| HAMNES, David | The role of the Melbourne International Festival of Organ and Harpsichord on fostering Australian organ composition, 1971-1993 | MMus | Australian Catholic University | 2001 | 253 |
| MOORE, Laurence James | Sing to the Lord a new song: a study of changing musical practices in the Presbyterian Church of Victoria, 1861-1901 | MMus | Australian Catholic University | 2004 | 188 |
| RISCHITELLI, Victor | Henry Cowell (1897-1965) and the Impact of his First European Concert Tour (1923) | MMus | Australian Catholic University | 2005 | 122 |
| STOCKBRIDGE, Sally | The Australian video music clip industry | PhD | Australian Catholic University | 1991 | 266 |
| DANIEL, Anna
| The nature, cause and trajectory of emerging business models in the digital music sector: opportunities for specialised musicians | PhD | Australian Catholic University | 2010 | 325 |
| BUNTING, Sue | The protection of music as intellectual property : the historical framework and its effects upon contemporary Australian legislation. | MMus | Australian National University | 1996 | 129 |
| CAMPBELL, Peter John | Limestone Plains-song: an historical survey of choral music in Canberra, 1913-1993 | MMus | Australian National University | 1996 | 432 |
| De SILVA, Dayaneetha | Taking on the big boys: rock music and oppositionality in Singapore | MA | Australian National University | 1996 | 293 |
| Anon | The Diva Desire: an examination of the perceptions and aspirations of Australian women striving to achieve an operatic career. | PhD | Australian National University | in progress (2007) | |
| GARBER, Susan Joyce | The Hand-in-Hand community music program: a case study | PhD | Australian National University | 2004 | 349 |
| HILL, Carolyn | New Zealand music: into the 21st century: an investigation into the factors affecting the successful post-compositional promulgation of contemporary New Zealand music | MMus | Australian National University | 2001 | 92 |
| MANNING, Lisa Jane | Towards a new approach: an evaluation and critique of the Australian orchestral audition process | M.Phil (sub) | Australian National University | 2005 | 80 |
| MARTIN, Ruth Florence Lee | The dark corner : a study of the dynamic dialectic between women composers and the Australian orchestral milieu | PhD | Australian National University | 2000 | 3 vol + 1 CD |
| Anon | Music in Australia during the Gold Rush: A Biography of Madame Cavendish | MPhil | Australian National University | in progress (NiC08/07) | |
| NOBLE, Alistair | The Australian pianist, Winifred Burston, 1889-1976 | MMus | Australian National University | 1994 | 123 |
| RICKWOOD, Julie Ann | Liberating Voices: towards an ethnography of women's community a cappella choirs in Australia | MA | Australian National University | 1997 | 209 + 1 cass. |
| Anon | Defining the Indefinable: An historical and cultural exploration of excellence in music | PhD | Australian National University | In progress (2010) | |
| LAI, Chi-Hsia | Hands on stage : a performance media space | MPhil | Australian National University | 2009 | 70 + CD |
| JEFFS, Nick | Counting the Beatz : hip hop culture, commercialisation and the state in Aotearoa New Zealand | MA | Auckland University of Technology | 2005 | 113 |
| GOLDSCHMIED, Jason | A battle royal: digital music piracy v. the music industry, an assessment of Australian copyright law | PhD | Bond University | 2010 | 437 |
| BANNISTER, Roland Stuart | An ethnomusicological study of music makers in an Australian military band | PhD | Deakin University | 1995 | 370 |
| GARTH, Alan | A study of an Australian rural music festival | MA | Deakin University | 2000 | 166 |
| MALONEY, Belinda | Phenomenological investigation of e-value chains from Australian music stakeholders perceptions | PhD | Deakin University | 2007 | 290 |
| JONES, Amanda L | Revisiting the early format of the big band : "So you want to be a band leader?" | MA | Edith Cowan University | 2003 | 2 microfiche |
