Classical

Writersort iconThesis TitleDegreeUniversityYear# of Pages
Missa de Spiritu Sancto, 5 solo vv, 4vv, orch, 1784
ALLAN, David A.The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth centuryPhDLaTrobe University2001229
AN, Yu LeeMusic Publishing in London from 1780 to 1837 as reflected in music-publishers' catalogues.PhDUniversity of Canterbury2008 (nyiC)350 + 932
ANDJELIC-ANDZAKOVIC, DarijaThe contrabass sonatas of Johann Matthias SpergerMMusUniversity of Auckland2011418
ARCHER, GregAnalysis of selected chamber works by Haydn and BeethovenMMusUniversity of Newcastlein progress (NiC08/07)
ATCHISON, Morag CatrionaThe soloist as an ensemble singerDMAUniversity of Auckland2013141
BADLEY, AllanThe concertos of Leopold Hofmann (l738-l793) PhDUniversity of Auckland19863 vol
BAKKER-KING, Margaret R.The cantatas of Domenico Cimarosa (1749-1801)PhDUniversity of Adelaide19882 vol
BALLARD, BernadetteWomen musicians in late 18th-century LondonMMusUniversity of Melbournewithdrawn c.2005
BELBIN, JillianJohn Christopher Smith (1712-1795): His place in the development of English harpsichord music (including a performance edition of six suites of lessons for the harpsichord op. 3).MusMUniversity of Western Aust.19962 vol
BELL JORDAN, HesterTransgressive Gestures: Women and Violin Performance in Eighteenth-Century EuropeMMusVictoria University of Wellington2016
BERENSEN, ChrisFigured-bass solo traditions and J.S. BachMMusUniversity of Sydney2009137
BLESKIE, Oliver NicholasEarly traces of romanticism : an analysis of the philosophy of art expressed in Diderot's Encyclopedie, with particular reference to the articles on musicMAUniversity of Waikato2000295
BOURNE, WarrenThe evolution of the German church cantata MAVictoria University of Wellington1966219
BROMAGE, LynetteShakespeare: words in music : a study of the relationship between the poems in the plays of Shakespeare and musical settings over 400 yearsMAMonash University1993157
BUCK, MaryMusic, geometry, and the listener : space in the history of Western philosophy and Western classical musicPhDUniversity of New England2008TBA
CADELL, Adam BroughtonThe final violin sonatas of Beethoven and Brahms [electronic resource] : a consideration of the influence of Pierre Rode and Joseph JoachimMPhilUniversity of Queensland2007
CALLINAN-ROBERTSON, JoanneThe effects on vocal quality of the Marchesi pedagogical approach in female singers in the western classical traditionMMusUniversity of Sydney2007112
CARR-BOYD, AnnMusic in Australia, 1788-1888 : Anne WentzelMAUniversity of Sydney1969159
CHUNG, LisaThe development of the left thumb use in cello playing from its beginning until 1900DMAAustralian Catholic University2014
COBCROFT, SamanthaFemale Vocal Writing in Operas of the Late 18th CenturyPhDUniversity of Newcastlein progress (NiC08/07)
COOK, IanTempo indications of Mozart [manuscript] : an analytical study of performance practice in the twentieth century as it relates to The Magic Flute and The Marriage of FigaroPhDUniversity of Newcastle2008373
COURT, Sarah Kathleen MaryDeath and Transformation in Romantic Song Cycles: Journeys in InterpretationDMAGriffith University2015166
CUBBIN, David RThe flute in the eighteenth centuryMAFlinders University1971513
DAVENPORT, Andrew RussellPaganini's 24 caprices, opus 1: a transcription for electric guitar, and analysis and development of the techniques to perform themPhDMassey University20082 v. : col. ill., mu
DIVALL, RichardThe Complete Sacred Music of Nicolò Isouard (1773-1818) and Maltese Sacred Music for The Order of Malta in the Late Eighteenth CenturyPhD University of Divinity2013380 + ~800
ELVERY, Warwick DavidThe flute and its music in the court of Frederick the Great GDip MusGriffith University19851 vol
EVANS, Lely DaiImplications of compound dynamic accent markings in Beethoven's early chamber works with the fortepianoMMusUniversity of Western Aust.2008
EVANS, W.The fortepiano in the 18th centuryMMusUniversity of Sydneywithdrawn 1968
FISHER, Judith KerryTexture and dynamics in Haydn's sonata-allegro structures PhDUniversity of Sydney1981287
FODOR, FrankFilling the eighteenth-century void for violists [electronic resource] : a study of Mozart's "Viola" concerto, K.622MPhilUniversity of Queensland200956
FORSYTH, James A.Music of the Anglican churches in Sydney and surrounding regions : 1788-1868 PhDUniversity of Sydney20022 vol
FORSYTH, James AlexanderHandel's organ concertosMMusUniversity of Melbourne197080
FRAMPTON, Andrew LeslieJan Dismas Zelenka's Missa Sancti Spiritus, ZWV 4: a critical edition and study of the manuscript sourcesMMusUniversity of Melbourne2015
