| ANCELL, Noel | Christopher Wilcock: Australian liturgical composer | MA | Monash University | 1992 | 64 |
| ANSLOW, Dayle | Three masses by Antonio Cifra and their background in the Roman Counter-Reformation: a study and edition. | MMus | University of Auckland | 1998 | 348 |
| ATKINS, Peter | Music and spirituality: Locating spirituality within paradigms of musical meaning | PhD | University of NSW | in progress (2005) | |
| BARCLAY, Daryl James | Luther and the restoration of vernacular congregational hymnody | MA | Australian Catholic University | 2004 | 75 |
| BEAVERSTOCK, John G. | The employment of the organ in three great oratorios of Edward Elgar | MusM | University of Western Aust. | 1995 | 103 |
| BISHOP, Dianne | Jean Calvin and the Genevan Psalter : a study of the Calvinist aesthetic and its application in the music of the Psalter | MMus | University of Melbourne | 1969 | 197 |
| BLACKBURN, Andrew Stewart | Styles in the church music of Henry Purcell | MMus | University of Melbourne | 1980 | 140 |
| BLACKWOOD, Peter | Bring David here': reclaiming the song of the Psalms for the Uniting Church in Australia | D.Min | Australian Catholic University | 2002 | 305 |
| BLACKWOOD, Peter | Our praise, intent upon one truth : diversity in congregational song as a source of conflict and blessing in the worship of Victorian churches of the Uniting Church in Australia | M.Min | Australian Catholic University | 1997 | 165 |
| BOLLEY, Richard | The significance and performance practice of Mantra in Buddhism of the Vajrayana | PhD | University of Auckland | in progress (NiC08/07) | |
| BONIGHTON, Rosalie | Contemporary liturgical music and the composer | MA | LaTrobe University | 1992 | 188 |
| BOUGHEN, P. Mark | The work of the Hymnbook Committee in the production of the music setting of the "Gloria in excelsis" from the 1996 common order service of the Lutheran Church of Australia: 1950-1968. | MMus | University of Queensland | 1995 | 89 |
| BRUMBY, Colin | Litanies of the sun ; Stabat Mater speciosa | DMus | University of Melbourne | 1971 | 2 scores |
| BURK, Ian | A Tradition Transplanted and Nurtured: The Contribution of A.E.Floyd to Cathederal and Church Music in Australia, 1915-1947 | PhD | University of Melbourne | 2005 | 427 |
| BYRNE, John H. | Sacred or Profane: The influence of Vatican legislation upon music in the Catholic Archdiocese of Melbourne. | MMus | Australian Catholic University | 2005 | 238 |
| CAMERON, Neil Matheson | Music of the Anglican churches of the diocese of Sydney, 1836-1868 | MMus (Musicology) | University of Sydney | 2006 | 269 |
| CHOO, Nick | Follow the light | MA | Murdock University | 2005 | 4 vol + DVD + 2CD-Roms |
| CHYNOWETH, Neville James | The influence of the Oxford movement on the music of the church [Communion in F]. | MA | University of Sydney | 1957 | 2 vol |
| CLEMEN, Hannah Elizabeth | The use of principles and techniques derived from meditation for the design and creation of co-participatory musical systems | MA | Edith Cowan University | 2005 | 2 microfiche + DVD + CD-Rom + CD |
| CLOUGH, Brent Stephen | Outernational reggae cultures | MA | University of Technology Sydney | 1999 | 213 + CD |
| COLE, Suzanne | The reception of the sacred choral music of Thomas Tallis in nineteenth-century England | PhD | University of Melbourne | 2004 | 203 |
| COLLINGRIDGE, Lorna Marie | Music as evocative power: the intersection of music with images of the Divine in the songs of Hildegard of Bingen | PhD | Griffith University | 2004 | 301 |
| CUNION, K.E. | Many beads one string: a study of composition and arrangement techniques in early sacred music, and the larger role of such music forms | MCA | University of Newcastle | 2002 | 132 |
| CURRY, Robert | Fragments of ars antiqua music at Stary Sącz and the evolution of the Clarist order in central Europe in the thirteenth century | PhD | Monash University | 2003 | 274 |
| DAVY, Ruby C | An exercise for the degree of Mus. Doc. Libretto compiled and music composed by Ruby Claudia E. Davy | DMus | University of Adelaide | 1917 | 278 |
