ALLAN, David A. | The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century | PhD | LaTrobe University | 2001 | 229 |
ANDERSON, Elizabeth | A study of fingering in selected sources of English virginal music | MMus | University of Melbourne | 1984 | 174 |
ANGUS, Andrew S. | A critical examination and a transcription of the six published oboe sonatas of Giuseppe Sammartini | MMus | University of Western Aust. | 2003 | 1 vol |
Anon | A study in the comparison and contrast of the English Anthem of Pelham Humphrey | MMus | University of NSW | in progress (NiC08/07) | |
Anon | The Liber primus missarum (1602) of Alfonso Lobo | MA | University of Queensland | in progress (NiC08/07) | |
Anon | Facing the Music: A study of Italian musician portraits c. 1640-1780 | PhD | University of Melbourne | In Progress (2007) | |
Anon | Defining the Indefinable: An historical and cultural exploration of excellence in music | PhD | Australian National University | In progress (2010) | |
ASPDEN, Suzanne Elizabeth | Psyche's borrowed plumes | MMus | Victoria University of Wellington | 1992 | 332 |
AYREY, Craig Leslie | Rameau and the Pastorale heroique a dramatic and structural analysis of Zais | MMus | University of Auckland | 1978 | 172 |
BANGERT, Daniel | Doing without thinking? Processes of decision-making in period instrument performance | PhD | University of NSW | 2012 | 248 |
BEARDMORE, Meredith | Interpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo flute | MMus | University of Sydney | 2011 | 125 |
BELBIN, Jillian | John Christopher Smith (1712-1795): His place in the development of English harpsichord music (including a performance edition of six suites of lessons for the harpsichord op. 3). | MusM | University of Western Aust. | 1996 | 2 vol |
BERGIN, A.M. | The music of Giovanni Rovetta (?-1668) | MA | University of Otago | withdrawn 1968 | |
BESENSKI, Helena | Franz Tunder (1614-1667) as an organist in seventeenth century North Germany : an examination of his life and selected works having reference to his social, musical and historical background | MMus | University of Auckland | 1997 | 136 |
BISHOP, Kirsten Elise | Playing J. S. Bach’s viola da gamba sonatas on the modern cello: editorial practices and performing protocols | M.Phil | University of Queensland | 2012 | 42 |
BOCCHINFUSO, Christopher Michael Standing | Intabulations of Music by Josquin des Prez in Lute Books Published by Pierre Phalèse | M.A. | University of Canterbury | 2009 | 2 vol, 105p, 285p |
BONETTI, Ruth | A performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboard | MMus | University of Queensland | 1989 | 1 vol + 4 parts |
BOUNDS, Carolyn Z | Performing flute music of the French Baroque : an approach for modern flautists [manuscript] | MA | University of Newcastle | 2010 | 126 |
BOURNE, Warren | The evolution of the German church cantata | MA | Victoria University of Wellington | 1966 | 219 |
BRAIN, Corisha | A social, literary and musical study of Julie Pinel's Nouveau recueil d'airs sérieux et à boire (Paris, 1737) | MMus | NZ School of Music (Victoria + Massey) | 2008 | 2 vol |
BRISLAN, Patrick | The horn parts of J.S. Bach | MA | Flinders University | 1979 | 243 |
BROMAGE, Lynette | Shakespeare: words in music : a study of the relationship between the poems in the plays of Shakespeare and musical settings over 400 years | MA | Monash University | 1993 | 157 |
BRUNORO, Gioia Sofia Serafina | The life and works of Giovanni Lorenzo Lulier | PhD | Victoria University of Wellington | 1994 | 585 |
BUCK, Mary | Music, geometry, and the listener : space in the history of Western philosophy and Western classical music | PhD | University of New England | 2008 | TBA |
BURDEN, Michael | Six concertos for violin and string orchestra, 1733 [music] / Giueseppe [sic] Tartini ; edited by Michael Burden | MA | University of Adelaide | 1986 | 2 vol |
BURTENSHAW, Leonard John | The stylistic influences on the principal basso ostinato organ works of Dietrich Buxtehude | MMus | University of Sydney | 1977 | 75 |
