| The Armed Man: A Mass for Peace | | | | |
| And on earth peace: a Chanticleer Mass | | | | |
| Missa patrinae rerum Domini | | | | |
| Folk Song Mass - Missa Carminum | | | | |
| An Australian folk mass for congregational use | | | | |
| Missa Greca [Leitourgia tou agiou ioannou tou chrysostomou ] (Liturgy of St. John Chrysostom) | | | | |
| Liturgy No. 2 | | | | |
| Missa Greca | | | | |
| A Mass of Dissent | | | | |
| And on earth peace: a Chanticleer Mass | | | | |
| And on earth peace: a Chanticleer Mass | | | | |
| And on earth peace: a Chanticleer Mass | | | | |
| And on earth peace: a Chanticleer Mass | | | | |
| African Sanctus | | | | |
| Misa Tango | | | | |
| Missa Hilarious | | | | |
| Missa Super L'homme armé: Parody mass for speaker of singers and instrumental ensemble | | | | |
| Misa Flamenca | | | | |
| Missa Solis - Requiem for Eli | | | | |
| Mass/Missa | | | | |
| Missa in honorem Sancti Stephani | | | | |
| ABBOTT, Katrina | Folio of compositions | MMus | University of Melbourne | 2001 | 1 vol + cd |
| ABDOLLAH POUR, Shima Gelareh | The lives of Iranian women singers in diaspora | MRes | University of Melbourne | 2014 | |
| ABECASIS REQUENA, Silvana Beatriz | A study of the Argentine composer's style through analysis of selected instrumental pieces with piano. [Guastavino Carlos] | MMus | University of Newcastle | 2005 | 102 |
| ACRES, Samuel George | Toward an Ontology of Pop music | PhD | University of Tasmania | 2014 | 221 |
| ADAMEK, Catherine | Adelaide dance music culture : late 1980s to early 1990s | PHD | University of South Australia | 2016 | 336 |
| ADAMS, Christopher Patten | Composition portfolio | MMus | University of Auckland | 2006 | 126 + 2 CDs |
| ADSETT, Rosemary | The motivations, experiences and expectations of visitors attending the Tamworth country music festival | PhD | University of Queensland | 2012 | 263 |
| AGGETT, Cathy | Australian art song: Pedagogical strategies for singers and singing teachers (working title) | PhD | University of Western Sydney | In Progress (2005) | |
| ALONSO-VAZQUEZ, Marisol | Factors that influence engagement in on-site environmentally responsible behaviours at music festivals | PhD | University of Queensland | 2015 | 279 |
| AMIN, Manisha | Dancing to the flute | PhD | University of Technology Sydney | 2010 | 89 |
| ANDREW, Ian Gregory | Singing a new story: a composer's exploration of textual synthesis through composition | PhD | University of Adelaide | 2016 | |
| ANDREWS, Helen Marie | Cognitive impairment, spontaneous recovery and environmental enrichment post stroke | DCP | University of Newcastle | 2015 | |
| ANGUS, Quentin | Phrasing and polyrhythm in contemporary jazz guitar: a portfolio of recorded performances and exegesis. | PhD | University of Adelaide | 2014 | 307 |
| ARNOTT, Joanne | Records and electronics: an introduction to the performance of electroacoustic music | MMus | University of Sydney | 2014 | 106 |
| ARONSON, Gregory | Guided By Voices : Living and Learning Music | PHD | Victoria University (Vic. Australia) | 2016 | 331 |
| ASHTON, Graham R | Got ‘em on a String: The Collective Skills, Knowledge and Attributes of Group String Teachers in Queensland | MPhil | Griffith University | 2015 | |
| ASKILL, Michael | Reflections on Composition and Consciousness | PhD | University of Queensland | 2015 | 145 |
| ATCHISON, Morag Catriona | The soloist as an ensemble singer | DMA | University of Auckland | 2013 | 141 |
| ATKINS, Peter | Music and the experience of the spiritual | PhD | University of NSW | 2012 | 385 |
| AUDAIN, Yvette Michelle | Composition folio | MMus | Victoria University of Wellington | 2002 | 2 vol |
| AUÉ, Johannes | (E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesis | MMus | University of Adelaide | 2010 | 240 + CD |
| BAILEY, Lionel | The improvisational styles of Australian saxophonists Jamie Oehlers and Julien Wilson | MA | Monash University | 2011 | 69 |
| BAINES, Rowena Megan | Samba and the Afro-Brazilian favela communities | MSciComm | University of Otago | 2012 | 102 |
| BAKER, Jane Susanne | Learning, identity work, and music use in young garage band | PhD | University of Queensland | 2014 | |
