Performance

Writer	Thesis Title	Degree	University	Year	# of Pages
AGNEW, Melissa	Consciousness of voice in the Australian theatre from the new wave to the new millennium	PhD	University of Sydney	2002	378
AGOSTINELLI, Josephine	Tradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used	MA (perf)	Monash University	2005	67
AHLERS, Therèse	Intonation: a Survey of Pedagogical Methods and Beliefs of Cello Teachers	M.Ed	University of Canterbury	in progress (2007)
ALLAN, David A.	The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century	PhD	LaTrobe University	2001	229
ALLAN, Miriam	Beyond a Beautiful Voice	MCA	University of Newcastle	2003	190
AMPT, Robert Milton	Music iconography and performance practice in the time of Heinrich Schutz	MMus	University of Adelaide	1973	192
ANDERSON, Elizabeth	A study of fingering in selected sources of English virginal music	MMus	University of Melbourne	1984	174
ANDERSON, Natasha	Revolts of being : the abject and informe (formless) in music installation/performance	MA	Victoria University (Vic. Australia)	2004	65
ANGUS, Andrew S.	A critical examination and a transcription of the six published oboe sonatas of Giuseppe Sammartini	MMus	University of Western Aust.	2003	1 vol
ATKINSON, Neil F	Nonverbal communication and choral conducting	MMus Studs	University of Queensland	2002	128
BAJZEK, Dieter	Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance	MA	LaTrobe University	1986	222
BALLARD, Bernadette	Women musicians in late 18th-century London	MMus	University of Melbourne	withdrawn c.2005
BARCLAY, Neil	Self-hypnosis as a tool for practice and performance	MMus Ed.	University of Western Aust.	1996	187
BARDWELL, Glenn	Musical expression and communication: an overview	MMus (perf)	University of Melbourne	1996	121
BARNES, Jennifer Joan	Beyond the act of singing	MMus	University of Newcastle	1998
BARNES, Jennifer Joan	Subjective audibility in the professional operatic soprano voice.	PhD	University of Sydney	submitted (2007)
BARTLEET, Brydie-Leigh	Gendering the podium: the journeys of professional woman conductors	PhD	University of Queensland	2004	328
BARWICK, Linda	Critical perspectives on oral song in performance : the case of Donna Lombarda	PhD	Flinders University	1986	2 vol + 2 cass
BEAR, Leanne	Sets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie Anderson	GradDipMus	Australian National University	in progress (NiC08/07)
BEARE, Michael	British clarinet playing from 1940	MMus	University of Adelaide	1987	130
BEILHARZ, Kristy	Contemporary violin techniques	MMus	University of Sydney	1994	105
BELTMAN, Susan	Motivation of high-achieving athletes and musicians: A person-context perspective.	PhD	Australian Catholic University	2005	423
BENTON, Robert L	The effect of lip-slur practice on increasing pitch range in brasswind instrument students	M.Ed	Edith Cowan University	1998	2 microfiche
BEVAN, Andrew	From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist	MMus	University of Adelaide	2006	44+3cds
BLACKBURN, Andrew	The pipe organ and real-time digital signal processing (DSP):Towards a new sound-scape and context	DMA	Griffith University	In Progress (2005)
BLEAKLEY, Helen Ruth	Schumann's sonata for violin and piano op. 121: approaches to performance	MMus	University of Queensland	1999	43
BOCHNER, Nicholas I.	Interpretation through improvisation	MMus	University of Queensland	in progress (NiC08/07)
BOGG, Lois	Countertenor characteristics : case studies from interview and acoustic investigations	MApSc	University of Sydney	2003	157
BONETTI, Ruth	A performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboard	MMus	University of Queensland	1989	1 vol + 4 parts
BORER, Phillippe	Aspects of European influences on violin playing and teaching in Australia	MMus	University of Tasmania	1988	205
BORNMAN, Richard M.	An analysis of the jazz guitar style of Lenny Breau : late 1960s	MMus (Perf)	University of Sydney	2004	1 vol
BOTTOMLEY, John A	Jazz/culture : styles, formations, politics	MA	Australian Catholic University	1991	94
BOURNE, Tracy	Identifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice.	PhD	University of Sydney	in progress (2006)
BRENNAN, David	The opera performer as actor: an Australian perspective	PhD	University of Newcastle	2005	530
BRIEN, Stephen	An investigation of forward motion as an analytic template	MMus (Perf)	University of Sydney	2004	112
BROWN, Andrew R.	Teaching synthesizer performance : issues for an instrumental music program for synthesizer	M.Ed	University of Melbourne	1994	147
BROWN, David	The role of live musical performance in the recording studio	MA	RMIT University	2001	15 + 4CDs
BROWN, James	Intellect and intuition: reflections on the role of improvisation in contemporary jazz composition and performance	MMus	University of Adelaide	2007	62 + 2CDR