FURMAN, Alexander EJoseph Haydn's keyboard music 1791-1795 : style and performance MMusUniversity of Melbourne199246
GILRAY, JockIn the shadow of Handel: English oratorio in the later eighteenth century:MMusVictoria University of Wellington1999272
GOSTELOW, GavinIndications for the use of a moderator pedal in the piano sonatas of Jan Ladislav Dussek.MMusUniversity of Sydney2009252
GREEN, Phillip R.O.The impetus for the change from shared to single direction in the European orchestra of the late eighteenth and early nineteenth centuriesMMusUniversity of Queensland199445
GRETTON, HaroldHistorically-informed interpretation : a process in relation to the Deuxième grande sonate op.25 for solo guitar by Fernando SorPhDAustralian National University2010
GRIFFITHS, GabrielDramma per musica: A critical study of Handel's cantatas for solo voice and obbligato instruments, 1706 - 1709MMusUniversity of Sydneyin progress (NiC08/07)
GUNSON, Emily J.Johann Baptist Wendling (1723-1797): life, works, artistry, and influence, including a thematic catalogue of all his compositionsPhDUniversity of Western Aust.1999515
HADFIELD, KarenMannheim and the ClarinetMPhil (perf)University of Queensland200683
HALLO, Rosemary MargaretErard, Bochsa and their impact on harp music-making in Australia (1830-1866): an early history from documents.PhDUniversity of Adelaide2014236
HAMILTON, VivienThe French cantata and French vocal performance of eighteenth century FranceMMusUniversity of Melbournewithdrawn c.2006
HANDSAKER, KateThe making of a successful performance of the role of CherubinoMMus (Perf)Australian National University200178
HARMATH, AgnesA study and critical edition of Johann Baptist Wendling’s Concerto in C major (GUN 18)DMAUniversity of Auckland2009117 + 1 CD
HARTDEGEN, Kenneth A.Fernando Sor's theory of harmony applied to the guitarPhDUniversity of Auckland20111008
HASKELL, JulieNotated and implied piano pedalling: c.1780-1830PhDUniversity of Adelaide2011150 + 7 CDs
HILLIER, RobinThe Concerto for multiple instruments QV 6:6 by Johann Joachim QuantzMMusUniversity of Melbourne200388
HOFFMAN, Graham BruceWilliam Boyce, 1711-1779 the orchestral worksMMusUniversity of Auckland1979269
HOLLANDER, Emma denThe development of early keyboard fingering till 1800MMusUniversity of Adelaide1970134
HORGAN, Kate ElizabethSinging to the king : the politics of songs in eighteenth-century Britain c. 1723-1795PhDAustralian National University2012303
HOSKINS, Robert H. B.Dr. Samuel Arnold (1740-1802), an historical assessmentPhDUniversity of Auckland19812 vol
HULIN, KirstenArtistic guidelines for the instruction of Mozart's Concerto in G major K.216, 1st movement GradDipMusGriffith University199037
IRVING, David Ronald MarshallLamentation settings by Manuel José Doyagüe (1755-1842) recently rediscovered in Manila : a contextual study and critical transcription M.PhilUniversity of Queensland2003411
JAMES, Dianne E,The keyboard trios of Joseph Haydn:PhDUniversity of Otago1993418
JENKINS, Michael William GrahamJohn Stanley, his life and instrumental worksPhDUniversity of Auckland19752 vol
KERSTEN, Anselm NorbertThe liturgical music of Marc-Antoine Charpentier (1645/50-1704)MMusUniversity of Auckland1985172
LANCASTER, GeoffreyKeyboard music of W.A. Mozart and F.J. Haydn : response by pre-tertiary piano students to historically-informed performance practicePhDUniversity of Sydney1999548
LANCASTER, Geoffrey RichardThe slide and trill : general trends in late eighteenth century Germany, with specific reference to the Berlin school MMusUniversity of Tasmania1984154
LANDERS, Heath A.W.Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musicaMPhilUniversity of Newcastle2015307
LANG, MeganThe keyed flute : intonation and articulation according to J.G. TromlitzMMusUniversity of Sydney200850
LEE, Chyi-HueyThe role of piano pedalling in the context of piano triosDMAUniversity of Auckland2008138
LEE, H.M.The sacred road to Mozart: a study of early music techniques from east and west and the transition to Baroque and Classical period repertoireMCAUniversity of Newcastle2001190
LEE, Yoon SenMozart's Quintet for wind and piano K 452 and the question of tonal balance when performed on period instrumentsMusMUniversity of Western Aust.1995113
LEWIS, Eleanor MayContextualising Martin Berteau : new perspectives on his works for cello MMusUniversity of Sydney2002116
LIEW SU-HWEI, Cherylene.J. S. Bach's St. Matthew Passion [electronic resource] : vocal and instrumental forces at its birth and resurrectionsMPhilUniversity of Queensland200842
