| ABBOTT, Katrina | Folio of compositions | MMus | University of Melbourne | 2001 | 1 vol + cd |
| ABECASIS REQUENA, Silvana Beatriz | A study of the Argentine composer's style through analysis of selected instrumental pieces with piano. [Guastavino Carlos] | MMus | University of Newcastle | 2005 | 102 |
| ACKER, Yolanda | The Castilian composer Antonio José Martínez Palacios (1902-1936) : a biographical study with a catalogue of works | MMus | University of Melbourne | 1995 | 470 |
| ADDISON-SMITH, Dorothy Jane | Collections of Australian music recordings in Melbourne public libraries | MA | Monash University | 1993 | 85 |
| AGNEW, Melissa | Consciousness of voice in the Australian theatre from the new wave to the new millennium | PhD | University of Sydney | 2002 | 378 |
| AGOSTINELLI, Josephine | Tradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used | MA (perf) | Monash University | 2005 | 67 |
| AIRY, Samuel P. G. | Music teachers' beliefs and their use of MIDI Technology | M.Ed | University of Auckland | 1999 | 247 |
| AITKEN, Thomas Craig | Richard Meale: a stylistic survey | MMus | University of Queensland | 1975 | 115 |
| ALDRED, Helen Mary | Ifi palasa: brass bands in Tonga | MMus | Victoria University of Wellington | 1997 | 330 |
| ALEXANDER, Craig and Bob DERRY | An analysis of the wholesaling operations of Allans Music Australia Limited | MBA | University of Melbourne | 1975 | 45 |
| ALLAN, David Anthony | A dual study of English lute repertoire of the renaissance period and English guitar repertoire of the twentieth century | MMus | University of Adelaide | 1980 | 205 |
| ALLAN, John McDonald | Die tote Stadt: An Opera by Erich Wolfgang Korngold (1897-1957) | MA | Monash University | 2000 | 348 |
| ALLEN, Clint | Crossover trends: The nexus between the Third Stream Movement and contemporary music | MMus | Griffith University | In progress (2008) | |
| ALSOP, Peter R. | Using aspects of language in computer based composition: three approaches to current Australian texts | MA | LaTrobe University | 1999 | 201 + 3 audio CDs |
| AMIR, Iwan Dzulvan | Sing, Adapt, Persevere: Dynamics of Traditional Vocal Performances in the Islamic Region of Aceh from the Late 19th to the Early 21st Century | PhD | Monash University | NiC2005 | NiC |
| AN, Yu Lee | Publishers of New Zealand Music: a historical survey from 1840-2002 | MA Mus | University of Otago | 2003 | 364 |
| ANCELL, Noel | Christopher Wilcock: Australian liturgical composer | MA | Monash University | 1992 | 64 |
| ANDERSON, Lauren | The glue of the world : popular music in film soundtracks | MA | Massey University | 1999 | 160 |
| ANDERSON, Peter James | The innovative music of Percy Grainger : an examination of the origins and development of free music | MMus | University of Melbourne | 1979 | 114 + cass |
| ANNABELL, Angela Ruth | New Zealand’s cultural and economic development reflected in song : aspects of the New Zealand folk song ethos. | PhD | University of Auckland | 1976 | 473+ cass |
| ARMSTRONG, Newton | Folio of compositions [plus analysis of Brian Ferneyhough's Fourth string quartet] | M.Mus | University of Melbourne | 1996 | 49 + 7 scores |
| ARMSTRONG-GRANT, Patricia | Dame Joan Hammond - A Diva of Circumstance | MA | Monash University | In Progress (2007) | |
| ARTHUR, Bronwen M. | The wireless and the talkies: new technologies and their impact on the Australian popular music industry | PhD | University of Queensland | in progress (NiC08/07) | |
| ATHAN, Melissa | Control I'm here. | MA | Monash University | 1994 | 316 |
| AUBREY, David Graham | The influence of music in redefining nationalism in Wales in the nineteenth and early twentieth centuries | MA | University of Sydney | 1995 | 212 |
