Performance

Writer	Thesis Title	Degree	University	Year	# of Pages
AGGETT, Cathy	Australian art song: Pedagogical strategies for singers and singing teachers (working title)	PhD	University of Western Sydney	In Progress (2005)
AGNEW, Melissa	Consciousness of voice in the Australian theatre from the new wave to the new millennium	PhD	University of Sydney	2002	378
AGOSTINELLI, Josephine	Tradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used	MA (perf)	Monash University	2005	67
ALLAN, David A.	The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century	PhD	LaTrobe University	2001	229
ALLAN, Miriam	Beyond a Beautiful Voice	MCA	University of Newcastle	2003	190
AMPT, Robert Milton	Music iconography and performance practice in the time of Heinrich Schutz	MMus	University of Adelaide	1973	192
ANDERSON, Elizabeth	A study of fingering in selected sources of English virginal music	MMus	University of Melbourne	1984	174
ANDERSON, Justine	Finding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession	M.Mus.	University of Melbourne	2008	45
ANDERSON, Natasha	Revolts of being : the abject and informe (formless) in music installation/performance	MA	Victoria University (Vic. Australia)	2004	65
ANGUS, Andrew S.	A critical examination and a transcription of the six published oboe sonatas of Giuseppe Sammartini	MMus	University of Western Aust.	2003	1 vol
ANGUS, Quentin	Phrasing and polyrhythm in contemporary jazz guitar: a portfolio of recorded performances and exegesis.	PhD	University of Adelaide	2014	307
Anon	Women musicians in late 18th-century London	MMus	University of Melbourne	withdrawn c.2005
Anon	Sets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie Anderson	GradDipMus	Australian National University	in progress (NiC08/07)
Anon	Interpretation through improvisation	MMus	University of Queensland	in progress (NiC08/07)
Anon	Identifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice.	PhD	University of Sydney	in progress (2006)
Anon	Giuditta Pasta and Maria Callas: phenomenon and impact of the acting singer	MMus	Australian National University	in progress (NiC08/07)
Anon	Origins and defining characteristics of the mezzo-soprano voice classification	MCA	University of Wollongong	in progress (NiC08/07)
Anon	Graphic analysis and the performance of contemporary flute music	DCA	University of Wollongong	in progress (NiC08/07)
Anon	Performance practice in selected works of Sergei Prokofiev	MMus	Griffith University	in progress (NiC08/07)
Anon	Early Music in Australia: Historic Instruments (Strings) Training & Preventative Support Education (Holistic Musician Education for the Profession)	MA	University of Newcastle	in progress (NiC08/07)
Anon	Flamenco guitar in the twentieth century	MMus	University of Adelaide	in progress (NiC08/07)
Anon	Female vocal training for musical theatre: the use of 'belt' and 'legit' vocal qualities	PhD	University of Sydney	in progress (NiC08/07)
Anon	Trumpet: performance practice	MMus	University of New England	in progress (NiC08/07)
Anon	An historical survey of portamento in the viola's performance practice.	DCA	University of Wollongong	in progress (NiC08/07)
Anon	20th-century guitar techniques: a composer's handbook	MMus	Victoria University of Wellington	in progress (NiC08/07)
Anon	Evos music: The organisation of contemporary music performance in Perth in the 1980s and 90s	MMus	University of Western Aust.	in progress (NiC08/07)
Anon	Annotated bibliography and critical analysis of selected literature pertaining to occupational injuries of violinists	GradDipMus	Australian National University	in progress (NiC08/07)
Anon	History of Early Music performance in New Zealand	PhD	University of Auckland	in progress (2007?)
