| ALLEN, Susan | René Maran's "Batouala", jazz-text | PhD | University of Newcastle | 2012 | |
| ALONSO-VAZQUEZ, Marisol | Factors that influence engagement in on-site environmentally responsible behaviours at music festivals | PhD | University of Queensland | 2015 | 279 |
| AMIN, Manisha | Dancing to the flute | PhD | University of Technology Sydney | 2010 | 89 |
| AMPT, Robert Milton | Music iconography and performance practice in the time of Heinrich Schutz | MMus | University of Adelaide | 1973 | 192 |
| Anon | Meanings in music texts and texts about music in Western Europe in the late 19th to early 20th centuries | GradDipMus | Australian National University | in progress (NiC08/07) | |
| Anon | Music in the work of Compagnie Maguy Marin: choreo-musical collaborative processes | PhD | University of Melbourne | In Progress (2001) | |
| Anon | Facing the Music: A study of Italian musician portraits c. 1640-1780 | PhD | University of Melbourne | In Progress (2007) | |
| ASHOK, Collins | A trinitarian poetics : deconstructing Christianity in Romain Rolland's Jean-Christophe | PhD | University of Western Aust. | 2011 | 219 |
| BASTON, Kim | Scoring performance: the function of music in contemporary theatre and circus | PhD | LaTrobe University | 2008 | 294 |
| BIRCHLEY, Keith Andrew | Reading Barth with Mozart in mind: An exploration of Mozartean resonance in the theology of Karl Barth | M.Phil | University of Queensland | 2012 | 119 |
| BRITTON, Gillian | ...fuga...a novel | PhD | University of Adelaide | 2012 | 206 |
| BRKOVIC, Minja | Visual Phrasing: manifesting the power of musical expression | M.A | Auckland University of Technology | 2010 | 64 |
| BROMAGE, Lynette | Shakespeare: words in music : a study of the relationship between the poems in the plays of Shakespeare and musical settings over 400 years | MA | Monash University | 1993 | 157 |
| BROWN, Shaun Joseph | Interpreting the Early Lieder of Erich Korngold: A Performer’s Perspective on So Gott und Papa will (1910) | MMus? | University of Queensland | 2016 | |
| BURKE RIGO, B | Escapee gloss : a symphony of polymedia | M? | University of Tasmania | 2014 | |
| CANHAM, Nicole | Kindred Spirits: The beliefs, values, work and learning of independent classical artists | PhD | University of Queensland | 2016 | |
| CANNON, Herbert | Music in the English drama up to 1600 | MA | University of Queensland | 1927 | 151 |
| CARRUTHERS, Andrew | Stave Sightings: Long Poems and the Poetics of Notation, 1960-2011 | PhD | University of Sydney | 2014 | |
| CARTER, John Edward | Schumann the critic | MA | University of Canterbury | 1961 | 108 |
| CATHRO, Jean | The influence of music on the works of Edgar Allen Poe and his influence on early twentieth century French musicians, in particular Debussy and Ravel | MMus | University of Auckland | 2002 | 117 |
| CHU, Kalaly | Cross-modal experience in music and visual art : their correspondences and a new perspective of appreciation in education | PhD | University of NSW | 2008 | 308 |
| CHUNG, Ai Lay | Tan Dun's death and fire: ad parnassum, animals and Paul Klee | MMus | University of Melbourne | 2002 | 84 |
| CORKERON, Veronica | A study of common themes in selected works of Australian painters and Australian composers from c.1945 to c.1985 | GDipMus | Griffith University | 1989 | 167 |
| CORNWELL MCKEAN, Julia Margaret | Characterisation in Ward’s opera The Crucible : melodic interpretation of Salem’s witches and their accusers via historical accounts and Miller’s play | PhD | Monash University | 2015 | 245 |
| Cox, Geraldine | Music matters in fiction: Creative and critical reflections | PhD | Murdock University | 2015 | |
