| Glagolitic Mass | | | | |
| Mass op. 127 | | | | |
| A Mass of Life | | | | |
| Messe de l'Orphéon | | | | |
| Arrangement of Schubert Mass No. 6 in E flat | | | | |
| Missa Canonica WoOposth. 18 | | | | |
| Messe in D Opus 86 | | | | |
| Messe in B flat maj. : after the "Messe pour orgue" by Franz Liszt | | | | |
| Mass in D | | | | |
| Messe A maj Op 12 | | | | |
PEARSON, E. | History of music in Otago | MA | University of Otago | 1941 NiC | unknown |
CHYNOWETH, Neville James | The influence of the Oxford movement on the music of the church [Communion in F]. | MA | University of Sydney | 1957 | 2 vol |
REID, Dorothy Margaret | The Beethoven quartets | MA | University of Canterbury | 1957 | 56 |
HOSKING, John S | Samuel Sebastian Wesley, reformer in church music | MA | University of Auckland | 1959 | 172 |
HOLIBAR, Bernard | Berlioz as music critic | MA | University of Auckland | 1960 | 190 |
CARTER, John Edward | Schumann the critic | MA | University of Canterbury | 1961 | 108 |
WATERS, Edgar Pemberton | Some aspects of the popular arts in Australia, 1880-1915 | PhD | Australian National University | 1962 | 1 vol |
DRAKE, George Warren James | Dramatic irony in Wagner | MA | University of Auckland | 1962 | 95 |
CHAPPELL, William Fielder | The late nineteenth century renaissance of music in England (with special reference to the work of Parry and Stanford) | MA | University of Melbourne | 1963 | 317 |
HARDIE, Jane | French song in the nineteenth century: aspects of the relationship of music and poetry | MMus | University of Melbourne | 1963 | 209 |
WENTZEL, Ann Kirsten | The first hundred years of music in Australia, 1788-1888 | MA | University of Sydney | 1963 | 276 |
HYATT, John Bamford | Otello and Othello | MA | University of Canberra | 1965 | 116 |
THACKER, Eric Charles | Catalogue Raisonné of the material relevant to Percy Grainger as an artist and as a man, contained in the Percy Grainger Museum, University of Melbourne | MA | University of Melbourne | 1965 NiL | unknown |
DREYFUS [LUCAS], Kay | Hector Berlioz and the dramatic symphony | DMus | University of Melbourne | 1966 | 258 |
TALBOT, John | The music of Gustav Mahler and Richard Strauss | MA | University of Melbourne | 1966 | 209 |
RADIC, Therese | Aspects of organised amateur music in Melbourne, 1836-1890 | MMus | University of Melbourne | 1968 | 749 |
ANNABELL, Angela Ruth | Music in Auckland 1840-1855 : with reference to aspects of music in the Bay of Islands area both before and after 1840. | MA | University of Auckland | 1968 | 239 |
CARR-BOYD, Ann | Music in Australia, 1788-1888 : Anne Wentzel | MA | University of Sydney | 1969 | 159 |
DUGDALE, John Harold | The place of music in the national and public schools of New South Wales, 1848-1880 | M.Ed | University of Sydney | 1969 | 135 |
BOURNE, Warren George | A kindling fever a study of some religious, socio-ethical and literary themes in music, between 1890 and 1920; with special reference to Debussy, Stravinsky and Schoenberg | PhD | University of Auckland | 1969 | 648 |
NAYLOR, Bruce Allan | Gazetteer of organs in South Australia & Organ Building in South Australia | MMus | University of Adelaide | 1969 + 1973 | 320 |
O'BRIEN, Sally | The symphonic thought of Gustav Mahler: a further perspective | MA | University of Western Aust. | 1970 | 166 |
DART, William | The lieder of Franz Liszt | MMus | University of Auckland | 1970 | 296 |
THACKER, Eric Charles | George Percy Grainger (1882-1961), professionally known as Percy Aldridge Grainger: a biographical estimate | PhD | University of Melbourne | 1970 | 2 vol |
DREYFUS, Kay | Beethoven's last five piano sonatas : a study in analytical method | DMus | University of Melbourne | 1971 | 385 |
TOBIN, Ashleigh | The organ in the Netherlands from the fifteenth century to the early nineteenth century | MMus | University of Adelaide | 1971 | 85 |
BLOM, Diana | Invocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for television | MM | University of Sydney | 1972 | 100 |
BONSEY, Joan | German Romanticism and its impact on Schubert, Schumann and Brahms : a study of the relationships between historical, ideological and musical developments in nineteenth century Germany with specific reference to Lieder and chamber works of Schubert, Schumann and Brahms | MMus | University of Melbourne | 1972 | 147 |
HOWARD, Leslie | Ferenc Liszt as precursor of Wagner, Debussy, Schoenberg and Bartok | MA | Monash University | 1972 | 2 vol |