| BALLICO, Christina | Bury me deep in isolation: A cultural examination of a peripheral music industry and scene | PhD | Edith Cowan University | 2013 | |
| GOH, Caleb | Cries from within : the struggles and triumphs of creating a Singaporean voice in musical theatre | PhD | Edith Cowan University | 2015 | |
| BORLAGDAN, Joseph Ireneo | Enabling agency and cultural production: the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
| BORIAGDAN, Joseph Ireneo | Enabling agency and cultural production [manuscript] : the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
| Anon | Music in advertising - how corporate demands impact on the artistic process | DMA | Griffith University | in progress (NiC08/07) | |
| COLLETT, Morwenna | The role of Australian youth orchestras in the development of young musicians : a case study of the Queensland Youth Orchestra | MMus Studs | Griffith University | 2005 | 1 vol + 1 audio CD |
| KERSLAKE, Ben | Contemporary opera and the role of technology | MMus | Griffith University | 2002 | 75 |
| KIRKWOOD, Sandra | Frameworks of culturally engaged community music practice for rural Ipswich, Australia | MPhil | Griffith University | 2010 | 295 |
| MURUGIAH, Seravanen | The debate of music downloading | MA | Griffith University | 2006 | 1 vol |
| POOLEY, Stephen George | The role of the Beatles' production team in the creation and establishment of the virtual nature of the recorded medium | MMus | Griffith University | 2001 | 183 + 1 audio CD |
| ROONEY, David | Playing second fiddle : a history of the relationship between technology and organisation in the Australian music economy 1901-1990 | PhD | Griffith University | 1996 | 334 |
| BARTLETT, Irene Mary | Sing out loud, sing out long: a profile of professional contemporary gig singers in the Australian context | DMA | Griffith University | 2011 | 212 |
| PENNYFEATHER, Dawn | Synthesising communities: developing a network for community engagement - synthFM electronic music hub of Alberta, Canada | MA (Hons.) | Griffith University | 2011 | 46 |
| MESSENGER, Cory Luke Joseph | Calling the tune: Hollywood and the business of music | PhD | Griffith University | 2011 | 331 |
| BEEKHUYZEN, Jenine | A critical ethnography of an online file sharing community : :an actor-network theory perspective of controversies in the digital music world / Jenine Peta Beekhuyzen | PhD | Griffith University | 2010 | 269 |
| CLARK, Glenn R. | Production library music in adviertising : contrasts in licensing mechanisms | MMus. | Griffith University | 2011 | 95 |
| ANTHONY, Brendan | ‘The Stairways to Mixing Heaven’: Designs for the Optimisation of Creative Mixing Practices in Popular Music Record Production | MMus | Griffith University | 2015 | |
| ASHTON, Graham R | Got ‘em on a String: The Collective Skills, Knowledge and Attributes of Group String Teachers in Queensland | MPhil | Griffith University | 2015 | |
| PALOMO, Connie | Invisibility and visibility : exploring issues, problems and solutions for regional environmental arts practice in Australia | MCA | James Cook University | 2002 | 184 |
| GOULD, Anthony James | The Melbourne Symphony Orchestra : factors influencing its character and identity | PhD | LaTrobe University | 1989 | 374 |
| BOWEN, Nigel | After the counterculture : from political protesters to music consumers - middle class youth subcultures 1975-1995 | MA(Hons) | Macquarie University | 1998 | 321 |
| CHITTY, Gina Ismene Shenaz | Public postures, private positions: baila and Sydney Sri Lankans | PhD | Macquarie University | 2005 | 226 |
| COLLINS, Stephen | The greater right of the wrong [copyright] | PhD | Macquarie University | 2006 | 365 |
| GIUFFRE, Elizabeth | "Even better than the real thing"? : covers and the Australian music industry since 2000 | MA | Macquarie University | 2006 | 211 |
| GREGORY, Mark | Sixty years of Australian Union Songs: the Australian folk revival and the Australian Labour Movement since the Second World War | MA | Macquarie University | 2007 | 172 + 1 CD + 1 bookl |