BRUCE, Karen	Giuditta Pasta and Maria Callas: phenomenon and impact of the acting singer	MMus	Australian National University	in progress (NiC08/07)
BRUER, Tim	A study of pianist Keith Jarrett's approach to the structuring of an improvised performance, based upon the standard song, from the years 1985 to 1989	MMus (Jazz)	University of Sydney	2003
BRYON, Experience	The integrative performance theory: an anti-hermeneutic approach for opera	PhD	Monash University	1999	235
BURGESS, Jean	High culture as subculture: Brisbane's contemporary chamber music scene	M.Phil	University of Queensland	2004	101
BURTON, Russell	The effect of non-visual conductor activities on the quality of an instrumental ensemble as judged by Eisteddfod scores	MMus	University of Adelaide	1998	111
BUTTERSWORTH, Louise, M.	Personality variables and other predictors of musical performance achievement	MA	University of Queensland	1994	183
CAESAR, Michael	The use of indeterminacy in music composition as a stimulus for developing music improvisation skill in performers	PhD	Australian National University	2005	2 vol
CALWELL, Linda	Origins and defining characteristics of the mezzo-soprano voice classification	MCA	University of Wollongong	in progress (NiC08/07)
CAMERON, Eleanor Elise	Music in tempore belli: an exploration of how to perform Dmitri Shostakovich's Eighth String Quartet and George Crumb's Black Angels: thirteen images from the dark land for electric string quartet as works written in response to war	MA (perf)	Monash University	2006	58 + CD
CAMPBELL, Peter John	Limestone Plains-song: an historical survey of choral music in Canberra, 1913-1993	MMus	Australian National University	1996	432
CARTER, Melissa	Music Performance anxiety:A study analysing the differences in prevalence by gender, genre, instrument type and year level.	MMus	Griffith University	submitted Oct 2007	74
CATLIN, Tim	Extended timbral possibilities in acoustic and electric guitar production	MA	RMIT University	2000	1 vol + 2 cds
CECIL, Ann	John Amadio : virtuoso flautist	MMus	University of Melbourne	1998	52
CHARLES, Robin	The performerless performance	MA	Auckland University of Technology	2005	24
CHEN, Pauline	Cao Zheng: master of the Zheng	MMus	University of Sydney	1992	60
CHISLETT, Laura G.	Graphic analysis and the performance of contemporary flute music	DCA	University of Wollongong	in progress (NiC08/07)
CHO, (Joseph) Beom-Hyun	Research in vocal performances	MCA	University of Newcastle	2000	36 + 3 CDs + video
CHOI, Sueng Youn	Context and analysis of organ performances: an essay of critical analysis	MCA	Australian Catholic University	2006	96
CLINCH, Peter	Oral tract fluctuations in clarinet and saxophone performance: an acoustical analysis	PhD	Monash University	1980	188
CLOSE, Kathryn	The history and development of violin and violoncello duets	MMus	University of Queensland	2003	70
COLEMAN, Jennie J.	Transmigration of the Piob Mhor : the Scottish Highland piping tradition in the South Island of New Zealand, with particular reference to Southland, Otago, and South Canterbury to 1940	PhD	University of Otago	1996	744
COLLINS, Zelda T.	The technique of elision: tonal procedures in the Preludes of Claude Debussy	PhD	University of Otago	1997	506
COOK, Philippa	The vocal accompanist : an examination of the pianist's role in the performance of Australian contemporary art songs	MMus (Perf)	University of Sydney	2006	55
COOTE, Darryl Glen	The influence of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era	MMus	University of Melbourne	1989	50
COURTEAU, Mona-Lynn	Music and dance performance, longing, and the construction of Brazil in Auckland, New Zealand	MA	University of Auckland	2006	160
COYLE, Tom	The musical superhighway: the internet for the performing musician	MMus	Griffith University	1996	56
CUDDEFORD, Tara	Performance techniques for selected works of: J.S. Bach, J. Brahms and E. Elgar	MMus	University of Queensland	2002	82
DALE, Mark Stephen	The Ponce-Segovia collaboration : creating the modern guitar repertory	PhD	Monash University	2005	311
DAVENPORT, Andrew Russell	The development of alternate picking and plectrum technique for the electric guitar	MA	University of Waikato	1998	124 + 1 comp laser optical disk
DAVIDSON, Gary Hayden	Anatomy of pop music: the work of pop performer and how their work is judged	MA	University of Melbourne	1995	86
DAVIDSON, Kylie	Performance practice in selected works of Sergei Prokofiev	MMus	Griffith University	in progress (NiC08/07)
DE SOUZA, Marian	The development of the improvisational technique of Louis Armstrong	M.Litt	University of New England	1983	182