LIND, Courtney Elizabeth Grace The 'historically informed performance' movement and its influence on violoncello playing since 1981 [electronic resource] : with reference to performances of Haydn's Violoncello concerto in C major by Anner Byslma, Pieter Wispelwey and Yo-Yo MaMPhilUniversity of Queensland201045
LOCKETT, DavidPerformance practices in the piano sonatas of BeethovenMMusUniversity of Adelaide198094
LOJEWSKI, Mee Na ManonGalant and grotesque aesthetics in the musical language of Haydn's cello concerti: cello concerto in C major (c1765), cello concerto in D major (c1783)MMusUniversity of Sydney201469
MacKERRAS, JoanThe art of bowing : an enquiry into the history of bowing technique in violin playing from c1675-c.1842 MAUniversity of Sydney1966224
MADDOX, Alan"On the knowledge necessary for one who wishes to recite well in the theatre": The rhetorical tradition of delivery and the performance practice of recitativo semplice in eighteenth-century dramma per musicaPhDUniversity of Sydney2006255
MADDOX, Richard PeterThe place of Thomas Augustine Arne in eighteenth-century English theatre music.MAUniversity of Sydney1977179
MAK, Yuen Yee Amy.Performance practice issues in Albinoni's Concerto à cinque, Op. 9 No. 5MPhilUniversity of Queensland200953
MANCHESTER, MatthewAn exploration of a student string quartet as a model of cooperative learningMMusUniversity of Sydney200761
MAY, LawrencePreparation of a Scholarly Edition of Niccolò Piccinni's opera: Il Regno della Luna (1770) with an exegesisPhDAustralian National UniversityIn Progress (2013)
MAYDWELL, AnthonyA translation and comparative study of two methods for harp by Philippe-Jacques Meyer from 1763-1773MAUniversity of Western Aust.1982233
MAYS, Lawrence JohnAn investigation of the creation of drama in recitative through comparative analysis : La Serva Padrona set by Pergolesi (1733) and Paisiello (1781)MPhilAustralian National University2012125
McGARITY, Gregory Melville"Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379).MMus(hons)University of New England2000181
McGEE, AnthonyThe early guitar concertoGDip MusUniversity of Queensland198439
MEAGHER, KymUnity in the opus 59 string quartets of BeethovenMMusGriffith University19942 vol
MEYER, AllanThe eighteenth-century clarinet sonata: a contrast of stylesMusMUniversity of Western Aust.1984115
MIECHEL, Phillip AThe classical clarinetMMusUniversity of Melbourne1972115
MILLER, JessicaJean-Joseph Cassanéa de Mondonville and the development of French accompanied keyboard musicMMusUniversity of Sydney201053
MORGAN, Holly DeeDon Giovanni's avenging womenMMusUniversity of Melbourne201359
MORTON, Belinda C.Exploring interpretive aspects in the text and in recorded performances of Mozart's Piano Sonata K. 322: a pedagogical perspectiveMAUniversity of Newcastle2001318
MUMFORD, Monte HiltonThe development of the trombone as an ensemble instrument during the seventeenth and eighteenth centuries MMusUniversity of Tasmania198788
MURPHY, M.S.The use of handplucked instruments in the continuo body of the 17th and 18th centuriesMAUniversity of Sydneywithdrawn 1968
NG, Shaun Kam FookLe Sieur de Machy and the French solo viol traditionMAUniversity of Western Aust.2008246
NOVEMBER, Nancy RachelViolin playing in an era of change: violin construction and technique in the late eighteenth and early nineteenth centuries.MMusVictoria University of Wellington1996200
O'LOGHLIN, Michael A.The Viola da gamba music of the Berlin School, 1732-1772PhDUniversity of Queensland2002377
O'NEILL, David GThe role of the organ in Early English Music, 800-1759 MusMUniversity of Western Aust.19791 vol
OTOMO, AyakoArt, music and the harpsichord in seventeenth-and eighteenth-century France.M.PhilUniversity of Queensland2005110
PARK, RachelArrangements of Mozart's Operas for HarmoniemusikMMusVictoria University of Wellingtonin progress (NiC08/07)
PARRY, Nathan Frank GlynnJohn Clerk's cantata Eheu! quam diris hominis : antiquity, music and medicineM.Mus.University of Melbourne2009139
PEMBERTON, MarkAbsolute Music: Its relevance to the articulation of meaning in contemporary artistic practiceMFAUniversity of Sydney2014
PIKE, Georgia OliviaDefining the Indefinable: An historical and cultural exploration of excellence in musicPhDAustralian National UniversityIn progress (2010)
PINNER, MarkA history of brass bands in New South Wales 1788-1901MA (Hons)Macquarie University2004227
POULSEN, DarrylThe art of hand-horn playing as seen through the instruction manuals of O. Vandenbroek and H. DomnichMusMUniversity of Western Aust.1983109
RALPH, BarnabyMusic, the arts and the dual aesthetic in seventeenth- and early eighteenth-century English thought [electronic resource]PhDUniversity of Queensland2009326
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