| AUGUSTYNIAK, Sylvana Falcomata | Music, Media and the Arts | DPhil Ed. | University of NSW | in progress (2006) | |
| AYRES, Helen | George Enescu : the complete musician : a study of violin virtuosity in Enescu's third sonata for piano and violin | DMusArts | University of Melbourne | 2006 | 74 |
| BAAS, Warren Peter | Structure and functional harmony in the first and fifth symphonies of Gustav Mahler | MMus | University of Auckland | 1992 | 214 |
| BACKSTROM, Lynne | An investigation into the relationship between the experiences, philosophy and cello compositions of composer/performer Sarah Hopkins | MMus | University of Queensland | 1994 | 62 |
| BAJZEK, Dieter | Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance | MA | LaTrobe University | 1986 | 222 |
| BAKER, Amanda | Composing with computers: aesthetics, methods and music | MMus | University of Melbourne | 1988 | 143 |
| BALLARA, Carlo | Dictionary of New Zealand violin makers | PhD | Victoria University of Wellington | in progress (NiC08/07) | |
| BALOUGH, Teresa | The essential Grainger: Percy Grainger's Kipling settings, 1898-1947 | PhD | University of Western Aust. | 1985 | 524 + 1 vocal score + 1 CD |
| BANDT, Rosalie | Chance operations and indeterminate procedures in the work of John Cage, 1950-1970 | MA | Monash University | 1974 | 129 |
| BANDT, Rosalie | Models and processes in repetitive music, 1960-1983 | PhD | Monash University | 1983 | 433 |
| BANNISTER, Matthew | White man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa | PhD | University of Auckland | 2002 | 339 + 2 CDs |
| BANNISTER, Roland Stuart | An ethnomusicological study of music makers in an Australian military band | PhD | Deakin University | 1995 | 370 |
| BARKER, Bram Wesley | The Jebediah Jones Mystical Montrose Tour, 1999 | MM | Overseas | 1999 | 22 |
| BARKER, J.W. | Max Reger and the orchestra | PhD | University of Adelaide | withdrawn 1967 | |
| BARKL, Michael | Franco Donatoni's Etwas Ruhiger in Ausdruck; and folio of compositions | MMus (Hons) | University of New England | 1985 | 2 vol |
| BARKL, Michael Laurence Gordon | Vertigo: Riccardo Formosa's composition technique | PhD | Deakin University | 1994 | 301 |
| BARLOW, Dale | A portfolio of transcriptions and analyses towards Masters of Music | MMus (Jazz) | University of Canberra | 1997 | 2 vol |
| BARNARD, Geoffrey David | Indeterminate composition and ideological determination | MA | University of Technology Sydney | 2003 | 106 |
| BARNES, Gwyneth G | A history of the Newcastle Conservatorium, 1952-1989 | M.Ed | University of Newcastle | 1994 | 142 |
| BARNES, Julie | Whitsunday: a bicentennial opera | MA | Monash University | 1991 | 121 |
| BARTHOLOMEW, Peter G. | Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works | LL.M | Queensland University of Technology | 1998 | 1 vol |
| BARTLEET, Brydie-Leigh | Gendering the podium: the journeys of professional woman conductors | PhD | University of Queensland | 2004 | 328 |
| BARTLETT, Irene | Classical technique meets contemporary style : beliefs and practices of voice teachers in contemporary studios | MMus | Griffith University | 1998 | 104 |
| BARTON, Georgina | The influence of culture in instrumental music teaching : a particpant-observation case study of Karnatic and Queensland instrumental music teachers in context | PhD | Queensland University of Technology | 2003 | 257 |
| BARTUP, Marie Patricia | An annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand | MLIS | Victoria University of Wellington | 2002 | 86 |
| BARWICK, Linda | Critical perspectives on oral song in performance : the case of Donna Lombarda | PhD | Flinders University | 1986 | 2 vol + 2 cass |