McRAE, Barbara Leclerc. | The modern school of French organ music : a study of organ music in France since the time of Franck | MMus | University of Melbourne | 1972 | 301 |
CAMPBELL, Glenn D. | The use of the piano as an accompanying instrument in the songs of Debussy, Ravel and Poulenc | MMus | University of Melbourne | 1974 | 126 |
ENYI, Romola Helen Louise | The interaction of styles in pianoforte and orchestral writing between 1810 and 1910 | MMus | University of Sydney | 1975 | 90 |
DART, William | Hubert Parry and Cyril Scott two post-Victorian songwriters. With an introductory essay on the musical problems of Great Britain in the nineteenth century | PhD | University of Auckland | 1975 | 456 |
AYRES, Christopher Vivian | An examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896 | MA (Hons) | Macquarie University | 1977 | 212 |
GUSTAVSON, Corliss | Pianists of Australia | MMus | University of Queensland | 1977 | 328 |
RADIC, Therese | Some historical aspects of musical associations in Melbourne, 1888-1915 | PhD | University of Melbourne | 1977 | 354 |
BEBBINGTON, Warren Arthur | The operas of G.W.L. Marshall Hall | MMus | University of Melbourne | 1978 | 295 |
BOLLARD, David | The Weinen, Klagen Variations of Franz Liszt: a technical and stylistic study | MusM | University of Western Aust. | 1978 | 76 |
PAVLYSHYN, Marko | Music in E.T.A. Hoffmann's Kater Murr | MA | Monash University | 1978 | NS |
STEVENS, Robin S | Music in state-supported education in New South Wales and Victoria, 1848-1920 | PhD | University of Melbourne | 1978 | 505 |
ANDERSON, Peter James | The innovative music of Percy Grainger : an examination of the origins and development of free music | MMus | University of Melbourne | 1979 | 114 + cass |
De MUNCK, Cornelius | Instruction in vocal music in English Elementary Schools from 1839-1875, with special reference to John Hullah and John Curwen | M.Ed | University of Western Aust. | 1979 | 77 |
HORT, Harold | The development of music in Australia 1788-1850 | MA (Hons) | Macquarie University | 1979 | 392 + 2 cassettes |
WOOD, Elizabeth | Australian opera, 1842-1970 : a history of Australian opera with descriptive catalogues | PhD | University of Adelaide | 1979 | 3 vol |
ROENNFELDT, Peter | A history of the first hundred years of Lutheran church music in South Australia | MMus | University of Adelaide | 1981 | 165 |
WRIGHT, Elizabeth Anne | The piano solo compositions of Percy Aldridge Grainger : the first 25 years (1893-1918) | MA | University of Melbourne | 1981 | 268 |
McNEILL, Rhoderick John | A critical study of the life and works of E.J. Moeran | PhD | University of Melbourne | 1982 | 826 |
ROSS, David Ian | Singing and society: Melbourne 1836-1861 | MMus | University of Melbourne | 1982 | 336 |
YOUNG, Stuart Barton | Music in nineteenth-century Russian literature : aspects of the place of music and musicians in wroks by Pushkin, Turgenev, Dostoyevsky, Tolstoy and Chekhov | MA(Hons) | Victoria University of Wellington | 1982 | 242 |
HARVIE, Paul | The first sixty years of music at St. Paul's Cathedral, Melbourne, c. 1887-1947 | MMus | University of Melbourne | 1983 | 53 |
KESTER, Sally | An examinatinon of the themes of love, power and salvation in Richard Wagner's The Ring Of The Nibelung: the study of a failed individuation process | PhD | University of Western Aust. | 1983 | 374 |
POULSEN, Darryl | The art of hand-horn playing as seen through the instruction manuals of O. Vandenbroek and H. Domnich | MusM | University of Western Aust. | 1983 | 109 |
TRAHAIR, Christine Anne | The early church music of Edward Elgar | MA | University of Melbourne | 1983 | 2 vol |
CANDY, Phillipa | Motivic/thematic development in the piano works of Alexander Scriabin | MMus | University of Tasmania | 1984 | 165 |
HYLAND, Sonia | A comparative study of performance and interpretation of the late Beethoven string quartets | MMus | University of Tasmania | 1984 | 136 |
MURPHY, Kerry | The formation of the music criticism of Hector Berlioz (1823-1837) | PhD | University of Melbourne | 1984 | 430 |
BALOUGH, Teresa | The essential Grainger: Percy Grainger's Kipling settings, 1898-1947 | PhD | University of Western Aust. | 1985 | 524 + 1 vocal score |
GILLING, Graeme | An analytical study of Johannes Brahms's piano trio no. 2 in C major op. 87 | MusM | University of Western Aust. | 1985 | 69 + 2 CD |
SUNMAN, Peter R | Spohr, Hermstedt and the clarinet : an historical study and critical analysis of selected works | Mus.M | University of Western Aust. | 1985 | 78 |
