19th Century

Writer	Thesis Title	Degree	University	Year	# of Pages
AMIR, Iwan Dzulvan	Sing, Adapt, Persevere: Dynamics of Traditional Vocal Performances in the Islamic Region of Aceh from the Late 19th to the Early 21st Century	PhD	Monash University	NiC2005	NiC
AN, Yu Lee	Publishers of New Zealand Music: a historical survey from 1840-2002	MA Mus	University of Otago	2003	364
AN, Yu Lee	Music Publishing in London from 1780 to 1837 as reflected in music-publishers' catalogues.	PhD	University of Canterbury	2008 (nyiC)	350 + 932
ANDERSON, Gae Mary	Harry Rickards: a performance-centred portrait from music hall to Vaudeville	PhD	University of Sydney	1998	370 ( 2 vol)
ANDERSON, Peter James	The innovative music of Percy Grainger : an examination of the origins and development of free music	MMus	University of Melbourne	1979	114 + cass
ANNABELL, Angela Ruth	Music in Auckland 1840-1855 : with reference to aspects of music in the Bay of Islands area both before and after 1840.	MA	University of Auckland	1968	239
AUBREY, David Graham	The influence of music in redefining nationalism in Wales in the nineteenth and early twentieth centuries	MA	University of Sydney	1995	212
AYRES, Christopher Vivian	An examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896	MA (Hons)	Macquarie University	1977	212
AYRES, Helen	George Enescu : the complete musician : a study of violin virtuosity in Enescu's third sonata for piano and violin	DMusArts	University of Melbourne	2006	74
BAAS, Warren Peter	Structure and functional harmony in the first and fifth symphonies of Gustav Mahler	MMus	University of Auckland	1992	214
BALOUGH, Teresa	The essential Grainger: Percy Grainger's Kipling settings, 1898-1947	PhD	University of Western Aust.	1985	524 + 1 vocal score + 1 CD
BARKER, J.W.	Max Reger and the orchestra	PhD	University of Adelaide	withdrawn 1967
BEAVERSTOCK, John G.	The employment of the organ in three great oratorios of Edward Elgar	MusM	University of Western Aust.	1995	103
BEBBINGTON, Warren Arthur	The operas of G.W.L. Marshall Hall	MMus	University of Melbourne	1978	295
BEEVER, Allan David	Development and recapitulation : Wagner and Schopenhauer on music, opera, and art	PhD	University of Auckland	1998	317
BENDRUPS, Faye	Tango sobre Argentina : una colisión exótica de nostalgia, política y negación	PhD	LaTrobe University	2002	393
BHANA, Usha	Tales "like softest music to attending ears": a study of narrative procedure across musical genres in works by Gounod, Prokofief, Berlioz and Tchaikovsky	MMus	Victoria University of Wellington	2002	150
BLEAKLEY, Helen Ruth	Schumann's sonata for violin and piano op. 121: approaches to performance	MMus	University of Queensland	1999	43
BLESKIE, Oliver Nicholas	Early traces of romanticism : an analysis of the philosophy of art expressed in Diderot's Encyclopedie, with particular reference to the articles on music	MA	University of Waikato	2000	295
BLOM, Diana	Invocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for television	MM	University of Sydney	1972	100
BOLLARD, David	The Weinen, Klagen Variations of Franz Liszt: a technical and stylistic study	MusM	University of Western Aust.	1978	76
BONG, Jin Guan	Alice Ellen Charbonnet : a French musician in nineteenth-century Australia	MMus	University of Melbourne	2006	162
BONSEY, Joan	German Romanticism and its impact on Schubert, Schumann and Brahms : a study of the relationships between historical, ideological and musical developments in nineteenth century Germany with specific reference to Lieder and chamber works of Schubert, Schumann and Brahms	MMus	University of Melbourne	1972	147
BORER, Phillippe	The twenty-four caprices of Niccolo Paganini : their significance for the history of violin playing and the music of the Romantic era	PhD	University of Tasmania	1995	290
