AGGETT, Cathy | Australian art song: Pedagogical strategies for singers and singing teachers (working title) | PhD | University of Western Sydney | In Progress (2005) | |
AGNEW, Melissa | Consciousness of voice in the Australian theatre from the new wave to the new millennium | PhD | University of Sydney | 2002 | 378 |
AGOSTINELLI, Josephine | Tradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used | MA (perf) | Monash University | 2005 | 67 |
ALLAN, David A. | The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century | PhD | LaTrobe University | 2001 | 229 |
ALLAN, Miriam | Beyond a Beautiful Voice | MCA | University of Newcastle | 2003 | 190 |
AMPT, Robert Milton | Music iconography and performance practice in the time of Heinrich Schutz | MMus | University of Adelaide | 1973 | 192 |
ANDERSON, Elizabeth | A study of fingering in selected sources of English virginal music | MMus | University of Melbourne | 1984 | 174 |
ANDERSON, Justine | Finding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession | M.Mus. | University of Melbourne | 2008 | 45 |
ANDERSON, Natasha | Revolts of being : the abject and informe (formless) in music installation/performance | MA | Victoria University (Vic. Australia) | 2004 | 65 |
ANGUS, Andrew S. | A critical examination and a transcription of the six published oboe sonatas of Giuseppe Sammartini | MMus | University of Western Aust. | 2003 | 1 vol |
ANGUS, Quentin | Phrasing and polyrhythm in contemporary jazz guitar: a portfolio of recorded performances and exegesis. | PhD | University of Adelaide | 2014 | 307 |
Anon | Women musicians in late 18th-century London | MMus | University of Melbourne | withdrawn c.2005 | |
Anon | Sets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie Anderson | GradDipMus | Australian National University | in progress (NiC08/07) | |
Anon | Interpretation through improvisation | MMus | University of Queensland | in progress (NiC08/07) | |
Anon | Identifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice. | PhD | University of Sydney | in progress (2006) | |
Anon | Giuditta Pasta and Maria Callas: phenomenon and impact of the acting singer | MMus | Australian National University | in progress (NiC08/07) | |
Anon | Origins and defining characteristics of the mezzo-soprano voice classification | MCA | University of Wollongong | in progress (NiC08/07) | |
Anon | Graphic analysis and the performance of contemporary flute music | DCA | University of Wollongong | in progress (NiC08/07) | |
Anon | Performance practice in selected works of Sergei Prokofiev | MMus | Griffith University | in progress (NiC08/07) | |
Anon | Early Music in Australia: Historic Instruments (Strings) Training & Preventative Support Education (Holistic Musician Education for the Profession) | MA | University of Newcastle | in progress (NiC08/07) | |
Anon | Flamenco guitar in the twentieth century | MMus | University of Adelaide | in progress (NiC08/07) | |
Anon | Female vocal training for musical theatre: the use of 'belt' and 'legit' vocal qualities | PhD | University of Sydney | in progress (NiC08/07) | |
Anon | Trumpet: performance practice | MMus | University of New England | in progress (NiC08/07) | |
Anon | An historical survey of portamento in the viola's performance practice. | DCA | University of Wollongong | in progress (NiC08/07) | |
Anon | 20th-century guitar techniques: a composer's handbook | MMus | Victoria University of Wellington | in progress (NiC08/07) | |
Anon | Evos music: The organisation of contemporary music performance in Perth in the 1980s and 90s | MMus | University of Western Aust. | in progress (NiC08/07) | |
Anon | Annotated bibliography and critical analysis of selected literature pertaining to occupational injuries of violinists | GradDipMus | Australian National University | in progress (NiC08/07) | |
Anon | History of Early Music performance in New Zealand | PhD | University of Auckland | in progress (2007?) | |
Anon | Playing-related discomfort/pain among string students | PhD | Australian Catholic University | in progress (2006) | |
Anon | Acquiring the ability to improvise: a cross-cultural study examining the learning processes and performance strategies of musicians in jazz, Hindustani music, and Arabic taqsim | PhD | University of NSW | in progress (2007) | |
Anon | Spinto Repertoire and The Development of the Spinto Voice | MCA | University of Newcastle | in progress (NiC08/07) | |
Anon | Intonation: a Survey of Pedagogical Methods and Beliefs of Cello Teachers | M.Ed | University of Canterbury | in progress (2007) | |
Anon | The lays of Fionn mac Cumhaill: Performance practice and insights into Gaelic music | PhD | University of Otago | In progress (2008) | |
Anon | How does the Vincenzo Vitale piano pedagogy impact the musical arts? | PhD | University of Melbourne | In progress (2008) | |
Anon | An Aural Analysis of Bel Canto:Tradition and interpretations as preserved through selected sound recordings | MMus | University of Adelaide | In progress (2006) | |
