21st Century

Writersort iconThesis TitleDegreeUniversityYear# of Pages
The Armed Man: A Mass for Peace
And on earth peace: a Chanticleer Mass
Missa patrinae rerum Domini
Folk Song Mass - Missa Carminum
An Australian folk mass for congregational use
Missa Greca [Leitourgia tou agiou ioannou tou chrysostomou ] (Liturgy of St. John Chrysostom)
Liturgy No. 2
Missa Greca
A Mass of Dissent
And on earth peace: a Chanticleer Mass
And on earth peace: a Chanticleer Mass
And on earth peace: a Chanticleer Mass
And on earth peace: a Chanticleer Mass
African Sanctus
Misa Tango
Missa Hilarious
Missa Super L'homme armé: Parody mass for speaker of singers and instrumental ensemble
Misa Flamenca
Missa Solis - Requiem for Eli
Mass/Missa
Missa in honorem Sancti Stephani
ABBOTT, KatrinaFolio of compositionsMMusUniversity of Melbourne20011 vol + cd
ABDOLLAH POUR, Shima GelarehThe lives of Iranian women singers in diasporaMResUniversity of Melbourne2014
ABECASIS REQUENA, Silvana BeatrizA study of the Argentine composer's style through analysis of selected instrumental pieces with piano. [Guastavino Carlos] MMusUniversity of Newcastle2005102
ACRES, Samuel GeorgeToward an Ontology of Pop musicPhDUniversity of Tasmania2014221
ADAMS, Christopher PattenComposition portfolioMMusUniversity of Auckland2006126 + 2 CDs
ADSETT, Rosemary The motivations, experiences and expectations of visitors attending the Tamworth country music festivalPhDUniversity of Queensland2012263
AGGETT, CathyAustralian art song: Pedagogical strategies for singers and singing teachers (working title)PhDUniversity of Western SydneyIn Progress (2005)
ALONSO-VAZQUEZ, MarisolFactors that influence engagement in on-site environmentally responsible behaviours at music festivalsPhDUniversity of Queensland2015279
AMIN, ManishaDancing to the flutePhDUniversity of Technology Sydney201089
ANDREW, Ian GregorySinging a new story: a composer's exploration of textual synthesis through compositionPhDUniversity of Adelaide2016
ANDREWS, Helen MarieCognitive impairment, spontaneous recovery and environmental enrichment post strokeDCPUniversity of Newcastle2015
ANGUS, QuentinPhrasing and polyrhythm in contemporary jazz guitar: a portfolio of recorded performances and exegesis.PhDUniversity of Adelaide2014307
ARNOTT, JoanneRecords and electronics: an introduction to the performance of electroacoustic musicMMusUniversity of Sydney2014106
ASHTON, Graham RGot ‘em on a String: The Collective Skills, Knowledge and Attributes of Group String Teachers in QueenslandMPhilGriffith University2015
ASKILL, MichaelReflections on Composition and ConsciousnessPhDUniversity of Queensland2015145
ATCHISON, Morag CatrionaThe soloist as an ensemble singerDMAUniversity of Auckland2013141
ATKINS, PeterMusic and the experience of the spiritualPhDUniversity of NSW2012385
AUDAIN, Yvette MichelleComposition folio MMusVictoria University of Wellington20022 vol
AUÉ, Johannes(E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesisMMusUniversity of Adelaide2010240 + CD
BAILEY, LionelThe improvisational styles of Australian saxophonists Jamie Oehlers and Julien WilsonMAMonash University201169
BAINES, Rowena MeganSamba and the Afro-Brazilian favela communitiesMSciCommUniversity of Otago2012102
BAKER, Jane SusanneLearning, identity work, and music use in young garage bandPhDUniversity of Queensland2014
BAKRNCHEV, Michael ArthurFolio of CompositionsMMusUniversity of Melbourne2016
BALLICO, ChristinaBury me deep in isolation: A cultural examination of a peripheral music industry and scenePhDEdith Cowan University2013
BANKS, Jy-PerryVoices of the Australian tuba : a consideration of factors influencing its changing sound and musical statusMMusPerfUniversity of Sydney2013100
