| ABBOTT, Katrina | Folio of compositions | MMus | University of Melbourne | 2001 | 1 vol + cd |
| ADAMS, Christopher Patten | Composition portfolio | MMus | University of Auckland | 2006 | 126 + 2 CDs |
| ARMSTRONG, Newton | Folio of compositions [plus analysis of Brian Ferneyhough's Fourth string quartet] | M.Mus | University of Melbourne | 1996 | 49 + 7 scores |
| BARKER, Bram Wesley | The Jebediah Jones Mystical Montrose Tour, 1999 | MM | Overseas | 1999 | 22 |
| BARKL, Michael | Franco Donatoni's Etwas Ruhiger in Ausdruck; and folio of compositions | MMus (Hons) | University of New England | 1985 | 2 vol |
| BARLOW, Dale | A portfolio of transcriptions and analyses towards Masters of Music | MMus (Jazz) | University of Canberra | 1997 | 2 vol |
| BEILHARZ, Kristy | Portfolio of musical compositions | PhD | University of Sydney | 1996 | 287+cass |
| BEN-SALAMON, Nissan | a folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio files | MA | Monash University | 2003 | c.50 + 4 scores + CD |
| BENDRUPS, Faye | Service station : straying the Australian landscape : a modern Aussie ballad opera | PhD | Victoria University (Vic. Australia) | 1996 | 196 |
| BLINKHORN, Daniel | New music composition in computer-assisted environments | DCA | University of Wollongong | 2007 | 134 + 14 CDs |
| BLOM, Diana | Invocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for television | MM | University of Sydney | 1972 | 100 |
| BOLAND, Marguerite Maree | The all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositions | MA | LaTrobe University | 1999 | 143 |
| BONIGHTON, Ian | Concerto da camera ; Sequenza ; Herod : an instrumental theatre mosaic | DMus | University of Melbourne | 1971 | 2 scores |
| BOSTOCK, John | A compositional language in transition : six compositions | PhD | University of Sydney | 2003 | 2 vol + 3CD |
| BROADSTOCK, Brenton | Folio of compositions | DMus | University of Melbourne | 1988 | 1 score |
| BROWNLEE, Philip | PhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee] | PhD | Victoria University of Wellington | 2007 | |
| BRUMBY, Colin | Litanies of the sun ; Stabat Mater speciosa | DMus | University of Melbourne | 1971 | 2 scores |
| BRUNSDON, Lindsay | Folio of compositions | MMus | University of Melbourne | 2001 | 403 |
| BURGESS, Nadia | An overview of third stream/confluent music and the involvement of Australian composers + Portfolio of original compositions | MMus (Comp) | University of Sydney | 2004 | 2 vol + CD |
| BYRNE, Andrew | Donald Martino's fantasies and impromptus : a study of a twelve tone system and its applications and a folio of compositions | MA | LaTrobe University | 1994 | 93 |
| CAMM, Cheryl | In the teeth of it | DMus | University of Auckland | 1995 | 1 score |
| CAMM, Cheryl | Tam O’Shanter : a cantata for baritone solo / words, Robert Burns ; music, Cheryl Camm. | DMus | University of Auckland | 1995 | 325 |
| CARY, Tristram | Portfolio of original compositions | DMus | University of Adelaide | 2000 | 1 vol |
| CASTEELS, Robert | Berlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesis | PhD | University of Melbourne | 2003 | 2 vol + 3 CD-Roms |
| CAWRSE, Anne | Portfolio of original compositions and exegesis: a personal exploration of modal processes | PhD | University of Adelaide | 2008 | 170 + 2 CDs |
| CHAPLIN, Peter | Folio of compositions and analyses | MMus | University of Melbourne | 1986 | 7 vol + tape |
| CHAPMAN, Jim (James Norman) | Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysis | PhD | Queensland University of Technology | 2007 | 2v (225 + 237) + 1CD |
| CHEN, Cindy Hsin-Yu | Folio of compositions 2002-2003 | MMus | University of Melbourne | 2004 | 130 + CD |
| CHENG, Hsin | [portfolio of compositions] | MMus | University of Canterbury | 2005 | 1 vol + 1 vid + CD |
| COLE, Fred | Creative practices in Australian techno and other electronica : a folio of original compositions and supporting documentation | PhD | Southern Cross University | 1999 | 221 |
| CONLEY, David Jaedyn | Composition folio | MMus | University of Melbourne | 2004 | 136 |
| CONYNGHAM, Barry | Folio of compositions | DMus | University of Melbourne | 1979? | 4 vol |
| CONYNGHAM, Barry | Edward John Eyre [music] ; Five for wind quintet ; Ends for solo piano ; Five windows ; Water - footsteps - time | MA | University of Sydney | 1973 | 5 scores |
| CRAWFORD, Drew | Eugene & Roie: music theatre composition | PhD | University of Sydney | 2005 | 2 vol + CD |
