ANCELL, Noel | Christopher Wilcock: Australian liturgical composer | MA | Monash University | 1992 | 64 |
Anon | The significance and performance practice of Mantra in Buddhism of the Vajrayana | PhD | University of Auckland | in progress (NiC08/07) | |
Anon | The role of the Christian church in the development of music education in Hong Kong | PhD | University of Western Aust. | in progress (NiC08/07) | |
Anon | Sense of the sacred: Selected a cappella works by Anne Boyd, Nigel Butterley, and Clare MacLean | PhD | University of Adelaide | in progress (2001) | |
Anon | Tumultuous Times amid Outward Calm: A Study of Liturgical Organ Music in the Church of Norway 1924-1985 | PhD | Australian Catholic University | in progress (2004?) | |
Anon | Three Way Transplantation of Select Jewish Liturgical Music out of Lithuania through South Africa from 1881, to Australia from 1990 with Special Reference to Vilna, Johannesburg, and Melbourne | PhD | Monash University | in progress (2007) | |
Anon | The power of oral tradition in the transmission of faith: a study of Same in two areas of the Western District of Fiji | MMus | University of NSW | in progress (NiC08/07) | |
Anon | Scottish Presbyterian Music and Hymnody from 1901 to 1977 | MPhil | Australian Catholic University | in progress c.2006 | |
Anon | An exploration of the Theological significance of Liturgical Music Practice in an Australian Catholic Parish | PhD | Australian Catholic University | in progress c. 2002 | |
Anon | The Importance of Singing in the Roman Catholic Church and the General Instruction of the Roman Missal (1974) | PhD | Australian Catholic University | in progress (c.2002) | |
Anon | The Liber primus missarum (1602) of Alfonso Lobo | MA | University of Queensland | in progress (NiC08/07) | |
Anon | Minding the Hymn: Catherine Winkworth and the Transmission of German Hymnody to Australia, 1840-1999 | PhD | Charles Sturt University | in progress (2006) | |
Anon | New Zealand's published music 1850-1913 | PhD | University of Auckland | In Progress (2009) | |
Anon | Exploring the influence of Confucianism on music learning among the Chinese-Australian Diaspora | PhD | Monash University | in progress (2013) | |
Anon | Music of Nepalese Festivals in Migration and Its Social and Musical Implications, in Singapore | PhD | University of Otago | In Progress (2015) | |
ANSLOW, Dayle | Three masses by Antonio Cifra and their background in the Roman Counter-Reformation: a study and edition. | MMus | University of Auckland | 1998 | 348 |
ATKINS, Peter | Music and the experience of the spiritual | PhD | University of NSW | 2012 | 385 |
BARCLAY, Daryl James | Luther and the restoration of vernacular congregational hymnody | MA | Australian Catholic University | 2004 | 75 |
BEAVERSTOCK, John G. | The employment of the organ in three great oratorios of Edward Elgar | MusM | University of Western Aust. | 1995 | 103 |
BETTCHER, Nathan James | The process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church) | MMus | University of Adelaide | 2010 | 135 + DVD |
BIRCHLEY, Keith Andrew | Reading Barth with Mozart in mind: An exploration of Mozartean resonance in the theology of Karl Barth | M.Phil | University of Queensland | 2012 | 119 |
BISHOP, Dianne | Jean Calvin and the Genevan Psalter : a study of the Calvinist aesthetic and its application in the music of the Psalter | MMus | University of Melbourne | 1969 | 197 |
BLACK, Helen | Sere dina ni Lotu Wesele e Viti: "True Songs" The history, culture and music of Fijian Methodist Indigenous liturgy | PhD | Australian National University | 2010 | 238 + 1 CD |
BLACKBURN, Andrew Stewart | Styles in the church music of Henry Purcell | MMus | University of Melbourne | 1980 | 140 |
BLACKWOOD, Peter | Bring David here': reclaiming the song of the Psalms for the Uniting Church in Australia | D.Min | Australian Catholic University | 2002 | 305 |
