Baroque

Writer	Thesis Title	Degree	University	Year	# of Pages
DIKMANS, Gregory P.	Rhetoric and the performance practice of early eighteenth-century French instrumental music.	PhD	University of Melbourne	in progress
HAMILTON, Vivien	The French cantata and French vocal performance of eighteenth century France	MMus	University of Melbourne	withdrawn c.2006
McMAHON, Paul	Baroque performance practice pedogogy and the twenty-first century practitioner: the tenor repertoire of George Frideric Handel	PhD	Griffith University	2012
McNAB, Michael	The employment and use of instrumental musicians or ministriles in the sixteenth and early seventeenth century	MMus	University of Melbourne	withdrawn c.2006
Anon	A study in the comparison and contrast of the English Anthem of Pelham Humphrey	MMus	University of NSW	in progress (NiC08/07)
WERETKA, John	Four settings of Metastasio's Siroe: did a musico-dramatic theory exist in the Baroque period?	MMus	University of Melbourne	withdrawn c.2005
Anon	The Liber primus missarum (1602) of Alfonso Lobo	MA	University of Queensland	in progress (NiC08/07)
Anon	Facing the Music: A study of Italian musician portraits c. 1640-1780	PhD	University of Melbourne	In Progress (2007)
BERGIN, A.M.	The music of Giovanni Rovetta (?-1668)	MA	University of Otago	withdrawn 1968
MURPHY, M.S.	The use of handplucked instruments in the continuo body of the 17th and 18th centuries	MA	University of Sydney	withdrawn 1968
Anon	Defining the Indefinable: An historical and cultural exploration of excellence in music	PhD	Australian National University	In progress (2010)
PEMBERTON, Mark	Absolute Music: Its relevance to the articulation of meaning in contemporary artistic practice	MFA	University of Sydney	2014
KIERNAN, Frederic Murray	Six Ave regina coelorum settings (1737) by Jan Dismas Zelenka (ZWV 128): context and critical edition	MMus	University of Melbourne	2013
D'ARCY, Sing	The organ as architecture : reconfiguring the ecclesiastical space of the Hispanic Baroque	PhD	University of Sydney	2010
GRIGSBY, Nicholas	Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)	PhD	University of Waikato	2014
YAPP, Francis	Les prétentions du violoncelle [electronic resource] : the cello as a solo instrument in France in the pre-Duport era (1700-1760).	PhD	University of Canterbury	2012
WARD, Megan	Melodic ornamentation from Muffat to Telemann	MMus	Victoria University of Wellington	2014
FRAMPTON, Andrew Leslie	Jan Dismas Zelenka's Missa Sancti Spiritus, ZWV 4: a critical edition and study of the manuscript sources	MMus	University of Melbourne	2015
PENZLER, Matthias Stefan	The singing heart : an analysis of the morning and evening songs of Paul Gerhardt as exercises in Evangelical piety	MTh	University of Divinity	2014
TORR, Oliver J	Emotional truth in opera performance	Unknown	Monash University	2015
ANGUS, Andrew S.	A critical examination and a transcription of the six published oboe sonatas of Giuseppe Sammartini	MMus	University of Western Aust.	2003	1 vol
DEAN, J. T.	Sonata - Jean Marie Leclair, Op 9 No. 4, transcribed and realised for viola and keyboard.	MusM	University of Western Aust.	1978	1 vol
DRYBROUGH, Katharine F.	A comparative study of Handel's musical expression in five operas and the Opus 6 concerti grossi.	MusM	University of Western Aust.	1997	1 vol
ELVERY, Warwick David	The flute and its music in the court of Frederick the Great	GDip Mus	Griffith University	1985	1 vol
NORMAN, Terence John	The eighteen chorale preludes of J.S. Bach	MMus	University of Adelaide	1977	1 vol
O'NEILL, David G	The role of the organ in Early English Music, 800-1759	MusM	University of Western Aust.	1979	1 vol
