| ABBOTT, Katrina | Folio of compositions | MMus | University of Melbourne | 2001 | 1 vol + cd |
| ADAMS, Christopher Patten | Composition portfolio | MMus | University of Auckland | 2006 | 126 + 2 CDs |
| ALVARO, Lorenzo | Folio of compositions [music] : 2007- 2008 | M.Mus. | University of Melbourne | 2008 | 225 + 1 CD |
| ANDREW, Ian Gregory | Singing a new story: a composer's exploration of textual synthesis through composition | PhD | University of Adelaide | 2016 | |
| ANGUS, Quentin | Phrasing and polyrhythm in contemporary jazz guitar: a portfolio of recorded performances and exegesis. | PhD | University of Adelaide | 2014 | 307 |
| Anon | "An integration of score-based and digitally produced composition" - folio of compositions and critical commentary | PhD | University of Queensland | In Progress (2009) | |
| Anon | “21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music” | PhD | University of Queensland | In Progress (2009) | |
| Anon | Acoustic Ecology and the Documentation of Environments Using Soundscape Composition [working title] | PhD | University of South Australia | In Progress (2009) | |
| ARMSTRONG, Newton | Folio of compositions [plus analysis of Brian Ferneyhough's Fourth string quartet] | M.Mus | University of Melbourne | 1996 | 49 + 7 scores |
| ARNOLD, Greg | Writing songs and writing a record: Inside the composition of an Acoustic Pop Album | PhD | University of Tasmania | 2013 | 175 |
| ARONOWICZ, Andrew | Composition folio | MMus | University of Melbourne | 2013 | |
| ASKILL, Michael | Reflections on Composition and Consciousness | PhD | University of Queensland | 2015 | 145 |
| AUDAIN, Yvette Michelle | Composition folio | MMus | Victoria University of Wellington | 2002 | 2 vol |
| AUÉ, Johannes | (E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesis | MMus | University of Adelaide | 2010 | 240 + CD |
| BAKRNCHEV, Michael Arthur | Folio of Compositions | MMus | University of Melbourne | 2016 | |
| BANNEY, David Andrew | Symmetry and symmetry reduction in music | PhD | University of Newcastle | 2015 | |
| BARBELER, Damian | Shades of mimesis : self-similarity and other nature-based inspiration in composition | PhD | University of Sydney | 2010 | 89 + 8 score+ 2 CDs |
| BARCLAY, Leah | Sonic Ecologies: Environmental Electroacoustic Music Composition in Cultural Immersion | PhD | Griffith University | 2014 | |
| BARKER, Bram Wesley | The Jebediah Jones Mystical Montrose Tour, 1999 | MM | Overseas | 1999 | 22 |
| BARKL, Michael | Franco Donatoni's Etwas Ruhiger in Ausdruck; and folio of compositions | MMus (Hons) | University of New England | 1985 | 2 vol |
| BARLOW, Dale | A portfolio of transcriptions and analyses towards Masters of Music | MMus (Jazz) | University of Canberra | 1997 | 2 vol |
| BARTLETT, Simon John | An Exploration of the Origins and Expression of Implied Harmony in The Gerry Mulligan Quartet with Chet Baker (1952-1953) | MMus | University of Sydney | 2016 | 102 |
| BATTERHAM, Andrew Bruce | Footprints: the assimilation of extra-Classical elements in a compositional language | PhD | University of Melbourne | 2015 | |
| BAYNES, Mark Edward | Analytic, descriptive, and prescriptive components of evolving jazz : a new model based on the works of Brad Mehldau | DMA | University of Auckland | 2015 | 229 |
| BEAUGEAIS, Katia | Compositions by Katia Beaugeais | MMus | University of Sydney | 2010 | 148 + 1 CD |
| BEECHE, Jack Trewhella | Improvised counterpoint: a study of contrapuntal strategies and interchangeable roles between two soloists in jazz improvisation | MMus | Monash University | 2015 | 121 |
| BEILHARZ, Kristy | Portfolio of musical compositions | PhD | University of Sydney | 1996 | 287+cass |
| BEN-SALAMON, Nissan | a folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio files | MA | Monash University | 2003 | c.50 + 4 scores + CD |
| BENDRUPS, Faye | Service station : straying the Australian landscape : a modern Aussie ballad opera | PhD | Victoria University (Vic. Australia) | 1996 | 196 |
| BENNETT, Alexander | Injecting life into electroacoustic music : a practice-led research project | M.Mus. | University of Auckland | 2010 | 19 + 1 Video disc |
| BLACK, Christopher James | Sound-as-art: the rise of the corporeal and noise in twentieth-century art practice | MMus(Comp) | Victoria University of Wellington | 2012 | 91 + CD |
| BLACK, Colin | Portfolio of compositions | PhD | University of Sydney | 2013 | 314 + 4 CDs |
| BLINKHORN, Daniel | New music composition in computer-assisted environments | DCA | University of Wollongong | 2007 | 134 + 14 CDs |
| BLOM, Diana | Invocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for television | MM | University of Sydney | 1972 | 100 |
