| WILLIAMS, Carol Janice | The Mancini Codex: a manuscript study | PhD | University of Adelaide | 1983 | 3 vol |
| WEAKLEY, Sarah | Polyphonic settings of the Lamentations of Jeremiah in sixteenth-century Rome, Venice, and Spain ; with an edition of of Giovanni Croce's Devottissime Lamentationi (Venice, 1603). | MMus | University of Auckland | 2001 | 247 |
| WATTS, Peter | A critical edition of the works of William Cranford, c1590-c1660 | MA | University of Auckland | 1980 | 373 |
| WATT, Sally | Simon Boyleau: motetta quatuor vocum (Venice: G.Scotto, 1554): an edition and study | MMus | University of Melbourne | 2002 | 131 |
| WAARDENBURG, Eric Walter | A study and edition of selected keyboard concertos by Georg Christoph Wagenseil (1715-1777) | MMus | University of Auckland | 1983 | 248 |
| VANT, Arwen A. D. | The Mass Ordinary 1420-1450 : a study and edition of five anonymous masses | MMus | University of Auckland | 1997 | 248 |
| STINSON, John Alexander | Essay of musical ayre/ an edition from the autograph with introduction and commentary. [North, Roger, 1653-1734] | MA | Australian National University | 1977 | 1 vol |
| SMITH, Robyn Elizabeth | Texts and Music of French Double and Triple Motetsin Fascicles II, V and VII of manuscript Montepellier, Bibliotheque de l'ecole de medicine, H196: A textual edition with translation and commentary | PhD | University of Sydney | 1986 | 669: 3 vol |
| SIMPSON, Cheralyn | Béla Bartók’s Viola Concerto which published edition should I perform? | MMus | Monash University | 2016 | |
| SERVADEI, Alessandro | A critical edition and exploration of Percy Grainger's The Warriors: Music to an Imaginary Ballet | MMus | University of Melbourne | 1996 | 2 vol |
| SECCOMBE, Pamela | The musical manuscript Paris BNC 862: a stylistic study and edition | MMus | University of Auckland | 1996 | 156 |
| SCOTT, Craig Blakefield | A folio of transcriptions of famous bassists' solos and analyses thereof | MMus(Jazz perf) | Australian National University | 1995 | 60 + 1 cass. |
| RYAN, James | Tenor saxophone transcriptions and analysis | MMus (Jazz Perf) | Australian National University | 1995 | 58 |
| RUSSO-BATTERHAM, Daniel | Anonymous Airs de cour in Bataille's Airs de diffénts auteurs, mis en tablature de luth : an edition and critical study | MMus | University of Melbourne | 2012 | |
| Roznawski, Jakub Pawel | Christian Gotthilf Tag four sonatas transcribed for guitar duo | MMus Perf | NZ School of Music (Victoria + Massey) | 2008 | 57; 101 |
| ROYLANCE, Philippa M. | A performing edition of Domenico Dragonetti's solo in G for double bass and piano and a thematic index of his miscellaneous compositions for double bass. | MMus | University of Queensland | 1986 | 2 vol |
| RODGERS, Robert Mark | The "Hill-songs" of Percy Aldridge Grainger: An historical and analytic study with a new performance edition (Volumes I and II) | DMA | Overseas | 1987 | 306 |
| RAINE, Susan Frances | The Office compositions in the Magnus liber organi: a transcription and textual comparison of the three principal manuscripts. | MMus | University of Auckland | 1984 | 2 vol |
| PURCELL, Kevin J | Transmedia storytelling: relocating the Broadway musical across the digital domain as scalable enterprise | MRes | University of Melbourne | 2015 | |
| PHILLIPS, John A. | Bruckner's ninth revisited: towards the re-evaluation of a four-movement symphony | PhD | University of Adelaide | 2002 | 753, 551 |
| OSWIN, Richard Hanbury | Florence, Biblioteca nazionale centrale, manuscript Magliabechiano XIX 178 a late fifteenth-century source of secular music | MA | University of Auckland | 1982 | 182 |
| OEHM, Gregory | "William Turner - the fourth man": Critical editions of verse anthems by William Turner (1651-1740) | MA | University of Newcastle | 2002 | 2 vol |
| NADEN, Liam P.D. | Sacrae cantiones : liber quartus (1606) / Agostino Agazzari: a critical edition | MA | University of Auckland | 1988 | NS |
| MULIADI, Patrice | Six anonymous Magnificat settings from the Vatican Library and their background in fifteenth-century Rome : a study and edition. | MMus | University of Auckland | 2003 | 232 |