STINSON, John Alexander	Essay of musical ayre/ an edition from the autograph with introduction and commentary. [North, Roger, 1653-1734]	MA	Australian National University	1977	1 vol
WELLS, Elizabeth Ann	Influences of the Englische Komodianten on Baroque Opera in Hamburg : Dramaturgy and Perspectives	MMus	University of Adelaide	1989	1 vol
BONETTI, Ruth	A performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboard	MMus	University of Queensland	1989	1 vol + 4 parts
LIGHTFOOT, Jessica Claire	The expression of religion in German instrumental Baroque music	MMus	University of Auckland	2010	100
GERRARD, Kathleen	The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study	M.Mus	NZ School of Music (Victoria + Massey)	2010	107
OTOMO, Ayako	Art, music and the harpsichord in seventeenth-and eighteenth-century France.	M.Phil	University of Queensland	2005	110
VAN PINXTEREN, William Peter	Musical style in selected fantasias and preludes of Joachim van den Hove	MMus	University of Melbourne	1992	110
FORREST, David Lawrence	The form of the keyboard prelude	MCA	University of Wollongong	1986	111
CHUNG, Lisa	The development of the left thumb use in cello playing from its beginning until 1900	DMA	University of Auckland	2014	112
MEYER, Allan	The eighteenth-century clarinet sonata: a contrast of styles	MusM	University of Western Aust.	1984	115
LEWIS, Eleanor May	Contextualising Martin Berteau : new perspectives on his works for cello	MMus	University of Sydney	2002	116
NG, Shaun Kam Fook	Ornamentation in Marin Marais' Pieces de Viole	PhD	University of Sydney	2013	118
SWALE, John David	A thematic catalogue of the music of Giovanni Legrenzi (with an introduction and commentaries)	PhD	University of Adelaide	1984	1185
LACEY, Genevieve	Contemporary attitudes to the performance of baroque music: a synthesis and personal application	DMA	University of Melbourne	2001	121
DILLON, Teressa	Canons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La Serre	MMus	Victoria University of Wellington	2010	121; 99
CATSALIS, Marie-Louise	Keyboard instruction in early eighteenth century Italy : editions of keyboard treatises by Alessandro Scarlatti and Bernardo Pasquini	MMus	University of New England	1998	123
MAYS, Lawrence John	An investigation of the creation of drama in recitative through comparative analysis : La Serva Padrona set by Pergolesi (1733) and Paisiello (1781)	MPhil	Australian National University	2012	125
BEARDMORE, Meredith	Interpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo flute	MMus	University of Sydney	2011	125
PATSTON, Wendy	"Das Orgelbüchlein" (BWV 599-644) [music] : a discussion	NS	University of Newcastle	1994	126
BOUNDS, Carolyn Z	Performing flute music of the French Baroque : an approach for modern flautists [manuscript]	MA	University of Newcastle	2010	126
KIRK, Rachael A.	A Sonata for harpsichord or fortepiano with a tenor obbligato by Carl Stamitz: A comparative study of all editions	MusM	University of Western Aust.	1997	129
JENNINGS, Janet	Dido and Aeneas : "a chaste little piece for schoolgirls"?	MMus	University of Auckland	1999	132
HOLLANDER, Emma den	The development of early keyboard fingering till 1800	MMus	University of Adelaide	1970	134
BESENSKI, Helena	Franz Tunder (1614-1667) as an organist in seventeenth century North Germany : an examination of his life and selected works having reference to his social, musical and historical background	MMus	University of Auckland	1997	136
CONNELLY, Patrice C.	The Viola da Gamba: the development of its technique and pedagogy to the present	MMus	University of Sydney	1995	139
HUNTER-BRADLEY, Louisa	Handel's Gloria : steps taken to facilitate an historically-informed performance	MA (Perf)	Monash University	2005	145 + CD
