19th Century

Writer	Thesis Title	Degree	University	Year	# of Pages
	A Mass of Life
	Messe de l'Orphéon
	Arrangement of Schubert Mass No. 6 in E flat
	Missa Canonica WoOposth. 18
	Messe in D Opus 86
	Messe in B flat maj. : after the "Messe pour orgue" by Franz Liszt
	Mass in D
	Messe A maj Op 12
Anon	The use of the tuba family in Wagner's Ring	MMus	University of Newcastle	in progress (NiC08/07)
CLARK, Jodi R.	The songs of Henry Handel Richardson	MMus	Monash University	withdrawn c.2005
DRABER, Christopher	The chamber music of Brahms presents an unusual array of progressive features disguised in a veil of conservatism	MA	Monash University	withdrawn c.2005
ELLSMORE, Caroline	The siren subverted : the role of Violetta Valery in Giuseppe Verdi's 'La traviata' (1853)	MMus (Hons)	University of New England	2010
FOOTE, Andrew R.	Schubert's Winterreise in recordings: performance practice trends as revealed by a comparison of selected twentieth-century recordings	PhD	University of Western Aust.	in progress
GRETTON, Harold	Historically-informed interpretation : a process in relation to the Deuxième grande sonate op.25 for solo guitar by Fernando Sor	PhD	Australian National University	2010
Anon	Three Way Transplantation of Select Jewish Liturgical Music out of Lithuania through South Africa from 1881, to Australia from 1990 with Special Reference to Vilna, Johannesburg, and Melbourne	PhD	Monash University	in progress (2007)
Anon	Late 19th-century Italian opera	MMus	University of Newcastle	in progress (NiC08/07)
Anon	Frank Bridge and the English pastoral tradition.	MA	University of Western Aust.	in progress (NiC08/07)
KAY, Roslyn	French Requiems of the Nineteenth and Twentieth Centuries	PhD	University of Queensland	in progress (1999)
Anon	The life and music of Charles Edgar Ford (1881-1961)	MA	University of Western Aust.	in progress (NiC08/07)
Anon	Development of the brass band genre in the nineteenth century	MMus	University of Adelaide	in progress (NiC08/07)
Anon	An historical survey of portamento in the viola's performance practice.	DCA	University of Wollongong	in progress (NiC08/07)
Anon	Music in Australia during the Gold Rush: A Biography of Madame Cavendish	MPhil	Australian National University	in progress (NiC08/07)
MERCER, Christine	Henry Tate (1873 - 1926) and the creation of Australian Musical Identity	PhD	University of Melbourne	2010 nyic
PETHERICK, Bruce	Orchestration treatises of the 19th and early 20th centuries	MMus	University of Melbourne	withdrawn c.2006
PURCELL, Kevin John	The exposition of drama in Puccini's La Boheme : an analysis of the opera's musical and dramatic congruence as evident through its structural proportionality	MMus	University of Melbourne	1992
Anon	The Preludes of Scriabin	PhD	University of Newcastle	in progress (NiC08/07)
Anon	The inner voice: musical language and meaning in Clara Wieck Schumann's Piano Sonata, Lieder and other works	PhD	Griffith University	in progress (2007)
SEREBRIANIK, Dmitry	The European trumpet in the 19th century: history and development	MA	Monash University	withdrawn c.2005
Anon	The life and music of English cellist Robert Lindley (1776-1855)	PhD	University of Melbourne	in progress (2006)
Anon	Meanings in music texts and texts about music in Western Europe in the late 19th to early 20th centuries	GradDipMus	Australian National University	in progress (NiC08/07)
TSOU, Nan Chien	Chopin's Preludes opus 28: Historical context, performance practice, and pedagogical implications	PhD	Monash University	withdrawn c.2005
Anon	Der Freischütz , Gothic Drama and representations of Witchcraft and the supernatural through Leitmotiv	PhD	University of Newcastle	In Progress (2000)
GINTHER, Gerald Christopher	Life and Music of Reinhold Glière	PhD	University of Canterbury	In Progress (2008)
Anon	Max Reger and the orchestra	PhD	University of Adelaide	withdrawn 1967
Anon	Composing Women and Feminist Movements in France, Germany and England at the turn of the twentieth century	PhD	University of NSW	In progress (2005)
Anon	How does the Vincenzo Vitale piano pedagogy impact the musical arts?	PhD	University of Melbourne	In progress (2008)
