus	Australian National University	1996	432
CANNON, Glenn	Functional and non-functional progressions in improvised music : a method of facilitating linear and harmonic flow	MA	Monash University	2010	1 v.
CANNON, Joanne	Playable ambisonic spatial motion : music performance techniques and mappings for the extended bassoon	M.Mus.	University of Melbourne	2009	95
CAREY, Benedict Eris	Notation sequence generation and sound synthesis in interactive spectral music	MMus(Comp)	University of Sydney	2013	64
CAREY, Benjamin Leigh	_derivations and the performer-developer : co-evolving digital artefacts and human-machine performance practices	PhD	University of Technology Sydney	2016	328
CARTER, James Stuart Read	Importing and exploring the kramerian theory of musical postmodernism within contemporary Jazz performance	MArts	Monash University	2015	80
CARTER, Melissa	Music Performance anxiety:A study analysing the differences in prevalence by gender, genre, instrument type and year level.	MMus	Griffith University	submitted Oct 2007	74
CATLIN, Tim	Extended timbral possibilities in acoustic and electric guitar production	MA	RMIT University	2000	1 vol + 2 cds
CECIL, Ann	John Amadio : virtuoso flautist	MMus	University of Melbourne	1998	52
CHALABI, Karen Louise	The architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire.	PhD	University of Melbourne	2014	271
CHAMPION, Holly	Dramaturgical analysis of opera performance: four recent productions of Dido and Aeneas	PhD	University of NSW	2016	457
CHAN, Karyn Oi Lim	Affective concepts in music performance education : an Einsteinian approach	PhD	University of Western Aust.	2011	240
CHAO, Peter Yu-Chun	Multi-stylistic fluency on the saxophone: Delineating pedagogical strategies for the interpretation of jazz-influenced classical saxophone works	MMus	University of Sydney	2016	83

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