LUKEY, Lesley Helen	Dramatic and pictorial elements in Schütz	MA	University of Auckland	1963	148
OEHM, Gregory James	"Out of the shadows": a biographical study of William Turner (c.1651-1740), with critical editions of his anthems and services	Phd	University of Newcastle	2014	148
PRENZLER, Matthias Stefan	The singing heart : an analysis of the morning and evening songs of Paul Gerhardt as exercises in Evangelical piety	M.Theology	University of Divinity	2014	148
WARD, Lisa-Jane	Five and six-part chamber sonata in Germany, 1700-1760	MMus	University of Adelaide	1998	150
ROBINSON, Frances Helen	The ritornello principle in Handel’s Concerti grossi, Opus 3 and and Opus 6	MA	University of Auckland	1967	156
BROMAGE, Lynette	Shakespeare: words in music : a study of the relationship between the poems in the plays of Shakespeare and musical settings over 400 years	MA	Monash University	1993	157
COURT, Sarah Kathleen Mary	Death and Transformation in Romantic Song Cycles: Journeys in Interpretation	DMA	Griffith University	2015	166
SMITH, Felicity	The music of Rene Drouard de Bousset (1703-1760) : a source study and stylistic survey, with emphasis on his sacred output	MMus	NZ School of Music (Victoria + Massey)	2008	166; 92
SULLIVAN, Kathryn	French Baroque vocal music: a performer's guide	MCA	University of Newcastle	2007	167 + 3 CDs
LANCASTER, Coral J.	The forms and development of the bass violin in seventeenth-century Italy	MusM	University of Western Aust.	1999	168
OGEIL, Jacqueline Esther	Domenico Scarlatti: a contribution to our understanding of his sonatas through performance and research	PhD	University of Newcastle	2006	169
GETHING, David	A comparative analysis of grand motet settings of Psalm 129 by Jean-Baptiste Lully (LWV 73) and Marc-Antoine Charpentier (H. 189)	MA	University of Western Aust.	2003	171
AYREY, Craig Leslie	Rameau and the Pastorale heroique a dramatic and structural analysis of Zais	MMus	University of Auckland	1978	172
ANDERSON, Elizabeth	A study of fingering in selected sources of English virginal music	MMus	University of Melbourne	1984	174
MADDOX, Richard Peter	The place of Thomas Augustine Arne in eighteenth-century English theatre music.	MA	University of Sydney	1977	179
SMITH, Mark Mervyn	Certain aspects of Baroque music for the violoncello as finally exemplified in the suites for unaccompnaied violoncello by Johann Sebastian Bach	DPhil	Flinders University	1983	186
HUGHES, Indra	Accident or design? : new theories on the unfinished Contrapunctus 14 in J. S. Bach’s The Art Of Fugue BWV 1080	DMA	University of Auckland	2006	188
LEE, H.M.	The sacred road to Mozart: a study of early music techniques from east and west and the transition to Baroque and Classical period repertoire	MCA	University of Newcastle	2001	190
GODTSCHALK, Ondine	Love's desires and the pleasures of Bacchus: the airs of Jean Sicard (fl. 1666-1683)	MMus	Victoria University of Wellington	1999	2 v. ( 188, 126) + 1
BELBIN, Jillian	John Christopher Smith (1712-1795): His place in the development of English harpsichord music (including a performance edition of six suites of lessons for the harpsichord op. 3).	MusM	University of Western Aust.	1996	2 vol
BURDEN, Michael	Six concertos for violin and string orchestra, 1733 [music] / Giueseppe [sic] Tartini ; edited by Michael Burden	MA	University of Adelaide	1986	2 vol
CATSALIS, Marie-Louise	The serenata and Alessandro Scarlatti: a genre study, with six editions	PhD	University of Newcastle	2004	2 vol
JENNINGS, John M	The viol music of Thomas Lupo	MMus	University of Sydney	1967	2 vol
KELLY, Ruth	The lyra viol music of Simon Ives (1600-1662)	MPhil	University of Sydney	1994	2 vol
LONG, Martin	The music of Daniel Bachelor : A critical study.	MA	University of Sydney	1969	2 vol