CALEY, Margaret Anne | Re-contextualising the early French solo violin sonata (c.1692-1723) | MMus | James Cook University | 2005 | 265 + 1 sound CD |
CATSALIS, Marie-Louise | Keyboard instruction in early eighteenth century Italy : editions of keyboard treatises by Alessandro Scarlatti and Bernardo Pasquini | MMus | University of New England | 1998 | 123 |
CATSALIS, Marie-Louise | The serenata and Alessandro Scarlatti: a genre study, with six editions | PhD | University of Newcastle | 2004 | 2 vol |
CHUNG, Lisa | The development of the left thumb use in cello playing from its beginning until 1900 | DMA | University of Auckland | 2014 | 112 |
CONNELLY, Patrice C. | The Viola da Gamba: the development of its technique and pedagogy to the present | MMus | University of Sydney | 1995 | 139 |
COURT, Sarah Kathleen Mary | Death and Transformation in Romantic Song Cycles: Journeys in Interpretation | DMA | Griffith University | 2015 | 166 |
CROWDEN, David | "Alla tromba della fama" (To the trumpet of fame): the impact of instrumental idiom on vocal performance practice in trumpet arias | MMus | University of Sydney | 2014 | 70 |
CUBBIN, David R | The flute in the eighteenth century | MA | Flinders University | 1971 | 513 |
CUDDEFORD, Tara | Performance techniques for selected works of: J.S. Bach, J. Brahms and E. Elgar | MMus | University of Queensland | 2002 | 82 |
D'ARCY, Sing | The organ as architecture : reconfiguring the ecclesiastical space of the Hispanic Baroque | PhD | University of Sydney | 2010 | |
DEAN, J. T. | Sonata - Jean Marie Leclair, Op 9 No. 4, transcribed and realised for viola and keyboard. | MusM | University of Western Aust. | 1978 | 1 vol |
DIKMANS, Gregory P. | The performance practice of early 18th-century French flute music : a critical translation of Jacques Hotteterre's Principes de la flute traversiere : commentary and recording of selected works | MA | LaTrobe University | 1991 | 229 + audiocassette |
DIKMANS, Gregory P. | Rhetoric and the performance practice of early eighteenth-century French instrumental music. | PhD | University of Melbourne | in progress | |
DILLON, Teressa | Canons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La Serre | MMus | Victoria University of Wellington | 2010 | 121; 99 |
DRYBROUGH, Katharine F. | A comparative study of Handel's musical expression in five operas and the Opus 6 concerti grossi. | MusM | University of Western Aust. | 1997 | 1 vol |
DUTHOITE, Andre | The interpretation process in relation to four works by J.S. Bach, Boccherini and Brahms | MMus | University of Queensland | 2000 | 65 |
EASTWOOD, Anthony Charles | Stylistic development and melodic transmission in some secular song books published in Paris (1695-1740) | PhD | University of Western Aust. | 1987 | 5 vol |
ELLINGWORTH, Susan | An investigation into the early music written for the harpsichord in Italy up to the time of Frescobaldi : with special consideration for the Venetian school of harpsichord composers, 1550-1650. | MMus | University of Sydney | 1965 | 3 vol |
ELLIS, Bronwyn Irene | These sad, distracted tymes : the impact of the Civil War and Interregnum on English music, c.1640 to c.1660 | PhD | University of Tasmania | 2004 | 324 |
ELVERY, Warwick David | The flute and its music in the court of Frederick the Great | GDip Mus | Griffith University | 1985 | 1 vol |
FABIAN, Dorottya | J. S. Bach recordings 1945-1975: St Matthew and St John Passions, Brandenburg concertos and Goldberg variations, a study of performance practice in the context of the early music movement | PhD | University of NSW | 1998 | 575 + 4 CDs |
FLETCHER, Joy G. | The influence of contemporary theatre and music on Giambattista Tiepolo's paintings of "Rinaldo and Armida" | MA | LaTrobe University | 1998 | 210 |
FORREST, David Lawrence | The form of the keyboard prelude | MCA | University of Wollongong | 1986 | 111 |
FRAMPTON, Andrew Leslie | Jan Dismas Zelenka's Missa Sancti Spiritus, ZWV 4: a critical edition and study of the manuscript sources | MMus | University of Melbourne | 2015 | |