BANNISTER, MatthewWhite man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa PhDUniversity of Auckland2002339 + 2 CDs
BARBELER, DamianShades of mimesis : self-similarity and other nature-based inspiration in compositionPhDUniversity of Sydney201089 + 8 score+ 2 CDs
BARCLAY, LeahSonic Ecologies: Environmental Electroacoustic Music Composition in Cultural ImmersionPhDGriffith University2014
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
BARLOW, ShaunBeatbox flute : An historical account, performance manual and notational guideMMusPerfUniversity of Sydney2011101
BARR, Adrian B.The transcendent experience in experimental popular music performancePhDUniversity of Western Sydney2012364
BARTLETT, Irene MarySing out loud, sing out long: a profile of professional contemporary gig singers in the Australian contextDMAGriffith University2011212
BARTUP, Marie PatriciaAn annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand MLISVictoria University of Wellington200286
BASTANINEZHAD, Arya/​AliA critical study of the music pedagogy in post-revolutionary Iran (1979-2010): breaking down the boundaries between two musical methodsPhD Monash University2013
BASTON, KimScoring performance: the function of music in contemporary theatre and circusPhDLaTrobe University2008294
BATHURST, Ralph JamesThe music of organisations : an aesthetic ethnographyPhDVictoria University of Wellington2006427
BATTERHAM, AndrewFolio of compositions 2010-2011MMus(Comp)University of Melbourne2011239
BATTERHAM, Andrew BruceFootprints: the assimilation of extra-Classical elements in a compositional languagePhDUniversity of Melbourne2015
BAUDER, AmyAuthenticity in Australian country musicPhDMacquarie University2016307
BEARDMORE, MeredithInterpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo fluteMMusUniversity of Sydney2011125
BEECHE, Jack TrewhellaImprovised counterpoint: a study of contrapuntal strategies and interchangeable roles between two soloists in jazz improvisationMMusMonash University2015121
BEEKHUYZEN, JenineA critical ethnography of an online file sharing community : :an actor-network theory perspective of controversies in the digital music world /​ Jenine Peta BeekhuyzenPhDGriffith University2010269
BELCHER, Steven JamesThe development of a 15 minute direct instruction program for year 7 students for the Victorian music classroom and an evaluation of its effectiveness in advancing students' music literacyM.EdEdith Cowan University201094 + Music
BELL, RobertPAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they producePhDSwinburne University of Technology2015536
BELLEGHEM, MatthewThe entertainment media advocacy coalition MAUniversity of Melbourne2004194
BEN-SALAMON, Nissana folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio filesMAMonash University2003c.50 + 4 scores + CD
BENDRUPS, FayeTango sobre Argentina : una colisión exótica de nostalgia, política y negación PhDLaTrobe University2002393
BENNETT, AlexanderInjecting life into electroacoustic music : a practice-led research projectM.Mus.University of Auckland201019 + 1 Video disc
BENTLEY, Danielle SarahRestrung new chamber festival : an exploration of contemporary string practicePhDQueensland University of Technology2011275 + 14 Discs
BETTCHER, Nathan JamesThe process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church)MMusUniversity of Adelaide2010135 + DVD
BETTS, CatherineReading the signs : assessing the salience of percussion symbols for use in percussion notationMMusUniversity of Western Aust.201073
BINNIE, MicheleFinding the Drastic : Exploring Forms of Attention in Piano PerformanceMMusVictoria University of Wellington2014
BIRON, Dean LeonardContemporary music and its audiencesPhDUniversity of New England2008224