| CRICHTON, Ian Kieran | "The Most Divine of All the Arts:" Neoplatonism, Anglo-Catholicism and music in the published writings of A.E.H. Nickson | MMus | Australian Catholic University | 2004 | 145+ |
| DALGLEISH, Jodie | Notes for sound | MCW | Auckland University of Technology | 2011 | 225 |
| DASS, Rozita | Towards a theory of how teachers and students in Singapore secondary schools deal with literature in English studies | PhD | University of Western Aust. | 2011 | 254 |
| DAVIES, Stephen | A discussion of the theories of musical unity proposed by Rudolph Reti, Hans Keller and Alan Walker | MA | Monash University | 1973 | 497 |
| DAVISON, Alan | Studies in the iconography of Franz Liszt | MMus | University of Melbourne | 2002 | 276 |
| DEAN, Jasmine Sofia Jannif | Sentimental songs, melodrama and the nature of filmic narrative in Hindi cinema (1951-1963) | PhD | Macquarie University | 2015 | 308 |
| DIAZ-GASCA, Juan Sebastian | Music Beyond Gameplay: Motivators in the Consumption of Videogame Soundtracks | PhD | Griffith University | 2015 | |
| DODD, Sue | Gossip pop: A performative investigation of the role of pop in contemporary art practice | PhD | Victoria University (Vic. Australia) | 2013 | 181 |
| DOWNER, Caroline Isobel | Music in the museum : an examination of the collection of musical instruments in the Powerhouse, Museum of Applied Arts and Sciences in Sydney | MA | University of Melbourne | 1997 | 149 |
| ELIOTT, Mark | Water, music, glass, life : improvisation in and around my arts practice | MVA | University of Sydney | 2011 | 97 |
| ENGLISH, Helen | Music as a Resource for World-Building in Newcastle, NSW and its Townships, 1869–1879 | PhD | University of Newcastle | 2016 | 239 |
| ESPLIN, Penelope | The Musical Imagery in Dante Gabriel Rossetti’s paintings for his patron, Frederick Leyland | MArts | University of Otago | 2016 | |
| EXCELL, Richard | Richard de Fournival (1201-1260) : his life, the Biblionomia, and his other works | MA | Monash University | 1986 | 98 |
| FELTON, Stella | "Playing with autobiography" The performer as biographer: Viktor Ullmann’s Piano Sonata No. 7 (1944) | MMus | Monash University | 2016 | |
| FIDLER, Tristan | Music video auteurs : the directors label DVDs and the music videos of Chris Cunningham, Michel Gondry and Spike Jonze | PhD | University of Western Aust. | 2007 | 419 |
| FLETCHER, Joy G. | The influence of contemporary theatre and music on Giambattista Tiepolo's paintings of "Rinaldo and Armida" | MA | LaTrobe University | 1998 | 210 |
| FRANZ, Emma Kate | Resounding cinema: exploring misconceptions of the nature and obligation of nonfiction film through the challenges of the ‘music documentary | MMus | University of Melbourne | 2015 | |
| GERZIC, Marina | The intersection of Shakespeare and popular culture : an intertextual examination of some millennial Shakespearean film adaptations (1999-2001), with special reference to music | PhD | University of Western Sydney | 2008 | 215 |
| GIJSBERS, Lucy | The Three Great Soviet Composers and Mstislav Rostropovich – Talent, Music and Politics in the Soviet Union | MMus | Victoria University of Wellington | 2014 | |
| GINTHER, Gerald Christopher | Revisionism in the music history of Dmitry Shostakovich: The Shostakovich Wars. | MA | University of Canterbury | 2008 nyic | 162 |
| GIUFFRE, Elizabeth | Double crossed: an Australian study of the relationship between media and music during periods of industrial and cultural crisis | PhD | Macquarie University | 2011 | 275 |
| HAMILTON, Elizabeth Jane | An informed approach to performance practice issues in Lipstick (1998) - by Jacob ter Veldhuis | Unknown | Monash University | 2016 | |
| HANUSIAK, Xenia Dara | Musical transcriptions: a creative and analytical exploration of aspects of music in text | PhD | Monash University | 2015 | 156 |