| HOMAN, Shane | The mayor's a square: a regulatory history of Sydney rock venues, 1957-1997 | PhD | Macquarie University | 1998 | 386 |
| HOWLETT, May Catherine | The production of a contemporary chamber opera (The boy who wasn't there) | MA | Macquarie University | 2005 | 141 |
| McLEAY, Colin Ross | The circuit of popular music: production, consumption, globalisation | PhD | Macquarie University | 1998 | 352 |
| MONTANO, Edward James | DJs, clubs and vinyl : the cultural commodification and operational logics of contemporary commercial dance music in Sydney | PhD | Macquarie University | 2006 | 334 |
| MORROW, Guy Richard | Managerial creativity: a study of artist management practices in the Australian popular music industry | PhD | Macquarie University | 2006 | 390 |
| PINNER, Mark | A history of brass bands in New South Wales 1788-1901 | MA (Hons) | Macquarie University | 2004 | 227 |
| SHEPHERD, Rebecca | Retro vertigo [manuscript] : the art of record production and representations of space and timbre in retro rock music | PhD | Macquarie University | 2009 | 238 + CD |
| SHEPERD, Rebecca | Retro vertigo: the art of record production and representations of space and timbre in retro rock music | PhD | Macquarie University | 2009 | 238 + CD |
| LEONARD, James Mitchell | Lukthung and 'the Isan question" : the history and development of Thai country song | PhD | Macquarie University | 2012 | 289 |
| SEGUIN, Pierre-Emmanuel | Modal jazz in Australia in the 1960's [manuscript] : challenging the jazz canon | PhD | Macquarie University | 2011 | 339 + CD |
| RINCÓN, Juan Carlos Valencia | 'We obviously know who's listening' : commercial radio programming, subjectivation and coloniality in Bogotá, Colombi | PhD | Macquarie University | 2011 | 340 |
| LI, Fangjun | China's music industries: evolution, development and convergence | PhD | Macquarie University | 2015 | 398 |
| O'GRADY, Patrick | Studio-based songwriting: music production and shaping the pop song | PhD | Macquarie University | 2016 | 202 |
| KEOGH, Brent | Analyzing world music discourse in Australia | PhD | Macquarie University | 2014 | 298 |
| PELTZ, Philipp | Artist-entrepreneuship in the digital recording industry : emergence, practices and implications | PhD | Macquarie University | 2014 | 278 |
| LO, Chi Yhun | Melodic contour training and its effect on speech perception for cochlear implant recipients | MRes | Macquarie University | 2014 | 108 |
| JENKINS, Laurence L | Claudia Muzio (1889-1936), her life and career | M.Phil | Massey University | 2003 | 166 |
| NEILL, Karen | Hook, line & singer! : essential criteria for maximising the playlist potential of New Zealand music on commercial radio : a programme directors' perspective | MA | Massey University | 2000 | 111 |
| UBEDA, Patricia Rosalind | From Tin Pan Alley to the Royal Schools of Music : the institutionalisation of classical and jazz music | MA | Massey University | 2000 | 187 |
| IBELL, Jonathan | The Helfgott phenomenon : a study in critical discourse | MA | Massey University | 1999 | 123 |
| KIRCHNER, Astrid Susan | More Kiwi music : upgrading New Zealand's music industry through successful music export | MBA | Massey University | 2007 | 137 |
| SEDCOLE, Anna | The future of chamber music audiences in New Zealand | M Mgt | Massey University | 2011 | 69 |
| ADDISON-SMITH, Dorothy Jane | Collections of Australian music recordings in Melbourne public libraries | MA | Monash University | 1993 | 85 |
| BASILE, Christopher | An ethnomusicological study of the Macedonian Women's Choir of Melbourne | MA | Monash University | 1991 | 124 |
| CROWLEY, John | Alfred Hill: A Grand Old Man of Australian Music | MA | Monash University | 1999 | 166 |
| DUNBAR, Mark | 'All take, take, take ....' migrant musicians, the Australia Council, multiculturalism and music-making in Australia | MA | Monash University | 1989 | 123 |
