Renaissance

Writer	Thesis Title	Degree	University	Year	# of Pages
ADAMSON, Amanda	Petrucci's Motetti C : a critical edition and study of the anonymous motets	MMus	University of Auckland	1992	310
ALLAN, David Anthony	A dual study of English lute repertoire of the renaissance period and English guitar repertoire of the twentieth century	MMus	University of Adelaide	1980	205
ALLEN, Chris	Aspects of the music of Henry Purcell	MMus	University of Newcastle	in progress (NiC08/07)
AMPT, Robert Milton	Music iconography and performance practice in the time of Heinrich Schutz	MMus	University of Adelaide	1973	192
ANSLOW, Dayle	Three masses by Antonio Cifra and their background in the Roman Counter-Reformation: a study and edition.	MMus	University of Auckland	1998	348
APPELT, Carol R.	Fifteenth-century modality: a comparison of the practice of Ockeghem and the theory of Tinctoris	MA	Monash University	in progress (NiC08/07)
ARTINGSTALL, Elizabeth M.	Dufay, a man of the world: An investigation into Dufay's ceremonial motets	MA	Monash University	1996	110
ATCHISON, Mary	The structures and scribes of the chansonnier of the Oxford Bodleian MS Douce 308	PhD	Monash University	1995	2 vol
BALL, Dorothy Louie	The popular element in the music of the English virginal school	MMus	University of Auckland	1979	186
BARCLAY, Daryl James	Luther and the restoration of vernacular congregational hymnody	MA	Australian Catholic University	2004	75
BISHOP, Dianne	Jean Calvin and the Genevan Psalter : a study of the Calvinist aesthetic and its application in the music of the Psalter	MMus	University of Melbourne	1969	197
BLACKBURN, Andrew Stewart	Styles in the church music of Henry Purcell	MMus	University of Melbourne	1980	140
BROWN, Patricia Anne	John Dowland and the emergence of the English lute song	MA	University of Queensland	1969	240
CANNON, Herbert	Music in the English drama up to 1600	MA	University of Queensland	1927	151
CLINTON, Terry	O s'io potessi donna and Se pur ti guardo : a survey of accidental usage in the practical sources for two sixteenth-century four-part songs	MMus	University of Sydney	2001	2 vol
COLE, Suzanne	The reception of the sacred choral music of Thomas Tallis in nineteenth-century England	PhD	University of Melbourne	2004	203
CONNELLY, Patrice C.	The Viola da Gamba: the development of its technique and pedagogy to the present	MMus	University of Sydney	1995	139
CUNION, K.E.	Many beads one string: a study of composition and arrangement techniques in early sacred music, and the larger role of such music forms	MCA	University of Newcastle	2002	132
DIXON, H.	Motets in the 15th century	MA	University of Sydney	withdrawn 1968
EAKINS, Rex	Structure and function in the mid-15th-century Mass	PhD	University of Western Aust.	1982	2 vol
EDGAR, Tracey A.	The history and development of the English catch	PhD	Monash University	1997	1 vol
EKKEL, Gary	Ockeghem's Alma Redemptoris Mater and the Renaissance duo: towards a structuralist method of analysing Renaissance polyphony	MMus	University of Melbourne	1988	147
EKKEL, Gary	Tonal balance in polyphony of the Josquin generation	DMus	University of Melbourne	1997	2 vol
ELLINGWORTH, Susan	An investigation into the early music written for the harpsichord in Italy up to the time of Frescobaldi : with special consideration for the Venetian school of harpsichord composers, 1550-1650.	MMus	University of Sydney	1965	3 vol
FAGAN, Rachel Joyce	Music for three voices in sixteenth-century Germany : the Latin works of Johannes Petreius' Trium vocum cantiones centum (Nuremburg, 1541)	MMus	University of Auckland	2005	182
FORGACS, Robert	The musique mesurée of Claude Le Jeune : a re-evaluation	MA	University of Sydney	1988	188
FORGACS, Robert	The rhetoric of Orlando di Lasso's contributions to the Divine Offices of Matins and Lauds : a study of the relationship between liturgy, text and music	PhD	University of NSW	1996	398
FORSBERG, Andrew	Malory : music with repetitive structrures	MA	University of Auckland	1999	70
