21st Century

Writersort iconThesis TitleDegreeUniversityYear# of Pages
The Armed Man: A Mass for Peace
And on earth peace: a Chanticleer Mass
Missa patrinae rerum Domini
Folk Song Mass - Missa Carminum
An Australian folk mass for congregational use
Missa Greca [Leitourgia tou agiou ioannou tou chrysostomou ] (Liturgy of St. John Chrysostom)
Liturgy No. 2
Missa Greca
A Mass of Dissent
And on earth peace: a Chanticleer Mass
And on earth peace: a Chanticleer Mass
And on earth peace: a Chanticleer Mass
And on earth peace: a Chanticleer Mass
African Sanctus
Misa Tango
Missa Hilarious
Missa Super L'homme armé: Parody mass for speaker of singers and instrumental ensemble
Misa Flamenca
Missa Solis - Requiem for Eli
Mass/Missa
Missa in honorem Sancti Stephani
ABBOTT, KatrinaFolio of compositionsMMusUniversity of Melbourne20011 vol + cd
ABDOLLAH POUR, Shima GelarehThe lives of Iranian women singers in diasporaMResUniversity of Melbourne2014
ABECASIS REQUENA, Silvana BeatrizA study of the Argentine composer's style through analysis of selected instrumental pieces with piano. [Guastavino Carlos] MMusUniversity of Newcastle2005102
ACRES, Samuel GeorgeToward an Ontology of Pop musicPhDUniversity of Tasmania2014221
ADAMEK, CatherineAdelaide dance music culture : late 1980s to early 1990sPHDUniversity of South Australia2016336
ADAMS, Christopher PattenComposition portfolioMMusUniversity of Auckland2006126 + 2 CDs
ADSETT, Rosemary The motivations, experiences and expectations of visitors attending the Tamworth country music festivalPhDUniversity of Queensland2012263
AGGETT, CathyAustralian art song: Pedagogical strategies for singers and singing teachers (working title)PhDUniversity of Western SydneyIn Progress (2005)
ALONSO-VAZQUEZ, MarisolFactors that influence engagement in on-site environmentally responsible behaviours at music festivalsPhDUniversity of Queensland2015279
AMIN, ManishaDancing to the flutePhDUniversity of Technology Sydney201089
ANDREW, Ian GregorySinging a new story: a composer's exploration of textual synthesis through compositionPhDUniversity of Adelaide2016
ANDREWS, Helen MarieCognitive impairment, spontaneous recovery and environmental enrichment post strokeDCPUniversity of Newcastle2015
ANGUS, QuentinPhrasing and polyrhythm in contemporary jazz guitar: a portfolio of recorded performances and exegesis.PhDUniversity of Adelaide2014307
AnonJazz Improvisation: Addressing VocalistsPhDGriffith Universityin progress (2007)
AnonAspects of the operas of MenottiMMusUniversity of Newcastlein progress (NiC08/07)
AnonThe virtuoso performer-composer: Brigid Burke's contribution to the clarinet repertoireMMUS (perf)University of Western Aust.in progress (2006)
AnonAn exploration of the Theological significance of Liturgical Music Practice in an Australian Catholic ParishPhDAustralian Catholic Universityin progress c. 2002
AnonThe Importance of Singing in the Roman Catholic Church and the General Instruction of the Roman Missal (1974)PhDAustralian Catholic Universityin progress (c.2002)
AnonDissent and Dissonance: Understanding Musical Experiences and social movements in resistance in the early twenty first centuryPhDUniversity of Melbournein progress (2006)
AnonAcquiring the ability to improvise: a cross-cultural study examining the learning processes and performance strategies of musicians in jazz, Hindustani music, and Arabic taqsimPhDUniversity of NSWin progress (2007)
AnonMelodicMatch - Music Analysis Software for the 21st CenturyPhDUniversity of Melbournein progress (2006)
AnonPles and the production of lokal music in Port Moresby, Papua New GuineaPhDUniversity of Otago2011
AnonThe use of popular music techniques in contemporary Australian guitar compositionsMMusAustralian National Universityin progress (NiC08/07)
Anon"An integration of score-based and digitally produced composition" - folio of compositions and critical commentaryPhDUniversity of QueenslandIn Progress (2009)
Anon“21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music”PhDUniversity of QueenslandIn Progress (2009)
AnonA New Methodology for the Analysis of Drum Kit Accompaniment Techniques for Big Band Performance. A Case Study Involving Jazz Drummer Bernard 'Buddy' Rich (30/9/1917 - 2/4/1987)PhDUniversity of TasmaniaIn Progress (2008)
AnonAcoustic Ecology and the Documentation of Environments Using Soundscape Composition [working title]PhDUniversity of South AustraliaIn Progress (2009)
AnonDefining the Indefinable: An historical and cultural exploration of excellence in musicPhDAustralian National UniversityIn progress (2010)
AnonExploring the influence of Confucianism on music learning among the Chinese-Australian DiasporaPhDMonash Universityin progress (2013)
AnonThe Concert Virtuoso Then And Now: From Nineteenth-Century Virtuosity to ModernityPhDUniversity of SydneyIn Progress (2012)
AnonEvolving music undergraduate education in Australia: A comparative and generative investigation of student expectations, experiences, and perceptions of qualityPhDUniversity of Western Aust.In Progress (2012)
ARNOTT, JoanneRecords and electronics: an introduction to the performance of electroacoustic musicMMusUniversity of Sydney2014106
ARONSON, GregoryGuided By Voices : Living and Learning MusicPHDVictoria University (Vic. Australia)2016331
ASHTON, Graham RGot ‘em on a String: The Collective Skills, Knowledge and Attributes of Group String Teachers in QueenslandMPhilGriffith University2015
ASKILL, MichaelReflections on Composition and ConsciousnessPhDUniversity of Queensland2015145
