| VOYCE, Thomas | A personal and fragile affair : the sonic environment and its place in my compositions | MMus | NZ School of Music (Victoria + Massey) | 2009 | 102 + 2CDs |
| WADE, James | Folio of compositions [music] : 2009-2011 | MMus | University of Melbourne | 2011 | 104 |
| WALLACE, Michael | Unifying composition and improvisation : applying Bob Brookmeyer's pitch module concept to composition and improvisation | MA | Monash University | 2007 | 76 + cd |
| WALSH, Robert | The composition of contemporary ambient music utilising field-recordings of Tokyo, unusual instrument combinations and minimalist techniques | PhD | Southern Cross University | 2003 | 84 |
| WALTER, Reynold | The moment of performance : trace and materiality in improvisational music practice | MFA | University of Melbourne | 2014 | 105 |
| WALTERS, Reynold | The moment of performance | MMus | University of Melbourne | 2014 | |
| WALUS, Bartlomiej Piotr | A new modular approach to the composition of film music. | PhD | University of Adelaide | 2013 | 468 |
| WANG-HUA, Chua | Folio of compositions; Folio of analyses [Sculthrope, Penderecki, Feldman] | MMus | University of Melbourne | 1984 | 1 score, 2 vol |
| WARD, Howard | Folio of compositions [music] : 2008-2010 | M.Mus. | University of Melbourne | 2010 | 183 + 1 CD |
| WATSON, Chris | Music compositions | MMus | Victoria University of Wellington | 2002 | 1 vol + CD |
| WATSON, Christopher | The effects of music notation software on compositional practices and outcomes [+ Composition Folio] | PhD | Victoria University of Wellington | 2007 | 2 vol |
| WEBSTER, Joshua | Creating and Performing New Australian Works on the Hungarian Concert Cimbalom | M.A | Edith Cowan University | 2013 | 267 |
| WEBSTER, Margaret Louise | Portfolio of compositions | MMus | University of Auckland | 2011 | 165 + Disc |
| WEIR, David | Mashing power : musical re-imaginings of post 9/11 political rhetoric | PhD | Southern Cross University | 2009 | 232 |
| WELLS, Jessica | Compositions | MMus (Comp) | University of Sydney | 1998 | 5 scores |
| WERNERT, Gregory | Music and emotions: an investigation into the musical representation of the identified emotional content of poetic text | M.A. | Monash University | 2009 | 103 + Sound Disc |
| WESLEY-SMITH, Martin | The orchestral score of "Interval piece" : the score of "Hansard music" : the score of "To noddy-man" for high voice and piano : and a tape of "Vietnam image". | MMus | University of Adelaide | 1970 | 3 vol + tape |
| WHATELY, Greg | An historic outline of operetta and the composition of seven original works illustrating present day use of the devices identified | M.Ed | University of Melbourne | 1988 | 1 vol + video |
| WHITE, Alexander | A performer’s analysis of Franko’s Cadenza to Mozart’s Violin concerto No.3 in G major, K.216, with specific reference to the classic ideals detailed in Türk’s treatise | MMus | Monash University | 2016 | 45 |
| WHITE, Melita | Music composition as an expression of research in feminist theory | MA | Monash University | 2006 | 2 vol + CD |
| WHITICKER, Michael | The music of Michael Whiticker | DCA | University of Wollongong | 1998 | 8 vol |
| WILLIAMS, Michael Francis | Composition Portfolio | PhD | University of Melbourne | 2014 | |
| WILLIAMS, Natalie | Folio of compositions | MMus | University of Melbourne | 2002 | 1 vol + Cd |
| WILLIAMS, Ross Adrian | On Open Sky | DMA | Overseas | 2002 | 27 |
| WILLIAMSON, Paul | Developing technical control, ensemble interaction, and flow within jazz performance | PhD | Monash University | 2014 | |
| WILSON, Nathan | Folio of compositions | M.Mus | University of Sydney | 2000 | 2 vol+CD |
| WILSON, Nathan | Heartbroken glass in the Sea of Tranquillity: a folio of compositions | PhD | University of Sydney | 2004 | 3 vol + 1 CD |
| WOOD, Callie | Portfolio of compositions and exegesis: composing for a choral spectrum | MMus | University of Adelaide | 2008 | 285 2 vol |
| WOOD, Callie | Creating both text and music for oratorios: portfolio of compositions and exegesis | PhD | University of Adelaide | 2013 | 503 |
| WOODS, Belinda Jane | Artistic identity: music and the mirror | PhD | University of Melbourne | 2016 | 197 |
| WOOLF, Hayden | Analysis of two works : Red liquid triangular conditon and Next minute paints Kate's collapse | M.Mus | University of Sydney | 2010 | |
| WOOLLER, Rene William | Techniques for automated and interactive note sequence morphing of mainstream electronic music | Ph.D. | Queensland University of Technology | 2007 | 318 + 1 computer opt |
| WRAGG, Jeffrey Stephen | Portfolio of Compositions | MMus | University of Waikato | 2012 | 246 |
| WREN, Toby Christopher | Improvising Culture: Discursive Interculturality as a Critical Tool, Aesthetic, and Methodology for Intercultural Music | PhD | Griffith University | 2015 | 256 |
| WRIGHT, Melisande Dale | Portfolio of compositions and exegesis [electronic resource]: a personal interpretation of the klezmer tradition | PhD | University of Adelaide | 2010 | 2 v. + CD |
| YAP, Tsok Wee | The composer as bricoleur : notions of contemporary opera in the genesis of a short film | MA | Edith Cowan University | 2016 | |
| YEDID, Yitzhak | Methods of integrating elements of classical Arabic music and Arabic-influenced Jewish music with contemporary western classical music. Original compositions and critical commentary | PhD | Monash University | 2012 | 256 |
| YOUNG, David | Folio & Commentary: Thousands of Bundled Straw, Skin Quartet & the Val Camonica Pieces | PhD | University of Queensland | 2007 (NyiC) | 93 + Folio 380pp + D |
| YOUNG, Paul Michael | Exploring Perspectivism in Music: Site- Specific Minimalist Inspired Compositions | Master of Music | Griffith University | 2016 | 192 |
| YUE, Bo | Composition portfolio | MMus | University of Waikato | 2011 | |
| ZADRO, Mark | A voice in print: a portfolio of compositions | PhD | University of Sydney | 2005 | 2 vol + 2CDs |
| ZAREEI, Mo.H. | Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpture | PhD | Victoria University of Wellington | 2016 | 307 |
| ZAVOD, Allan | Folio of compositions [music] | D.Mus. | University of Melbourne | 2008 | 5 scores |
| ZHANG, Shaojing | Ornamentation in C.P.E. Bach’s keyboard compositions and its relationship to motivic and harmonic structure | MMus | University of Sydney | 2016 | 163 |
| ZHAO, Qiaoyue | The influence of Bartok's approach to keyboard compositions on contemporary Chinese solo piano music: a portfolio of recorded performances and exegesis. | M.Mus | University of Adelaide | 2013 | 78 |
| ZWAR, Natalie | The perspective of the composer and performer [sound recording] : the interpretation and performance of selected flute works by Lowell Liebermann and Robert Beaser | M.Mus | University of Adelaide | 2009 | 39 +3CDs |