| BASILE, Christopher | An ethnomusicological study of the Macedonian Women's Choir of Melbourne | MA | Monash University | 1991 | 124 |
| BATES, Nathanael James | Pop still eats itself: appropriation, quotation and assimilation in popular music (rock) | MA | RMIT University | 2004 | 12 +2CDs |
| BATHURST, Ralph James | The music of organisations : an aesthetic ethnography | PhD | Victoria University of Wellington | 2006 | 427 |
| BAULCH, Emma | Making scenes: reggae, punk and death metal in 1990s Bali | PhD | Monash University | 2003 | 346 |
| BEAR, Leanne | Sets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie Anderson | GradDipMus | Australian National University | in progress (NiC08/07) | |
| BEARE, Michael | British clarinet playing from 1940 | MMus | University of Adelaide | 1987 | 130 |
| BEAVERSTOCK, John G. | The employment of the organ in three great oratorios of Edward Elgar | MusM | University of Western Aust. | 1995 | 103 |
| BEBAN, Daniel | Going for a song: the New Zealand chant of auctions, housie and racing | MA | Victoria University of Wellington | 2001 | 129 + 2 CD |
| BEBBINGTON, Warren Arthur | The operas of G.W.L. Marshall Hall | MMus | University of Melbourne | 1978 | 295 |
| BEHRENS, Lisa | Aspects of postmodernity in Australian piano miniatures: an analysis with regard to new tonality | MMus | Griffith University | 1996 | 306 |
| BEILHARZ, Kristy | Portfolio of musical compositions | PhD | University of Sydney | 1996 | 287+cass |
| BEILHARZ, Kristy | Contemporary violin techniques | MMus | University of Sydney | 1994 | 105 |
| BELLEGHEM, Matthew | The entertainment media advocacy coalition | MA | University of Melbourne | 2004 | 194 |
| BELSHAM-REVELL, Geoffrey | A biography of Dom Stephen Moreno, O.S.B., with a complete catalogue of his works | MA | University of Western Aust. | 1990 | 145 |
| BELTMAN, Susan | Motivation of high-achieving athletes and musicians: A person-context perspective. | PhD | Australian Catholic University | 2005 | 423 |
| BENDRUPS, Faye | Service station : straying the Australian landscape : a modern Aussie ballad opera | PhD | Victoria University (Vic. Australia) | 1996 | 196 |
| BENDRUPS, Faye | Tango sobre Argentina : una colisión exótica de nostalgia, política y negación | PhD | LaTrobe University | 2002 | 393 |
| BENIUK, David | Contemporary aboriginal songs and songwriters : post-colonialism, categorisation and orality | MA (Hons) | University of Wollongong | 1995 | 98 |
| BENNETT, Jane L. | An examination of five serial compositions by Don Banks | MMus | University of Queensland | 1998 | 155 |
| BERETIN, Nena | A comparative study of solo classical guitar works by Elliott Carter and Luciano Berio | MMus (Musicology) | University of Sydney | 2005 | 208 |
| BETTS, Eleanor Ruth Helyar | Music in Exile: A Study of the Effects of the Exile Experience on 20th Century Eastern European Composers | MMus (Perf) | University of Sydney | in progress (2006) | |
| BEVAN, Andrew | From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist | MMus | University of Adelaide | 2006 | 44+3cds |
| BHANA, Usha | Tales "like softest music to attending ears": a study of narrative procedure across musical genres in works by Gounod, Prokofief, Berlioz and Tchaikovsky | MMus | Victoria University of Wellington | 2002 | 150 |
| BIGNELL, B. | Musical utterance as a way of knowing : a contemporary epistemology of music | PhD | University of Western Sydney | 2000 | 499 |
| BINNEY, Mary Helen | Harrison Birtwistle’s Nine settings of Celan : an analysis | MMus | University of Auckland | 2006 | 175 |
| BINNS, Georgina M | Patriotic and nationalistic song in Australia in 1919: a study of the popular sheet music genre | MMus | University of Melbourne | 1988 | 2 vol |