| BAKRNCHEV, Michael Arthur | Folio of Compositions | MMus | University of Melbourne | 2016 | |
| BALLICO, Christina | Bury me deep in isolation: A cultural examination of a peripheral music industry and scene | PhD | Edith Cowan University | 2013 | |
| BANKS, Jy-Perry | Voices of the Australian tuba : a consideration of factors influencing its changing sound and musical status | MMusPerf | University of Sydney | 2013 | 100 |
| BANNISTER, Matthew | White man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa | PhD | University of Auckland | 2002 | 339 + 2 CDs |
| BARBELER, Damian | Shades of mimesis : self-similarity and other nature-based inspiration in composition | PhD | University of Sydney | 2010 | 89 + 8 score+ 2 CDs |
| BARCLAY, Leah | Sonic Ecologies: Environmental Electroacoustic Music Composition in Cultural Immersion | PhD | Griffith University | 2014 | |
| BARKL, Michael Laurence Gordon | Pure data as a Meta-Compositional Instrument | DCA | University of Wollongong | 2009 | 133 + CD |
| BARLOW, Shaun | Beatbox flute : An historical account, performance manual and notational guide | MMusPerf | University of Sydney | 2011 | 101 |
| BARONE, Stefano | Fragile Scenes: Metal, Rap, and Electro in Post-Revolutionary Tunisia | PHD | Griffith University | 2016 | 271 |
| BARR, Adrian B. | The transcendent experience in experimental popular music performance | PhD | University of Western Sydney | 2012 | 364 |
| BARTLETT, Irene Mary | Sing out loud, sing out long: a profile of professional contemporary gig singers in the Australian context | DMA | Griffith University | 2011 | 212 |
| BARTUP, Marie Patricia | An annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand | MLIS | Victoria University of Wellington | 2002 | 86 |
| BASTANINEZHAD, Arya/Ali | A critical study of the music pedagogy in post-revolutionary Iran (1979-2010): breaking down the boundaries between two musical methods | PhD | Monash University | 2013 | |
| BASTON, Kim | Scoring performance: the function of music in contemporary theatre and circus | PhD | LaTrobe University | 2008 | 294 |
| BATHURST, Ralph James | The music of organisations : an aesthetic ethnography | PhD | Victoria University of Wellington | 2006 | 427 |
| BATTERHAM, Andrew | Folio of compositions 2010-2011 | MMus(Comp) | University of Melbourne | 2011 | 239 |
| BATTERHAM, Andrew Bruce | Footprints: the assimilation of extra-Classical elements in a compositional language | PhD | University of Melbourne | 2015 | |
| BAUDER, Amy | Authenticity in Australian country music | PhD | Macquarie University | 2016 | 329 |
| BEARDMORE, Meredith | Interpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo flute | MMus | University of Sydney | 2011 | 125 |
| BEECHE, Jack Trewhella | Improvised counterpoint: a study of contrapuntal strategies and interchangeable roles between two soloists in jazz improvisation | MMus | Monash University | 2015 | 121 |
| BEEKHUYZEN, Jenine | A critical ethnography of an online file sharing community : :an actor-network theory perspective of controversies in the digital music world / Jenine Peta Beekhuyzen | PhD | Griffith University | 2010 | 269 |
| BELCHER, Steven James | The development of a 15 minute direct instruction program for year 7 students for the Victorian music classroom and an evaluation of its effectiveness in advancing students' music literacy | M.Ed | Edith Cowan University | 2010 | 94 + Music |
| BELL, Robert | PAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they produce | PhD | Swinburne University of Technology | 2015 | 536 |
| BELLEGHEM, Matthew | The entertainment media advocacy coalition | MA | University of Melbourne | 2004 | 194 |
| BEN-SALAMON, Nissan | a folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio files | MA | Monash University | 2003 | c.50 + 4 scores + CD |
| BENDRUPS, Faye | Tango sobre Argentina : una colisión exótica de nostalgia, política y negación | PhD | LaTrobe University | 2002 | 393 |
| BENNETT, Alexander | Injecting life into electroacoustic music : a practice-led research project | M.Mus. | University of Auckland | 2010 | 19 + 1 Video disc |
| BENTLEY, Danielle Sarah | Restrung new chamber festival : an exploration of contemporary string practice | PhD | Queensland University of Technology | 2011 | 275 + 14 Discs |