BLACKWOOD, Peter | Our praise, intent upon one truth : diversity in congregational song as a source of conflict and blessing in the worship of Victorian churches of the Uniting Church in Australia | M.Min | Australian Catholic University | 1997 | 165 |
BOLITHO, Wendy Anne | Silent invocations : music, sublimation, and social transformation | PhD | Massey University | 2011 | 252 |
BONIGHTON, Rosalie | Contemporary liturgical music and the composer | MA | LaTrobe University | 1992 | 188 |
BOUGHEN, P. Mark | The work of the Hymnbook Committee in the production of the music setting of the "Gloria in excelsis" from the 1996 common order service of the Lutheran Church of Australia: 1950-1968. | MMus | University of Queensland | 1995 | 89 |
BOURNE, Warren | The evolution of the German church cantata | MA | Victoria University of Wellington | 1966 | 219 |
BROWN, Reuben Jay | Following footsteps: The kun-borrk/manyardi song tradition and its role in western Arnhem Land society. | PhD | University of Sydney | 2016 | |
BRUMBY, Colin | Litanies of the sun ; Stabat Mater speciosa | DMus | University of Melbourne | 1971 | 2 scores |
BURK, Ian | A Tradition Transplanted and Nurtured: The Contribution of A.E.Floyd to Cathederal and Church Music in Australia, 1915-1947 | PhD | University of Melbourne | 2005 | 427 |
BUTLER, Ronald Kenneth | The Influence of Theosophy on the Tradition of Speculative and Esoteric Theories of Music | PhD | Griffith University | 2013 | |
BYRNE, John H. | Sacred or Profane: The influence of Vatican legislation upon music in the Catholic Archdiocese of Melbourne. | MMus | Australian Catholic University | 2005 | 238 |
BYWATER, Philip Frank | As the spirit moves : a study of personal spirituality as a source for musical inspiration | MMus(Perf) | University of Melbourne | 2010 | 90 + 1 CD |
CAMERON, Neil Matheson | Music of the Anglican churches of the diocese of Sydney, 1836-1868 | MMus (Musicology) | University of Sydney | 2006 | 269 |
CHOO, Nick | Follow the light | MA | Murdock University | 2005 | 4 vol + DVD + 2CD-Ro |
CHYNOWETH, Neville James | The influence of the Oxford movement on the music of the church [Communion in F]. | MA | University of Sydney | 1957 | 2 vol |
CLEMEN, Hannah Elizabeth | The use of principles and techniques derived from meditation for the design and creation of co-participatory musical systems | MA | Edith Cowan University | 2005 | 2 microfiche + DVD + |
CLOUGH, Brent Stephen | Outernational reggae cultures | MA | University of Technology Sydney | 1999 | 213 + CD |
COLE, Suzanne | The reception of the sacred choral music of Thomas Tallis in nineteenth-century England | PhD | University of Melbourne | 2004 | 203 |
COLLINGRIDGE, Lorna Marie | Music as evocative power: the intersection of music with images of the Divine in the songs of Hildegard of Bingen | PhD | Griffith University | 2004 | 301 |
COLVILLE FLETCHER, Janelle | Religious music in everyday life: adolescents’ identity work in Catholic schooling | PhD | University of Queensland | 2015 | 259 |
CUNION, K.E. | Many beads one string: a study of composition and arrangement techniques in early sacred music, and the larger role of such music forms | MCA | University of Newcastle | 2002 | 132 |
CURRY, Robert | Fragments of ars antiqua music at Stary Sącz and the evolution of the Clarist order in central Europe in the thirteenth century | PhD | Monash University | 2003 | 274 |
D'ARCY, Sing | The organ as architecture : reconfiguring the ecclesiastical space of the Hispanic Baroque | PhD | University of Sydney | 2010 | |
DAVY, Ruby C | An exercise for the degree of Mus. Doc. Libretto compiled and music composed by Ruby Claudia E. Davy | DMus | University of Adelaide | 1917 | 278 |
de JONG, Holly | Continuity and change : some aspects of Ethiopian music in Australia | MMus | University of Melbourne | 2011 | 126 |
De LUCA, John | A vision found and lost : the promotion and evolving interpretation of the movement for liturgical music reform within the Sydney Catholic church during the twentieth century | PhD | University of NSW | 2001 | 437 |
