| ABBOTT, Katrina | Folio of compositions | MMus | University of Melbourne | 2001 | 1 vol + cd |
| ABECASIS REQUENA, Silvana Beatriz | A study of the Argentine composer's style through analysis of selected instrumental pieces with piano. [Guastavino Carlos] | MMus | University of Newcastle | 2005 | 102 |
| ADAMS, Christopher Patten | Composition portfolio | MMus | University of Auckland | 2006 | 126 + 2 CDs |
| BANNISTER, Matthew | White man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa | PhD | University of Auckland | 2002 | 339 + 2 CDs |
| BARKL, Michael Laurence Gordon | Pure data as a Meta-Compositional Instrument | DCA | University of Wollongong | 2009 | 133 + CD |
| BARTUP, Marie Patricia | An annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand | MLIS | Victoria University of Wellington | 2002 | 86 |
| BATHURST, Ralph James | The music of organisations : an aesthetic ethnography | PhD | Victoria University of Wellington | 2006 | 427 |
| BELLEGHEM, Matthew | The entertainment media advocacy coalition | MA | University of Melbourne | 2004 | 194 |
| BEN-SALAMON, Nissan | a folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio files | MA | Monash University | 2003 | c.50 + 4 scores + CD |
| BENDRUPS, Faye | Tango sobre Argentina : una colisión exótica de nostalgia, política y negación | PhD | LaTrobe University | 2002 | 393 |
| BLACKBURN, Alana | "A third sound" : blending east and west in contemporary Japanese compositions for the recorder | MMus (Perf) | University of Sydney | 2006 | 61 |
| BLACKBURN, Andrew | The pipe organ and real-time digital signal processing (DSP):Towards a new sound-scape and context | DMA | Griffith University | In Progress (2005) | |
| BLACKWOOD, Peter | Bring David here': reclaiming the song of the Psalms for the Uniting Church in Australia | D.Min | Australian Catholic University | 2002 | 305 |
| BLINKHORN, Daniel | New music composition in computer-assisted environments | DCA | University of Wollongong | 2007 | 134 + 14 CDs |
| BOLAND, Marguerite Maree | The all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositions | MA | LaTrobe University | 1999 | 143 |
| BRIEN, Stephen | An investigation of forward motion as an analytic template | MMus (Perf) | University of Sydney | 2004 | 112 |
| BROWN, James | Intellect and intuition: reflections on the role of improvisation in contemporary jazz composition and performance | MMus | University of Adelaide | 2007 | 62 + 2CDR |
| BROWNLEE, Philip | PhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee] | PhD | Victoria University of Wellington | 2007 | |
| BRUNSDON, Lindsay | Folio of compositions | MMus | University of Melbourne | 2001 | 403 |
| BURGESS, Nadia | An overview of third stream/confluent music and the involvement of Australian composers + Portfolio of original compositions | MMus (Comp) | University of Sydney | 2004 | 2 vol + CD |
| BURRASTON, David M | Generative music and cellular automata | PhD | University of Technology Sydney | 2006 | 211 + CD-Rom |
| CAMPBELL, Genevieve | Tiwi Song in Historical and Contemporary Practice | PhD | Charles Darwin University | In Progress (2009) | |
| CARY, Tristram | Portfolio of original compositions | DMus | University of Adelaide | 2000 | 1 vol |
| CASTEELS, Robert | Berlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesis | PhD | University of Melbourne | 2003 | 2 vol + 3 CD-Roms |
| CAWRSE, Anne | Portfolio of original compositions and exegesis: a personal exploration of modal processes | PhD | University of Adelaide | 2008 | 170 + 2 CDs |
| CHAN, Amy Wai Yee | Composing race and nation: intercultural music and postcolonial identities in Malaysia and Singapore. | PhD | Australian National University | 2005 | 326 + 1 CD |
| CHAN, Heva | Portfolio of compositions | PhD | University of Sydney | 2002 | 317+ CD |
| CHAPMAN, Jim (James Norman) | Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysis | PhD | Queensland University of Technology | 2007 | 2v (225 + 237) + 1CD |
| CHARLES, Robin | The performerless performance | MA | Auckland University of Technology | 2005 | 24 |
| CHEN, Cindy Hsin-Yu | Folio of compositions 2002-2003 | MMus | University of Melbourne | 2004 | 130 + CD |
| CHEN, Si-le | A comparative study of value systems amongst popular and classical musicians | M.Ed | University of Auckland | 2003 | 91 |
| CHENG, Hsin | [portfolio of compositions] | MMus | University of Canterbury | 2005 | 1 vol + 1 vid + CD |
| CHOO, Nick | Follow the light | MA | Murdock University | 2005 | 4 vol + DVD + 2CD-Roms |
| CHURTON, Wade | Alternative music in New Zealand, 1981-2001: definitions, comparisons and history | MA | University of Canterbury | 2003 | 161 |