| HARRISON, Holly | The logic of nonsense : personal process towards oppositionality and reorganisation as music composition | PhD | University of Western Sydney | 2014 | |
| HART, Amy Joan | On rough ground : New Zealand art and music, 1930-1990, and the problematics of landscape and national identity | MA | University of Auckland | 2005 | 103 |
| HILLENIUS, Sytske Rosanne | Bush dance music in Tasmania: a recent social and cultural history of live music played for dancing | MMus | University of Melbourne | 2014 | 68 |
| HOLIBAR, Bernard | Berlioz as music critic | MA | University of Auckland | 1960 | 190 |
| HOPKINS, Matthew | Mangled Mantra: grotesque sound in the visual arts | M.FA | University of Sydney | 2013 | 43 + video & CDs |
| JOHNSON, Phillip | The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film | PhD | University of Newcastle | 2015 | 214 |
| JOHNSTON, Peter Wylie | Who's playing our song ? : the development of the Australian musical 1900-2000 | PhD | University of Melbourne | 2007 | 317 |
| JOO, Hyun Shin | Martin Luther's view of the use of music in worship: its implications for the Korean Presbyterian Church | MTheol | Melbourne College of Divinity | 2002 | 108 |
| KAMINSKI, Jason | Kolokol : spectres of the Russian bell. | PhD | University of Technology Sydney | 2006 | 346 |
| KAUR, Amrita | Rāgamālā : a garland of architecture and music | MArch | University of Auckland | 2015 | 181 + soundfile |
| KENNEDY, Anne | Kicking round home : atonality in The Bone People | MA | Victoria University of Wellington | 2007 | |
| KHOZANATU LAHPAN, Neneng Yanti | Negotiating ethnicity and Islam in musical performances in West Java Indonesia | PhD | Monash University | 2015 | 307 |
| LAIS, Peggy | The rise and fall of the Melbourne Popular Concerts: chamber-music concerts in pre-Federation Melbourne | MMus | University of Melbourne | 2004 | 136 |
| LEMOH, Alison Yenor | Mahler's journey : transcending the tyranny of time in Um Mitternacht and Ich bin der Welt abhanden gekommen | M.Mus. | University of Melbourne | 2009 | 1 v. p. |
| LEWANDOWSKI, Natalie | Behind the sounds: the evolution of film soundtrack roles in Australia and New Zealand | PhD | Macquarie University | 2014 | 335 |
| LINDBLOM, Shari | Audience connectivity in orchestral performances | M.A.(Research) | Queensland University of Technology | 2009 | 161 |
| MANOHARAN, Pravina | Tamil hip-hop in Malaysia : the history, politics, and sounds of diasporic identity | PhD | Monash University | 2015 | |
| MARTIN, Charles | Percussion and computer in live performance | MMus | Australian National University | 2015 | |
| MASON, Paul Howard | Music, movement, martial arts: sound and gesture in West Sumatran, West Javanese, and Afro-Bahian combat-dancing | PhD | Macquarie University | 2011 | 304 + DVD |
| MATHIESON, Holly | Embodying music: the visuality of conductors working in England ca. 1840-1940 | PhD | University of Otago | 2010 | 267 |
| McEWING, Keith Lyndon | Is the dance still in the music? : Chaconne compositions from the seventeenth to the twentieth century | MA | Victoria University of Wellington | 2008 | 330 +DVD |
| MCKAY, Janet | The significant other: A flutist's role in performer-composer collaborations | PhD | University of Queensland | 2016 | |
| McKINNON, Helen | Theodor Storm's "Immensee" : text and music | PhD | University of Sydney | 2000 | 250 |
| McKINNON, Helen | The role of music in the Novellen of Theodor Storm | PhD | University of Sydney | 2005 | 299 |
| MILES, Michaela Ena | Consonant agendas? Priorities of directors and student members of vocal ensembles in Sydney Anglican Schools | Mus | University of Sydney | 2016 | 140 |