Anon	Minding the Hymn: Catherine Winkworth and the Transmission of German Hymnody to Australia, 1840-1999	PhD	Charles Sturt University	in progress (2006)
Anon	New Zealand's published music 1850-1913	PhD	University of Auckland	In Progress (2009)
Anon	An Aural Analysis of Bel Canto:Tradition and interpretations as preserved through selected sound recordings	MMus	University of Adelaide	In progress (2006)
	Glagolitic Mass
	Mass op. 127
FAY, Poppy	Sounds of industry : reactions to music and noise in nineteenth-century Manchester : ...on the lips, in the halls , on the streets	M.Mus.	University of Melbourne	2009
CADELL, Adam Broughton	The final violin sonatas of Beethoven and Brahms [electronic resource] : a consideration of the influence of Pierre Rode and Joseph Joachim	MPhil	University of Queensland	2007
Anon	Defining the Indefinable: An historical and cultural exploration of excellence in music	PhD	Australian National University	In progress (2010)
Anon	The Concert Virtuoso Then And Now: From Nineteenth-Century Virtuosity to Modernity	PhD	University of Sydney	In Progress (2012)
HONEYBUN, Katherine Anne	A complex of tendencies: the evolution of the use of the tritone in the music of Wagner, Debussy, and Bartók	M.Mus	University of Melbourne	2014
POWER, Geraldine Mary	Projections of Spain in popular spectacle and chanson, Paris: 1889-1926	PhD	University of Melbourne	2013
AMARAL, Ulisses Coutinho	Not from here, not from there	PhD	University of Sydney	2014
MONOROSI, Kirill	The Unknown Piano Works of César Cui	PhD	University of Sydney	2014
CRAWSHAW, Sandra Noeline	The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions	MArts	University of Otago	2015
ESPLIN, Penelope	The Musical Imagery in Dante Gabriel Rossetti’s paintings for his patron, Frederick Leyland	MArts	University of Otago	2016
MEDLYN, Margaret	Embodying Voice: Singing Verdi, singing Wagner	PhD	Victoria University of Wellington	2016
BELL JORDAN, Hester	Transgressive Gestures: Women and Violin Performance in Eighteenth-Century Europe	MMus	Victoria University of Wellington	2016
SCHOTS, Edwin	Title Transformative influence of Afro-Brazilian syncopation on European compound melodies in Brazilian Choro music melorhythmical re-organization of interleaved melodic structures in progressive Afro-Brazilian music from the late-19th century	MMus	University of Sydney	2015
WILSON, Robin	Style and interpretation in the nineteenth‐century German violin school with particular reference to the three sonatas for pianoforte and violin by Johannes Brahms	PhD	University of Sydney	2014
YANG, VC-Y	Piano transcription as translation in music : cross-genre adaptations	PhD	University of Tasmania	2014
HUNT, Kevin Patrick	Perceptions of the Stuart & Sons Piano Sound: Realising a creative, active vision	PhD	University of Sydney	2016
FRAMPTON, Andrew Leslie	Jan Dismas Zelenka's Missa Sancti Spiritus, ZWV 4: a critical edition and study of the manuscript sources	MMus	University of Melbourne	2015
GREGORY, Mark	Australian working songs and poems - a rebel heritage	PhD	University of Wollongong	2014
MCKAY, Kathryn	A contextual study of Boris Asafiev's Musical form as a process and and application of concepts to his Sonata for solo viol	MA	Edith Cowan University	2015
ESTRADA BASCUNANA, Carolina	ECHOES OF THE MASTER: A MULTI-DIMENSIONAL MAPPING OF ENRIQUE GRANADOS’ PEDAGOGICAL METHOD AND PIANISTIC TRADITION	PhD	University of Sydney	2016
ANTONOV, Edward	Formulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'Aranyi	MMus	Monash University	2015
CHONG, Kristian	Sergei Rachmaninoff in Melbourne; a performer's reflection through the twenty-four Preludes Opp, 23 and 32; from Mack Jost to the twenty-first century	PhD	Australian Catholic University	2014
TORR, Oliver J	Emotional truth in opera performance	Unknown	Monash University	2015
STONESTREET, RJ	Historical developments in writing for low horn	PhD	University of Tasmania	2014
LEMOH, Alison Yenor	Mahler's journey : transcending the tyranny of time in Um Mitternacht and Ich bin der Welt abhanden gekommen	M.Mus.	University of Melbourne	2009	1 v. p.