DELBRIDGE, Lerida Anne	A biomechanical analysis of a violinist's right shoulder during a performance of J.S.Bach's Chaconne	DMus	University of Melbourne	2004	46 +
DIKMANS, Gregory P.	The performance practice of early 18th-century French flute music : a critical translation of Jacques Hotteterre's Principes de la flute traversiere : commentary and recording of selected works	MA	LaTrobe University	1991	229 + audiocassette
DIKMANS, Gregory P.	Rhetoric and the performance practice of early eighteenth-century French instrumental music.	PhD	University of Melbourne	in progress
DIXON-LAWRENCE, Ruth	The performance practice of the tourte bow within the French violin school of the early nineteenth century	MA	University of Melbourne	1998	108
DJURIC, Deanna	Messieaen's Musical Language for the Jazz Pianist: An exploration through performance	MMus	University of Adelaide	in progress (2006)
DOWLING, Katrina Louise	Stylistic correspondence in the music for solo recorder and piano or harpsichord composed 1939-1989 by Gordon Jacob, Edmund Rubbra, Lennox Berkeley, Arnold Cooke, Malcolm Arnold and Alan Ridout.	MA	Monash University	In Progress (2008)
DUANCE, Karyn	Compositional and performance techniques of women rock musicians	MMus	University of Sydney	1999	NiC
DUNCAN, Melanie	Vibrato frequency and phase lock in three versions of Delibe's Lakme duet and its effect on the preference of voice experts	MA	Monash University	2000	176
DUNSTONE, Prudence	Performance Practices in Italian Music for Female Voice 1800-1850	PhD	University of Newcastle	2003	796
EASTHAM, Sohyun	The role of the violin in expressing the musical ideas of the romantic period and the development of violin techniques in the nineteenth and early twentieth centuries	PhD	University of Newcastle	2007	332 + 184 + 5 CDs
ELLSMORE, Caroline	Late-nineteenth century Musical Theatre performance practice in Verdi's "La Traviata" and other works.	MMus (Hons)	University of New England	in progress (2007)
ELVERY, Warwick David	The flute and its music in the court of Frederick the Great	GDip Mus	Griffith University	1985	1 vol
ENGLISH, Helen Jane	Gerald English [Tenor]	MA	University of Newcastle	2005	216
FABIAN, Dorottya	J. S. Bach recordings 1945-1975: St Matthew and St John Passions, Brandenburg concertos and Goldberg variations, a study of performance practice in the context of the early music movement	PhD	University of NSW	1998	575 + 4 CDs
FARMER, Elizabeth-Anne	The organ works of Cesar Franck : the performing traditions and their influence	MMus	University of Melbourne	1994	118
FERRARI, Viviana Nicoleta	How does the Vincenzo Vitale piano pedagogy impact the musical arts?	PhD	University of Melbourne	In progress (2008)
FISHER Catherine Jenelle	Paul Taffanel : an investigation of his role in the development of the modern French flute school	GDip Mus	Australian National University	1998	54
FOOTE, Andrew R.	Schubert's Winterreise in recordings: performance practice trends as revealed by a comparison of selected twentieth-century recordings	MusM	University of Western Aust.	in progress (NiC08/07)
FORSYTH, Nicole	Early Music in Australia: Historic Instruments (Strings) Training & Preventative Support Education (Holistic Musician Education for the Profession)	MA	University of Newcastle	in progress (NiC08/07)
FRANKLIN, Gavin E.	Stylistic Features in the Recorded Improvisations of Herman "Woody' Shaw (1944-1989)	PhD	University of NSW	2001 (NiC)	3 vol + CDs + booklet
FRASER, Abby Bridgett Grace	The Flute Works of Jean Françaix (1912-1997)	PhD	University of Tasmania	In Progress (2008)
FUHRMANN, Anita	Wind musicians' lung function and respiratory health	PhD	University of Western Aust.	in progress (2006)
GAETJENS, Peter W.	Flamenco guitar in the twentieth century	MMus	University of Adelaide	in progress (NiC08/07)
GALLACHER, Lynette	Extensions of the voice : a study of Chris Mann's of course : the performance and text	MA	LaTrobe University	1993	36
GARDNER, Lisa A.-M.	Female vocal performance: the effectiveness of a specially devised program for belting	MMus Ed.	University of Sydney	1993	140
GARDNER, Lisa A.-M.	Female vocal training for musical theatre: the use of 'belt' and 'legit' vocal qualities	PhD	University of Sydney	in progress (NiC08/07)
GARRETT, Linda	Micro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoire	MPhil (perf)	University of Queensland	2006	32
GARRITY, Wendy	A comparison of performance approaches to Prokofiev's Sonata for Flute and piano, op.94	MusM	University of Western Aust.	2000	2 vol
GATES, Anne	The role of the cerebral hemispheres in music performance and perception	PhD	Monash University	1976	1 vol
GLAMUZINA, Kaye L	Contemporary music and performance practice in Levuka	MMus	University of Auckland	1993	217 + cass

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