BORTOLUSSI, Anne	Possible influences of Bach on the harmonic and contrapuntal language of Brahms's Klavierstucke opp. 116-119	MMus	University of Melbourne	1991	75
BOURNE, Warren George	A kindling fever a study of some religious, socio-ethical and literary themes in music, between 1890 and 1920; with special reference to Debussy, Stravinsky and Schoenberg	PhD	University of Auckland	1969	648
BRASIER, Angeline	Pauline Viardot: her music and the Spanish influence	MMus	University of Melbourne	2000	88
BROMAGE, Lynette	Shakespeare: words in music : a study of the relationship between the poems in the plays of Shakespeare and musical settings over 400 years	MA	Monash University	1993	157
BUTLER, Jennifer	Ambiguity in nineteenth-century Russian literature and opera	PhD	University of NSW	2004	359
CAMERON, Neil Matheson	Music of the Anglican churches of the diocese of Sydney, 1836-1868	MMus (Musicology)	University of Sydney	2006	269
CAMPBELL, Glenn D.	The use of the piano as an accompanying instrument in the songs of Debussy, Ravel and Poulenc	MMus	University of Melbourne	1974	126
CANDY, Phillipa	Motivic/thematic development in the piano works of Alexander Scriabin	MMus	University of Tasmania	1984	165
CARR-BOYD, Ann	Music in Australia, 1788-1888 : Anne Wentzel	MA	University of Sydney	1969	159
CARTER, John Edward	Schumann the critic	MA	University of Canterbury	1961	108
CATHRO, Jean	The influence of music on the works of Edgar Allen Poe and his influence on early twentieth century French musicians, in particular Debussy and Ravel	MMus	University of Auckland	2002	117
CAULFIELD, Alan	The use of the tuba family in Wagner's Ring	MMus	University of Newcastle	in progress (NiC08/07)
CHAMBERLAIN, Robert E	Schubert's Mayrhofer Lieder : an examination of the relationship between accompaniment and text	MMus	University of Melbourne	1989	111
CHAN, June Lai-Yee	The devlopment of tonal language in the nocturnes for piano by Gabriel Faure	MMus	Australian Catholic University	1995	113
CHAPPELL, William Fielder	The late nineteenth century renaissance of music in England (with special reference to the work of Parry and Stanford)	MA	University of Melbourne	1963	317
CHEN-MERRETT, Shaohua	Beethoven and the Violoncello: The Influence of Jean-Louis Duport (1749-1819)	Mphil (perf)	University of Queensland	2006	96
CHRISTOFORIDIS, Michael	Aspects of the creative process in Manuel de Falla's neoclassical works El retablo Maese Pedro and Concerto	PhD	University of Melbourne	1997	2 vol
CHYNOWETH, Neville James	The influence of the Oxford movement on the music of the church [Communion in F].	MA	University of Sydney	1957	2 vol
CLARK, Jodi R.	The songs of Henry Handel Richardson	MMus	Monash University	withdrawn c.2005
COLE, Suzanne	The reception of the sacred choral music of Thomas Tallis in nineteenth-century England	PhD	University of Melbourne	2004	203
COLEMAN, Jennie J.	Transmigration of the Piob Mhor : the Scottish Highland piping tradition in the South Island of New Zealand, with particular reference to Southland, Otago, and South Canterbury to 1940	PhD	University of Otago	1996	744
COLLINS, Zelda T.	The technique of elision: tonal procedures in the Preludes of Claude Debussy	PhD	University of Otago	1997	506
COOMBES, Alison Odine	Schubert, interpreter of romantic love through song	MA	University of Auckland	2000	156
COOTE, Darryl Glen	The influence of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era	MMus	University of Melbourne	1989	50
COUGHLAN, Mark	Charles-Valentin Alkan, twelve studies in all the major keys op. 35: an analysis	MusM	University of Western Aust.	1988	102 + 2 tapes