DRON, Carson	Liszt's sonata in B minor : an examination of existing analyses and a proposed new approach via graphic analysis ; Composition folio : Concerto for piano and orchestra, Fantasy for solo piano, Fantasy suite for piano and marimba	MMus	University of Queensland	1996	1 vol
FARRANT, Jean E.	A social history of music in Coolgardie, Kalgoorlie and Boulder, 1892 to 1908	MA	University of Western Aust.	1992	1 vol
WATERS, Edgar Pemberton	Some aspects of the popular arts in Australia, 1880-1915	PhD	Australian National University	1962	1 vol
BLOM, Diana	Invocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for television	MM	University of Sydney	1972	100
STORER, Stuart	The piano music of Erik Satie and his influence on later composers	MMus	University of Adelaide	1987	100
Anon	Fernando Sor's theory of harmony applied to the guitar	PhD	University of Auckland	2011	1008
VAINER, Sofya	The evolution of the set of 24 preludes for piano in the nineteenth century	MMus	Australian Catholic University	1997	102
COUGHLAN, Mark	Charles-Valentin Alkan, twelve studies in all the major keys op. 35: an analysis	MusM	University of Western Aust.	1988	102 + 2 tapes
BEAVERSTOCK, John G.	The employment of the organ in three great oratorios of Edward Elgar	MusM	University of Western Aust.	1995	103
MURRAY, Kenneth	Angel Barrios : Granada, the guitar and Manuel de Falla	MMus	University of Melbourne	1994	103
MCINTOSH, Skye	Singing and the violin : Portamento and vibrato practices applied to Beethoven's violin sonatas	MMus	University of Sydney	2012	103
GUYMER, Sheila	Johannes Brahms: classicist, gypsy or 'the best of all Wagnerians'? issues of tempo and rubato in Brahms performance practice, with a study of the sonatas for violin and piano, Opera 78 and 100	MMus	University of Sydney	2007	105 + 1 CD
ZOCCHI, Robert	Busoni and the piano	MMus	University of Tasmania	1986	107
DIXON-LAWRENCE, Ruth	The performance practice of the tourte bow within the French violin school of the early nineteenth century	MA	University of Melbourne	1998	108
MERCER, Christine	"A Cinderella of the Arts:" The life of Henry Tate (1873 - 1926) and a preliminary catalogue of His Works	MMus (Prelim)	Australian Catholic University	2003	108
REED, Thayer Elizabeth	The Englishness of Ralph Vaughan Williams: an evaluation of the Grand Old Man of English music characterisation.	MMus	Victoria University of Wellington	1995	108
CARTER, John Edward	Schumann the critic	MA	University of Canterbury	1961	108
HEIM, Christian	What the ear cannot hear : hidden structures in three works of music with programmes of a christian nature	MMus	University of Sydney	1995	109
POULSEN, Darryl	The art of hand-horn playing as seen through the instruction manuals of O. Vandenbroek and H. Domnich	MusM	University of Western Aust.	1983	109
WILKINSON, Anne Maree	Balakirev's role in the development of Russian music and his influence on The Kutchka	MMus	University of Tasmania	1991	109
CHAMBERLAIN, Robert E	Schubert's Mayrhofer Lieder : an examination of the relationship between accompaniment and text	MMus	University of Melbourne	1989	111
MARSH, Nicholas	The decline of speech surrogacy in Cuban bàtá drumming	MMus	University of Auckland	2013	111
DAVIES, Ryan	Uncovering the unpublished chamber music of George Frederick Boyle Volume I: Dissertation	MArts	Edith Cowan University	2016	111
ZANGARI, Giuseppe	Mauro Giuliani (1781 - 1829): Instrumental and Vocal Style in Le Sei Rossiniane	MMus	University of Sydney	2013	112
CHUNG, Lisa	The development of the left thumb use in cello playing from its beginning until 1900	DMA	University of Auckland	2014	112
CHAN, June Lai-Yee	The devlopment of tonal language in the nocturnes for piano by Gabriel Faure	MMus	Australian Catholic University	1995	113
GLENN, Charles	Performance practice in Liszt and the Liszt sonata: a performer's view	MMus	University of Queensland	1994	113
ANDERSON, Peter James	The innovative music of Percy Grainger : an examination of the origins and development of free music	MMus	University of Melbourne	1979	114 + cass
EMERSON, Helen Katrine	A voice of her own: Ethel Smyth and early feminist musicology.	MA	University of Otago	1999	115
SHAW, Irene	An analysis of Richard Strauss: Sonata in E major, op.18 for violin and piano.	MusM	University of Western Aust.	1996	115
HYATT, John Bamford	Otello and Othello	MA	University of Canberra	1965	116
GILL, Rebecca	The nineteenth-century aesthetics of violin composition in Bohemia and Moravia: a comparison of the repertoire for violin and piano by Antonín Dvořák and Leoš Janáček	MMus	University of Sydney	2014	116
CATHRO, Jean	The influence of music on the works of Edgar Allen Poe and his influence on early twentieth century French musicians, in particular Debussy and Ravel	MMus	University of Auckland	2002	117
FARMER, Elizabeth-Anne	The organ works of Cesar Franck : the performing traditions and their influence	MMus	University of Melbourne	1994	118

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19th Century