| MILNER, Luke | ’All shook up’ : Elvis encounters Orpheus--constructions of a pop culture mythology in Salman Rushdie’s The ground beneath her feet | MA | University of Otago | 2004 | 121 |
| MORGAN, Craig Ashley | The Use of Virtual Instruments by Australian Screen Composers | PhD | University of Sydney | 2016 | |
| MURPHY, Kerry | An analysis of the role and function of music criticism | MA | University of Melbourne | 1979 | 202 |
| MURRAY, Joan | Words, rhythm and music in James Joyce's Finnegans Wake | PhD | Macquarie University | 2004 | 326 |
| ORZECH, Rachel | Constructions of Jewishness: The Reception of Halévy's *La Juive* from Paris, 1835 to Tel Aviv, 2010 | MMus | University of Melbourne | 2011 | 151 |
| PAVLYSHYN, Marko | Music in E.T.A. Hoffmann's Kater Murr | MA | Monash University | 1978 | NS |
| PETERSEN, Susan | Music as manifestation and metaphor in Shakespeare: a study of six comedies | PhD | University of Western Aust. | 1992 | 279 |
| PHALIP, Julien | Screenfaction : supporting creative remote communication in film scoring | PhD | University of Technology Sydney | 2010 | 218 |
| PRICTOR, Megan | Music and the ordinary listener: music appreciation and the media in England, 1918-1939 | PhD | University of Melbourne | 2000 | 299 |
| REILLY, Brendan. | Tiki to Mickey : the Anglo-American influence on New Zealand commercial music radio 1931-2008 | PhD | University of Canterbury | 2011 | 344 |
| RHOOK, Natalie | The enduring impact of the Beatles' films: toward a history and genealogy of the rock music documentary | PhD | University of Melbourne | 2016 | |
| SCALLY, Regan | Identifying preferred activities to increase engagement in residents with dementia | MSc | University of Auckland | 2014 | 154 |
| SCHULTZ, Marianne | 'A Harmony of Frenzy' : New Zealand Performed on the Stage, Screen and Airwaves, 1862-1940 | PhD | University of Auckland | 2014 | 334 |
| SEVERN, John | Shakespeare as Jukebox Musical | PhD | University of NSW | 2015 | |
| SHADE, Fiona C. | The representation of the female musicians in the art of the Italian Renaissance | MA | LaTrobe University | 1998 | 168 |
| SHERIDAN, G | Hard ass: representation, diaspora and globalisation in kuduro | PhD | RMIT University | 2014 | |
| SHERRIFF, Caleb | 'An awful lot of running' : Filk across time and space : wrock, trock, and the commercialisation of fan music | MA Film | University of Auckland | 2013 | 107 |
| SMITH, Judy | Björk, buskers and songbirds : realism and the revision in the musical genre | MA | University of Auckland | 2008 | 86 |
| SNOWDON, John. | The margin | PhD | LaTrobe University | 2013 | 320 |
| STREVENS, Luke | Manifesto 87 | M.F.A | University of Sydney | 2012 | |
| SUTTON, Mark Morgan | You can always come back, but you can't come back all the way: late style and memory in Bob Dylan's recent work | PhD | University of Sydney | 2015 | |
| TENISWOOD-HARVEY, Arabella Melvina Cameron. | Colour - music : musical modelling in James McNeill Whistler's art | PhD | University of Tasmania | 2006 | 296 |
| THOMAS, Adrian | The composer as critic: three Australian case studies, 1950-1975 [Linda Phillips, Felix Werder, Dorian Le Galliene] | PhD | University of Queensland | 1996 | 288 |
| TOMCZAK, Sebastian | On the development of an interface framework in chipmusic [electronic resource] : theoretical context, case studies and creative outcomes | PhD | University of Adelaide | 2011 | 138 + CD + DVD |
| TONG, Amanda Renee | The Music of Samuel Beckett: Theory, Case and Narrative | PhD | University of Sydney | 2019 | |
| VALLENCE, Tim | A poetry without attitudes: Music and silence in the poetry of Vincent Buckley. | MA | University of Melbourne | 1995 | 101 |
| VAN MELLE, Gerbrand | Sound bites | M.Phil | Auckland University of Technology | 2013 | 102 |
