20th Century

Writer	Thesis Title	Degree	University	Year	# of Pages
GALEA, Jeff	Ghana: the folk music of Malta influences on my music	MA	University of Wollongong	2005	65 + 1 CD
GALL, Jennifer	Redefining the tradition : the role of women in the evolution and transmission of Australian folk music	PhD	Australian National University	2008	334 p + CD
GALLACHER, Lynette	Extensions of the voice : a study of Chris Mann's of course : the performance and text	MA	LaTrobe University	1993	36
GALLACHER, Lynette	Words under pressure: an investigation of compositional linguistics focussing on recent work by Chris Mann	PhD	LaTrobe University	1996	217
GALVIN, Stephen Patrick	The furrowed field : views of song and literature in Ireland 1840-1922 A.D	MMus	University of Auckland	1999	122
GAME-LOPATA, Jenny	Gillian Karawe Whitehead: her life and work	MA	Monash University	1999
GARCIA, AL	Stringshift : solo guitar improvisation : process, methodology and practice	Unknown	University of Tasmania	2014
GARCIA, Anthony Lamont	An introduction to guitar harmony and improvisation	MMus	University of Queensland	1999	121
GARIGLIANO, Cristoforo	L'Ottava Isola: studies on music, heritage and cultural identity between Sicily and Sydney	PhD	Macquarie University	2009	304
GARRETT, David	The accidental entrepeneur - how ABC music became more than broadcasting	PhD	University of Wollongong	2012	203
GARRETTY, J.D. (Joyce Dulcie)	Three Australian composers [Sutherland, Hughes, LeGallienne]	MA	University of Melbourne	1963	2 vol
GARRICK, Jamie	The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi	MMus	NZ School of Music (Victoria + Massey)	2014	84p+2DVD
GARRITY, Wendy	A comparison of performance approaches to Prokofiev's Sonata for Flute and piano, op.94	MusM	University of Western Aust.	2000	2 vol
GASSER, Mark	Ronald Stevenson, composer-pianist : an exegetical critique from a pianistic perspective	PhD	Edith Cowan University	2013
GAYDON, Mark Andrew	Berio's sequenza XII in performance and context: a contribution to the Australian bassoon repertory synthesizing extended techniques into newly commissioned works.	PhD	University of Adelaide	2013	93+4CDs
GEARING, Phillip	Malcolm Williamson's organ symphony: an analysis of serial technique	MMus	University of Queensland	1989	67
GEBBIE, Rochelle Maree	A musical revolution in Nelson: the German Directors of the Nelson School of Music 1894-1944	MA	University of Auckland	1999	189
GEDDES, Paul	A thing about blood: exploring abjection in the musical theatre of Sondheim and co.	PhD	Macquarie University	2002	229
GEE, Anne Maureen	Contact, change and the Church: some aspects of Papua New Guinea church music.	MA	University of New England	1992	221
GEE, Narelle	Maintaining our rage: Inside Australia's longest-running music video program	PhD	Queensland University of Technology	2015
GEORGE,Christina Anne Maree	Anthem for the year 2000 and beyond : Australian rock music and cultural identity	MA	Queensland University of Technology	2002	168
GERRARD, Graeme	COMPOST : a language for computer music composition - sound synthesis from spectral functions	MA	LaTrobe University	1986	2 vol + accompanying
GIBBS, John Charles	Copyright in electronic music	LLM	University of Melbourne	1992	95
GIBSON, Bronwyn	The piano concerto in Australia 1980-1999 : contemporary manifestations of the genre in the works of Stephen Cronin and David Joseph	MusM	University of Western Aust.	2004	113
GIBSON, Chris	Decentred sounds?: Systems of provision for popular music and a regional music industry	PhD	University of Sydney	2000	374
GIBSON, Lorena	Versioning for the love of it: Hip-Hop culture in Aotearoa	MA	Massey University	2000	116
GIDDENS, Michael John	A unity of vision : the ideas of Dalcroze, Kodaly and Orff and their historical development	PhD	University of Melbourne	1992	454
GIJSBERS, Lucy	The Three Great Soviet Composers and Mstislav Rostropovich – Talent, Music and Politics in the Soviet Union	MMus	Victoria University of Wellington	2014
GILL, Brad	Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original Compositions	PhD	University of Sydney	2005	114 + CDs
GILL, Rebecca	The nineteenth-century aesthetics of violin composition in Bohemia and Moravia: a comparison of the repertoire for violin and piano by Antonín Dvořák and Leoš Janáček	MMus	University of Sydney	2014	116
GILLETT, Rachel Anne	Crossing the pond: Jazz, race and gender in interwar Paris	PhD	University of Otago	2010
GILMOUR, Katherine Rose	An historical perspective of the development of the Melba Memorial Conservatorium of Music	M.Ed	RMIT University	2000	1 vol
GINTHER, Gerald Christopher	Life and Music of Reinhold Glière	PhD	University of Canterbury	In Progress (2008)
GINTHER, Gerald Christopher	Revisionism in the music history of Dmitry Shostakovich: The Shostakovich Wars.	MA	University of Canterbury	2008 nyic	162