DENNISON, Jannah Marie | The integrity of melody and meaning: music as worship in the Taize community | MA | University of Otago | 2005 | 188 |
DeVILDER, Yantra | In search of contemporary trance music | MA | Macquarie University | 2005 | 340 + 1 CD |
DIOR, Dalia | Sephardic song [manuscript] : a bridge between cultures | MA | Macquarie University | 2009 | 155 + Map + CD |
DIVALL, Richard | The Complete Sacred Music of Nicolò Isouard (1773-1818) and Maltese Sacred Music for The Order of Malta in the Late Eighteenth Century | PhD | University of Divinity | 2013 | 380 + ~800 |
DUNCAN, Andrew Oliphant | Noah Greenberg's presentation of Medieval liturgical music-drama : a study in expediency over scholarship | MA | Monash University | 2010 | 116 |
EAKINS, Rex | Structure and function in the mid-15th-century Mass | PhD | University of Western Aust. | 1982 | 2 vol |
ETE, Igelese | Malae : music portfolio | MMus | University of Auckland | 2005 | score + cd |
EVANS, Mark | Secularising the sacred : the impact of Geoff Bullock and Hillsong Church on contemporary congregational song in Sydney, 1990-1999 | PhD | Macquarie University | 2002 | 304 + 3 CDs |
FARAGHER, Michael Allan | A folio of musical compositions | MMus | University of Queensland | 1996 | 10 scores + cass |
FORGACS, Robert | The rhetoric of Orlando di Lasso's contributions to the Divine Offices of Matins and Lauds : a study of the relationship between liturgy, text and music | PhD | University of NSW | 1996 | 398 |
FORSYTH, James A. | Music of the Anglican churches in Sydney and surrounding regions : 1788-1868 | PhD | University of Sydney | 2002 | 2 vol |
FRAMPTON, Andrew Leslie | Jan Dismas Zelenka's Missa Sancti Spiritus, ZWV 4: a critical edition and study of the manuscript sources | MMus | University of Melbourne | 2015 | |
FREILICH, Rachel | Song as the spiritual elevation of the soul: Habad women in Australia and their musical expression | PhD | University of Sydney | 2006 | 416 |
GEE, Anne Maureen | Contact, change and the Church: some aspects of Papua New Guinea church music. | MA | University of New England | 1992 | 221 |
GETHING, David | A comparative analysis of grand motet settings of Psalm 129 by Jean-Baptiste Lully (LWV 73) and Marc-Antoine Charpentier (H. 189) | MA | University of Western Aust. | 2003 | 171 |
GINSBURG, Mark | Reaching for an inner voice : the influence of Jewish cantorial singing on Jewish jazz musicians | MMus | University of Sydney | 2010 | 53 + 1 CD |
GOLDBURG, Peta Maria | Religious education and the creative arts: a critical exploration | PhD | University of Newcastle | 2001 | 324 |
GONG, Hong-yu | Missionaries, reformers, and the beginnings of western music in late imperial China (1839-1911) | PhD | University of Auckland | 2006 | 428 |
GRIGGS, Kristy Maree | The relationship between music and esoteric spirituality in contemporary composition | M.Mus. | University of Auckland | 2008 | 80 |
GRYLLS, Karen Lesley | The convention and the ideal a study of Benjamin Britten’s three church parables | MMus | University of Auckland | 1979 | 116 |
HALE, Christopher John | Not skilled, but divine : Plato's Ion and the surrender of the human element in music performance | MMusPerf | University of Melbourne | 2011 | 40 |
HALL, Margaret | Today's Song for Tomorrow's Church: The Role Played by Contemporary Popular Music in Attracting Young People to Church | PhD | Griffith University | 2007 | 364 |
HARDWICK, Robert | Australian silent film music 1896-1909: the role of the Salvation Army Limelight Department | MMus | University of Melbourne | 1999 | 149 |
HARVIE, Paul | The first sixty years of music at St. Paul's Cathedral, Melbourne, c. 1887-1947 | MMus | University of Melbourne | 1983 | 53 |
HASTIE, Kelvin | Music-making in the Wesleyan Churches of New South Wales, 1855-1902 : origins, attitudes and practices | M.Phil | University of Sydney | 1991 | 431 |
