Baroque

Writer	Thesis Title	Degree	University	Year	# of Pages
ALLAN, David A.	The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century	PhD	LaTrobe University	2001	229
ANDERSON, Elizabeth	A study of fingering in selected sources of English virginal music	MMus	University of Melbourne	1984	174
ANGUS, Andrew S.	A critical examination and a transcription of the six published oboe sonatas of Giuseppe Sammartini	MMus	University of Western Aust.	2003	1 vol
ASPDEN, Suzanne Elizabeth	Psyche's borrowed plumes	MMus	Victoria University of Wellington	1992	332
AYREY, Craig Leslie	Rameau and the Pastorale heroique a dramatic and structural analysis of Zais	MMus	University of Auckland	1978	172
BELBIN, Jillian	John Christopher Smith (1712-1795): His place in the development of English harpsichord music (including a performance edition of six suites of lessons for the harpsichord op. 3).	MusM	University of Western Aust.	1996	2 vol
BERGIN, A.M.	The music of Giovanni Rovetta (?-1668)	MA	University of Otago	withdrawn 1968
BESENSKI, Helena	Franz Tunder (1614-1667) as an organist in seventeenth century North Germany : an examination of his life and selected works having reference to his social, musical and historical background	MMus	University of Auckland	1997	136
BONETTI, Ruth	A performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboard	MMus	University of Queensland	1989	1 vol + 4 parts
BRISLAN, Patrick	The horn parts of J.S. Bach	MA	Flinders University	1979	243
BROMAGE, Lynette	Shakespeare: words in music : a study of the relationship between the poems in the plays of Shakespeare and musical settings over 400 years	MA	Monash University	1993	157
BRUNORO, Gioia Sofia Serafina	The life and works of Giovanni Lorenzo Lulier	PhD	Victoria University of Wellington	1994	585
BURDEN, Michael	Six concertos for violin and string orchestra, 1733 [music] / Giueseppe [sic] Tartini ; edited by Michael Burden	MA	University of Adelaide	1986	2 vol
BURTENSHAW, Leonard John	The stylistic influences on the principal basso ostinato organ works of Dietrich Buxtehude	MMus	University of Sydney	1977	75
CALEY, Margaret Anne	Re-contextualising the early French solo violin sonata (c.1692-1723)	MMus	James Cooke University	2005	265 + 1 sound CD
CATSALIS, Marie-Louise	Keyboard instruction in early eighteenth century Italy : editions of keyboard treatises by Alessandro Scarlatti and Bernardo Pasquini	MMus	University of New England	1998	123
CATSALIS, Marie-Louise	The serenata and Alessandro Scarlatti: a genre study, with six editions	PhD	University of Newcastle	2004	2 vol
CONNELLY, Patrice C.	The Viola da Gamba: the development of its technique and pedagogy to the present	MMus	University of Sydney	1995	139
CUBBIN, David R	The flute in the eighteenth century	MA	Flinders University	1971	513
CUDDEFORD, Tara	Performance techniques for selected works of: J.S. Bach, J. Brahms and E. Elgar	MMus	University of Queensland	2002	82
DEAN, J. T.	Sonata - Jean Marie Leclair, Op 9 No. 4, transcribed and realised for viola and keyboard.	MusM	University of Western Aust.	1978	1 vol
DIKMANS, Gregory P.	The performance practice of early 18th-century French flute music : a critical translation of Jacques Hotteterre's Principes de la flute traversiere : commentary and recording of selected works	MA	LaTrobe University	1991	229 + audiocassette
DIKMANS, Gregory P.	Rhetoric and the performance practice of early eighteenth-century French instrumental music.	PhD	University of Melbourne	in progress