| CODDINGTON, Anna Pinenga | Singing as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music | MA | University of Auckland | 2004 | 135 |
| CONLEY, David Jaedyn | Composition folio | MMus | University of Melbourne | 2004 | 136 |
| COOK, Philippa | The vocal accompanist : an examination of the pianist's role in the performance of Australian contemporary art songs | MMus (Perf) | University of Sydney | 2006 | 55 |
| COONEY, Philip | Beyond Sacred and Maninya: The Music of Ross Edwards 1991-2001 | PhD | University of Newcastle | 2003 | 449 |
| COX, James | Hip hop : a modern minstrel show? | MA (Anthrop) | University of Auckland | 2007 | 71 |
| CRAWFORD, Drew | Eugene & Roie: music theatre composition | PhD | University of Sydney | 2005 | 2 vol + CD |
| CUMMINGS, Joanne | Sold Out! An ethnographic study of Australian indie music festivals. | PhD | University of Western Sydney | 2007 (NyiC) | 314 |
| CZAPLOWSKI, Philip | The use of multiple styles as a compositional approach | PhD | Monash University | 2007 | 2 vol + CD |
| DAVIDSON, Robert | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 2 vol |
| DELLA-BOSCA, Roxanne | Fostering creativity in the field of musical composition : a vision for tertiary level pedagogy + Folio of Compositions | MMus (Comp) | University of Sydney | 2005 | 1 vol + CD |
| DENCH, Chris | PhD score folio | PhD | University of Melbourne | 2007 | 3 vol _ 3 CDs |
| DENSON, Louise | Creative Practice as research - jazz composition and arranging | DMA | Griffith University | 2008 | 42 |
| DUFFY, Michelle | Music of Place: The Performance of Identity in Contemporary Australian Community Music Festivals | PhD | University of Melbourne | 2001 | 220 + 210 |
| DUNCAN, Alison | Composition folio | MMus | University of Sydney | 2004 | 172+cd |
| DUNCAN, Wayne | Portfolio of Original Compositions | PhD | University of Adelaide | 2007 | 322 |
| ETE, Igelese | Malae : music portfolio | MMus | University of Auckland | 2005 | score + cd |
| EVANS, Julie Spithill | A study of music and tradition at Sydney Assyrian wedding receptions | MMus | University of Sydney | 2002 | 108 + video |
| FEHSENFELD, Diana Mae | Maori waiata : an examination of intellectual property law issues for music librarians | MLIS | Victoria University of Wellington | 2006 | 92 |
| FENN, Nirmali Keith | Master of music composition folio | MMus | University of Melbourne | 2004 | 192 |
| FITZGERALD, Thomas A | New music composition for live performance and interactive multimedia | DCA | University of Wollongong | 2004 | 180 + 6 folios + 4 DVD + 5 CD |
| FORSTER, Jason | Commodified evil's wayward children: black metal and death metal as purveyors of an alternative form of modern escapism | MA | University of Canterbury | 2006 | 147 |
| FOX, Robin | Contingency and space as structural concerns in a folio of interactive electroacoustic compositions | PhD | Monash University | 2006 | 93 + DVD + ADAT Tape + Score |
| FRANCIS, Richard | Patterning : creative sound composition from environmental recordings | MCPA | University of Auckland | 2004 | 51 + DVD + 7 sound discs |
| FREDERICKS, Ian Francis | The development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 | PhD | University of Sydney | 2005 | 204 + 4 CDs |
| FREEMAN, Lliam | Developing an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble | MA | Monash University | 2006 | 56 + CD |
| GAO, Zhiwen | How tertiary students use music to manage stress | MEd | Monash University | 2008 | 193 |
| GARD, Stephen | Nasty Noises: 'Error' as a Compositional Element | MMus Comp | University of Sydney | 2004 | 68 + 2 CD |
| GILL, Brad | Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original Compositions | PhD | University of Sydney | 2005 | 114 + CDs |
| GIUFFRE, Elizabeth | "Even better than the real thing"? : covers and the Australian music industry since 2000 | MA | Macquarie University | 2006 | 211 |
| GONZALEZ, Roger Orio | ¡Latin jazz! : a syncretic journey from Spain, Cuba, the United States and back | M.A.(Research) | Queensland University of Technology | 2009 | 273 + 1 CD |
| GOODWIN, Russell | Furthering the understanding of indeterminacy in music composition | PhD | Monash University | 2007 | 93 + 5 scores + 2 CDs |
| GRANT, Alison | Music compositions | MMus | Victoria University of Wellington | 2006 | 1 vol + CD |
| GRANT, Catherine | Safeguarding endangered musical heritage: The potential of language maintenance approaches to inform the vitality and viability of threatened music cultures | PhD | Griffith University | In progress (2009) | |