Anon | A New Methodology for the Analysis of Drum Kit Accompaniment Techniques for Big Band Performance. A Case Study Involving Jazz Drummer Bernard 'Buddy' Rich (30/9/1917 - 2/4/1987) | PhD | University of Tasmania | In Progress (2008) | |
Anon | Defining the Indefinable: An historical and cultural exploration of excellence in music | PhD | Australian National University | In progress (2010) | |
Anon | The Concert Virtuoso Then And Now: From Nineteenth-Century Virtuosity to Modernity | PhD | University of Sydney | In Progress (2012) | |
ANTONOV, Edward | Formulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'Aranyi | MMus | Monash University | 2015 | |
ARCHER, Michaele | The effect of belly-in and belly-out directives on breathing behaviour and vocal perception of female classical singers | MAppSci | University of Sydney | 2007 | 213 |
ARNOTT, Joanne | Records and electronics: an introduction to the performance of electroacoustic music | MMus | University of Sydney | 2014 | 106 |
ASKILL, Michael | Reflections on Composition and Consciousness | PhD | University of Queensland | 2015 | 145 |
ASZODI, Jessica | Voicing subjectivity: Artistic Research in the realization of new Vocal Music | PHD | Griffith University | 2016 | 189 |
ATCHISON, Morag Catriona | The soloist as an ensemble singer | DMA | University of Auckland | 2013 | 141 |
ATKINSON, Neil F | Nonverbal communication and choral conducting | MMus Studs | University of Queensland | 2002 | 128 |
BAJALICA, Marija | Strategies to enhance the artistic quality of piano recording | PhD | University of Adelaide | 2013 | 147 |
BAJZEK, Dieter | Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance | MA | LaTrobe University | 1986 | 222 |
BAKRNCHEV, Michael Arthur | Folio of Compositions | MMus | University of Melbourne | 2016 | |
BANGERT, Daniel | Doing without thinking? Processes of decision-making in period instrument performance | PhD | University of NSW | 2012 | 248 |
BANKS, Jy-Perry | Voices of the Australian tuba : a consideration of factors influencing its changing sound and musical status | MMusPerf | University of Sydney | 2013 | 100 |
BARCLAY, Leah | Sonic Ecologies: Environmental Electroacoustic Music Composition in Cultural Immersion | PhD | Griffith University | 2014 | |
BARCLAY, Neil | Self-hypnosis as a tool for practice and performance | MMus Ed. | University of Western Aust. | 1996 | 187 |
BARDWELL, Glenn | Musical expression and communication: an overview | MMus (perf) | University of Melbourne | 1996 | 121 |
BARKER, Jade Caroline | Applying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli method | MMus | Monash University | 2014 | |
BARKER, Simon | "Scattering rhythms" : The Koreanisation of the Western drumset | PhD | University of Sydney | 2010 | 114 + 1 CD + 1 DVD |
BARLOW, Shaun | Beatbox flute : An historical account, performance manual and notational guide | MMusPerf | University of Sydney | 2011 | 101 |
BARNES, Jennifer Joan | Beyond the act of singing | MMus | University of Newcastle | 1998 | |
BARNES, Jennifer Joan | Subjective audibility in the professional operatic soprano voice. | PhD | University of Sydney | 2007 | 139 |
BARTLEET, Brydie-Leigh | Gendering the podium: the journeys of professional woman conductors | PhD | University of Queensland | 2004 | 328 |
BARTLETT, Simon John | An Exploration of the Origins and Expression of Implied Harmony in The Gerry Mulligan Quartet with Chet Baker (1952-1953) | MMus | University of Sydney | 2016 | 102 |
BARWICK, Linda | Critical perspectives on oral song in performance : the case of Donna Lombarda | PhD | Flinders University | 1986 | 2 vol + 2 cass |
BASSETT, John | Assessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic Techniques | PhD | University of Sydney | 2012 | 247 |
BATTERHAM, Andrew Bruce | Footprints: the assimilation of extra-Classical elements in a compositional language | PhD | University of Melbourne | 2015 | |
BEARDMORE, Meredith | Interpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo flute | MMus | University of Sydney | 2011 | 125 |
BEARE, Michael | British clarinet playing from 1940 | MMus | University of Adelaide | 1987 | 130 |
BEECHE, Jack Trewhella | Improvised counterpoint: a study of contrapuntal strategies and interchangeable roles between two soloists in jazz improvisation | MMus | Monash University | 2015 | 121 |
BEILHARZ, Kristy | Contemporary violin techniques | MMus | University of Sydney | 1994 | 105 |
BELTMAN, Susan | Motivation of high-achieving athletes and musicians: A person-context perspective. | PhD | Australian Catholic University | 2005 | 423 |
BENTLEY, Danielle Sarah | Restrung new chamber festival : an exploration of contemporary string practice | PhD | Queensland University of Technology | 2011 | 275 + 14 Discs |
BENTON, Robert L | The effect of lip-slur practice on increasing pitch range in brasswind instrument students | M.Ed | Edith Cowan University | 1998 | 2 microfiche |
