19th Century

Writer	Thesis Title	Degree	University	Year	# of Pages
	Glagolitic Mass
	Mass op. 127
	A Mass of Life
	Messe de l'Orphéon
	Arrangement of Schubert Mass No. 6 in E flat
	Missa Canonica WoOposth. 18
	Messe in D Opus 86
	Messe in B flat maj. : after the "Messe pour orgue" by Franz Liszt
	Mass in D
	Messe A maj Op 12
ABRAMOVA, Elena	The compositional environment of the violin sonatas of Shostakovich and Prokofiev : a contextual study of the Shostakovich Violin Sonata and the Prokofiev Violin Sonata in F Minor	DMA	University of Auckland	2009	222
AMARAL, Ulisses Coutinho	Not from here, not from there	PhD	University of Sydney	2014
AMIR, Iwan Dzulvan	Sing, Adapt, Persevere: Dynamics of Traditional Vocal Performances in the Islamic Region of Aceh from the Late 19th to the Early 21st Century	PhD	Monash University	NiC2005	NiC
AN, Yu Lee	Publishers of New Zealand Music: a historical survey from 1840-2002	MA Mus	University of Otago	2003	364
AN, Yu Lee	Music Publishing in London from 1780 to 1837 as reflected in music-publishers' catalogues.	PhD	University of Canterbury	2008 (nyiC)	350 + 932
ANDERSON, Gae Mary	Harry Rickards: a performance-centred portrait from music hall to Vaudeville	PhD	University of Sydney	1998	370 ( 2 vol)
ANDERSON, Peter James	The innovative music of Percy Grainger : an examination of the origins and development of free music	MMus	University of Melbourne	1979	114 + cass
ANNABELL, Angela Ruth	Music in Auckland 1840-1855 : with reference to aspects of music in the Bay of Islands area both before and after 1840.	MA	University of Auckland	1968	239
Anon	The use of the tuba family in Wagner's Ring	MMus	University of Newcastle	in progress (NiC08/07)
Anon	Three Way Transplantation of Select Jewish Liturgical Music out of Lithuania through South Africa from 1881, to Australia from 1990 with Special Reference to Vilna, Johannesburg, and Melbourne	PhD	Monash University	in progress (2007)
Anon	Late 19th-century Italian opera	MMus	University of Newcastle	in progress (NiC08/07)
Anon	Fernando Sor's theory of harmony applied to the guitar	PhD	University of Auckland	2011	1008
Anon	Frank Bridge and the English pastoral tradition.	MA	University of Western Aust.	in progress (NiC08/07)
Anon	The life and music of Charles Edgar Ford (1881-1961)	MA	University of Western Aust.	in progress (NiC08/07)
Anon	Development of the brass band genre in the nineteenth century	MMus	University of Adelaide	in progress (NiC08/07)
Anon	An historical survey of portamento in the viola's performance practice.	DCA	University of Wollongong	in progress (NiC08/07)
Anon	Music in Australia during the Gold Rush: A Biography of Madame Cavendish	MPhil	Australian National University	in progress (NiC08/07)
Anon	The Preludes of Scriabin	PhD	University of Newcastle	in progress (NiC08/07)
Anon	The inner voice: musical language and meaning in Clara Wieck Schumann's Piano Sonata, Lieder and other works	PhD	Griffith University	in progress (2007)
Anon	The life and music of English cellist Robert Lindley (1776-1855)	PhD	University of Melbourne	in progress (2006)
Anon	Meanings in music texts and texts about music in Western Europe in the late 19th to early 20th centuries	GradDipMus	Australian National University	in progress (NiC08/07)
Anon	Der Freischütz , Gothic Drama and representations of Witchcraft and the supernatural through Leitmotiv	PhD	University of Newcastle	In Progress (2000)
Anon	Max Reger and the orchestra	PhD	University of Adelaide	withdrawn 1967
Anon	Composing Women and Feminist Movements in France, Germany and England at the turn of the twentieth century	PhD	University of NSW	In progress (2005)
Anon	How does the Vincenzo Vitale piano pedagogy impact the musical arts?	PhD	University of Melbourne	In progress (2008)
Anon	Minding the Hymn: Catherine Winkworth and the Transmission of German Hymnody to Australia, 1840-1999	PhD	Charles Sturt University	in progress (2006)
Anon	New Zealand's published music 1850-1913	PhD	University of Auckland	In Progress (2009)
Anon	An Aural Analysis of Bel Canto:Tradition and interpretations as preserved through selected sound recordings	MMus	University of Adelaide	In progress (2006)
Anon	Defining the Indefinable: An historical and cultural exploration of excellence in music	PhD	Australian National University	In progress (2010)
Anon	The Concert Virtuoso Then And Now: From Nineteenth-Century Virtuosity to Modernity	PhD	University of Sydney	In Progress (2012)
ANTONOV, Edward	Formulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'Aranyi	MMus	Monash University	2015