| BOLAND, Marguerite Maree | The all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositions | MA | LaTrobe University | 1999 | 143 |
| BONETTI, Paul-Antoni | Sound and style: a compositional exploration of appropriated source material: portfolio of compositions and exegesis | PhD | University of Adelaide | 2015 | |
| BONIGHTON, Ian | Concerto da camera ; Sequenza ; Herod : an instrumental theatre mosaic | DMus | University of Melbourne | 1971 | 2 scores |
| BOSTOCK, John | A compositional language in transition : six compositions | PhD | University of Sydney | 2003 | 2 vol + 3CD |
| BRAKE, Ryan | Developmental Devices Used to Create Coherence and Unity in Multi-Movement Suites in a Modern Jazz Orchestra Setting | MMus | NZ School of Music (Victoria + Massey) | 2013 | 82p+1CD |
| BROADSTOCK, Brenton | Folio of compositions | DMus | University of Melbourne | 1988 | 1 score |
| BROMBERG, Brian | M.Mus composition portfolio | MMus | University of Otago | 2008 | 7 Scores + 3 CDs |
| BROPHY, Gerard | North meets South - East meets West : a personal accommodation of divergent aesthetic, cultural and technological compositional approaches : a portfolio of four compositions and exegesis | PhD | University of Adelaide | 2014 | |
| BROWN, Alan Gladstone | The application of the teaching methods of Opher Brayer in the compositions of jazz pianist Yaron Herman: Developing a portfolio of original compositions based upon these concepts | MMus | NZ School of Music (Victoria + Massey) | 2013 | 115p+1DVD |
| BROWN, Ashley | In two minds : exploring co-composition as a performer/composer collaboration | DMA | University of Auckland | 2011 | 115 + DVD |
| BROWNLEE, Philip | PhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee] | PhD | Victoria University of Wellington | 2007 | |
| BRUMBY, Colin | Litanies of the sun ; Stabat Mater speciosa | DMus | University of Melbourne | 1971 | 2 scores |
| BRUNSDON, Lindsay | Folio of compositions | MMus | University of Melbourne | 2001 | 403 |
| BRYANT, Gai | Cuban Folkloric and Traditional Music Styles: rumba, danzón, punto libre and bolero adapted for Jazz Big Band in Australia using Modern Compositional Techniques | PHD | University of Sydney | 2016 | |
| BUNTON, Jean | Imaginative music for Chinese-speaking children | PhD | University of Western Sydney | 2013 | 214 |
| BURGESS, Nadia | An overview of third stream/confluent music and the involvement of Australian composers + Portfolio of original compositions | MMus (Comp) | University of Sydney | 2004 | 2 vol + CD |
| BURGESS, Nadia | A study of compositional techniques used in the fusion of art music with jazz and popular music | PhD | University of Sydney | 2014 | |
| BURKE RIGO, B | Escapee gloss : a symphony of polymedia | M? | University of Tasmania | 2014 | |
| BURREL, Robert W. B. | A Process of Becoming: A Musical Enquiry into Process-Relational Philosophy Through Autoethnographical and Zoomusicological Means | PhD | Griffith University | 2013 | |
| BYRNE, Andrew | Donald Martino's fantasies and impromptus : a study of a twelve tone system and its applications and a folio of compositions | MA | LaTrobe University | 1994 | 93 |
| BYWATER, Philip Frank | As the spirit moves : a study of personal spirituality as a source for musical inspiration | MMus(Perf) | University of Melbourne | 2010 | 90 + 1 CD |
| CAMM, Cheryl | In the teeth of it | DMus | University of Auckland | 1995 | 1 score |
| CAMM, Cheryl | Tam O’Shanter : a cantata for baritone solo / words, Robert Burns ; music, Cheryl Camm. | DMus | University of Auckland | 1995 | 325 |
| CAMM, Suzie-May | Folio of compositions [music] | M.Mus. | University of Melbourne | 2009 | 167 + 1 CD |
| CAPORALI, Ursula | Deconstructing the structure | PhD | University of Sydney | 2014 | 199 |
| CARTER, James Stuart Read | Importing and exploring the kramerian theory of musical postmodernism within contemporary Jazz performance | MArts | Monash University | 2015 | 80 |
| CARTER, Tristan | Influence, intuition and integration : an exploration into my creative process | M.M.A | Victoria University of Wellington | 2012 | 45p+2CD+2DVD |
| CARY, Tristram | Portfolio of original compositions | DMus | University of Adelaide | 2000 | 1 vol |
| CASTEELS, Robert | Berlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesis | PhD | University of Melbourne | 2003 | 2 vol + 3 CD-Roms |
| CASTLES, Paul | Towards an aesthetic : metaphor and multiplicity as a compositional impetus | MMus | University of Sydney | 2009 | 87 + 2 v music |
| CATANCHIN, Helen | An exploration of composed and improvised wordless singing in performance: skills for the 2Ist century contemporary jazz singer | MMus | Monash University | 2015 | |
| CAVE, Jenna | Portfolio of compositions / Jenna Cave | MMus. | University of Sydney | 2010 | 68p + 1CD |