| GRAVES, Randin Christopher | Cultural foundation of the Yidaki in Northeast Arnhem Land | MA | Charles Darwin University | 2006 | 130 |
| GREATWOOD, Linden M.E. | Folio of compositions | MMus | University of Melbourne | 2006 | 6 vol + CD |
| GREEN, Thomas | "An integration of score-based and digitally produced composition" - folio of compositions and critical commentary | PhD | University of Queensland | In Progress (2009) | |
| GRIMMETT, Helen | A school in tune? : the stories behind one school's singing culture | MEd | Monash University | 2008 | 142 |
| HALL, Clare | Voices of Distinction: Choirboys' narratives of music and masculinity | PhD | Monash University | In Progress (2006) | |
| HALL, Clare | Understanding and improving boys' singing in the first year of school | MMus.Ed | Monash University | 2003 | 85 |
| HALL, Margaret | Today's Song for Tomorrow's Church: The Role Played by Contemporary Popular Music in Attracting Young People to Church | PhD | Griffith University | 2007 | 364 |
| HAMMOND, Jane | An exploration of the possibilities of generating music from text | MA | Monash University | 2006 | 71 + 2 CDs + 6 scores |
| HANDEL, Amanda | Music of balance: circles and squares [Portfolio of compositions] | MA (Hons) | University of Western Sydney | 2004 | 110 + CD + DVD |
| HARDWICK-FRANCO, Kathryn | Slovenian folk music and identity maintenance in remote Port Lincoln, South Australia | MMus | University of Adelaide | in progress (2007) | |
| HARDY, Martin William | An investigation into factors impacting on large instrumental music programs in New South Wales public secondary schools, and directors’ perceptions of program success | PhD | University of Western Sydney | 2006 | 222+260 |
| HARGREAVES, Wendy | Jazz Improvisation: Addressing Vocalists | PhD | Griffith University | in progress (2007) | |
| HAWKINS, Karen | Aspects of the operas of Menotti | MMus | University of Newcastle | in progress (NiC08/07) | |
| HEWITT, Donna | Compositions for voice and technology [+ Dissertation] | PhD | University of Western Sydney | 2006 | 178 |
| HILL, Adam Brantley | The cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process | PhD | University of Tasmania | 2004 | 239 + 2 CD |
| HILL, Carolyn | New Zealand music: into the 21st century: an investigation into the factors affecting the successful post-compositional promulgation of contemporary New Zealand music | MMus | Australian National University | 2001 | 92 |
| HIRST, David | The development of a cognitive framework for the analysis of acousmatic music | PhD | University of Melbourne | 2006 | 235 |
| HO, Ang-Cheng Kris | Technical demands of selected contemporary works for violin | PhD | University of Tasmania | 2006 | 128 + 6CDs |
| HOLMES, Leonie | Doctoral portfolio of compositions | DMus | University of Auckland | 2006 | 307 |
| HOOPER, David Johannes | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 264 |
| HOOPER, Michael J | The Music of David Lumsdaine (1966-1980) | PhD | Overseas | 2007 (NyiC) | tba |
| HOWE, Karl | Animation in e minor : the real in animated music videos | MA | Auckland University of Technology | 2004 | 25 |
| HOWELL, David | Composition folio | MMus | University of Melbourne | 2006 | 216 |
| HUGHES, William Davin | Folio of compositions | PhD | University of Melbourne | 2001 | 1 vol + CD |
| HUMBERSTONE, J.H.B. | Composition portfolio, 2000-2002 | MMus | University of Sydney | 2003 | 257+2cd |
| INGS, Welby | Talking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text. | PhD | Auckland University of Technology | 2005 | 423 + DVD |
| IVES, Matthew G. | A New Methodology for the Analysis of Drum Kit Accompaniment Techniques for Big Band Performance. A Case Study Involving Jazz Drummer Bernard 'Buddy' Rich (30/9/1917 - 2/4/1987) | PhD | University of Tasmania | In Progress (2008) | |
| JACKSON, Leigh | Elements of jazz | MMus | Massey University | 2001 | 144 |
| JEFFS, Nick | Counting the Beatz : hip hop culture, commercialisation and the state in Aotearoa New Zealand | MA | Auckland University of Technology | 2005 | 113 |
| JEWELL, Stephen | Number eight wired : a history of New Zealand dance music and club culture from 1970 to 2001 | MA | University of Auckland | 2001 | 146 |
| JOHNSON, Julie Anne | A woman's work: a music composition portfolio | MMus | University of Canterbury | 2007 | 482 + 15 + CD |
| Johnston, Emma | Healing Maori through song and dance?: three case studies of recent New Zealand music theatre | MA | University of Canterbury | 2007 | 84 |
| JONES, Amanda L | Revisiting the early format of the big band : "So you want to be a band leader?" | MA | Edith Cowan University | 2003 | 2 microfiche |