| De LUCA, John | A vision found and lost : the promotion and evolving interpretation of the movement for liturgical music reform within the Sydney Catholic church during the twentieth century | PhD | University of NSW | 2001 | 437 |
| DENNISON, Jannah Marie | The integrity of melody and meaning: music as worship in the Taize community | MA | University of Otago | 2005 | 188 |
| DeVILDER, Yantra | In search of contemporary trance music | MA | Macquarie University | 2005 | 340 + 1 CD |
| EAKINS, Rex | Structure and function in the mid-15th-century Mass | PhD | University of Western Aust. | 1982 | 2 vol |
| ETE, Igelese | Malae : music portfolio | MMus | University of Auckland | 2005 | score + cd |
| EVANS, Mark | Secularising the sacred : the impact of Geoff Bullock and Hillsong Church on contemporary congregational song in Sydney, 1990-1999 | PhD | Macquarie University | 2002 | 304 + 3 CDs |
| FARAGHER, Michael Allan | A folio of musical compositions | MMus | University of Queensland | 1996 | 10 scores + cass |
| FONG, Kam-Yuen | The role of the Christian church in the development of music education in Hong Kong | PhD | University of Western Aust. | in progress (NiC08/07) | 1990 |
| FORGACS, Robert | The rhetoric of Orlando di Lasso's contributions to the Divine Offices of Matins and Lauds : a study of the relationship between liturgy, text and music | PhD | University of NSW | 1996 | 398 |
| FORSYTH, James A. | Music of the Anglican churches in Sydney and surrounding regions : 1788-1868 | PhD | University of Sydney | 2002 | 2 vol |
| FREILICH, Rachel | Song as the spiritual elevation of the soul: Habad women in Australia and their musical expression | PhD | University of Sydney | 2006 | 416 |
| GEE, Anne Maureen | Contact, change and the Church: some aspects of Papua New Guinea church music. | MA | University of New England | 1992 | 221 |
| GETHING, David | A comparative analysis of grand motet settings of Psalm 129 by Jean-Baptiste Lully (LWV 73) and Marc-Antoine Charpentier (H. 189) | MA | University of Western Aust. | 2003 | 171 |
| GOLDBURG, Peta Maria | Religious education and the creative arts: a critical exploration | PhD | University of Newcastle | 2001 | 324 |
| GONG, Hong-yu | Missionaries, reformers, and the beginnings of western music in late imperial China (1839-1911) | PhD | University of Auckland | 2006 | 428 |
| GORDON, Cathie | Sense of the sacred: Selected a cappella works by Anne Boyd, Nigel Butterley, and Clare MacLean | PhD | University of Adelaide | in progress (2001) | |
| Grigsby, Nicholas Stephen | The Lutheran Chorale in Variation Form: A Study of Source, Context,Genre, Textural Interpretation & Compositional Procedure in the Music of J.S. Bach | PhD | University of Waikato | In Progress (2007) | |
| GRYLLS, Karen Lesley | The convention and the ideal a study of Benjamin Britten’s three church parables | MMus | University of Auckland | 1979 | 116 |
| HALL, Margaret | Today's Song for Tomorrow's Church: The Role Played by Contemporary Popular Music in Attracting Young People to Church | PhD | Griffith University | 2007 | 364 |
| HAMNES, David | Tumultuous Times amid Outward Calm: A Study of Liturgical Organ Music in the Church of Norway 1924-1985 | PhD | Australian Catholic University | in progress (2004?) | |
| HANCOCK, Kerrin | Three Way Transplantation of Select Jewish Liturgical Music out of Lithuania through South Africa from 1881, to Australia from 1990 with Special Reference to Vilna, Johannesburg, and Melbourne | PhD | Monash University | in progress (2007) | |
| HARDWICK, Robert | Australian silent film music 1896-1909: the role of the Salvation Army Limelight Department | MMus | University of Melbourne | 1999 | 149 |
| HARVIE, Paul | The first sixty years of music at St. Paul's Cathedral, Melbourne, c. 1887-1947 | MMus | University of Melbourne | 1983 | 53 |
| HASTIE, Kelvin | Music-making in the Wesleyan Churches of New South Wales, 1855-1902 : origins, attitudes and practices | M.Phil | University of Sydney | 1991 | 431 |