GIOVINAZZO, Joseph	Timbral design of primary melody in the first movement of Bartok's concerto for orchestra and a folio of musical compositions	MA	LaTrobe University	1992	132
GIOVINAZZO, Joseph	Analytical models of timbral architecture in music: an application to the orchestral miniatures of Igor Stravinsky	PhD	LaTrobe University	2001	291
GIUFFRE, Elizabeth	Double crossed: an Australian study of the relationship between media and music during periods of industrial and cultural crisis	PhD	Macquarie University	2011	275
GLAMUZINA, Kaye L	Contemporary music and performance practice in Levuka	MMus	University of Auckland	1993	217 + cass
GLEESON, Jean Clare	Counting time: a content analysis of the covers of the popular sheet music published by Charles Begg & Co. Ltd.	MLIS	Victoria University of Wellington	2003	65
GLEESON, Jean Clare	Charles Begg and Company Limited : the story of music in New Zealand is the history of Begg's	MA	University of Otago	2009	200
GLYNN, G.	The atonal works of Arnold Schoenberg	MA	University of Sydney	withdrawn 1968
GONG, Hong-yu	Missionaries, reformers, and the beginnings of western music in late imperial China (1839-1911)	PhD	University of Auckland	2006	428
GONZALEZ, Roger Orio	¡Latin jazz! : a syncretic journey from Spain, Cuba, the United States and back	M.A.(Research)	Queensland University of Technology	2009	273 + 1 CD
GOODMAN, Dave	Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies	PhD	University of Sydney	2011	491
GOODWIN, Russell	Locating the links between John Cage and the early avant-gard 1909-1933	MA	Monash University	2002	107
GOODWIN, Wayne	Bruce Smeaton, Australian film music composer : his music and his method. Portfolio of compositions	MMus(Comp)	University of Sydney	2006	153 + 2 vid) + Cd +
GORDON, Christopher	Which way the wind blows? The influence of non-musical factors in the reception of the music of Dmitri Shostakovich in the West	MA	Monash University	1997	177
GORSKY-DAMACENO, Ana Maria Nascimento	A study of Lourdes Franca in the context of Brazilian music	MMus	University of New England	1999	246
GOULD, Alannah	The bassoon at the time of Carl Maria von Weber	MMus Studs	University of Queensland	2001	55
GOULD, Anthony James	Promotion, programming and criticism of music in Melbourne : the nineteen thirties and the nineteen seventies compared	MA	Monash University	1979	283
GOULD, Anthony James	The Melbourne Symphony Orchestra : factors influencing its character and identity	PhD	LaTrobe University	1989	374
GRABAU, Ashleigh	An informed performance of Nikola Resanovic's Collateral Damage (2000) through an understanding of Bosnian and Serbian folk music traditions	MMus	Monash University	2014
GRAEVE, Michael	Contemporary sound art and painting hybrid practice	MA	RMIT University	2003	45 + 6CDs
GRAHAM, Evelyn	Performer-audience communication : investigating nonverbal expression of emotion in the performances of singers	PhD	James Cook University	2002	372
GRAHAM, Jillian	Composer, wife and mother : Margaret Sutherland as conflicted subject	MMus	University of Melbourne	2001	77
GRANT, John Ward	Folio of compositions and critical commentary	Mphil (comp)	University of Queensland	2006	241
GRANT, Philip Malcom	A comparative analysis of the copyright protection provided to sound recordings and music videos (cinematograph films) under the Copyright Act 1968 (Commonwealth) in light of the development of music videos as independently marketable products	LLM	University of Melbourne	1988	125
GRANT, Roxanne	"White bread milk toast", performance art in the urban environment : a view of communicating ideas as public based performance art	MCA	James Cook University	1998	152
GRANTHAM, Edward McNeal	Hill organs in Australia, 1850-1910 : a critical survey and chronicle of developments in organs sent to Australia by William Hill and Sons, London	MMus	University of NSW	1988	157
GRAVES, Randin Christopher	Cultural foundation of the Yidaki in Northeast Arnhem Land	MA	Charles Darwin University	2006	130
GREEN, Andrew	Edgard Varese: Ionisation. Some analytical viewpoints	MA	Monash University	1991	71
GREEN, Harry	The lovable talented little boy: a study of the personality of Benjamin Britten	GDip Mus	Griffith University	1986	22
GREEN, Phoebe	The influence of nature on two works for the viola by Toru Takemitsu and Ross Edwards	MPhil	University of Queensland	2010	57
GREEN, Rachael Renee	An ethnographic study of recreational drug use and identity management among a network of electronic dance music enthusiasts in Perth, Western Australia	PhD	Curtin University of Technology	2012	284
GREEN-ARMYTAGE, Emily	The recent music of Roger Smalley : modernist or postmodernist?	MusM	University of Western Aust.	2004	103
GREENBAUM, Stuart	Composition folio; Pat Metheny's The First circle: transcription and commentary	MMus	University of Melbourne	1991-2	2 vol + 2 cass
GREENBAUM, Stuart	Folio of compositions, 1995-1998 ‪[‬music‪]‬ ; Arvo Pärt's Te Deum, a compositional watershed	PhD	University of Melbourne	1999	2 vol
