| The Armed Man: A Mass for Peace | | | | |
| Missa patrinae rerum Domini | | | | |
| Folk Song Mass - Missa Carminum | | | | |
| An Australian folk mass for congregational use | | | | |
| Festival Mass : for choir and congregation, with trumpets, trombone & timpani ad libitum | | | | |
| Missa Greca [Leitourgia tou agiou ioannou tou chrysostomou ] (Liturgy of St. John Chrysostom) | | | | |
| Liturgy No. 2 | | | | |
| Missa Greca | | | | |
| A Mass of Dissent | | | | |
| Glagolitic Mass | | | | |
| Mass op. 127 | | | | |
| African Sanctus | | | | |
| Misa Tango | | | | |
| Missa Hilarious | | | | |
| Missa cum jubilo | | | | |
| Missa Super L'homme armé: Parody mass for speaker of singers and instrumental ensemble | | | | |
| A Mass of Life | | | | |
| Missa Luba | | | | |
| Missa Criolla | | | | |
| American Mass | | | | |
| Misa Flamenca | | | | |
| Mass | | | | |
| Mass of Five Melodies | | | | |
| A 20th Century Folk Mass | | | | |
| Missa Aedis Christi | | | | |
| Missa Sabrinensis | | | | |
| An English Mass | | | | |
| Missa Eliensis | | | | |
| Cabra Mass | | | | |
| Deutsche Messe | | | | |
| Mass for tenors and basses : 2 part a capella | | | | |
| A Mass of Saints and Sinners | | | | |
| Missa pro mundo conturbato [Mass for a troubled world] | | | | |
| Mass for the 21st Century | | | | |
| Missa Futura | | | | |
| Missa brevis pacem | | | | |
| Indeterminate Activity of Resultant Masses | | | | |
| Messe grégorienne de mariage | | | | |
| Mass, for five voices | | | | |
| Mass to St Anthony | | | | |
| Mass for St Cecilia's Day | | | | |
| Missa in honorem Sancti Josephi opus 21 | | | | |
| Missa Brevis | | | | |
| Missa Brevis in D for boys voices and organ Op 63 | | | | |
| Missa Brevis for double chorus and organ | | | | |
| Missa Brevis for mixed chorus, organ ad lib and orchestra | | | | |
| Mass for mixed voices, a capella Op 84 | | | | |
| Messe de concert, chorus, org, 1973 | | | | |
| Kleine Deutsche Messe | | | | |
| Mass "et in terra pax" op 166 | | | | |
| Missa Oecumenica Op 142 | | | | |
| Missa Meleng | | | | |
| St Nicholas Mass / Missa Sancti Nicolai | | | | |
| Mass in the honour of the blessed virgin Mary | | | | |
| Msza Nä Chór Mieszany op 68 | | | | |
| Mass for unison choir and organ | | | | |
| Mecca [Russian] Mass for soloists, choir and chamber orchestra | | | | |
| Mass for the Contemporary English Liturgy : Congregation, SATB Chorus (Optional), and Organ | | | | |
| Missa Syllabica | | | | |
| A Mass for these forgotten times | | | | |
| ABBOTT, Katrina | Folio of compositions | MMus | University of Melbourne | 2001 | 1 vol + cd |
| ABDOLLAH POUR, Shima Gelareh | The lives of Iranian women singers in diaspora | MRes | University of Melbourne | 2014 | |
| ABECASIS REQUENA, Silvana Beatriz | A study of the Argentine composer's style through analysis of selected instrumental pieces with piano. [Guastavino Carlos] | MMus | University of Newcastle | 2005 | 102 |
| ABRAMOVA, Elena | The compositional environment of the violin sonatas of Shostakovich and Prokofiev : a contextual study of the Shostakovich Violin Sonata and the Prokofiev Violin Sonata in F Minor | DMA | University of Auckland | 2009 | 222 |
| ACKER, Yolanda | The Castilian composer Antonio José Martínez Palacios (1902-1936) : a biographical study with a catalogue of works | MMus | University of Melbourne | 1995 | 470 |
| ACKER, Yolanda | Music in Madrid during the Spanish Civil War (1936-1939) | PhD | Australian National University | 2020 | |
| ADAMEK, Catherine | Adelaide dance music culture : late 1980s to early 1990s | PHD | University of South Australia | 2016 | 336 |
| ADDISON-SMITH, Dorothy Jane | Collections of Australian music recordings in Melbourne public libraries | MA | Monash University | 1993 | 85 |
| ADSETT, Rosemary | The motivations, experiences and expectations of visitors attending the Tamworth country music festival | PhD | University of Queensland | 2012 | 263 |
| AGGETT, Cathy | Australian art song: Pedagogical strategies for singers and singing teachers (working title) | PhD | University of Western Sydney | In Progress (2005) | |