JOHNS, Keith | A structural analysis of the relationship between programme, harmony and form in the symphonic poems of Franz Liszt | PhD | University of Wollongong | 1986 | 360 |
RICH, J.W. | His thumb unto his nose: the removal of G.W.L. Marshall-Hall from the Ormond Chair of Music | PhD | University of Melbourne | 1986 | 691 |
ROYLANCE, Philippa M. | A performing edition of Domenico Dragonetti's solo in G for double bass and piano and a thematic index of his miscellaneous compositions for double bass. | MMus | University of Queensland | 1986 | 2 vol |
ZOCCHI, Robert | Busoni and the piano | MMus | University of Tasmania | 1986 | 107 |
DAVIS, Bronwen P | The history of the music curriculum in the nineteenth century South Australian public education system, 1836-1910 | M.Ed | Flinders University | 1987 | 345 |
DAWSON, Jenny | Opera in colonial Brisbane: the first twenty-five years (1859-1884) | MMus | University of Queensland | 1987 | 221 |
ERICKSON, Frederick J | The bands and orchestras of colonial Brisbane | PhD | University of Queensland | 1987 | 540 |
FRANKLIN, James Ashley | Circles and arrows : an outline of a concept of musical metaanalysis and its implications | MMus | University of Sydney | 1987 | 142 |
McMILLAN, Clement | Philosophy, literature, and music in the making of Richard Wagner, man of the theatre, with an examination of Tristan and Isolde. | M.Litt | University of New England | 1987 | 129 |
MITCHELL, Andrew J | The tonal and technical development of the orchestral clarinet section in the symphonic medium from Beethoven to the twentieth century | MMus | University of Melbourne | 1987 | 46 |
STORER, Stuart | The piano music of Erik Satie and his influence on later composers | MMus | University of Adelaide | 1987 | 100 |
COUGHLAN, Mark | Charles-Valentin Alkan, twelve studies in all the major keys op. 35: an analysis | MusM | University of Western Aust. | 1988 | 102 + 2 tapes |
DANILLON, Regis | The solo piano works of Roger-Ducasse: an analysis of style | MMus | University of Queensland | 1988 | 81 |
GRANTHAM, Edward McNeal | Hill organs in Australia, 1850-1910 : a critical survey and chronicle of developments in organs sent to Australia by William Hill and Sons, London | MMus | University of NSW | 1988 | 157 |
HORVAT, Christopher Karl | Sonata forms in the keyboard music of Liszt | MMus | University of Melbourne | 1988 | 78 |
SEELIGSON, Rita | Variation technique in the third movement of Beethoven's Piano sonata, Op. 109 | MMus | University of Melbourne | 1988 | 49 |
SELIGSON, Rita | Variation technique in the third movement of Beethoven's Piano sonata, Op. 109 | MMus | University of Melbourne | 1988 | 49 |
SMITH, Russell Hugh | Albert Lortzing, Der Wildschutz : the creative process | MMus | University of Tasmania | 1988 | 525 + cass |
VOSS, James | Scriabin in context | MMus | University of Tasmania | 1988 | 75 |
CHAMBERLAIN, Robert E | Schubert's Mayrhofer Lieder : an examination of the relationship between accompaniment and text | MMus | University of Melbourne | 1989 | 111 |
COOTE, Darryl Glen | The influence of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era | MMus | University of Melbourne | 1989 | 50 |
LIN, En Pei | The development of piano music in China | MMus | University of Tasmania | 1989 | 133 + 5 cass |
RIDDELL, Glenn Allan Keith | The pianism of Percy Grainger : a study of his score annotations | MMus | University of Melbourne | 1989 | 60 |
TAN, Sooi Beng | A social and stylistic history of bangsawan, c.1880-1980: correspondences between social-historical and musical-theatrical change [Maly Opera] | PhD | Monash University | 1989 | 425 |
VANN, Kerry V. | Wagner's Siegfried: a study of compositional process based on selected sketches for Acts 1 and 2 | MMus | University of Queensland | 1989 | 321 |
WALDEN, Valerie | Bernhard Romberg : a survey of his life, work and contribution to the art of violoncello performance | MMus | University of Auckland | 1989 | 231 |
SHEWARD, David Benjamin Chandra | Edward Elgar, England | MMus | University of Auckland | 1989 | 70 |
POWER, Anne | Verdi and the milieu of the Paris opera | MMus | University of NSW | 1990 | 184 |
TSOU, Nan Chien | Musical life in Bendigo 1856-1918 | MMus | University of Melbourne | 1990 | 156 |
RUSSELL, Peter Hugh | Light in battle with darkness: Mahler's Kinderttenlieder | PhD | Victoria University of Wellington | 1990 | 126 |
BORTOLUSSI, Anne | Possible influences of Bach on the harmonic and contrapuntal language of Brahms's Klavierstucke opp. 116-119 | MMus | University of Melbourne | 1991 | 75 |