GARDEN, Greer	Tonal and modal resource in the Latin motets of William Byrd	MA	University of Otago	1965	76
GRIFFITHS, John Anthony	The vihuela fantasia: a comparative study of forms and styles	PhD	Monash University	1983	2 vol
GUSTAVSON, Royston Robert	Hans Ott, Hieronymus Formschneider, and the Novum et insigne opus musicum (Nuremberg, 1537-1539)	PhD	University of Melbourne	1998	925
HEYWARD, E	Germany and the heritage of the Hebrew Psalter from Luther to the death of Bach	PhD	University of Tasmania	1968	310
HOLLAND, R. J. T.	The madrigals of Peter Philips	MA	University of Sydney	1962	NiLc
HOLLANDER, Emma den	The development of early keyboard fingering till 1800	MMus	University of Adelaide	1970	134
JENNINGS, John M	The viol music of Thomas Lupo	MMus	University of Sydney	1967	2 vol
JOO, Hyun Shin	Martin Luther's view of the use of music in worship: its implications for the Korean Presbyterian Church	TheolM	Melbourne College of Divinity	2002	108
KALINAJOVA, Veronika	English madrigal dedications (1588-1632): motives, benefits & influences	MMus	University of Queensland	2009 (not yet in lib. cat.)	155
KAZIMIERCZAK, Bogdan	The percursors of the violin family : emergent technology and technique from late classical antiquity to the early Renaissance	MMus	University of Adelaide	1980	96
LEIGHTON JONES, Michael	The madrigal style of John Wilbye: a comparison, through paired settings, with his contemporaries John Bennet, George Kirbye and Henry Lichfild	MMus	University of Queensland	1991	80
LONG, Martin	The music of Daniel Bachelor : A critical study.	MA	University of Sydney	1969	2 vol
MACKAY, Lisa	Mode in the Salve Regina settings of the Eton College choirbook	PhD	Monash University	2002	340
MALCOLM, Joan	The manuscript London, British Museum, Additional 41667(I) : an historical and musical study	MMus	University of NSW	1989	91
MALONEY, M. Paul	The art of dancing in 1600 : the balletti of Fabrizio Caroso, a project for a film, with commentary on the text and music of his book, Nobilta` di Dame	MA	Monash University	1986	3 vol
McCOLL, Sandra Florence	Large-scale Marian antiphon settings by English and Scottish composers, 1460-1558	MA	University of Melbourne	1982	2 vol
McDONALD, Grantley	"Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance Germany	PhD	University of Melbourne	2002	902
McDONALD, Jennifer Louise	English masque, English opera, and Purcell : two traditions and their bearing on the major dramatic works of Henry Purcell	PhD	University of Melbourne	1988	926
McGEE, M. Ruth	William Byrd and the heavenlie banquett in captivitie	MMus	University of Adelaide	1990	303
McLENNAN, Isobel J.	Concepts of women patrons of music in the Renaissance	PhD	Monash University	withdrawn
McMURTRY, Margaret A	The performance of Renaissance unaccompanied choral polyphony : an investigation into authenticity	PhD	University of Sydney	2004	343
McNAB, Michael	The employment and use of instrumental musicians or ministriles in the sixteenth and early seventeenth century	MMus	University of Melbourne	withdrawn c.2006
MILES, Elizabeth	The double choir and coro spezzati Vespers' psalms of Antonio Gardane's "Cantus di Adriano et di Jachet" of 1550	MA	University of Auckland	1988	106
MOORE, V.	The lute in consort music during the 17th century	MA	University of Sydney	1958	NiC
MULIADI, Patrice	Six anonymous Magnificat settings from the Vatican Library and their background in fifteenth-century Rome : a study and edition.	MMus	University of Auckland	2003	232
NEUTZE, Christine Dorothy	Some aspects of Elizabethan lutesongs	MA	University of Auckland	1972	151
NEVILE, Jennifer	The courtly dance manuscripts from fifteenth-century Italy	PhD	University of NSW	1992	375
NOONE, Michael John	Andres de Torrentes (1510-1580), Spanish polyphonist and chapelmaster : Opera omnia, biography and source study	MA (Hons)	University of Sydney	1982	2 vol