DRYBROUGH, Katharine F.	A comparative study of Handel's musical expression in five operas and the Opus 6 concerti grossi.	MusM	University of Western Aust.	1997	1 vol
DUTHOITE, Andre	The interpretation process in relation to four works by J.S. Bach, Boccherini and Brahms	MMus	University of Queensland	2000	65
EASTWOOD, Anthony Charles	Stylistic development and melodic transmission in some secular song books published in Paris (1695-1740)	PhD	University of Western Aust.	1987	5 vol
ELLINGWORTH, Susan	An investigation into the early music written for the harpsichord in Italy up to the time of Frescobaldi : with special consideration for the Venetian school of harpsichord composers, 1550-1650.	MMus	University of Sydney	1965	3 vol
ELLIS, Bronwyn Irene	These sad, distracted tymes : the impact of the Civil War and Interregnum on English music, c.1640 to c.1660	PhD	University of Tasmania	2004	324
ELVERY, Warwick David	The flute and its music in the court of Frederick the Great	GDip Mus	Griffith University	1985	1 vol
FABIAN, Dorottya	J. S. Bach recordings 1945-1975: St Matthew and St John Passions, Brandenburg concertos and Goldberg variations, a study of performance practice in the context of the early music movement	PhD	University of NSW	1998	575 + 4 CDs
FLETCHER, Joy G.	The influence of contemporary theatre and music on Giambattista Tiepolo's paintings of "Rinaldo and Armida"	MA	LaTrobe University	1998	210
FORREST, David Lawrence	The form of the keyboard prelude	MCA	University of Wollongong	1986	111
GETHING, David	A comparative analysis of grand motet settings of Psalm 129 by Jean-Baptiste Lully (LWV 73) and Marc-Antoine Charpentier (H. 189)	MA	University of Western Aust.	2003	171
GODTSCHALK, Ondine	Love's desires and the pleasures of Bacchus: the airs of Jean Sicard (fl. 1666-1683)	MMus	Victoria University of Wellington	1999	2 v. ( 188, 126) + 1 CD
Grigsby, Nicholas Stephen	The Lutheran Chorale in Variation Form: A Study of Source, Context,Genre, Textural Interpretation & Compositional Procedure in the Music of J.S. Bach	PhD	University of Waikato	In Progress (2007)
HAMILTON, Vivien	The French cantata and French vocal performance of eighteenth century France	MMus	University of Melbourne	withdrawn c.2006
HARVEY, Douglas Ross	Henry Playford: a bibliographical study	PhD	Victoria University of Wellington	1985	838
HEYWARD, E	Germany and the heritage of the Hebrew Psalter from Luther to the death of Bach	PhD	University of Tasmania	1968	310
HOLLANDER, Emma den	The development of early keyboard fingering till 1800	MMus	University of Adelaide	1970	134
HUGHES, Indra	Accident or design? : new theories on the unfinished Contrapunctus 14 in J. S. Bach’s The Art Of Fugue BWV 1080	DMA	University of Auckland	2006	188
HUNTER-BRADLEY, Louisa	Handel's Gloria : steps taken to facilitate an historically-informed performance	MA (Perf)	Monash University	2005	145 + CD
HYETT, Barbara	'Bach's Goldberg variations' : a unique phenomenon in baroque keyboard variation style	MMus	University of Melbourne	1974	95
JAQUES, Michelle	Buxtehude as rhetorician: the use of the rhetorical disposition and rhetorical figures in some of Buxtehude's free organ works	MMus	Griffith University	1998	96 + 190
JARVIS, Martin W. B.	Did Johann Sebastian Bach write the six cello suites?	PhD	Charles Darwin University	2007	430
JENKINS, Michael William Graham	John Stanley, his life and instrumental works	PhD	University of Auckland	1975	2 vol
