Classical

Writer	Thesis Title	Degree	University	Year	# of Pages
ALLAN, David A.	The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century	PhD	LaTrobe University	2001	229
AN, Yu Lee	Music Publishing in London from 1780 to 1837 as reflected in music-publishers' catalogues.	PhD	University of Canterbury	2008 (nyiC)	350 + 932
ARCHER, Greg	Analysis of selected chamber works by Haydn and Beethoven	MMus	University of Newcastle	in progress (NiC08/07)
BADLEY, Allan	The concertos of Leopold Hofmann (l738-l793)	PhD	University of Auckland	1986	3 vol
BAKKER-KING, Margaret R.	The cantatas of Domenico Cimarosa (1749-1801)	PhD	University of Adelaide	1988	2 vol
BALLARD, Bernadette	Women musicians in late 18th-century London	MMus	University of Melbourne	withdrawn c.2005
BELBIN, Jillian	John Christopher Smith (1712-1795): His place in the development of English harpsichord music (including a performance edition of six suites of lessons for the harpsichord op. 3).	MusM	University of Western Aust.	1996	2 vol
BLESKIE, Oliver Nicholas	Early traces of romanticism : an analysis of the philosophy of art expressed in Diderot's Encyclopedie, with particular reference to the articles on music	MA	University of Waikato	2000	295
BROMAGE, Lynette	Shakespeare: words in music : a study of the relationship between the poems in the plays of Shakespeare and musical settings over 400 years	MA	Monash University	1993	157
CARR-BOYD, Ann	Music in Australia, 1788-1888 : Anne Wentzel	MA	University of Sydney	1969	159
COBCROFT, Samantha	Female Vocal Writing in Operas of the Late 18th Century	PhD	University of Newcastle	in progress (NiC08/07)
CUBBIN, David R	The flute in the eighteenth century	MA	Flinders University	1971	513
ELVERY, Warwick David	The flute and its music in the court of Frederick the Great	GDip Mus	Griffith University	1985	1 vol
EVANS, W.	The fortepiano in the 18th century	MMus	University of Sydney	withdrawn 1968
FISHER, Judith Kerry	Texture and dynamics in Haydn's sonata-allegro structures	PhD	University of Sydney	1981	287
FORSYTH, James A.	Music of the Anglican churches in Sydney and surrounding regions : 1788-1868	PhD	University of Sydney	2002	2 vol
FORSYTH, James Alexander	Handel's organ concertos	MMus	University of Melbourne	1970	80
FURMAN, Alexander E	Joseph Haydn's keyboard music 1791-1795 : style and performance	MMus	University of Melbourne	1992	46
GILRAY, Jock	In the shadow of Handel: English oratorio in the later eighteenth century:	MMus	Victoria University of Wellington	1999	272
GOSTELOW, Gavin	Indications for the use of a moderator pedal in the piano sonatas of Jan Ladislav Dussek.	MMus	University of Sydney	in progress (2007)
GREEN, Phillip R.O.	The impetus for the change from shared to single direction in the European orchestra of the late eighteenth and early nineteenth centuries	MMus	University of Queensland	1994	45
GRETTON, Harold	The creation of an historically-informed performance of Fernando Sor's Deuxieme Grand Sonate op 25 for solo guitar.	PhD	Australian National University	in progress (2006)
GRIFFITHS, Gabriel	Dramma per musica: A critical study of Handel's cantatas for solo voice and obbligato instruments, 1706 - 1709	MMus	University of Sydney	in progress (NiC08/07)
GUNSON, Emily J.	Johann Baptist Wendling (1723-1797): life, works, artistry, and influence, including a thematic catalogue of all his compositions	PhD	University of Western Aust.	1999	515
HADFIELD, Karen	Mannheim and the Clarinet	MPhil (perf)	University of Queensland	2006	83
HAMILTON, Vivien	The French cantata and French vocal performance of eighteenth century France	MMus	University of Melbourne	withdrawn c.2006
HANDSAKER, Kate	The making of a successful performance of the role of Cherubino	MMus (Perf)	Australian National University	2001	78
HARTDEGEN, Kenneth A.	Fernando Sor's theory of harmony applied to the guitar	PhD	University of Auckland	in progress (NiC08/07)
HASKELL, Julie	The use of pedal on the modern piano in the smaller piano works of the classical composers.	PhD	University of Adelaide	In Progress (2007)