| CROSSMAN, W. Bruce | Personal creative process towards a Pacific-European identity | DCA | University of Wollongong | 1999 | 190 |
| CZAPLOWSKI, Philip | The use of multiple styles as a compositional approach | PhD | Monash University | 2007 | 2 vol + CD |
| DAVIDSON, Robert | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 2 vol |
| DAVIES, Timothy Andrew | Folio of compositions | MMus | University of Melbourne | 1997 | 152 + CD + cass |
| DE CASTRO-ROBINSON, Eve | Five responses; Peregrinations; A resonance of emerald; | DMus | University of Auckland | 1989 | 1 score |
| DELLA-BOSCA, Roxanne | Fostering creativity in the field of musical composition : a vision for tertiary level pedagogy + Folio of Compositions | MMus (Comp) | University of Sydney | 2005 | 1 vol + CD |
| DENCH, Chris | Towards an ethics of musical composition | MMus | University of Melbourne | 1998 | 73 |
| DENCH, Chris | PhD score folio | PhD | University of Melbourne | 2007 | 3 vol _ 3 CDs |
| DIXON, John Wayne | Prospect and retrospect: a composer analyses thirteen of his own compositions | MA (Hons) | University of Wollongong | 1987 | 200 + 13 scores + 1 CD |
| DOUGLAS, Clive | Symphony | DMus | University of Melbourne | 1957 | 1 score |
| DRON, Carson | Liszt's sonata in B minor : an examination of existing analyses and a proposed new approach via graphic analysis ; Composition folio : Concerto for piano and orchestra, Fantasy for solo piano, Fantasy suite for piano and marimba | MMus | University of Queensland | 1996 | 1 vol |
| DUNCAN, Alison | Composition folio | MMus | University of Sydney | 2004 | 172+cd |
| DUNCAN, Wayne | Portfolio of Original Compositions | PhD | University of Adelaide | 2007 | 322 |
| EDWARDS, Ross | Four musical compositions | DMus | University of Sydney | 1989 | 4 scores |
| ETE, Igelese | Malae : music portfolio | MMus | University of Auckland | 2005 | score + cd |
| EVANS, Christine | My vicious angel : a one-act play with music | MA | University of Western Sydney | 1998 | 56 |
| FARAGHER, Michael Allan | A folio of musical compositions | MMus | University of Queensland | 1996 | 10 scores + cass |
| FENNER, Kevin | Fantasy for brass band, Concerto for oboe and small orchestra, Concerto for trombone and small orchestra, String quartet no. 2, Partite for solo guitar | MusM | University of Western Aust. | 1981 | 1 vol |
| FITZGERALD, Thomas A | New music composition for live performance and interactive multimedia | DCA | University of Wollongong | 2004 | 180 + 6 folios + 4 DVD + 5 CD |
| FITZGERALD, Thomas Anthony | Folio of compositions; Thesis: A study of the Sequenzas of Luciano Berio. | MMus | University of Melbourne | 1979 | 2 vol, 6 scores, 3 tapes |
| FORD, Andrew | Text and intertextuality: words about music about words | DCA | University of Wollongong | 1993 | 236 + 4 cass + 6 scores |
| FOX, Robin | Contingency and space as structural concerns in a folio of interactive electroacoustic compositions | PhD | Monash University | 2006 | 93 + DVD + ADAT Tape + Score |
| FRANKLIN, James Ashley | Between worlds | PhD | University of Sydney | 1997 | 314 + 4CD + 1Vid |
| FREDERICKS, Ian Francis | The development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 | PhD | University of Sydney | 2005 | 204 + 4 CDs |
| FREEMAN, Lliam | Developing an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble | MA | Monash University | 2006 | 56 + CD |
| GALEA, Jeff | Ghana: the folk music of Malta influences on my music | MA | University of Wollongong | 2005 | 65 + 1 CD |
| GARD, Stephen | Nasty Noises: 'Error' as a Compositional Element | MMus Comp | University of Sydney | 2004 | 68 + 2 CD |
| GILL, Brad | Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original Compositions | PhD | University of Sydney | 2005 | 114 + CDs |
| GIOVINAZZO, Joseph | Timbral design of primary melody in the first movement of Bartok's concerto for orchestra and a folio of musical compositions | MA | LaTrobe University | 1992 | 132 |
| GOODWIN, Russell | Furthering the understanding of indeterminacy in music composition | PhD | Monash University | 2007 | 93 + 5 scores + 2 CDs |
| GOODWIN, Wayne | Bruce Smeaton, Australian film music composer : his music and his method. Portfolio of compositions | MMus(Comp) | University of Sydney | 2006 | 153 + 2 vid) + Cd + 3 vol scores |
| GRANT, Alison | Music compositions | MMus | Victoria University of Wellington | 2006 | 1 vol + CD |