| FOX, Robin | Aspects of experimental music in Melbourne, 1975-1979 : focussing on the LaTrobe University Music Department and the Clifton Hill Community Music Centre | MA | Monash University | 2002 | 204 |
| GOULD, Anthony James | Promotion, programming and criticism of music in Melbourne : the nineteen thirties and the nineteen seventies compared | MA | Monash University | 1979 | 283 |
| McLENNAN, Isobel J. | Concepts of women patrons of music in the Renaissance | PhD | Monash University | withdrawn | |
| O'SHEA, John | Music and medicine: medical profiles of the great composers | MD | Monash University | 1991 | 2 vol |
| PETRUS, Pauline | Esther Rofe, theatre musician and narrative composer: A biographical and historical overview of her life and music | MA | Monash University | 1995 | 259 |
| PURVIS, Kate | Australian choirs and their access to performance materials | MA | Monash University | 1989 | 127 |
| ROSIER, Veronica A.C.S | Music instrument collections in museums: basic principles and contemporary practices | MA | Monash University | 1979 | NS |
| WHELLAN, Lynette Joan | Music resources in the public libraries of Melbourne with special reference to the Nunawading Public Library | M.Lib | Monash University | 1985 | 149 |
| WILKINSON, Christine E | The compilation of thematic catalogues with special reference to thematic locators and the effect of computerization | MA | Monash University | 1981 | 118 |
| WILSON, Catherine | The music of the Australian women's work exhibition | MA | Monash University | 1995 | 146 |
| Anon | Dame Joan Hammond - A Diva of Circumstance | MA | Monash University | In Progress (2007) | |
| TREVENA, Bree Elizabeth | The drum and bass scene in the City of Melbourne : narratives of urban identities through sites of cultural production | MA | Monash University | 2009 | 149 |
| TAKRU, Radhika | "I prefer their early stuff" : the effects of online music journalism on the authority of the popular music critic | MA | Monash University | 2013 | |
| BAKER, Andrea J. | Youths and net-radio, exploring subcultural models of audiences | PhD | Monash University | 2010 | 387 |
| WIGAN, Marcus Ramsey | The contributions of the Melbourne Festival of Organ and Harpsichord and its successors: 1971-2010 | MFA | Monash University | 2017 | 353 |
| MILLS, Jennifer | Orchestral cello auditions in Australia: an assessment of commonly set excerpts | MMus | Monash University | 2016 | |
| MINESTRELLI, Chiara | "Still the same corroboree?" culture, identity and politics in Australian Indigenous hip hop | PhD | Monash University | 2014 | |
| DESHON-HEALY, Janet Christine | Fame, Fortune, Failure: Musicians Surviving Revolutionary France (1789–1875) examined through a Theoretical Model Construct from Max Weber’s Socio-Political Economic Theories | PhD | Monash University | 2019 | 333 |
| MAUVAN, John | Shoe box : an analysis of the concert hall and its adaption to small-scale music performance space | MArch | NZ School of Music (Victoria + Massey) | 2011 | 177 + Plans |
| HARRIS, Elisabeth | Zwischenfach: Paradox or Paradigm? | M.M.A | NZ School of Music (Victoria + Massey) | 2014 | 57p+1DVD |
| BARTHOLOMEW, Peter G. | Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works | LLM | Queensland University of Technology | 1998 | 1 vol |
| BRENNAN, Marc Andrew | Writing to reach you: consumer music press and music journalism in the UK and Australia | PhD | Queensland University of Technology | 2005 | 271 |
| CHOONG, Wi Yan Kelly | The diffusion of MP3 and its impact on the music industry : a strategic analysis | MBus | Queensland University of Technology | 2001 | 146 |
| EARL, Cameron Phillip | Public health management at outdoor festivals | PhD | Queensland University of Technology | 2006 | 281 |
| NINAN, Abraham | What are the roles of networks and clusters in the operation of an industry? : the case of Queensland music | PhD | Queensland University of Technology | 2005 | 329 |