AUBREY, David Graham	The influence of music in redefining nationalism in Wales in the nineteenth and early twentieth centuries	MA	University of Sydney	1995	212
AYRES, Christopher Vivian	An examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896	MA (Hons)	Macquarie University	1977	212
AYRES, Helen	George Enescu : the complete musician : a study of violin virtuosity in Enescu's third sonata for piano and violin	DMA	University of Melbourne	2006	74
BAAS, Warren Peter	Structure and functional harmony in the first and fifth symphonies of Gustav Mahler	MMus	University of Auckland	1992	214
BALOUGH, Teresa	The essential Grainger: Percy Grainger's Kipling settings, 1898-1947	PhD	University of Western Aust.	1985	524 + 1 vocal score
BEAVERSTOCK, John G.	The employment of the organ in three great oratorios of Edward Elgar	MusM	University of Western Aust.	1995	103
BEBBINGTON, Warren Arthur	The operas of G.W.L. Marshall Hall	MMus	University of Melbourne	1978	295
BEEVER, Allan David	Development and recapitulation : Wagner and Schopenhauer on music, opera, and art	PhD	University of Auckland	1998	317
BELL JORDAN, Hester	Transgressive Gestures: Women and Violin Performance in Eighteenth-Century Europe	MMus	Victoria University of Wellington	2016
BENDRUPS, Faye	Tango sobre Argentina : una colisión exótica de nostalgia, política y negación	PhD	LaTrobe University	2002	393
BHANA, Usha	Tales "like softest music to attending ears": a study of narrative procedure across musical genres in works by Gounod, Prokofief, Berlioz and Tchaikovsky	MMus	Victoria University of Wellington	2002	150
BLEAKLEY, Helen Ruth	Schumann's sonata for violin and piano op. 121: approaches to performance	MMus	University of Queensland	1999	43
BLESKIE, Oliver Nicholas	Early traces of romanticism : an analysis of the philosophy of art expressed in Diderot's Encyclopedie, with particular reference to the articles on music	MA	University of Waikato	2000	295
BLOM, Diana	Invocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for television	MM	University of Sydney	1972	100
BOLLARD, David	The Weinen, Klagen Variations of Franz Liszt: a technical and stylistic study	MusM	University of Western Aust.	1978	76
BONG, Jin Guan	Alice Ellen Charbonnet : a French musician in nineteenth-century Australia	MMus	University of Melbourne	2006	162
BONSEY, Joan	German Romanticism and its impact on Schubert, Schumann and Brahms : a study of the relationships between historical, ideological and musical developments in nineteenth century Germany with specific reference to Lieder and chamber works of Schubert, Schumann and Brahms	MMus	University of Melbourne	1972	147
BORER, Phillippe	The twenty-four caprices of Niccolo Paganini : their significance for the history of violin playing and the music of the Romantic era	PhD	University of Tasmania	1995	290
BORTOLUSSI, Anne	Possible influences of Bach on the harmonic and contrapuntal language of Brahms's Klavierstucke opp. 116-119	MMus	University of Melbourne	1991	75
BOURNE, Warren George	A kindling fever a study of some religious, socio-ethical and literary themes in music, between 1890 and 1920; with special reference to Debussy, Stravinsky and Schoenberg	PhD	University of Auckland	1969	648
BRASIER, Angeline	Pauline Viardot: her music and the Spanish influence	MMus	University of Melbourne	2000	88
BROMAGE, Lynette	Shakespeare: words in music : a study of the relationship between the poems in the plays of Shakespeare and musical settings over 400 years	MA	Monash University	1993	157
BUCK, Mary	Music, geometry, and the listener : space in the history of Western philosophy and Western classical music	PhD	University of New England	2008	TBA
BUTLER, Jennifer	Ambiguity in nineteenth-century Russian literature and opera	PhD	University of NSW	2004	359
BYRNE, Timothy Francis	Aspects of technique in Dvořák’s cello concerto [electronic resource] : an approach based on a comparative study of relevant treatises	MPhil	University of Queensland	2010	57
CADELL, Adam Broughton	The final violin sonatas of Beethoven and Brahms [electronic resource] : a consideration of the influence of Pierre Rode and Joseph Joachim	MPhil	University of Queensland	2007
CAMERON, Neil Matheson	Music of the Anglican churches of the diocese of Sydney, 1836-1868	MMus (Musicology)	University of Sydney	2006	269
CAMPBELL, Glenn D.	The use of the piano as an accompanying instrument in the songs of Debussy, Ravel and Poulenc	MMus	University of Melbourne	1974	126