HASTIE, Kelvin | Change and decay: attitudes and outcomes in the music-making of Methodist churches in New South Wales, 1902-1977 [pp.841] | PhD | University of Sydney | 2003 | 841+2cds |
HEIM, Christian | Prayer Dances | PhD | University of Sydney | 2000 | 3 vol |
HEIM, Christian | What the ear cannot hear : hidden structures in three works of music with programmes of a christian nature | MMus | University of Sydney | 1995 | 109 |
HEYWARD, E | Germany and the heritage of the Hebrew Psalter from Luther to the death of Bach | PhD | University of Tasmania | 1968 | 310 |
HOPE, Alison | Papal thought on the nature of sacred music | GradDipMus | Australian National University | 1998 | 47 |
HORT, Harold | The development of music in Australia 1788-1850 | MA (Hons) | Macquarie University | 1979 | 392 + 2 cassettes |
HOSKING, John S | Samuel Sebastian Wesley, reformer in church music | MA | University of Auckland | 1959 | 172 |
HOSSAIN, Amzad | Religion of songs: the religious beliefs and practices of the Bauls of Bangladesh | MA | Deakin University | 1990 | 253 |
IRVING, David Ronald Marshall | Lamentation settings by Manuel José Doyagüe (1755-1842) recently rediscovered in Manila : a contextual study and critical transcription | M.Phil | University of Queensland | 2003 | 411 |
JEFFREYS, Catherine M. | Melodia et rhetorica: the devotional-song repertory of Hildegard of Bingen | PhD | University of Melbourne | 2000 | 280 |
JENNINGS, Mark | Realms : a phenomenological, socio-cultural and theological-religious studies exploration of musical spaces | Ph.D | Murdock University | 2009 | 292 |
JONES, Jennifer J | The theory and practice of the music in the Seventh-day Adventist Church in Papua New Guinea | M.Lit | University of New England | 2002 | 205 |
JOO, Hyun Shin | Martin Luther's view of the use of music in worship: its implications for the Korean Presbyterian Church | MTheol | Melbourne College of Divinity | 2002 | 108 |
JURD, Patrick | Encountering the justice of God's reign through music: the use of contemporary music in the Christian religious education of young adults | MTheol | Melbourne College of Divinity | 2009 | 173 +CDRom |
JUTSUM, Ross Frederick | An examination of musical-textual relationships in the choral music of Colin Brumby, a lecture recital, with three recitals of selected works by Bartok, Durufle-Chevalier, Duson, Mendelssohn, Poulenc, Sallinen, and Schoenberg | DMA | Overseas | 1995 | 101 |
KAY, Roslyn | French Requiems of the Nineteenth and Twentieth Centuries | PhD | University of Queensland | in progress (1999) | |
KENT, David Martin | The Place of Go-Set in Rock & Pop Music Culture in Australia, 1966 to 1974 | MA | University of Canberra | 2002 | 272 |
KERSTEN, Anselm Norbert | The liturgical music of Marc-Antoine Charpentier (1645/50-1704) | MMus | University of Auckland | 1985 | 172 |
KERTESZ, Elizabeth J. | Issues in the critical reception of Ethel Smyth's Mass and first four operas in England and Germany | PhD | University of Melbourne | 2000 | 285 |
KHOZANATU LAHPAN, Neneng Yanti | Negotiating ethnicity and Islam in musical performances in West Java Indonesia | PhD | Monash University | 2015 | 307 |
KIM, Jung-min | Re-discovery of traditional music in Choong-shin Presbyterian Church, Korea | GradDipMus | Australian National University | 2001 | 93 |
KING, Erin Lee | "Anything but conventional" : faith and folk idioms in Dvořák’s Biblical Songs | MMus | Victoria University of Wellington | 2007 | 155 |
KNUDSON, Karen | Meditations sur le mystere de la Sainte Trinite, by Olivieer Messiaen: a study of its thematic and tonal structures | MA | University of Otago | 1991 | 259 |
KOEPKE, Bruce E. | The impact of political Islam on cultural practices in Badakhshan, Afghanistan, during the Taliban era | PhD | Australian National University | 2002 | 371 + 3 CD |
KOH-BUTLER, Amelia | The formation of a missional cross-cultural urban community : communal singing off the menu ; a 'meal to music' approac | PhD | Flinders University | 2015 | 235 |