JENKINS, Michael William Graham	Froberger and his musical environment with special reference to his keyboard works, and a survey of the cultural influences of the early baroque	MA	University of Auckland	1970	405
JENNINGS, Janet	Dido and Aeneas : "a chaste little piece for schoolgirls"?	MMus	University of Auckland	1999	132
JENNINGS, John M	The viol music of Thomas Lupo	MMus	University of Sydney	1967	2 vol
KALINAJOVA, Veronika	English madrigal dedications (1588-1632): motives, benefits & influences	MMus	University of Queensland	2009 (not yet in lib. cat.)	155
KELLY, Ruth	The lyra viol music of Simon Ives (1600-1662)	MPhil	University of Sydney	1994	2 vol
KIRK, Rachael A.	A Sonata for harpsichord or fortepiano with a tenor obbligato by Carl Stamitz: A comparative study of all editions	MusM	University of Western Aust.	1997	129
LACEY, Genevieve	Contemporary attitudes to the performance of baroque music: a synthesis and personal application	DMA	University of Melbourne	2001	121
LANCASTER, Coral J.	The forms and development of the bass violin in seventeenth-century Italy	MusM	University of Western Aust.	1999	168
LAWRENCE, Douglas	Organ registration in the French and German Baroque	MMus	University of Melbourne	1974	66
LEE, H.M.	The sacred road to Mozart: a study of early music techniques from east and west and the transition to Baroque and Classical period repertoire	MCA	University of Newcastle	2001	190
LEGG, Susan	Handel's Belshazzar: an harmonic analysis	MMus	University of Adelaide	1995	392
LEIGHTON JONES, Michael	The madrigal style of John Wilbye: a comparison, through paired settings, with his contemporaries John Bennet, George Kirbye and Henry Lichfild	MMus	University of Queensland	1991	80
LEUNG, Lily L.	A study of performing techniques and interpretations of G.F. Handel's operatic and oratorio arias for contralto voice	MA	Deakin University	1998	215
LEWIS, Eleanor May	Contextualising Martin Berteau : new perspectives on his works for cello	MMus	University of Sydney	2002	116
LONG, Martin	The music of Daniel Bachelor : A critical study.	MA	University of Sydney	1969	2 vol
LUKEY, Lesley Helen	Dramatic and pictorial elements in Schütz	MA	University of Auckland	1963	148
MacKERRAS, Joan	The art of bowing : an enquiry into the history of bowing technique in violin playing from c1675-c.1842	MA	University of Sydney	1966	224
MADDOX, Alan	"On the knowledge necessary for one who wishes to recite well in the theatre": The rhetorical tradition of delivery and the performance practice of recitativo semplice in eighteenth-century dramma per musica	PhD	University of Sydney	2006	255
MADDOX, Richard Peter	The place of Thomas Augustine Arne in eighteenth-century English theatre music.	MA	University of Sydney	1977	179
MALONEY, M. Paul	The art of dancing in 1600 : the balletti of Fabrizio Caroso, a project for a film, with commentary on the text and music of his book, Nobilta` di Dame	MA	Monash University	1986	3 vol
MARINOVICH, Vinka Millicent	Some features of the rise of tonality in instrumental music up to the end of the seventeenth century	MA	University of Auckland	1954	315
McGEE, Anthony	The early guitar concerto	GDip Mus	University of Queensland	1984	39
McGILL, Virginnia	L'Orfeo by Aureli and Sartorio, 1672-1706	PhD	University of NSW	2001	471
McMAHON, Paul	Pedagogy in 18th century performance practice: the tenor repertoire of George Frideric Handel	DMA	Griffith University	in progress (2006?)