| HASTIE, Kelvin | Change and decay: attitudes and outcomes in the music-making of Methodist churches in New South Wales, 1902-1977 [pp.841] | PhD | University of Sydney | 2003 | 841+2cds |
| HEIM, Christian | Prayer Dances | PhD | University of Sydney | 2000 | 3 vol |
| HEIM, Christian | What the ear cannot hear : hidden structures in three works of music with programmes of a christian nature | MMus | University of Sydney | 1995 | 109 |
| HEYWARD, E | Germany and the heritage of the Hebrew Psalter from Luther to the death of Bach | PhD | University of Tasmania | 1968 | 310 |
| HOPE, Alison | Papal thought on the nature of sacred music | GradDipMus | Australian National University | 1998 | 47 |
| HORT, Harold | The development of music in Australia 1788-1850 | MA (Hons) | Macquarie University | 1979 | 392 + 2 cassettes |
| HOSKING, John S | Samuel Sebastian Wesley, reformer in church music | MA | University of Auckland | 1959 | 172 |
| HOSSAIN, Amzad | Religion of songs: the religious beliefs and practices of the Bauls of Bangladesh | MA | Deakin University | 1990 | 253 |
| IRVING, David Ronald Marshall | Lamentation settings by Manuel José Doyagüe (1755-1842) recently rediscovered in Manila : a contextual study and critical transcription | M.Phil | University of Queensland | 2003 | 411 |
| JEFFREYS, Catherine M. | Melodia et rhetorica: the devotional-song repertory of Hildegard of Bingen | PhD | University of Melbourne | 2000 | 280 |
| JENNINGS, Mark | Realms : a phenomenological, socio-cultural and theological-religious studies exploration of musical spaces | Ph.D | Murdock University | 2009 | 292 |
| JONES, Anthony Linden | Beyond the Didjeridu: Representation of Aboriginality in Australian Film Music | MMus | University of Sydney | In progress (2008) | |
| JONES, Jennifer J | The theory and practice of the music in the Seventh-day Adventist Church in Papua New Guinea | M.Lit | University of New England | 2002 | 205 |
| JOO, Hyun Shin | Martin Luther's view of the use of music in worship: its implications for the Korean Presbyterian Church | TheolM | Melbourne College of Divinity | 2002 | 108 |
| JUTSUM, Ross Frederick | An examination of musical-textual relationships in the choral music of Colin Brumby, a lecture recital, with three recitals of selected works by Bartok, Durufle-Chevalier, Duson, Mendelssohn, Poulenc, Sallinen, and Schoenberg | DMA | Overseas | 1995 | 101 |
| KALINAJOVA, Veronika | English madrigal dedications (1588-1632): motives, benefits & influences | MMus | University of Queensland | 2009 (not yet in lib. cat.) | 155 |
| KAY, Roslyn | French Requiems of the Nineteenth and Twentieth Centuries | PhD | University of Queensland | in progress (1999) | |
| KEARSLEY, Helen | The power of oral tradition in the transmission of faith: a study of Same in two areas of the Western District of Fiji | MMus | University of NSW | in progress (NiC08/07) | |
| KENT, David Martin | The Place of Go-Set in Rock & Pop Music Culture in Australia, 1966 to 1974 | MA | University of Canberra | 2002 | 272 |
| KERSTEN, Anselm Norbert | The liturgical music of Marc-Antoine Charpentier (1645/50-1704) | MMus | University of Auckland | 1985 | 172 |
| KERTESZ, Elizabeth J. | Issues in the critical reception of Ethel Smyth's Mass and first four operas in England and Germany | PhD | University of Melbourne | 2000 | 285 |
| KIM, Jung-min | Re-discovery of traditional music in Choong-shin Presbyterian Church, Korea | GradDipMus | Australian National University | 2001 | 93 |
| KING, Erin Lee | "Anything but conventional" : faith and folk idioms in Dvořák’s Biblical Songs | MMus | Victoria University of Wellington | 2007 | 155 |
| KNUDSON, Karen | Meditations sur le mystere de la Sainte Trinite, by Olivieer Messiaen: a study of its thematic and tonal structures | MA | University of Otago | 1991 | 259 |
| KOEPKE, Bruce E. | The impact of political Islam on cultural practices in Badakhshan, Afghanistan, during the Taliban era | PhD | Australian National University | 2002 | 371 + 3 CD |