O'NEILL, David G	The role of the organ in Early English Music, 800-1759	MusM	University of Western Aust.	1979	1 vol
OSWIN, Richard Hanbury	Florence, Biblioteca nazionale centrale, manuscript Magliabechiano XIX 178 a late fifteenth-century source of secular music	MA	University of Auckland	1982	182
PERISSINOTTO, Dominic	A Survey of intabulation techniques in keyboard music of sixteenth-century Spain	MMus	University of Melbourne	2002	105
PETERSEN, Susan	Music as manifestation and metaphor in Shakespeare: a study of six comedies	PhD	University of Western Aust.	1992	279
PHILLIPS, Marina	The use of scordatura in violin music	MusM	University of Western Aust.	1997	182
RIMMER, John	Giovanni Gabrieli and the development of instrumental music	MA	University of Auckland	1962	2 vol
RIVE, Thomas N.	An investigation into harmonic and cadential procedure in the works of Tomas Luis de Victoria, 1548-1611	MA	University of Auckland	1963	2 vol
ROCKE, Stephanie	Defining the Concert Mass	PhD	Monash University	In progress (2010)
ROSENBERG, R. M.	The motets of Pierre de la Rue (c.1460-1518)	MA	University of Sydney	1965	2 vol
ROSENBERG, Ruth Marianne	The motets of Pierre de la Rue, c.1460-1518 /	MA	University of Sydney	1965	2 vol
RUSAK, Helen Kathryn	Rhetoric and the motet passion	MA	University of Adelaide	1986	220
SECCOMBE, Pamela	The musical manuscript Paris BNC 862: a stylistic study and edition	MMus	University of Auckland	1996	156
SHADE, Fiona C.	The representation of the female musicians in the art of the Italian Renaissance	MA	LaTrobe University	1998	168
SKRZYPCZAK, Sabina.	Some aspects of correlation between music and text in chansons from Harmonice musices odhecaton-A : an approach through semiotics	MMus	University of Sydney	1984	2 vol
SMITH, Robyn E	Texts and music of French double and triple motets in fascicles II, V and VII of the Manuscript Montpellier, Bibliotheque de l'Ecole de Medicine, H. 196 : a textual edition with translation and commentary	PhD	University of Sydney	1984	689
SMITH, Robyn Elizabeth	Texts and Music of French Double and Triple Motetsin Fascicles II, V and VII of manuscript Montepellier, Bibliotheque de l'ecole de medicine, H196: A textual edition with translation and commentary	PhD	University of Sydney	1986	669: 3 vol
SPINK, I.W.A.	The stylistic development of English song between 1620 and 1680	PhD	University of Sydney	withdrawn 1968
STOESSEL, Jason	The captive scribe: the context and culture of scribal notational process in the music of the ars subtilior	PhD	University of New England	2002	>372 2 vol
STRAHLE, Graham	Fantasy and music in sixteenth and seventeenth-century England	PhD	University of Adelaide	1987	582
SZUSTER, Julia I.	The life and work of Cesario Gussago of Brescia	PhD	University of Adelaide	1983	410+454
TOBIN, Ashleigh	The organ in the Netherlands from the fifteenth century to the early nineteenth century	MMus	University of Adelaide	1971	85
VANT, Arwen A. D.	The Mass Ordinary 1420-1450 : a study and edition of five anonymous masses	MMus	University of Auckland	1997	248
WATT, Sally	Simon Boyleau: motetta quatuor vocum (Venice: G.Scotto, 1554): an edition and study	MMus	University of Melbourne	2002	131
WAUGH, Donald Ford	The English vifginal school	MA	University of Otago	1955	81
WEAKLEY, Sarah	Polyphonic settings of the Lamentations of Jeremiah in sixteenth-century Rome, Venice, and Spain ; with an edition of of Giovanni Croce's Devottissime Lamentationi (Venice, 1603).	MMus	University of Auckland	2001	247
WEBB, Helen J.	Tudor organ music: a study of liturgical works in the British Museum. MS. Additional 29996	PhD	University of Adelaide	1975	376
WOODHILL, Vanessa	An historical and analytical study of Renaissance music for the recorder and its influence on the later repertoire	MA	University of Wollongong	1986	236
YI, Dae-Am	Musical analogy in Gothic & Renaissance architecture : a study of rational proportion in architecture	PhD	University of Sydney	1991	319

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