GREENWOOD, Andrew Alexander	Modernist musical performance as hermeneutics : three historical case studies from Bartok, Webern and Adorno's philosophy of music	M.Phil	University of Sydney	2004	125
GREET, Martin T.	Folio of compositions	PhD	University of Melbourne	2003	8 scores
GREET, Martin T.	Tonal ambiguity in the late works of Britten	MMus	University of Melbourne	1994	98
GREGORY, Catherine	George Crumb's Vox Balaenae (Voice of the whale) : performance practice perspectives and the roles of imagery, symbolism and imagination	MMus	Griffith University	2009	148 + DVD
GREGORY, Mark	Sixty years of Australian Union Songs: the Australian folk revival and the Australian Labour Movement since the Second World War	MA	Macquarie University	2007	172 + 1 CD + 1 bookl
GREGORY, Mark	Australian working songs and poems - a rebel heritage	PhD	University of Wollongong	2014
GREIG, Robbie	A consciousness perspective on musical development : towards an integrative developmental theory of music based on the conceptual framework of Ken Wilber	M.Ed	LaTrobe University	1993	108
GRENFELL, Julia Michele	The influences of traditional Asian music on an Australian composer: A study of three works for flute and piano by Anne Boyd	DMA	Overseas	2003	146
GRIFFIN, Rachel Ann	Registered music teachers in New Zealand : a survey of current trends in the teaching of musical performance, and a review of related literature	MMus	Victoria University of Wellington	1984	351
GRIFFITHS, Pauline	Chamber Music Audiences: Access, Participation and Pleasure at Melbourne concerts	PhD	University of Melbourne	2003	235
GRIFFITHS, Richard D	Punkturing the scab : a sociological investigation of anarcho-punk subculture	MA	University of Auckland	2000	114
GRIGGS, Kristy Maree	The relationship between music and esoteric spirituality in contemporary composition	M.Mus.	University of Auckland	2008	80
GROENEWEGEN, David	The real thing? The rock music industry and the creation of Australian images 1958-1987	MA	University of Melbourne	1993	142
GRYLLS, Karen Lesley	The convention and the ideal a study of Benjamin Britten’s three church parables	MMus	University of Auckland	1979	116
GUNN, Malcolm	Enter 'Exhalted Guest:' the role of the music in an Indonesian feature film of 1955	MA	Monash University	1997	111
GUNTER, Philip	Ornamentation in performance styles on the contemporary Arabic 'ud	MA	Monash University	1996	156
GUSTAVSON, Corliss	Pianists of Australia	MMus	University of Queensland	1977	328
HABERFIELD, David	Explorations in contemporary electronic dance music, style and sound	MA	RMIT University	1996	var
HAIR, Graham	The serial system in the compositional techniques of Pierre Boulez and Arnold Schoenberg : different conceptions and functions	MMus	University of Melbourne	1967	44
HALBERT, Colin	Music, language and style in Perth fanzines	MA	University of Western Aust.	1996	136
HALES, Aaron	The state on stage : a socio-political critique of Singaporean musical theatre	PhD	University of Western Aust.	2009	276
HALL, Allan Warren	Themes of loss in the cello music of Peter Sculthorpe	MMus	Australian National University	1995	63
HALL, Graham F.	La folia: Manuel Ponce and his Variations	MusM	University of Western Aust.	1998	92
HALL, Margaret	Today's Song for Tomorrow's Church: The Role Played by Contemporary Popular Music in Attracting Young People to Church	PhD	Griffith University	2007	364
HALL, Stephen Marshall	Design issues in low-cost interactive multimedia show systems	MA	RMIT University	1998	vid
HALL, Thomas	The music of Graham Hair : an introduction and two studies and a folio of composition	MA	LaTrobe University	1996	121
HALLO, Rosemary Margaret	Erard, Bochsa and their impact on harp music-making in Australia (1830-1866): an early history from documents.	PhD	University of Adelaide	2014	236
HAMEED, Shamun	A study on the use of vocal samples and vocal transformation techniques in the music of Paul Lansky and Trevor Wishart + Portfolio of original compositions	MMus (Comp)	University of Sydney	2005	79 + folio + 2CDs
HAMILTON, Elizabeth Jane	An informed approach to performance practice issues in Lipstick (1998) - by Jacob ter Veldhuis	Unknown	Monash University	2016
HAMIORA, Angeline Maurice	Aku waiata mo ngā tamariki, mokopuna: 1980 - 1990	M.Ed	University of Auckland	2003	172
HAMNES, David	The role of the Melbourne International Festival of Organ and Harpsichord on fostering Australian organ composition, 1971-1993	MMus	Australian Catholic University	2001	253
HAMPEL, Kate	Hear no evil [videorecording] : obsession and fantasy on the underside of suburbia	MA	RMIT University	1998	55 + video
HANDEL, Amanda	Music of balance: circles and squares [Portfolio of compositions]	MA (Hons)	University of Western Sydney	2004	110 + CD + DVD

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20th Century