Anon	Playing-related discomfort/pain among string students	PhD	Australian Catholic University	in progress (2006)
Anon	Acquiring the ability to improvise: a cross-cultural study examining the learning processes and performance strategies of musicians in jazz, Hindustani music, and Arabic taqsim	PhD	University of NSW	in progress (2007)
Anon	Spinto Repertoire and The Development of the Spinto Voice	MCA	University of Newcastle	in progress (NiC08/07)
Anon	Intonation: a Survey of Pedagogical Methods and Beliefs of Cello Teachers	M.Ed	University of Canterbury	in progress (2007)
Anon	The lays of Fionn mac Cumhaill: Performance practice and insights into Gaelic music	PhD	University of Otago	In progress (2008)
Anon	How does the Vincenzo Vitale piano pedagogy impact the musical arts?	PhD	University of Melbourne	In progress (2008)
Anon	An Aural Analysis of Bel Canto:Tradition and interpretations as preserved through selected sound recordings	MMus	University of Adelaide	In progress (2006)
Anon	A New Methodology for the Analysis of Drum Kit Accompaniment Techniques for Big Band Performance. A Case Study Involving Jazz Drummer Bernard 'Buddy' Rich (30/9/1917 - 2/4/1987)	PhD	University of Tasmania	In Progress (2008)
Anon	Defining the Indefinable: An historical and cultural exploration of excellence in music	PhD	Australian National University	In progress (2010)
Anon	The Concert Virtuoso Then And Now: From Nineteenth-Century Virtuosity to Modernity	PhD	University of Sydney	In Progress (2012)
ANTONOV, Edward	Formulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'Aranyi	MMus	Monash University	2015
ARCHER, Michaele	The effect of belly-in and belly-out directives on breathing behaviour and vocal perception of female classical singers	MAppSci	University of Sydney	2007	213
ARNOTT, Joanne	Records and electronics: an introduction to the performance of electroacoustic music	MMus	University of Sydney	2014	106
ASKILL, Michael	Reflections on Composition and Consciousness	PhD	University of Queensland	2015	145
ASZODI, Jessica	Voicing subjectivity: Artistic Research in the realization of new Vocal Music	PHD	Griffith University	2016	189
ATCHISON, Morag Catriona	The soloist as an ensemble singer	DMA	University of Auckland	2013	141
ATKINSON, Neil F	Nonverbal communication and choral conducting	MMus Studs	University of Queensland	2002	128
BAJALICA, Marija	Strategies to enhance the artistic quality of piano recording	PhD	University of Adelaide	2013	147
BAJZEK, Dieter	Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance	MA	LaTrobe University	1986	222
BAKRNCHEV, Michael Arthur	Folio of Compositions	MMus	University of Melbourne	2016
BANGERT, Daniel	Doing without thinking? Processes of decision-making in period instrument performance	PhD	University of NSW	2012	248
BANKS, Jy-Perry	Voices of the Australian tuba : a consideration of factors influencing its changing sound and musical status	MMusPerf	University of Sydney	2013	100
BARCLAY, Leah	Sonic Ecologies: Environmental Electroacoustic Music Composition in Cultural Immersion	PhD	Griffith University	2014
BARCLAY, Neil	Self-hypnosis as a tool for practice and performance	MMus Ed.	University of Western Aust.	1996	187
BARDWELL, Glenn	Musical expression and communication: an overview	MMus (perf)	University of Melbourne	1996	121
BARKER, Jade Caroline	Applying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli method	MMus	Monash University	2014
BARKER, Simon	"Scattering rhythms" : The Koreanisation of the Western drumset	PhD	University of Sydney	2010	114 + 1 CD + 1 DVD
BARLOW, Shaun	Beatbox flute : An historical account, performance manual and notational guide	MMusPerf	University of Sydney	2011	101
BARNES, Jennifer Joan	Beyond the act of singing	MMus	University of Newcastle	1998
BARNES, Jennifer Joan	Subjective audibility in the professional operatic soprano voice.	PhD	University of Sydney	2007	139
BARTLEET, Brydie-Leigh	Gendering the podium: the journeys of professional woman conductors	PhD	University of Queensland	2004	328
BARTLETT, Simon John	An Exploration of the Origins and Expression of Implied Harmony in The Gerry Mulligan Quartet with Chet Baker (1952-1953)	MMus	University of Sydney	2016	102
BARWICK, Linda	Critical perspectives on oral song in performance : the case of Donna Lombarda	PhD	Flinders University	1986	2 vol + 2 cass
BASSETT, John	Assessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic Techniques	PhD	University of Sydney	2012	247
BATTERHAM, Andrew Bruce	Footprints: the assimilation of extra-Classical elements in a compositional language	PhD	University of Melbourne	2015
BEARDMORE, Meredith	Interpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo flute	MMus	University of Sydney	2011	125
BEARE, Michael	British clarinet playing from 1940	MMus	University of Adelaide	1987	130
BEECHE, Jack Trewhella	Improvised counterpoint: a study of contrapuntal strategies and interchangeable roles between two soloists in jazz improvisation	MMus	Monash University	2015	121
BEILHARZ, Kristy	Contemporary violin techniques	MMus	University of Sydney	1994	105