BLACK, Christopher JamesSound-as-art: the rise of the corporeal and noise in twentieth-century art practiceMMus(Comp)Victoria University of Wellington201291 + CD
BLACK, Christopher JamesSound-as-art : the rise of the corporeal and noise in twentieth-century art practiceMMusVictoria University of Wellington201291p+1CD
BLACK, ColinPortfolio of compositionsPhDUniversity of Sydney2013314 + 4 CDs
BLACK, HelenSere dina ni Lotu Wesele e Viti: "True Songs" The history, culture and music of Fijian Methodist Indigenous liturgyPhDAustralian National University2010238 + 1 CD
BLACKBURN, Alana"A third sound" : blending east and west in contemporary Japanese compositions for the recorder MMus (Perf)University of Sydney200661
BLACKBURN, AndrewThe pipe organ and real-time digital signal processing (DSP) a performer's perspectiveDMAGriffith University2011256
BLACKWOOD, PeterBring David here': reclaiming the song of the Psalms for the Uniting Church in Australia D.MinAustralian Catholic University2002305
BLINKHORN, DanielNew music composition in computer-assisted environmentsDCAUniversity of Wollongong2007134 + 14 CDs
BOLAND, Marguerite MareeThe all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositionsMALaTrobe University1999143
BONETTI, Paul-AntoniSound and style: a compositional exploration of appropriated source material: portfolio of compositions and exegesisPhDUniversity of Adelaide2015
BOOTH, Alison Stevens Performance networks : Indian cultural production in Aotearoa/ New ZealandPhDUniversity of Otago2014299
BORIAGDAN, Joseph IreneoEnabling agency and cultural production [manuscript] : the dependent character of the independent music communityPhDFlinders University2005270
BOTTING, ThomasThe Effect of Outside Genres on Techniques and Devices in Modern Jazz Composition (1988-2008)MMusNZ School of Music (Victoria + Massey)2014114+1DVD
BOYACK, Jennifer ElizabethSinging a joyful song : an exploratory study of primary school music leaders in Aotearoa New Zealand : a thesisPhDMassey University2011295
BOYLE, Antares"The pattern and the fabric" : complexity and ambiguity in the solo flute works of Toshio HosokawaMMusUniversity of Sydney200780
BRACKNELL, ClintNatjal Maya Walang? Investigating, Reconstructing and Repatriating Aboriginal Language Songs from the Southwest of AustraliaPhDUniversity of Western Aust.In Progress (2013)
BRAKE, RyanDevelopmental Devices Used to Create Coherence and Unity in Multi-Movement Suites in a Modern Jazz Orchestra SettingMMusNZ School of Music (Victoria + Massey)201382p+1CD
BRETT, MarilynA study of ways in which classically trained singing teachers meet the pedagogical needs of singers of contemporary popular stylesMMusUniversity of Sydney2008115
BRIEN, StephenAn investigation of forward motion as an analytic template MMus (Perf)University of Sydney2004112
BRIGGS, Maria Sergeevna (née Okunev)Tertiary Opera Training in Australia and UK: Ethnographic PerspectivePhDUniversity of Sydney2015
BRITTON, Gillian...fuga...a novelPhDUniversity of Adelaide2012206
BROMBERG, BrianM.Mus composition portfolioMMusUniversity of Otago20087 Scores + 3 CDs
BROOKS, WendyIn search of a place for the arts : a case study of creative arts pedagogy in the 21st century classroomMMusUniversity of Sydney2010215
BROOMHEAD, ChristopherThe second line influence in the drumming of Keith Carlock: a practical and theoretical investigationMMusMonash University2012
BROWN, Alan GladstoneThe application of the teaching methods of Opher Brayer in the compositions of jazz pianist Yaron Herman: Developing a portfolio of original compositions based upon these conceptsMMusNZ School of Music (Victoria + Massey)2013115p+1DVD
BROWN, AshleyIn two minds : exploring co-composition as a performer/composer collaborationDMAUniversity of Auckland2011115 + DVD
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