MULLINS, Margaret Anne	A correlation between music and dance in the Baroque era : a study of musical elements in French Baroque dance c1688-c1725 as found in the dance notation of the period	MMus	University of Adelaide	1977	2 vol
OEHM, Gregory	"William Turner - the fourth man": Critical editions of verse anthems by William Turner (1651-1740)	MA	University of Newcastle	2002	2 vol
SEARS, Margaret	The French classical tradition in opera as seen through a comparative study of Lully's Amadis and Rameau's Hippoloyte et Aricie	MA	University of Western Aust.	1973	2 vol
WHITELEY, Christina Jennifer	Jan Ladislav Dussek: a study of his solo piano sonatas and performance practice issues	MMus (Hons)	University of New England	2002	2 vol
JENKINS, Michael William Graham	John Stanley, his life and instrumental works	PhD	University of Auckland	1975	2 vol
RIMMER, John	Giovanni Gabrieli and the development of instrumental music	MA	University of Auckland	1962	2 vol
BRAIN, Corisha	A social, literary and musical study of Julie Pinel's Nouveau recueil d'airs sérieux et à boire (Paris, 1737)	MMus	NZ School of Music (Victoria + Massey)	2008	2 vol
BOCCHINFUSO, Christopher Michael Standing	Intabulations of Music by Josquin des Prez in Lute Books Published by Pierre Phalèse	M.A.	University of Canterbury	2009	2 vol, 105p, 285p
FLETCHER, Joy G.	The influence of contemporary theatre and music on Giambattista Tiepolo's paintings of "Rinaldo and Armida"	MA	LaTrobe University	1998	210
LEUNG, Lily L.	A study of performing techniques and interpretations of G.F. Handel's operatic and oratorio arias for contralto voice	MA	Deakin University	1998	215
BOURNE, Warren	The evolution of the German church cantata	MA	Victoria University of Wellington	1966	219
MacKERRAS, Joan	The art of bowing : an enquiry into the history of bowing technique in violin playing from c1675-c.1842	MA	University of Sydney	1966	224
ALLAN, David A.	The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century	PhD	LaTrobe University	2001	229
DIKMANS, Gregory P.	The performance practice of early 18th-century French flute music : a critical translation of Jacques Hotteterre's Principes de la flute traversiere : commentary and recording of selected works	MA	LaTrobe University	1991	229 + audiocassette
POMEROY, Carol Anne	A study of Henry Lawes's settings of Thomas Carew's lyrical verse	MA	University of Waikato	1974	239
THORPE, Patricia G.	The relevance of twentieth-century analytical theories to the performer of keyboard music of the eighteenth and nineteenth centuries	MA	University of Western Aust.	1994	239
BRISLAN, Patrick	The horn parts of J.S. Bach	MA	Flinders University	1979	243
BANGERT, Daniel	Doing without thinking? Processes of decision-making in period instrument performance	PhD	University of NSW	2012	248
WRIGHT, Noeleen	Bass lines for bowed bass or keyboard within string ensemble repertoire from Italian presses; 1660-1700	DMA	University of Western Aust.	2012	252 + 3 CDs
MADDOX, Alan	"On the knowledge necessary for one who wishes to recite well in the theatre": The rhetorical tradition of delivery and the performance practice of recitativo semplice in eighteenth-century dramma per musica	PhD	University of Sydney	2006	255
CALEY, Margaret Anne	Re-contextualising the early French solo violin sonata (c.1692-1723)	MMus	James Cook University	2005	265 + 1 sound CD
NORMAN, Terence John	Performance practice of the keyboard music of Johann Jacob Froberger	PhD	Monash University	1992	270 + 87
SHEPARD, Christopher P.	Evolution and revolution : J.S. Bach's Mass in B minor , BWV 232 in New York City, 1900-1980	PhD	University of Sydney	2012	273

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