CANDY, Phillipa	Motivic/thematic development in the piano works of Alexander Scriabin	MMus	University of Tasmania	1984	165
CARR-BOYD, Ann	Music in Australia, 1788-1888 : Anne Wentzel	MA	University of Sydney	1969	159
CARTER, John Edward	Schumann the critic	MA	University of Canterbury	1961	108
CATHRO, Jean	The influence of music on the works of Edgar Allen Poe and his influence on early twentieth century French musicians, in particular Debussy and Ravel	MMus	University of Auckland	2002	117
CHALABI, Karen Louise	The architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire.	PhD	University of Melbourne	2014	271
CHAMBERLAIN, Robert E	Schubert's Mayrhofer Lieder : an examination of the relationship between accompaniment and text	MMus	University of Melbourne	1989	111
CHAN, June Lai-Yee	The devlopment of tonal language in the nocturnes for piano by Gabriel Faure	MMus	Australian Catholic University	1995	113
CHAPPELL, William Fielder	The late nineteenth century renaissance of music in England (with special reference to the work of Parry and Stanford)	MA	University of Melbourne	1963	317
CHEN-MERRETT, Shaohua	Beethoven and the Violoncello: The Influence of Jean-Louis Duport (1749-1819)	Mphil (perf)	University of Queensland	2006	96
CHESNEY, Sarah	Gothic imaginations in primo ottocento opera	MMus	Victoria University of Wellington	2010	259
CHOE, Minah	Pedagogy and performance practice of David Popper (1843-1913): An analysis of influence and legacy of Popper’s compositions in studio teaching	DMA	University of Sydney	2016	159
CHONG, Kristian	Sergei Rachmaninoff in Melbourne; a performer's reflection through the twenty-four Preludes Opp, 23 and 32; from Mack Jost to the twenty-first century	PhD	Australian Catholic University	2014
CHRISTOFORIDIS, Michael	Aspects of the creative process in Manuel de Falla's neoclassical works El retablo Maese Pedro and Concerto	PhD	University of Melbourne	1997	2 vol
CHUNG, Lisa	The development of the left thumb use in cello playing from its beginning until 1900	DMA	University of Auckland	2014	112
CHYNOWETH, Neville James	The influence of the Oxford movement on the music of the church [Communion in F].	MA	University of Sydney	1957	2 vol
CLARK, Jodi R.	The songs of Henry Handel Richardson	MMus	Monash University	withdrawn c.2005
CLARKE, Anthony Scott	Realising the Ninth : Werktreue and the evolution of score modification with specific reference to the performance and recorded history of Ludwig van Beethoven's Ninth Symphony in D minor, Op. 125	DMA	University of Sydney	2012	190
COLE, Suzanne	The reception of the sacred choral music of Thomas Tallis in nineteenth-century England	PhD	University of Melbourne	2004	203
COLEMAN, Jennie J.	Transmigration of the Piob Mhor : the Scottish Highland piping tradition in the South Island of New Zealand, with particular reference to Southland, Otago, and South Canterbury to 1940	PhD	University of Otago	1996	744
COLLINS, Zelda T.	The technique of elision: tonal procedures in the Preludes of Claude Debussy	PhD	University of Otago	1997	506
COOMBES, Alison Odine	Schubert, interpreter of romantic love through song	MA	University of Auckland	2000	156
COOTE, Darryl Glen	The influence of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era	MMus	University of Melbourne	1989	50
COUGHLAN, Mark	Charles-Valentin Alkan, twelve studies in all the major keys op. 35: an analysis	MusM	University of Western Aust.	1988	102 + 2 tapes
CRAWSHAW, Sandra Noeline	The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions	MArts	University of Otago	2015
CRICHTON, Ian Kieran	"The Most Divine of All the Arts:" Neoplatonism, Anglo-Catholicism and music in the published writings of A.E.H. Nickson	MMus	Australian Catholic University	2004	145+
CRISP, Deborah	Chopin as composer and pianist: stylistic sources	MMus	Australian National University	1994	154
CROSS, Melissa	The Forgotten Soundtrack of Maoriland : Imagining the Nation Through Alfred Hill's Songs for Rewi's Last Stand	MMus	Victoria University of Wellington	2015	155
CROWLEY, John	Alfred Hill: A Grand Old Man of Australian Music	MA	Monash University	1999	166
CUDDEFORD, Tara	Performance techniques for selected works of: J.S. Bach, J. Brahms and E. Elgar	MMus	University of Queensland	2002	82
DALE, Mark Stephen	The Ponce-Segovia collaboration : creating the modern guitar repertory	PhD	Monash University	2005	311
DANILLON, Regis	The solo piano works of Roger-Ducasse: an analysis of style	MMus	University of Queensland	1988	81

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19th Century