GERRARD, Kathleen | The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study | M.Mus | NZ School of Music (Victoria + Massey) | 2010 | 107 |
GETHING, David | A comparative analysis of grand motet settings of Psalm 129 by Jean-Baptiste Lully (LWV 73) and Marc-Antoine Charpentier (H. 189) | MA | University of Western Aust. | 2003 | 171 |
GODTSCHALK, Ondine | Love's desires and the pleasures of Bacchus: the airs of Jean Sicard (fl. 1666-1683) | MMus | Victoria University of Wellington | 1999 | 2 v. ( 188, 126) + 1 |
GRIGSBY, Nicholas | Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) | PhD | University of Waikato | 2014 | |
HAMILTON, Vivien | The French cantata and French vocal performance of eighteenth century France | MMus | University of Melbourne | withdrawn c.2006 | |
HARVEY, Douglas Ross | Henry Playford: a bibliographical study | PhD | Victoria University of Wellington | 1985 | 838 |
HEYWARD, E | Germany and the heritage of the Hebrew Psalter from Luther to the death of Bach | PhD | University of Tasmania | 1968 | 310 |
HOLLANDER, Emma den | The development of early keyboard fingering till 1800 | MMus | University of Adelaide | 1970 | 134 |
HORGAN, Kate Elizabeth | Singing to the king : the politics of songs in eighteenth-century Britain c. 1723-1795 | PhD | Australian National University | 2012 | 303 |
HUGHES, Indra | Accident or design? : new theories on the unfinished Contrapunctus 14 in J. S. Bach’s The Art Of Fugue BWV 1080 | DMA | University of Auckland | 2006 | 188 |
HUNTER-BRADLEY, Louisa | Handel's Gloria : steps taken to facilitate an historically-informed performance | MA (Perf) | Monash University | 2005 | 145 + CD |
HYETT, Barbara | 'Bach's Goldberg variations' : a unique phenomenon in baroque keyboard variation style | MMus | University of Melbourne | 1974 | 95 |
JAQUES, Michelle | Buxtehude as rhetorician: the use of the rhetorical disposition and rhetorical figures in some of Buxtehude's free organ works | MMus | Griffith University | 1998 | 96 + 190 |
JARVIS, Martin W. B. | Did Johann Sebastian Bach write the six cello suites? | PhD | Charles Darwin University | 2007 | 430 |
JENKINS, Michael William Graham | John Stanley, his life and instrumental works | PhD | University of Auckland | 1975 | 2 vol |
JENKINS, Michael William Graham | Froberger and his musical environment with special reference to his keyboard works, and a survey of the cultural influences of the early baroque | MA | University of Auckland | 1970 | 405 |
JENNINGS, Janet | Dido and Aeneas : "a chaste little piece for schoolgirls"? | MMus | University of Auckland | 1999 | 132 |
JENNINGS, John M | The viol music of Thomas Lupo | MMus | University of Sydney | 1967 | 2 vol |
KELLY, Ruth | The lyra viol music of Simon Ives (1600-1662) | MPhil | University of Sydney | 1994 | 2 vol |
KIERNAN, Frederic Murray | Six Ave regina coelorum settings (1737) by Jan Dismas Zelenka (ZWV 128): context and critical edition | MMus | University of Melbourne | 2013 | |
KIRK, Rachael A. | A Sonata for harpsichord or fortepiano with a tenor obbligato by Carl Stamitz: A comparative study of all editions | MusM | University of Western Aust. | 1997 | 129 |
LACEY, Genevieve | Contemporary attitudes to the performance of baroque music: a synthesis and personal application | DMA | University of Melbourne | 2001 | 121 |
LANCASTER, Coral J. | The forms and development of the bass violin in seventeenth-century Italy | MusM | University of Western Aust. | 1999 | 168 |
LAWRENCE, Douglas | Organ registration in the French and German Baroque | MMus | University of Melbourne | 1974 | 66 |
LEE, H.M. | The sacred road to Mozart: a study of early music techniques from east and west and the transition to Baroque and Classical period repertoire | MCA | University of Newcastle | 2001 | 190 |
LEGG, Susan | Handel's Belshazzar: an harmonic analysis | MMus | University of Adelaide | 1995 | 392 |