| AGNEW, Melissa | Consciousness of voice in the Australian theatre from the new wave to the new millennium | PhD | University of Sydney | 2002 | 378 |
| AGOSTINELLI, Josephine | Tradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used | MA (perf) | Monash University | 2005 | 67 |
| AIRY, Samuel P. G. | Music teachers' beliefs and their use of MIDI Technology | M.Ed | University of Auckland | 1999 | 247 |
| AITKEN, Thomas Craig | Richard Meale: a stylistic survey | MMus | University of Queensland | 1975 | 115 |
| ALDRED, Helen Mary | Ifi palasa: brass bands in Tonga | MMus | Victoria University of Wellington | 1997 | 330 |
| ALEXANDER, Craig and Bob DERRY | An analysis of the wholesaling operations of Allans Music Australia Limited | MBA | University of Melbourne | 1975 | 45 |
| ALLAN, David Anthony | A dual study of English lute repertoire of the renaissance period and English guitar repertoire of the twentieth century | MMus | University of Adelaide | 1980 | 205 |
| ALLAN, John McDonald | Die tote Stadt: An Opera by Erich Wolfgang Korngold (1897-1957) | MA | Monash University | 2000 | 348 |
| ALLEN, Susan | René Maran's "Batouala", jazz-text | PhD | University of Newcastle | 2012 | |
| ALOMES, CA | The Reception of the music of Gustav Holst in Australia 1900 - 1950 | PhD? | University of Tasmania | 2015 | |
| ALSOP, Peter R. | Using aspects of language in computer based composition: three approaches to current Australian texts | MA | LaTrobe University | 1999 | 201 + 3 audio CDs |
| ALTON-LEE, Amity Rose | The improvisation of Tubby Hayes in 'The New York sessions' | MMus | NZ School of Music (Victoria + Massey) | 2010 | 80; 42 |
| AMIR, Iwan Dzulvan | Sing, Adapt, Persevere: Dynamics of Traditional Vocal Performances in the Islamic Region of Aceh from the Late 19th to the Early 21st Century | PhD | Monash University | NiC2005 | NiC |
| AN, Yu Lee | Publishers of New Zealand Music: a historical survey from 1840-2002 | MA Mus | University of Otago | 2003 | 364 |
| ANCELL, Noel | Christopher Wilcock: Australian liturgical composer | MA | Monash University | 1992 | 64 |
| ANDERSON, Lauren | The glue of the world : popular music in film soundtracks | MA | Massey University | 1999 | 160 |
| ANDERSON, Peter James | The innovative music of Percy Grainger : an examination of the origins and development of free music | MMus | University of Melbourne | 1979 | 114 + cass |
| ANDREEVA, Natalia Vladimirovna | Analysis and interpretation of the piano sonatas of Galina Ustvolskaya in three volumes | PhD | University of Sydney | 2012 | 168p +2CD |
| ANNABELL, Angela Ruth | New Zealand’s cultural and economic development reflected in song : aspects of the New Zealand folk song ethos. | PhD | University of Auckland | 1976 | 473+ cass |
| Anon | The wireless and the talkies: new technologies and their impact on the Australian popular music industry | PhD | University of Queensland | in progress (NiC08/07) | |
| Anon | Music, Media and the Arts | DPhil Ed. | University of NSW | in progress (2006) | |
| Anon | Dictionary of New Zealand violin makers | PhD | Victoria University of Wellington | in progress (NiC08/07) | |
| Anon | Sets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie Anderson | GradDipMus | Australian National University | in progress (NiC08/07) | |
| Anon | Interpretation through improvisation | MMus | University of Queensland | in progress (NiC08/07) | |
| Anon | Andrew Schultz's Black River: an analysis | MMus (Hons) | University of Wollongong | in progress (NiC08/07) | |
| Anon | Identifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice. | PhD | University of Sydney | in progress (2006) | |
| Anon | Pianists Perspectives of the Stuart and Sons Piano | MMus | Griffith University | in progress (2005) | |
| Anon | Relationship between the words and the music in the songs of Ivor Gurney | PhD | Griffith University | in progress (NiC08/07) | |
| Anon | Musicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world music | MMus (Hons) | University of New England | in progress (NiC08/07) | |
| Anon | Vocal writing in Stravinsky's Neo-classic music and especially The Rake's Progress | MCA | University of Wollongong | in progress (NiC08/07) | |