HILLIER, Robin	The Concerto for multiple instruments QV 6:6 by Johann Joachim Quantz	MMus	University of Melbourne	2003	88
HOFFMAN, Graham Bruce	William Boyce, 1711-1779 the orchestral works	MMus	University of Auckland	1979	269
HOLLANDER, Emma den	The development of early keyboard fingering till 1800	MMus	University of Adelaide	1970	134
HOSKINS, Robert H. B.	Dr. Samuel Arnold (1740-1802), an historical assessment	PhD	University of Auckland	1981	2 vol
HULIN, Kirsten	Artistic guidelines for the instruction of Mozart's Concerto in G major K.216, 1st movement	GradDipMus	Griffith University	1990	37
IRVING, David Ronald Marshall	Lamentation settings by Manuel José Doyagüe (1755-1842) recently rediscovered in Manila : a contextual study and critical transcription	M.Phil	University of Queensland	2003	411
JAMES, Dianne E,	The keyboard trios of Joseph Haydn:	PhD	University of Otago	1993	418
JENKINS, Michael William Graham	John Stanley, his life and instrumental works	PhD	University of Auckland	1975	2 vol
KERSTEN, Anselm Norbert	The liturgical music of Marc-Antoine Charpentier (1645/50-1704)	MMus	University of Auckland	1985	172
LANCASTER, Geoffrey	Keyboard music of W.A. Mozart and F.J. Haydn : response by pre-tertiary piano students to historically-informed performance practice	PhD	University of Sydney	1999	548
LANCASTER, Geoffrey Richard	The slide and trill : general trends in late eighteenth century Germany, with specific reference to the Berlin school	MMus	University of Tasmania	1984	154
LEE, H.M.	The sacred road to Mozart: a study of early music techniques from east and west and the transition to Baroque and Classical period repertoire	MCA	University of Newcastle	2001	190
LEE, Yoon Sen	Mozart's Quintet for wind and piano K 452 and the question of tonal balance when performed on period instruments	MusM	University of Western Aust.	1995	113
LEWIS, Eleanor May	Contextualising Martin Berteau : new perspectives on his works for cello	MMus	University of Sydney	2002	116
LOCKETT, David	Performance practices in the piano sonatas of Beethoven	MMus	University of Adelaide	1980	94
MacKERRAS, Joan	The art of bowing : an enquiry into the history of bowing technique in violin playing from c1675-c.1842	MA	University of Sydney	1966	224
MADDOX, Alan	"On the knowledge necessary for one who wishes to recite well in the theatre": The rhetorical tradition of delivery and the performance practice of recitativo semplice in eighteenth-century dramma per musica	PhD	University of Sydney	2006	255
MADDOX, Richard Peter	The place of Thomas Augustine Arne in eighteenth-century English theatre music.	MA	University of Sydney	1977	179
MAYDWELL, Anthony	A translation and comparative study of two methods for harp by Philippe-Jacques Meyer from 1763-1773	MA	University of Western Aust.	1982	233
McGARITY, Gregory Melville	"Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379).	MMus(hons)	University of New England	2000	181
McGEE, Anthony	The early guitar concerto	GDip Mus	University of Queensland	1984	39
MEAGHER, Kym	Unity in the opus 59 string quartets of Beethoven	MMus	Griffith University	1994	2 vol
MEYER, Allan	The eighteenth-century clarinet sonata: a contrast of styles	MusM	University of Western Aust.	1984	115
MIECHEL, Phillip A	The classical clarinet	MMus	University of Melbourne	1972	115
MORTON, Belinda C.	Exploring interpretive aspects in the text and in recorded performances of Mozart's Piano Sonata K. 322: a pedagogical perspective	MA	University of Newcastle	2001	318
MUMFORD, Monte Hilton	The development of the trombone as an ensemble instrument during the seventeenth and eighteenth centuries	MMus	University of Tasmania	1987	88
MURPHY, M.S.	The use of handplucked instruments in the continuo body of the 17th and 18th centuries	MA	University of Sydney	withdrawn 1968
NOVEMBER, Nancy Rachel	Violin playing in an era of change: violin construction and technique in the late eighteenth and early nineteenth centuries.	MMus	Victoria University of Wellington	1996	200