LEIGHTON JONES, Michael | The madrigal style of John Wilbye: a comparison, through paired settings, with his contemporaries John Bennet, George Kirbye and Henry Lichfild | MMus | University of Queensland | 1991 | 80 |
LEUNG, Lily L. | A study of performing techniques and interpretations of G.F. Handel's operatic and oratorio arias for contralto voice | MA | Deakin University | 1998 | 215 |
LEWIS, Eleanor May | Contextualising Martin Berteau : new perspectives on his works for cello | MMus | University of Sydney | 2002 | 116 |
LIGHTFOOT, Jessica Claire | The expression of religion in German instrumental Baroque music | MMus | University of Auckland | 2010 | 100 |
LONG, Martin | The music of Daniel Bachelor : A critical study. | MA | University of Sydney | 1969 | 2 vol |
LUKEY, Lesley Helen | Dramatic and pictorial elements in Schütz | MA | University of Auckland | 1963 | 148 |
MacKERRAS, Joan | The art of bowing : an enquiry into the history of bowing technique in violin playing from c1675-c.1842 | MA | University of Sydney | 1966 | 224 |
MADDOX, Alan | "On the knowledge necessary for one who wishes to recite well in the theatre": The rhetorical tradition of delivery and the performance practice of recitativo semplice in eighteenth-century dramma per musica | PhD | University of Sydney | 2006 | 255 |
MADDOX, Richard Peter | The place of Thomas Augustine Arne in eighteenth-century English theatre music. | MA | University of Sydney | 1977 | 179 |
MALONEY, M. Paul | The art of dancing in 1600 : the balletti of Fabrizio Caroso, a project for a film, with commentary on the text and music of his book, Nobilta` di Dame | MA | Monash University | 1986 | 3 vol |
MARINOVICH, Vinka Millicent | Some features of the rise of tonality in instrumental music up to the end of the seventeenth century | MA | University of Auckland | 1954 | 315 |
MAYS, Lawrence John | An investigation of the creation of drama in recitative through comparative analysis : La Serva Padrona set by Pergolesi (1733) and Paisiello (1781) | MPhil | Australian National University | 2012 | 125 |
McEWING, Keith Lyndon | Is the dance still in the music? : Chaconne compositions from the seventeenth to the twentieth century | MA | Victoria University of Wellington | 2008 | 330 +DVD |
McGEE, Anthony | The early guitar concerto | GDip Mus | University of Queensland | 1984 | 39 |
McGILL, Virginnia | L'Orfeo by Aureli and Sartorio, 1672-1706 | PhD | University of NSW | 2001 | 471 |
McMAHON, Paul | Baroque performance practice pedogogy and the twenty-first century practitioner: the tenor repertoire of George Frideric Handel | PhD | Griffith University | 2012 | |
McMAHON, Paul G | Poet, text, composer : two contrasting approaches to John Dryden's A song for St Cecilia's Day, 1687 by Giovanni Battista Draghi and George Frideric Handel | MMus (Perf) | University of Sydney | 2005 | 72 |
McNAB, Michael | The employment and use of instrumental musicians or ministriles in the sixteenth and early seventeenth century | MMus | University of Melbourne | withdrawn c.2006 | |
MEYER, Allan | The eighteenth-century clarinet sonata: a contrast of styles | MusM | University of Western Aust. | 1984 | 115 |
MONEY, Jane Elizabeth | An investigation into tonal procedure in selected keyboard works of Johann Sebastian Bach, 1685-1750 a study in tonality | MMus | University of Auckland | 1975 | 306 |
MULLINS, Margaret Anne | A correlation between music and dance in the Baroque era : a study of musical elements in French Baroque dance c1688-c1725 as found in the dance notation of the period | MMus | University of Adelaide | 1977 | 2 vol |
MUMFORD, Monte Hilton | The development of the trombone as an ensemble instrument during the seventeenth and eighteenth centuries | MMus | University of Tasmania | 1987 | 88 |
MURPHY, M.S. | The use of handplucked instruments in the continuo body of the 17th and 18th centuries | MA | University of Sydney | withdrawn 1968 | |
NADEN, Liam P.D. | Sacrae cantiones : liber quartus (1606) / Agostino Agazzari: a critical edition | MA | University of Auckland | 1988 | NS |