| KOURMADAS, Leonidas | Portfolio of original compositions | MMus (Comp) | Wesley Institute | In Progress (2008) | |
| KUMAR, Santhosh Sathya | Towards the development of an inculturated eucharistic liturgy for the Church of South India: a liturgical experiment using the ragas of Indian classical music. | DTheol | Melbourne College of Divinity | 2006 | 345 |
| LAUER, Helena | Places where they sing: Anglican church music in South Australia from 1836 | MMus | University of Adelaide | 2004 | 450 |
| LE HEUX, Benjamin | An investigative and documentary study of music and change within a Buddhist community in Christchurch, New Zealand | MA | University of Canterbury | 2002 | 115 |
| LERIKO, Paul | Supervised research project on church music--hymns in tomorrow's church : towards a reconciliation of styles | M.Min | Melbourne College of Divinity | 2001 | 76 |
| LIPINE, Tavita | Fasamoa and church music in New Zealand | MA | Victoria University of Wellington | 2002 | 204 |
| MACKAY, Lisa | Mode in the Salve Regina settings of the Eton College choirbook | PhD | Monash University | 2002 | 340 |
| MACKNIGHT, Lorraine Elizabeth | Minding the Hymn: Catherine Winkworth and the Transmission of German Hymnody to Australia, 1840-1999 | PhD | Charles Sturt University | in progress (2006) | |
| MARLOW, Lorna | Spirituality of rock music for young people | PhD | Monash University | withdrawn | |
| MARSHALL, Deirdre P. | Lost Souls in a Vast Land. Recontextualising Maori Kapa Haka and the Construction of Home in Melbourne | PhD | University of New England | 2003 | 286 |
| MASON, Paul | The pastoral implications of John Paul II's Chirograph on the centenary of the Motu Proprio "Tra Le Sollecitudini" on Sacred Music | MA (Liturgy) | Australian Catholic University | 2007 | 72 |
| MATTHIAS, Philip | Renewing the musical tradition of an Australian cathedral: developments in liturgical music at Christ Church Cathedral, Newcastle | PhD | University of Newcastle | 2005 | 257 + 6 CDs |
| MAXIMOVA, Galina | Russian Orthodox music in Australia: the translation of a tradition | MMus | Australian Catholic University | 1999 | 83 |
| McCOLL, Sandra Florence | Large-scale Marian antiphon settings by English and Scottish composers, 1460-1558 | MA | University of Melbourne | 1982 | 2 vol |
| McKERN, Brett M | The compositions of Brett M. McKern: to the greater glory of God | DCA | University of Wollongong | 2005 | 1 vid + CD |
| MILES, Elizabeth | The double choir and coro spezzati Vespers' psalms of Antonio Gardane's "Cantus di Adriano et di Jachet" of 1550 | MA | University of Auckland | 1988 | 106 |
| MILLER, Mandi M. | The emotional effects of music on religious experience: a study of the Pentecostal-Charismatic style of music and worship | MA | University of Canterbury | 2000 | 116 |
| MONTEFU, Jennette Lauren | The latin texted motets of Guillaume de Machaut | MMus | Australian Catholic University | 2003 | 162 |
| MOORE, Laurence James | Sing to the Lord a new song: a study of changing musical practices in the Presbyterian Church of Victoria, 1861-1901 | MMus | Australian Catholic University | 2004 | 188 |
| MOORE, Laurie | Scottish Presbyterian Music and Hymnody from 1901 to 1977 | MPhil | Australian Catholic University | in progress c.2006 | |
| NADEN, Liam P.D. | Sacrae cantiones : liber quartus (1606) / Agostino Agazzari: a critical edition | MA | University of Auckland | 1988 | NS |
| NELSON, Kathleen Edna | The canonic technique in the mass movement and motet c.1360-c1430 | MMus | University of Adelaide | 1982 | 153 |
| NELSON, Kathleen Edna | Medieval liturgical music of Zamora | PhD | University of Adelaide | 1993 | ns |
| NICHOL, Elizabeth Frances | New Zealand's published music 1850-1913 | PhD | University of Auckland | In Progress (2009) | |
| O'NEILL, David G | The role of the organ in Early English Music, 800-1759 | MusM | University of Western Aust. | 1979 | 1 vol |
| OEHM, Gregory James | The anthems of William Turner (1651-1740) | Phd | University of Newcastle | In Progress (2003) | |