| CAWRSE, Anne | Portfolio of original compositions and exegesis: a personal exploration of modal processes | PhD | University of Adelaide | 2008 | 170 + 2 CDs |
| CHALABI, Karen Louise | The architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire. | PhD | University of Melbourne | 2014 | 271 |
| CHAPLIN, Peter | Folio of compositions and analyses | MMus | University of Melbourne | 1986 | 7 vol + tape |
| CHAPMAN, Jim (James Norman) | Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysis | PhD | Queensland University of Technology | 2007 | 2v (225 + 237) + 1CD |
| CHARLES, Emma | A problematic portfolio: an exploration of style and identity in the life of Gerald Finzi and the performance of "Introit" as part of his discarded Violin Concerto | MMus | Monash University | 2015 | |
| CHEN, Chi Wai | The creative process of computer-assisted composition and multimedia composition visual images and music | PhD | RMIT University | 2007 | 1 CDRom |
| CHEN, Cindy Hsin-Yu | Folio of compositions 2002-2003 | MMus | University of Melbourne | 2004 | 130 + CD |
| CHENG, Hsin | [portfolio of compositions] | MMus | University of Canterbury | 2005 | 1 vol + 1 vid + CD |
| CHI, Jasmine Yi-Tzu | Creative process in electroacoustic music with live acoustic performance composition : an observation on sound and the performer's gesture | MMus(Composition) | University of Auckland | 2009 | 30 + DVD |
| CHILDS, Codie | Spaces traversed : Master of Music portfolio submission thesis | MMus(Composition) | University of Auckland | 2011 | 61 + 2 DVDs |
| CHOI, Eunice Eunha | Composition portfolio | M.Mus. | University of Auckland | 2009 | 115 + 1 CD |
| CHONG, Kristian | Sergei Rachmaninoff in Melbourne; a performer's reflection through the twenty-four Preludes Opp, 23 and 32; from Mack Jost to the twenty-first century | PhD | Australian Catholic University | 2014 | |
| COLE, Amanda | Compositions exploring microtonal structures and interference beats : portfolio of compositions and analytical notes | PhD | University of Sydney | 2008 | 133 + 1 CD + 1 DVD |
| COLE, Fred | Creative practices in Australian techno and other electronica : a folio of original compositions and supporting documentation | PhD | Southern Cross University | 1999 | 221 |
| COLLINS, Grant | Solo Drumset: Revering the Drumset as a Solo Instrument with Expansions for the Instrument, Notation, Physical Expression and Compositional Works | DMA | Griffith University | 2014 | 238 |
| CONLEY, David Jaedyn | Composition folio | MMus | University of Melbourne | 2004 | 136 |
| CONNORS, Teresa Marie | Master of Music in Composition | MMus | University of Waikato | 2013 | 52 |
| CONNORS, Teresa Marie | Master of Music in Composition | MMus | University of Waikato | 2013 | 59 |
| CONYNGHAM, Barry | Folio of compositions | DMus | University of Melbourne | 1979? | 4 vol |
| CONYNGHAM, Barry | Edward John Eyre [music] ; Five for wind quintet ; Ends for solo piano ; Five windows ; Water - footsteps - time | MA | University of Sydney | 1973 | 5 scores |
| COURT, Sarah Kathleen Mary | Death and Transformation in Romantic Song Cycles: Journeys in Interpretation | DMA | Griffith University | 2015 | 166 |
| COUTLER, John | Electroacoustic Music With Moving Images: A Practice-Led Research Project | PhD | University of Queensland | 2009 | 71 |
| Cox, Geraldine | Music matters in fiction: Creative and critical reflections | PhD | Murdock University | 2015 | |
| COYLE, James | The contrabass as a vehicle for Australian music; how a small repertoire can inform the creative output of one composer | MMus | University of Sydney | 2015 | 82 |
| CRAWFORD, Drew | Eugene & Roie: music theatre composition | PhD | University of Sydney | 2005 | 2 vol + CD |
| CRESSWELL, Ian | Critical commentary [electronic resource] | MPhil | University of Queensland | 2009 | |
| CROFT, Graeme | The human body as an instrument: an investigation into its music | MMus | RMIT University | 2015 | 115 |
| CROSSMAN, W. Bruce | Personal creative process towards a Pacific-European identity | DCA | University of Wollongong | 1999 | 190 |
| CUTLAN, Paul | Different every time : the integration of improvisation into through-composed music | M.Mus | University of Sydney | 2012 | 76p +1CD |
| CZAPLOWSKI, Philip | The use of multiple styles as a compositional approach | PhD | Monash University | 2007 | 2 vol + CD |
| DAHM, Robert | Folio of compositions [music] | M.Mus. | University of Melbourne | 2008 | 87 |
| DAVIDSON, Robert | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 2 vol |
| DAVIES, Timothy Andrew | Folio of compositions | MMus | University of Melbourne | 1997 | 152 + CD + cass |
| DE CASTRO-ROBINSON, Eve | Five responses; Peregrinations; A resonance of emerald; | DMus | University of Auckland | 1989 | 1 score |