BELTMAN, Susan	Motivation of high-achieving athletes and musicians: A person-context perspective.	PhD	Australian Catholic University	2005	423
BENTLEY, Danielle Sarah	Restrung new chamber festival : an exploration of contemporary string practice	PhD	Queensland University of Technology	2011	275 + 14 Discs
BENTON, Robert L	The effect of lip-slur practice on increasing pitch range in brasswind instrument students	M.Ed	Edith Cowan University	1998	2 microfiche
BERENSEN, Chris	Figured-bass solo traditions and J.S. Bach	MMus	University of Sydney	2009	137
BETTCHER, Nathan James	The process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church)	MMus	University of Adelaide	2010	135 + DVD
BETTS, Catherine	Reading the signs : assessing the salience of percussion symbols for use in percussion notation	MMus	University of Western Aust.	2010	73
BEVAN, Andrew	From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist	MMus	University of Adelaide	2006	44+3cds
BINNIE, Michele	Finding the Drastic : Exploring Forms of Attention in Piano Performance	MMus	Victoria University of Wellington	2014
BISHOP, Kirsten Elise	Playing J. S. Bach’s viola da gamba sonatas on the modern cello: editorial practices and performing protocols	M.Phil	University of Queensland	2012	42
BLACKBURN, Andrew	The pipe organ and real-time digital signal processing (DSP): A performer's perspective	DMA	Griffith University	2011	256
BLEAKLEY, Helen Ruth	Schumann's sonata for violin and piano op. 121: approaches to performance	MMus	University of Queensland	1999	43
BOGG, Lois	Countertenor characteristics : case studies from interview and acoustic investigations	MApSc	University of Sydney	2003	157
BONETTI, Ruth	A performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboard	MMus	University of Queensland	1989	1 vol + 4 parts
BORER, Phillippe	Aspects of European influences on violin playing and teaching in Australia	MMus	University of Tasmania	1988	205
BORNMAN, Richard M.	An analysis of the jazz guitar style of Lenny Breau : late 1960s	MMus (Perf)	University of Sydney	2004	1 vol
BOTTOMLEY, John A	Jazz/culture : styles, formations, politics	MA	Australian Catholic University	1991	94
BOUNDS, Carolyn Z	Performing flute music of the French Baroque : an approach for modern flautists [manuscript]	MA	University of Newcastle	2010	126
BOYLE, Antares	"The pattern and the fabric" : complexity and ambiguity in the solo flute works of Toshio Hosokawa	MMus	University of Sydney	2007	80
BRENNAN, David	The opera performer as actor: an Australian perspective	PhD	University of Newcastle	2005	530
BRETT, Marilyn	A study of ways in which classically trained singing teachers meet the pedagogical needs of singers of contemporary popular styles	MMus	University of Sydney	2008	115
BRIEN, Stephen	An investigation of forward motion as an analytic template	MMus (Perf)	University of Sydney	2004	112
BROADFOOT, Marianne Claire	“A new mode of expression”: Karol Szymanowski’s first violin concerto op. 35 within a Dionysian context	PhD	University of Sydney	2015	252
BROOKE, Vivienne	The use of studies to conform to the ideals of deliberate practice and overcome its inherent constraints with particular reference to Georges Gillet's Studies for the Advanced teaching of the Oboe and Antonino Pasculli's 15 Capricci a guisa di Studi	MMus	Monash University	2013
BROOMHEAD, Christopher	The second line influence in the drumming of Keith Carlock: a practical and theoretical investigation	MMus	Monash University	2012
BROPHY, Gerard	North meets South - East meets West : a personal accommodation of divergent aesthetic, cultural and technological compositional approaches : a portfolio of four compositions and exegesis	PhD	University of Adelaide	2014
BROUGHTON, Mary	Music, movement and marimba[electronic resource] :solo marimbists' bodily gesture in the perception and production of expressive performance	PhD	University of Western Sydney	2008	284
BROWN, Andrew R.	Teaching synthesizer performance : issues for an instrumental music program for synthesizer	M.Ed	University of Melbourne	1994	147
BROWN, David	The role of live musical performance in the recording studio	MA	RMIT University	2001	15 + 4CDs
BROWN, James	Intellect and intuition: reflections on the role of improvisation in contemporary jazz composition and performance	MMus	University of Adelaide	2007	62 + 2CDR
BROWN, Patricia A.	Sempre Libera: changes in singing style in Verdi's opera La Traviata during the first century of operatic sound recording THIS SEEMS TO BE A MISTAKE - CONFUSED WITH A THESIS BY AN AMERICAN PATRICIA BROWN	PhD	University of NSW	1996
BROWN, Shaun Joseph	Interpreting the Early Lieder of Erich Korngold: A Performer’s Perspective on So Gott und Papa will (1910)	MMus?	University of Queensland	2016
BROWNE, Stephanie	The life and career of Peers Coetmore, English cellist (1905-1976)	MMus	University of Melbourne	2012
BROWNLEE, Jane	The transmission of traditional fiddle music in Australia	MMus	University of Sydney	2009	193

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