| MIDDENWAY, R | 'If music and sweet poetry agree' : the marriage of two art-forms, with particular emphasis on speech rhythm & inflection, dramatic intensity & musical coherence | PhD | University of Tasmania | 2015 | |
| MCEVOY, David | Aspects of Herbie Hancock’s pre-electric improvisational language and their application in contemporary jazz performance: a portfolio of recorded performances and exegesis. | MPhil | University of Adelaide | 2014 | |
| MAYS, Lawrence | Niccolò Piccinni's dramma giocoso 'Il Regno della Luna' (1770) | PhD | Australian National University | 2017 | 2 vols |
| KIRK, Rachael A. | A Sonata for harpsichord or fortepiano with a tenor obbligato by Carl Stamitz: A comparative study of all editions | MusM | University of Western Aust. | 1997 | 129 |
| KIPNIS, Boris | Ludwig van Beethoven quartets, op. 18 | MMus | Massey University | 2002 | 66 |
| KIERNAN, Frederic Murray | Six Ave regina coelorum settings (1737) by Jan Dismas Zelenka (ZWV 128): context and critical edition | MMus | University of Melbourne | 2013 | |
| HILLIER, Robin | The Concerto for multiple instruments QV 6:6 by Johann Joachim Quantz | MMus | University of Melbourne | 2003 | 88 |
| GERRARD, Kathleen | The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study | M.Mus | NZ School of Music (Victoria + Massey) | 2010 | 107 |
| FORSYTH, James Alexander | Handel's organ concertos | MMus | University of Melbourne | 1970 | 80 |
| DIVALL, Richard | The Complete Sacred Music of Nicolò Isouard (1773-1818) and Maltese Sacred Music for The Order of Malta in the Late Eighteenth Century | PhD | University of Divinity | 2013 | 380 + ~800 |
| DILLON, Teressa | Canons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La Serre | MMus | Victoria University of Wellington | 2010 | 121; 99 |
| DEAN, J. T. | Sonata - Jean Marie Leclair, Op 9 No. 4, transcribed and realised for viola and keyboard. | MusM | University of Western Aust. | 1978 | 1 vol |
| COOTE, Darryl Glen | The influence of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era | MMus | University of Melbourne | 1989 | 50 |
| COMINOS, Margaret C. Patrikeos | Transcriptions of 17 kontakia from Codex Ashburnham 64 | MA | University of New England | 1979 | 85 |
| CLINTON, Terry | O s'io potessi donna and Se pur ti guardo : a survey of accidental usage in the practical sources for two sixteenth-century four-part songs | MMus | University of Sydney | 2001 | 2 vol |
| CATSALIS, Marie-Louise | Keyboard instruction in early eighteenth century Italy : editions of keyboard treatises by Alessandro Scarlatti and Bernardo Pasquini | MMus | University of New England | 1998 | 123 |
| CATSALIS, Marie-Louise | The serenata and Alessandro Scarlatti: a genre study, with six editions | PhD | University of Newcastle | 2004 | 2 vol |
| BURDEN, Michael | Six concertos for violin and string orchestra, 1733 [music] / Giueseppe [sic] Tartini ; edited by Michael Burden | MA | University of Adelaide | 1986 | 2 vol |
| BONETTI, Ruth | A performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboard | MMus | University of Queensland | 1989 | 1 vol + 4 parts |
| BONETTI, Paul-Antoni | Sound and style: a compositional exploration of appropriated source material: portfolio of compositions and exegesis | PhD | University of Adelaide | 2015 | |
| BELBIN, Jillian | John Christopher Smith (1712-1795): His place in the development of English harpsichord music (including a performance edition of six suites of lessons for the harpsichord op. 3). | MusM | University of Western Aust. | 1996 | 2 vol |
| ANSLOW, Dayle | Three masses by Antonio Cifra and their background in the Roman Counter-Reformation: a study and edition. | MMus | University of Auckland | 1998 | 348 |
| ALTON-LEE, Amity Rose | The improvisation of Tubby Hayes in 'The New York sessions' | MMus | NZ School of Music (Victoria + Massey) | 2010 | 80; 42 |
| ADAMSON, Amanda | Petrucci's Motetti C : a critical edition and study of the anonymous motets | MMus | University of Auckland | 1992 | 310 |