CRICHTON, Kieran	"The Most Divine of All the Arts:" Neoplatonism, Anglo-Catholicism and music in the published writings of A.E.H. Nickson	MMus	Australian Catholic University	2005	145+
CRISP, Deborah	Chopin as composer and pianist: stylistic sources	MMus	Australian National University	1994	154
CROWLEY, John	Alfred Hill: A Grand Old Man of Australian Music	MA	Monash University	1999	166
CUDDEFORD, Tara	Performance techniques for selected works of: J.S. Bach, J. Brahms and E. Elgar	MMus	University of Queensland	2002	82
DALE, Mark Stephen	The Ponce-Segovia collaboration : creating the modern guitar repertory	PhD	Monash University	2005	311
DANILLON, Regis	The solo piano works of Roger-Ducasse: an analysis of style	MMus	University of Queensland	1988	81
DART, Peter J.	Criticism in a developing culture : Australian music periodicals to 1931	PhD	University of Queensland	1998	360
DART, William	Hubert Parry and Cyril Scott two post-Victorian songwriters. With an introductory essay on the musical problems of Great Britain in the nineteenth century	PhD	University of Auckland	1975	456
DART, William	The lieder of Franz Liszt	MMus	University of Auckland	1970	296
DAVIS, Bronwen P	The history of the music curriculum in the nineteenth century South Australian public education system, 1836-1910	M.Ed	Flinders University	1987	345
DAVISON, Alan	Studies in the iconography of Franz Liszt	MMus	University of Melbourne	2002	276
DAWSON, Jenny	Opera in colonial Brisbane: the first twenty-five years (1859-1884)	MMus	University of Queensland	1987	221
De MUNCK, Cornelius	Instruction in vocal music in English Elementary Schools from 1839-1875, with special reference to John Hullah and John Curwen	M.Ed	University of Western Aust.	1979	77
DIXON-LAWRENCE, Ruth	The performance practice of the tourte bow within the French violin school of the early nineteenth century	MA	University of Melbourne	1998	108
DODSWORTH, Judith	Some observations on the vocal implications of singing to guitar accompaniment, with particular reference to the lieder of Schubert	MMus	University of Melbourne	1998	31
DOGGETT, Anne	'And for harmony most ardently we long', Musical Life in Ballarat, 1851-1871	PhD	University of Ballarat	2006	2 vol
DOWNES, Graeme	An axiam system of tonality applied to progressive tonaility in the works of Gustav Mahler and nineteenth-century antecedents	PhD	University of Otago	1994	1994
DRABER, Christopher	The chamber music of Brahms presents an unusual array of progressive features disguised in a veil of conservatism	MA	Monash University	withdrawn c.2005
DRAKE, George Warren James	Dramatic irony in Wagner	MA	University of Auckland	1962	95
DREYFUS [LUCAS], Kay	Hector Berlioz and the dramatic symphony	DMus	University of Melbourne	1966	258
DREYFUS, Kay	Beethoven's last five piano sonatas : a study in analytical method	DMus	University of Melbourne	1971	385
DRON, Carson	Liszt's sonata in B minor : an examination of existing analyses and a proposed new approach via graphic analysis ; Composition folio : Concerto for piano and orchestra, Fantasy for solo piano, Fantasy suite for piano and marimba	MMus	University of Queensland	1996	1 vol
DUGDALE, John Harold	The place of music in the national and public schools of New South Wales, 1848-1880	M.Ed	University of Sydney	1969	135
DUNCAN, Melanie	Vibrato frequency and phase lock in three versions of Delibe's Lakme duet and its effect on the preference of voice experts	MA	Monash University	2000	176
DUNSTONE, Prudence	Performance Practices in Italian Music for Female Voice 1800-1850	PhD	University of Newcastle	2003	796
DUTHOITE, Andre	The interpretation process in relation to four works by J.S. Bach, Boccherini and Brahms	MMus	University of Queensland	2000	65