| BETTCHER, Nathan James | The process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church) | MMus | University of Adelaide | 2010 | 135 + DVD |
| BETTS, Catherine | Reading the signs : assessing the salience of percussion symbols for use in percussion notation | MMus | University of Western Aust. | 2010 | 73 |
| BINNIE, Michele | Finding the Drastic : Exploring Forms of Attention in Piano Performance | MMus | Victoria University of Wellington | 2014 | |
| BIRON, Dean Leonard | Contemporary music and its audiences | PhD | University of New England | 2008 | 224 |
| BLACK, Christopher James | Sound-as-art: the rise of the corporeal and noise in twentieth-century art practice | MMus(Comp) | Victoria University of Wellington | 2012 | 91 + CD |
| BLACK, Christopher James | Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice | MMus | Victoria University of Wellington | 2012 | 91p+1CD |
| BLACK, Colin | Portfolio of compositions | PhD | University of Sydney | 2013 | 314 + 4 CDs |
| BLACK, Helen | Sere dina ni Lotu Wesele e Viti: "True Songs" The history, culture and music of Fijian Methodist Indigenous liturgy | PhD | Australian National University | 2010 | 238 + 1 CD |
| BLACKBURN, Alana | "A third sound" : blending east and west in contemporary Japanese compositions for the recorder | MMus (Perf) | University of Sydney | 2006 | 61 |
| BLACKBURN, Andrew | The pipe organ and real-time digital signal processing (DSP) a performer's perspective | DMA | Griffith University | 2011 | 256 |
| BLACKWOOD, Peter | Bring David here': reclaiming the song of the Psalms for the Uniting Church in Australia | D.Min | Australian Catholic University | 2002 | 305 |
| BLINKHORN, Daniel | New music composition in computer-assisted environments | DCA | University of Wollongong | 2007 | 134 + 14 CDs |
| BOLAND, Marguerite Maree | The all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositions | MA | LaTrobe University | 1999 | 143 |
| BONETTI, Paul-Antoni | Sound and style: a compositional exploration of appropriated source material: portfolio of compositions and exegesis | PhD | University of Adelaide | 2015 | |
| BOOTH, Alison Stevens | Performance networks : Indian cultural production in Aotearoa/ New Zealand | PhD | University of Otago | 2014 | 299 |
| BORIAGDAN, Joseph Ireneo | Enabling agency and cultural production [manuscript] : the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
| BOTTING, Thomas | The Effect of Outside Genres on Techniques and Devices in Modern Jazz Composition (1988-2008) | MMus | NZ School of Music (Victoria + Massey) | 2014 | 114+1DVD |
| BOYACK, Jennifer Elizabeth | Singing a joyful song : an exploratory study of primary school music leaders in Aotearoa New Zealand : a thesis | PhD | Massey University | 2011 | 295 |
| BOYLE, Antares | "The pattern and the fabric" : complexity and ambiguity in the solo flute works of Toshio Hosokawa | MMus | University of Sydney | 2007 | 80 |
| BRACKNELL, Clint | Natjal Maya Walang? Investigating, Reconstructing and Repatriating Aboriginal Language Songs from the Southwest of Australia | PhD | University of Western Aust. | In Progress (2013) | |
| BRAKE, Ryan | Developmental Devices Used to Create Coherence and Unity in Multi-Movement Suites in a Modern Jazz Orchestra Setting | MMus | NZ School of Music (Victoria + Massey) | 2013 | 82p+1CD |
| BRANDMAN, Carol Jean | Is the Future Musical Futures? A comparative analysis of the Musical Futures approach and the NSW BOS 7- 10 Music Syllabus | Master of Education | University of Wollongong | 2016 | 162 |
| BRETT, Marilyn | A study of ways in which classically trained singing teachers meet the pedagogical needs of singers of contemporary popular styles | MMus | University of Sydney | 2008 | 115 |
| BRIEN, Stephen | An investigation of forward motion as an analytic template | MMus (Perf) | University of Sydney | 2004 | 112 |
| BRIGGS, Maria Sergeevna (née Okunev) | Tertiary Opera Training in Australia and UK: Ethnographic Perspective | PhD | University of Sydney | 2015 | |
| BRITTON, Gillian | ...fuga...a novel | PhD | University of Adelaide | 2012 | 206 |
| BROMBERG, Brian | M.Mus composition portfolio | MMus | University of Otago | 2008 | 7 Scores + 3 CDs |