ATCHISON, Morag CatrionaThe soloist as an ensemble singerDMAUniversity of Auckland2013141
ATKINS, PeterMusic and the experience of the spiritualPhDUniversity of NSW2012385
AUDAIN, Yvette MichelleComposition folio MMusVictoria University of Wellington20022 vol
AUÉ, Johannes(E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesisMMusUniversity of Adelaide2010240 + CD
BAILEY, LionelThe improvisational styles of Australian saxophonists Jamie Oehlers and Julien WilsonMAMonash University201169
BAINES, Rowena MeganSamba and the Afro-Brazilian favela communitiesMSciCommUniversity of Otago2012102
BAKER, Andrea J.Youths and net-radio, exploring subcultural models of audiencesPhDMonash University2010387
BAKER, Jane SusanneLearning, identity work, and music use in young garage bandPhDUniversity of Queensland2014
BAKRNCHEV, Michael ArthurFolio of CompositionsMMusUniversity of Melbourne2016
BALLICO, ChristinaBury me deep in isolation: A cultural examination of a peripheral music industry and scenePhDEdith Cowan University2013
BANKS, Jy-PerryVoices of the Australian tuba : a consideration of factors influencing its changing sound and musical statusMMusPerfUniversity of Sydney2013100
BANKS, ZaneThe electric guitar in contemporary arts musicPhDUniversity of Sydney2014399
BANNISTER, MatthewWhite man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa PhDUniversity of Auckland2002339 + 2 CDs
BARBELER, DamianShades of mimesis : self-similarity and other nature-based inspiration in compositionPhDUniversity of Sydney201089 + 8 score+ 2 CDs
BARCLAY, LeahSonic Ecologies: Environmental Electroacoustic Music Composition in Cultural ImmersionPhDGriffith University2014
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
BARLOW, ShaunBeatbox flute : An historical account, performance manual and notational guideMMusPerfUniversity of Sydney2011101
BARONE, StefanoFragile Scenes: Metal, Rap, and Electro in Post-Revolutionary TunisiaPHDGriffith University2016271
BARR, Adrian B.The transcendent experience in experimental popular music performancePhDUniversity of Western Sydney2012364
BARTLETT, Irene MarySing out loud, sing out long: a profile of professional contemporary gig singers in the Australian contextDMAGriffith University2011212
BARTUP, Marie PatriciaAn annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand MLISVictoria University of Wellington200286
BASTANINEZHAD, Arya/​AliA critical study of the music pedagogy in post-revolutionary Iran (1979-2010): breaking down the boundaries between two musical methodsPhD Monash University2013
BASTON, KimScoring performance: the function of music in contemporary theatre and circusPhDLaTrobe University2008294
BATHURST, Ralph JamesThe music of organisations : an aesthetic ethnographyPhDVictoria University of Wellington2006427
BATTERHAM, AndrewFolio of compositions 2010-2011MMus(Comp)University of Melbourne2011239
BATTERHAM, Andrew BruceFootprints: the assimilation of extra-Classical elements in a compositional languagePhDUniversity of Melbourne2015
BAUDER, AmyAuthenticity in Australian country musicPhDMacquarie University2016329
BEARDMORE, MeredithInterpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo fluteMMusUniversity of Sydney2011125
BEECHE, Jack TrewhellaImprovised counterpoint: a study of contrapuntal strategies and interchangeable roles between two soloists in jazz improvisationMMusMonash University2015121
BEEKHUYZEN, JenineA critical ethnography of an online file sharing community : :an actor-network theory perspective of controversies in the digital music world /​ Jenine Peta BeekhuyzenPhDGriffith University2010269
BELCHER, Steven JamesThe development of a 15 minute direct instruction program for year 7 students for the Victorian music classroom and an evaluation of its effectiveness in advancing students' music literacyM.EdEdith Cowan University201094 + Music
BELL, RobertPAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they producePhDSwinburne University of Technology2015536
BELLEGHEM, MatthewThe entertainment media advocacy coalition MAUniversity of Melbourne2004194
BEN-SALAMON, Nissana folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio filesMAMonash University2003c.50 + 4 scores + CD
BENDRUPS, FayeTango sobre Argentina : una colisión exótica de nostalgia, política y negación PhDLaTrobe University2002393
BENNETT, AlexanderInjecting life into electroacoustic music : a practice-led research projectM.Mus.University of Auckland201019 + 1 Video disc
BENTLEY, Danielle SarahRestrung new chamber festival : an exploration of contemporary string practicePhDQueensland University of Technology2011275 + 14 Discs
BETTCHER, Nathan JamesThe process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church)MMusUniversity of Adelaide2010135 + DVD
BETTS, CatherineReading the signs : assessing the salience of percussion symbols for use in percussion notationMMusUniversity of Western Aust.201073
BINNIE, MicheleFinding the Drastic : Exploring Forms of Attention in Piano PerformanceMMusVictoria University of Wellington2014
BIRON, Dean LeonardContemporary music and its audiencesPhDUniversity of New England2008224
BLACK, Christopher JamesSound-as-art: the rise of the corporeal and noise in twentieth-century art practiceMMus(Comp)Victoria University of Wellington201291 + CD
BLACK, Christopher JamesSound-as-art : the rise of the corporeal and noise in twentieth-century art practiceMMusVictoria University of Wellington201291p+1CD
BLACK, ColinPortfolio of compositionsPhDUniversity of Sydney2013314 + 4 CDs
Syndicate content