| ANDERSON, Gordon Athol | The motets of the thirteenth century manuscript La Clayette | MMus | University of Adelaide | 1969 | 2 vol |
| ANDERSON, Gordon Athol | The development of the motet in the thirteenth century | D.Mus | University of Adelaide | 1977 | 3 vol |
| CANNON, Herbert | Music in the English drama up to 1600 | MA | University of Queensland | 1927 | 151 |
| CASHMAN, David W. | Text and music in the songs of troubadours of generation III (1160-1210) | PhD | University of Sydney | withdrawn c.2007 | |
| COLLINGRIDGE, Lorna Marie | Music as evocative power: the intersection of music with images of the Divine in the songs of Hildegard of Bingen | PhD | Griffith University | 2004 | 301 |
| COMINOS, Margaret C. Patrikeos | Transcriptions of 17 kontakia from Codex Ashburnham 64 | MA | University of New England | 1979 | 85 |
| COMINOS, Margaret C. Patrikeos | The rhetorical bias of Romanos' thought-world: musico-textual implications for his kontakia | PhD | University of Adelaide | 1991 | 301 |
| CUNION, K.E. | Many beads one string: a study of composition and arrangement techniques in early sacred music, and the larger role of such music forms | MCA | University of Newcastle | 2002 | 132 |
| CURRY, Robert | Fragments of ars antiqua music at Stary Sącz and the evolution of the Clarist order in central Europe in the thirteenth century | PhD | Monash University | 2003 | 274 |
| De ZUBICARAY, Helen | Circumscribing space : exploring the structure and function of the cell and enclosed space in twelfth-century architecture and music | PhD | University of Queensland | 1996 | 1 vol |
| EXCELL, Richard | Richard de Fournival (1201-1260) : his life, the Biblionomia, and his other works | MA | Monash University | 1986 | 98 |
| HAIR, Greta Mary | Troped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstruction | PhD | University of Sydney | 1988 | 3 vol |
| HOLLANDER, Emma den | The development of early keyboard fingering till 1800 | MMus | University of Adelaide | 1970 | 134 |
| JEFFREYS, Catherine M. | Melodia et rhetorica: the devotional-song repertory of Hildegard of Bingen | PhD | University of Melbourne | 2000 | 280 |
| KAZIMIERCZAK, Bogdan | The percursors of the violin family : emergent technology and technique from late classical antiquity to the early Renaissance | MMus | University of Adelaide | 1980 | 96 |
| KELLY, Eamonn | Maidservants to the muse: professional female musicians in Roman Italy, 200 BC - 400 AD | MMus | University of Melbourne | 2002 | 101 |
| LIGHTBOURNE, Ruth Elizabeth | Hildegard of Bingen, Ordo virtutum | MA | University of Otago | 1990 | 258 |
| MARASCO, Mary | Johannes Ciconia: speculating or relating? | MA | Monash University | 1999 | 149 |
| MARETT, Allan | 1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga no | PhD | Overseas | 1976 | |
| MARETT, Allan | An examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, Samgitaratnakara | MA | Overseas | 1972 | |
| MASTERS, Bernadette A | La chanson de croisade : essai de definition d'un genre lyrique en langue occitane | MA | University of Sydney | 1979 | 234 |
| McEWAN, Neil | Interpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. Gall | PhD | University of Sydney | 2002 | 248 + CD-rom |
| MITCHELL, Donald H. | Analysis of 14th-century Italian secular music : with particular reference to the music of Francesco Landini and Don Paolo | MA | LaTrobe University | 1997 | 167 |
| MONTEFU, Jennette Lauren | The latin texted motets of Guillaume de Machaut | MMus | Australian Catholic University | 2003 | 162 |
| NELSON, Kathleen Edna | The canonic technique in the mass movement and motet c.1360-c1430 | MMus | University of Adelaide | 1982 | 153 |
| NELSON, Kathleen Edna | Medieval liturgical music of Zamora | PhD | University of Adelaide | 1993 | ns |
| NG, Kwok Wai | Transformation of the Togaku modes from Tang Period China (AD 618 - 907) to Modern Japan | PhD | University of Sydney | in progress (NiC08/07) | |
| O'NEILL, David G | The role of the organ in Early English Music, 800-1759 | MusM | University of Western Aust. | 1979 | 1 vol |
| PIZZAIA, Alberto Maria | Music and politics in the Italy of the late Middle Ages : the music of the Guelphs and the Ghibellines | MA | Monash University | 1989 | 81 |
| RAINE, Susan Frances | The Office compositions in the Magnus liber organi: a transcription and textual comparison of the three principal manuscripts. | MMus | University of Auckland | 1984 | 2 vol |
| ROCKE, Stephanie | Defining the Concert Mass | PhD | Monash University | In progress (2010) | |
| SCOTT, Alice | A systematic study of English monophonic melody circa 1150-1300 found in manuscripts of English provenance and preserved in English libraries | PhD | University of New England | 1995 | 180 |
| STOESSEL, Jason | The captive scribe: the context and culture of scribal notational process in the music of the ars subtilior | PhD | University of New England | 2002 | >372 2 vol |
| SVILANS, Marija | The harmonics of Aristoxenus and its influence on the writings of Aristides Quintilianus: an investigation into correspondences between two Greek music theorists | MA | University of Queensland | 1990 | 400 |
| TAWA, Michael | Sound, music and architecture : a study of the relationship between sound, number, space and time in sacred music and architecture according to the Vedic, Pythagorean and Platonic traditions | PhD | University of NSW | 1991 | 289 |
| TOWNSHEND, Darrell R. | Grammatical procedure and rhetorical gesture as structural elements in two-part Notre-Dame conductus | MA | Monash University | 1999? | 260 |
| WHITELAW, Maureen S. | An analysis of the inter-dependent musical structures of seven three-voiced motets of Philippe de Vitry | PhD | Monash University | 1991 | 184 |
| WILLIAMS, Carol Janice | The Mancini Codex: a manuscript study | PhD | University of Adelaide | 1983 | 3 vol |
| WINSOR, Keith | The music of the law: a comparative study in the history and philosophy of law and music in ancient civilisations of the west | MGenStud | University of NSW | 1983 | 300 |
| YI, Dae-Am | Musical analogy in Gothic & Renaissance architecture : a study of rational proportion in architecture | PhD | University of Sydney | 1991 | 319 |