| BIRDWELL, John Cody | The utilization of folk song elements in selected works by Ralph Vaughan Williams and Percy Grainger with subsequent treatment exemplified in the wind band music of David Stanhope | DMA | Overseas | 1996 | 104 |
| BLACK, Taiarahia | Kāore te aroha-- : te hua o te wānanga | PhD | Massey University | 2000 | 484 + 3 CDs |
| BLACKBURN, Alana | "A third sound" : blending east and west in contemporary Japanese compositions for the recorder | MMus (Perf) | University of Sydney | 2006 | 61 |
| BLACKWOOD, Peter | Bring David here': reclaiming the song of the Psalms for the Uniting Church in Australia | D.Min | Australian Catholic University | 2002 | 305 |
| BLACKWOOD, Peter | Our praise, intent upon one truth : diversity in congregational song as a source of conflict and blessing in the worship of Victorian churches of the Uniting Church in Australia | M.Min | Australian Catholic University | 1997 | 165 |
| BLINKHORN, Daniel | Extra-musical consequence : reconsidering antecedent/consequent motivations | MA | University of Wollongong | 2005 | 68 + 1 CD |
| BLOM, Diana | Invocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for television | MM | University of Sydney | 1972 | 100 |
| BLOM, Diana | An analysis of Music for Japan by Peter Sculthorpe | MMus | University of Sydney | 1978 | 119 |
| BLYTH, Andrew | Pitch structure and process in the music of Edgard Varese : a study of four compositions | MA | LaTrobe University | 1985 | 73 |
| BOCHNER, Nicholas I. | Interpretation through improvisation | MMus | University of Queensland | in progress (NiC08/07) | |
| BOLAND, Marguerite Maree | The all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositions | MA | LaTrobe University | 1999 | 143 |
| BOLTON, Alan Graham | The design of an electronic music synthesizer | MAppSC | University of Adelaide | 1977 | 1 vol |
| BONACCORSO, Sebastian | Andrew Schultz's Black River: an analysis | MMus (Hons) | University of Wollongong | in progress (NiC08/07) | |
| BONDS, Marion Carol | The symphonies of Sibelius: a re-examination of their technical and formal development-through progressive excision: compresson and integration | MA | University of Western Aust. | 1970 | 237 |
| BONIGHTON, Ian | Concerto da camera ; Sequenza ; Herod : an instrumental theatre mosaic | DMus | University of Melbourne | 1971 | 2 scores |
| BONIGHTON, Rosalie | Contemporary liturgical music and the composer | MA | LaTrobe University | 1992 | 188 |
| BORER, Phillippe | Aspects of European influences on violin playing and teaching in Australia | MMus | University of Tasmania | 1988 | 205 |
| BORLAGDAN, Joseph Ireneo | Enabling agency and cultural production: the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
| BORNMAN, Richard M. | An analysis of the jazz guitar style of Lenny Breau : late 1960s | MMus (Perf) | University of Sydney | 2004 | 1 vol |
| BORTHWICK, Jeremy | Hal Crook : an analysis of his improvisational style from the period 1994-1996, by the examination of core material common to three representative recordings and their related transcriptions | MMus | University of Sydney | 2000 | 88 |
| BOSTOCK, John | A compositional language in transition : six compositions | PhD | University of Sydney | 2003 | 2 vol + 3CD |
| BOTH, Lindsay | Strange attractions? : rock music, minimalism and modernism in the chamber music of Michael Smetanin | MMus | University of NSW | 1996 | 115 |
| BOUGHEN, P. Mark | The work of the Hymnbook Committee in the production of the music setting of the "Gloria in excelsis" from the 1996 common order service of the Lutheran Church of Australia: 1950-1968. | MMus | University of Queensland | 1995 | 89 |