O'LOGHLIN, Michael A.	The Viola da gamba music of the Berlin School, 1732-1772	PhD	University of Queensland	2002	377
O'NEILL, David G	The role of the organ in Early English Music, 800-1759	MusM	University of Western Aust.	1979	1 vol
OTOMO, Ayako	Art, music and the harpsichord in seventeenth-and eighteenth-century France.	M.Phil	University of Queensland	2005	110
PARK, Rachel	Arrangements of Mozart's Operas for Harmoniemusik	MMus	Victoria University of Wellington	in progress (NiC08/07)
PINNER, Mark	A history of brass bands in New South Wales 1788-1901	MA (Hons)	Macquarie University	2004	227
POULSEN, Darryl	The art of hand-horn playing as seen through the instruction manuals of O. Vandenbroek and H. Domnich	MusM	University of Western Aust.	1983	109
REIBEL, Michael B	The development of the German system clarinet: circa 1700-1900	MMus	University of Queensland	2003	54
REID, Dorothy Margaret	The Beethoven quartets	MA	University of Canterbury	1957	56
ROCKE, Stephanie	Defining the Concert Mass	PhD	Monash University	In progress (2010)
ROYLANCE, Philippa M.	A performing edition of Domenico Dragonetti's solo in G for double bass and piano and a thematic index of his miscellaneous compositions for double bass.	MMus	University of Queensland	1986	2 vol
SMART, Bonnie	The life and music of English cellist Robert Lindley (1776-1855)	PhD	University of Melbourne	in progress (2006)
SOUTHGATE (MARTIN), Rosemary.	An analysis of Mozart's Don Giovanni, with particular reference to characterization	MA	University of Otago	1967	81
STOCKER, Melinda Suat-Lee	The Evolution of the Caprice for Solo Violin with Reference to the Caprices by Locatelli, Paganini and Reitz	MPhil (perf)	University of Queensland	2005	41
SUNMAN, Peter R	Spohr, Hermstedt and the clarinet : an historical study and critical analysis of selected works	Mus.M	University of Western Aust.	1985	78
SWANN, Richard A.	William Boyce: The performance of his last court ode in honour of King George III in 1779	MusM	University of Western Aust.	1995	2 vol
THORPE, Patricia G.	The relevance of twentieth-century analytical theories to the performer of keyboard music of the eighteenth and nineteenth centuries	MA	University of Western Aust.	1994	239
TOBIN, Ashleigh	The organ in the Netherlands from the fifteenth century to the early nineteenth century	MMus	University of Adelaide	1971	85
TODOROVIC, Nick	An examination of social values and context in The Marriage of Figaro and The Magic Flute	GDip Mus	Griffith University	1987	42
TOWNSLEY, Miriam	Intonation and string quartet playing : with reference to the works of Haydn, Mozart and Beethoven	GDip Mus	Griffith University	1991	89
TUNLEY, David	The eighteenth-century secular French cantata	D.Litt	University of Western Aust.	1969	3 vol
VAN DER MEULEN, S.	Empfindsamkeit in the music of the eighteenth century.	PhD	University of Melbourne	withdrawn c.2005
WAARDENBURG, Eric Walter	A study and edition of selected keyboard concertos by Georg Christoph Wagenseil (1715-1777)	MMus	University of Auckland	1983	248
WALDEN, Valerie	An investigation and comparison of the French and Austro-German schools of violoncello bowing techniques: 1785-1839	PhD	University of Auckland	1994	944
WALDEN, Valerie	Bernhard Romberg : a survey of his life, work and contribution to the art of violoncello performance	MMus	University of Auckland	1989	231
WENTZEL, Ann Kirsten	The first hundred years of music in Australia, 1788-1888	MA	University of Sydney	1963	276
WESTACOTT, Graeme	The Rhetoric of the North German Organ School	PhD	University of Queensland	2006	466
WONG, Chi Keung Mark	Operatic gesture in Mozart: constructions of meaning in Mozart's operas and instrumental music	PhD	University of Sydney	2000	366
YEO, Hui-Ling	The development of the classical pianoforte sonata between 1770 and 1825, citing the Keyboard sonata in A major, Op. 17 no. 5 (c.1773) by J.C. Bach and the Piano sonata in A minor D.845 (1825) by F. Schubert as examples of the early and late classical pianoforte sonatas respectively	MA	Monash University	2002	30

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