McMAHON, Paul G	Poet, text, composer : two contrasting approaches to John Dryden's A song for St Cecilia's Day, 1687 by Giovanni Battista Draghi and George Frideric Handel	MMus (Perf)	University of Sydney	2005	72
McNAB, Michael	The employment and use of instrumental musicians or ministriles in the sixteenth and early seventeenth century	MMus	University of Melbourne	withdrawn c.2006
MEYER, Allan	The eighteenth-century clarinet sonata: a contrast of styles	MusM	University of Western Aust.	1984	115
MONEY, Jane Elizabeth	An investigation into tonal procedure in selected keyboard works of Johann Sebastian Bach, 1685-1750 a study in tonality	MMus	University of Auckland	1975	306
MULLINS, Margaret Anne	A correlation between music and dance in the Baroque era : a study of musical elements in French Baroque dance c1688-c1725 as found in the dance notation of the period	MMus	University of Adelaide	1977	2 vol
MUMFORD, Monte Hilton	The development of the trombone as an ensemble instrument during the seventeenth and eighteenth centuries	MMus	University of Tasmania	1987	88
MURPHY, M.S.	The use of handplucked instruments in the continuo body of the 17th and 18th centuries	MA	University of Sydney	withdrawn 1968
NADEN, Liam P.D.	Sacrae cantiones : liber quartus (1606) / Agostino Agazzari: a critical edition	MA	University of Auckland	1988	NS
NORMAN, Terence John	The eighteen chorale preludes of J.S. Bach	MMus	University of Adelaide	1977	1 vol
NORMAN, Terence John	Performance practice of the keyboard music of Johann Jacob Froberger	PhD	Monash University	1992	270 + 87
O'LOGHLIN, Michael A.	The Viola da gamba music of the Berlin School, 1732-1772	PhD	University of Queensland	2002	377
O'NEILL, David G	The role of the organ in Early English Music, 800-1759	MusM	University of Western Aust.	1979	1 vol
OEHM, Gregory	"William Turner - the fourth man": Critical editions of verse anthems by William Turner (1651-1740)	MA	University of Newcastle	2002	2 vol
OEHM, Gregory James	The anthems of William Turner (1651-1740)	Phd	University of Newcastle	In Progress (2003)
OEY, Samuel U.	A study in the comparison and contrast of the English Anthem of Pelham Humphrey	MMus	University of NSW	in progress (NiC08/07)
OGEIL, Jacqueline Esther	Domenico Scarlatti: a contribution to our understanding of his sonatas through performance and research	PhD	University of Newcastle	2006	169
OTOMO, Ayako	Art, music and the harpsichord in seventeenth-and eighteenth-century France.	M.Phil	University of Queensland	2005	110
OWENS, Samantha Kim	The Württemberg Hofkapelle c. 1680-1721	PhD	Victoria University of Wellington	1995	640
PATSTON, Wendy	"Das Orgelbüchlein" (BWV 599-644) [music] : a discussion	NS	University of Newcastle	1994	126
PLATT, Heather	The orchestral suites of Johann Friedrich Fasch at Darmstadt	MMus	University of Adelaide	1986	299
POMEROY, Carol Anne	A study of Henry Lawes's settings of Thomas Carew's lyrical verse	MA	University of Waikato	1974	239
QUINTEROS, Carmen Veronica	Creativity, order and discipline [J.S Bach; Ontology, Creation, Ontology, Phenomenology]	PhD	University of NSW	2004	303
REIBEL, Michael B	The development of the German system clarinet: circa 1700-1900	MMus	University of Queensland	2003	54
RIMMER, John	Giovanni Gabrieli and the development of instrumental music	MA	University of Auckland	1962	2 vol
ROBINSON, Frances Helen	The ritornello principle in Handel’s Concerti grossi, Opus 3 and and Opus 6	MA	University of Auckland	1967	156
ROCKE, Stephanie	Defining the Concert Mass	PhD	Monash University	In progress (2010)
SEARES, Margaret	The keyboard suites of Johann Mattheson, 1714, in relation to contemporary European harpsichord styles	PhD	University of Western Aust.	1989	3 vols
SEARS, Margaret	The French classical tradition in opera as seen through a comparative study of Lully's Amadis and Rameau's Hippoloyte et Aricie	MA	University of Western Aust.	1973	2 vol
SHEPHEARD, Mark	Facing the Music: A study of Italian musician portraits c. 1640-1780	PhD	University of Melbourne	In Progress (2007)
SMITH, Mark Mervyn	Certain aspects of Baroque music for the violoncello as finally exemplified in the suites for unaccompnaied violoncello by Johann Sebastian Bach	DPhil	Flinders University	1983	186
STEELE, John H.	The origins and development of organ music in 17th century Germany	MA	University of Otago	1952	84

Australia & New Zealand Music Research

Search Database & Site by Keyword

Library Links

Baroque