| GRANT, John Ward | Folio of compositions and critical commentary | Mphil (comp) | University of Queensland | 2006 | 241 |
| GREATWOOD, Linden M.E. | Folio of compositions | MMus | University of Melbourne | 2006 | 6 vol + CD |
| GREEN, Thomas | "An integration of score-based and digitally produced composition" - folio of compositions and critical commentary | PhD | University of Queensland | In Progress (2009) | |
| GREENBAUM, Stuart | Composition folio; Pat Metheny's The First circle: transcription and commentary | MMus | University of Melbourne | 1991-2 | 2 vol + 2 cass |
| GREENBAUM, Stuart | Folio of compositions, 1995-1998 [music] ; Arvo Pärt's Te Deum, a compositional watershed | PhD | University of Melbourne | 1999 | 2 vol |
| GREET, Martin T. | Folio of compositions | PhD | University of Melbourne | 2003 | 8 scores |
| HAMEED, Shamun | A study on the use of vocal samples and vocal transformation techniques in the music of Paul Lansky and Trevor Wishart + Portfolio of original compositions | MMus (Comp) | University of Sydney | 2005 | 79 + folio + 2CDs |
| HAMMOND, Carl | REM: (Rapid eye movement): a musical | PhD | University of Sydney | 1998 | 1031 |
| HAMMOND, Jane | An exploration of the possibilities of generating music from text | MA | Monash University | 2006 | 71 + 2 CDs + 6 scores |
| HANDEL, Amanda | Music of balance: circles and squares [Portfolio of compositions] | MA (Hons) | University of Western Sydney | 2004 | 110 + CD + DVD |
| HEIM, Christian | Prayer Dances | PhD | University of Sydney | 2000 | 3 vol |
| HEWITT, Donna | Compositions for voice and technology [+ Dissertation] | PhD | University of Western Sydney | 2006 | 178 |
| HILL, Adam Brantley | The cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process | PhD | University of Tasmania | 2004 | 239 + 2 CD |
| HINDSON, Matthew John | Compositions by Matthew Hindson | PhD | University of Sydney | 2001 | 2 vol |
| HODGES, Glen John | "Eyre," a three movement instrumental work for small chamber ensemble. (Original composition); | MM | Overseas | 1991 | 117 |
| HOLMES, Leonie | Doctoral portfolio of compositions | DMus | University of Auckland | 2006 | 307 |
| HOOPER, David Johannes | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 264 |
| HOROWICZ, David | Five original compositions ; Folio of analysis : Paroles tissees and concerto for cello and orchestra of Witold Lutoslawski | MMus | University of Melbourne | 1991 | 2 vol |
| HOWARD, Brian | Folio of compositions | DMus | University of Melbourne | 1984 | 3 vol |
| HOWELL, David | Composition folio | MMus | University of Melbourne | 2006 | 216 |
| HOWLETT, May Catherine | The production of a contemporary chamber opera (The boy who wasn't there) | MA | Macquarie University | 2005 | 141 |
| HUANG, Yuh-Wen | Miró to music : transformation and cross disciplinary processes | DCA | University of Wollongong | 2002 | 136 + 6 scores |
| HUGHES, William Davin | Folio of compositions | PhD | University of Melbourne | 2001 | 1 vol + CD |
| HUMBERSTONE, J.H.B. | Composition portfolio, 2000-2002 | MMus | University of Sydney | 2003 | 257+2cd |
| JOHNSON, Julie Anne | A woman's work: a music composition portfolio | MMus | University of Canterbury | 2007 | 482 + 15 + CD |
| JORDAN, Claire | Compositions [and analysis] | MMus(Comp) | University of Sydney | 1997 | 8pp + 5 scores + cass + video |
| KARDOS, Leah | “21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music” | PhD | University of Queensland | In Progress (2009) | |
| KNOPF, Michael | Illustrating the practice of composing with styles and genres; how a composer uses global, cultural & historical style and genre in creating new music + folio of compositions | DMA | Griffith University | In progress (2007) | |
| KOEHNE, Graeme | Rain forest : (large orchestra) ; Riverrun-- : (large orchestra) ; Twilight rain : (piano solo) ; Flanto traverso : two flutes and harp | MMus | University of Adelaide | 1985 | 4 vol |
| KOEHNE, James | Portfolio of Original Compositions | DMus | University of Adelaide | 2002 | 1 score |
| KOO, C.P. | Seven music compositions | PhD | University of Sydney | 1995 | 229+cass |
| KOS, Bozidar | Folio of compositions [and analysis] | PhD | University of Sydney | 1998 | 2 vol + 2 CD |
| KOURMADAS, Leonidas | Portfolio of original compositions | MMus (Comp) | Wesley Institute | In Progress (2008) | |
| KYRIAKOU, Mary-Anne | Guitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonists | MMus(Comp) | University of Sydney | 2006 | 41 + 2 scores |