BERENSEN, Chris | Figured-bass solo traditions and J.S. Bach | MMus | University of Sydney | 2009 | 137 |
BETTCHER, Nathan James | The process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church) | MMus | University of Adelaide | 2010 | 135 + DVD |
BETTS, Catherine | Reading the signs : assessing the salience of percussion symbols for use in percussion notation | MMus | University of Western Aust. | 2010 | 73 |
BEVAN, Andrew | From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist | MMus | University of Adelaide | 2006 | 44+3cds |
BINNIE, Michele | Finding the Drastic : Exploring Forms of Attention in Piano Performance | MMus | Victoria University of Wellington | 2014 | |
BISHOP, Kirsten Elise | Playing J. S. Bach’s viola da gamba sonatas on the modern cello: editorial practices and performing protocols | M.Phil | University of Queensland | 2012 | 42 |
BLACKBURN, Andrew | The pipe organ and real-time digital signal processing (DSP): A performer's perspective | DMA | Griffith University | 2011 | 256 |
BLEAKLEY, Helen Ruth | Schumann's sonata for violin and piano op. 121: approaches to performance | MMus | University of Queensland | 1999 | 43 |
BOGG, Lois | Countertenor characteristics : case studies from interview and acoustic investigations | MApSc | University of Sydney | 2003 | 157 |
BONETTI, Ruth | A performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboard | MMus | University of Queensland | 1989 | 1 vol + 4 parts |
BORER, Phillippe | Aspects of European influences on violin playing and teaching in Australia | MMus | University of Tasmania | 1988 | 205 |
BORNMAN, Richard M. | An analysis of the jazz guitar style of Lenny Breau : late 1960s | MMus (Perf) | University of Sydney | 2004 | 1 vol |
BOTTOMLEY, John A | Jazz/culture : styles, formations, politics | MA | Australian Catholic University | 1991 | 94 |
BOUNDS, Carolyn Z | Performing flute music of the French Baroque : an approach for modern flautists [manuscript] | MA | University of Newcastle | 2010 | 126 |
BOYLE, Antares | "The pattern and the fabric" : complexity and ambiguity in the solo flute works of Toshio Hosokawa | MMus | University of Sydney | 2007 | 80 |
BRENNAN, David | The opera performer as actor: an Australian perspective | PhD | University of Newcastle | 2005 | 530 |
BRETT, Marilyn | A study of ways in which classically trained singing teachers meet the pedagogical needs of singers of contemporary popular styles | MMus | University of Sydney | 2008 | 115 |
BRIEN, Stephen | An investigation of forward motion as an analytic template | MMus (Perf) | University of Sydney | 2004 | 112 |
BROADFOOT, Marianne Claire | “A new mode of expression”: Karol Szymanowski’s first violin concerto op. 35 within a Dionysian context | PhD | University of Sydney | 2015 | 252 |
BROOKE, Vivienne | The use of studies to conform to the ideals of deliberate practice and overcome its inherent constraints with particular reference to Georges Gillet's Studies for the Advanced teaching of the Oboe and Antonino Pasculli's 15 Capricci a guisa di Studi | MMus | Monash University | 2013 | |
BROOMHEAD, Christopher | The second line influence in the drumming of Keith Carlock: a practical and theoretical investigation | MMus | Monash University | 2012 | |
BROPHY, Gerard | North meets South - East meets West : a personal accommodation of divergent aesthetic, cultural and technological compositional approaches : a portfolio of four compositions and exegesis | PhD | University of Adelaide | 2014 | |
BROUGHTON, Mary | Music, movement and marimba[electronic resource] :solo marimbists' bodily gesture in the perception and production of expressive performance | PhD | University of Western Sydney | 2008 | 284 |
BROWN, Andrew R. | Teaching synthesizer performance : issues for an instrumental music program for synthesizer | M.Ed | University of Melbourne | 1994 | 147 |
BROWN, David | The role of live musical performance in the recording studio | MA | RMIT University | 2001 | 15 + 4CDs |
BROWN, James | Intellect and intuition: reflections on the role of improvisation in contemporary jazz composition and performance | MMus | University of Adelaide | 2007 | 62 + 2CDR |
BROWN, Patricia A. | Sempre Libera: changes in singing style in Verdi's opera La Traviata during the first century of operatic sound recording THIS SEEMS TO BE A MISTAKE - CONFUSED WITH A THESIS BY AN AMERICAN PATRICIA BROWN | PhD | University of NSW | 1996 | |
BROWN, Shaun Joseph | Interpreting the Early Lieder of Erich Korngold: A Performer’s Perspective on So Gott und Papa will (1910) | MMus? | University of Queensland | 2016 | |
BROWNE, Stephanie | The life and career of Peers Coetmore, English cellist (1905-1976) | MMus | University of Melbourne | 2012 | |
BROWNLEE, Jane | The transmission of traditional fiddle music in Australia | MMus | University of Sydney | 2009 | 193 |