EASTHAM, Sohyun	The role of the violin in expressing the musical ideas of the romantic period and the development of violin techniques in the nineteenth and early twentieth centuries	PhD	University of Newcastle	2007	332 + 184 + 5 CDs
ELLSMORE, Caroline	Late-nineteenth century Musical Theatre performance practice in Verdi's "La Traviata" and other works.	MMus (Hons)	University of New England	in progress (2007)
EMERSON, Helen Katrine	A voice of her own: Ethel Smyth and early feminist musicology.	MA	University of Otago	1999	115
ENYI, Romola Helen Louise	The interaction of styles in pianoforte and orchestral writing between 1810 and 1910	MMus	University of Sydney	1975	90
ERICKSON, Frederick J	The bands and orchestras of colonial Brisbane	PhD	University of Queensland	1987	540
FARMER, Elizabeth-Anne	The organ works of Cesar Franck : the performing traditions and their influence	MMus	University of Melbourne	1994	118
FARRANT, Jean E.	A social history of music in Coolgardie, Kalgoorlie and Boulder, 1892 to 1908	MA	University of Western Aust.	1992	1 vol
FERRARI, Viviana Nicoleta	How does the Vincenzo Vitale piano pedagogy impact the musical arts?	PhD	University of Melbourne	In progress (2008)
FOOTE, Andrew R.	Schubert's Winterreise in recordings: performance practice trends as revealed by a comparison of selected twentieth-century recordings	MusM	University of Western Aust.	in progress (NiC08/07)
FORBES, Anne-Marie H.	Celticism in British opera of the late nineteenth and early twentieth centuries	PhD	University of Queensland	1992	302
FORSYTH, James A.	Music of the Anglican churches in Sydney and surrounding regions : 1788-1868	PhD	University of Sydney	2002	2 vol
FRANKLIN, James Ashley	Circles and arrows : an outline of a concept of musical metaanalysis and its implications	MMus	University of Sydney	1987	142
FUJIMURA, Kenji	Researching performance : translations into editions and performances of the forgotten piano works of William Hurlstone (1876-1906)	PhD	Monash University	2008	147 + 2 CDs
GALVIN, Stephen Patrick	The furrowed field : views of song and literature in Ireland 1840-1922 A.D	MMus	University of Auckland	1999	122
GEBBIE, Rochelle Maree	A musical revolution in Nelson: the German Directors of the Nelson School of Music 1894-1944	MA	University of Auckland	1999	189
GIBSON, Robert R.	Parsifal and Homosexuality: A study of the reception of Parsifal as a homoerotic text	MMus	University of Sydney	1998	131
GILLING, Graeme	An analytical study of Johannes Brahms's piano trio no. 2 in C major op. 87	MusM	University of Western Aust.	1985	69 + 2 CD
GINTHER, Gerald Christopher	Life and Music of Reinhold Glière	PhD	University of Canterbury	In Progress (2008)
GLENN, Charles	Performance practice in Liszt and the Liszt sonata: a performer's view	MMus	University of Queensland	1994	113
GOLDSWORTHY, Anna Louise	Fanny Hensel and virtuosity	DMA	University of Melbourne	2002	123
GONG, Hong-yu	Missionaries, reformers, and the beginnings of western music in late imperial China (1839-1911)	PhD	University of Auckland	2006	428
GOSTELOW, Gavin	Indications for the use of a moderator pedal in the piano sonatas of Jan Ladislav Dussek.	MMus	University of Sydney	in progress (2007)
GRAHAM, Jillian	Composing Biographies of Four Australian Women: Feminism, Motherhood and Music	PhD	University of Melbourne	2009	332
GRANTHAM, Edward McNeal	Hill organs in Australia, 1850-1910 : a critical survey and chronicle of developments in organs sent to Australia by William Hill and Sons, London	MMus	University of NSW	1988	157
GREEN, Phillip R.O.	The impetus for the change from shared to single direction in the European orchestra of the late eighteenth and early nineteenth centuries	MMus	University of Queensland	1994	45

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19th Century