Popular

Writersort iconThesis TitleDegreeUniversityYear# of Pages
ZUMERIS, BroniusKicking against the pricks: Melbourne alternative music, 1978-1985MAUniversity of Melbourne1997100
ZION, LawrenceThe pop music scene in Australia in the 1960sPhDMonash University1988451
ZEMKE-WHITE, KirstenRap music in Aotearoa: a sociological and musicological analysis.PhDUniversity of Auckland2000395
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WOODS, Sally"We just want to play African music": the objectives, approaches to creativity and results of musicians recreating African popular music in Melbourne MAMonash University1990158
WILSON, BrettNational identity : the Finn brothers' Everyone is here : "what it is to be a New Zealander" MAUniversity of Otago2009140
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WHITELEY, Christina JenniferReading the past through colonial piano music of New South WalesPhDUniversity of New England2007TBA
WEST, Richard WilliamLost in the supermarket: the urban imagery of popular musicMAUniversity of Otago1996198
WATSON, KAProcesses and Concepts in Present-Day Transcultural Violin Performance PracticePhDUniversity of New England2014
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VINES, NicholasThe legacy of Gesamtkunstwerk in Hollywood film + Portfolio of compositionsMMusUniversity of Sydney200538 + folio + 2 cds
VINCENT, Adrian LachlanFolio of worksMResUniversity of Melbourne2014
VARNEY, CMMusic as muse : excerpt of Earworm, a novel, plus an accompanying exegesis : "Will Bunny stay dead? : The unreconstructed male in Grinderman and The Death of Bunny Munro"MAARTUniversity of Tasmania201577
TOULMIN, Matthew DavidRecorded music : fairness in creation, exposure and rewardLLMUniversity of Auckland2010116
TIMBS, DarnelleFunkin’ cultural boundaries : popular music and socio-spatial changeM.Soc.Sc.University of Waikato2007200
THORPE, VickiWe made this song : the group song writing processes of three adolescent rock bandsMMusVictoria University of Wellington2007178
THOMSON, Gavin BTwentieth century minstrelsy : towards a sociological definition of the socio-aesthetic meaning of contemporary musicMAUniversity of Auckland1976MA
THACKRAY, JeremyThe slow death of Everett True: A metacriticismPHDQueensland University of Technology2016278
TELEVAVE, Su'eina SharaonUa fuifui fa’atasi, ’ae vao eseese = Popular music amongst the Samoan diaspora community in NiusilaaMAUniversity of Auckland2006181
TAYLOR, SarahGeographical Information Systems for applied social research: the case of the live music industry in Sydney and MelbournePHDRMIT University2016108
TAKRU, Radhika"I prefer their early stuff" : the effects of online music journalism on the authority of the popular music criticMAMonash University2013
TAAFFE, BenjaminHip hop and hope : an exploration of political participation, performance and positioniong in young people's hip hop practicesPhDMurdock University2012308
SYKES, RobbieLaw Up Loud: Jurisprudence and Rock MusicPhDGriffith University2014400
SUTHERLAND, BridgetFar off town : Dunedin to NashvillePhDUniversity of Auckland2007121 + 1CD
SUNDSTRUP, LiefThe virtual orchestra [manuscript] : a systematic method of realising music composition through sample-based orchestral simulationDCAUniversity of Wollongong20091 v. + CD
STRONG, Catherine"As a friend, as a trend, as an old memory": Popular music, memory and powerPhDAustralian National University2008323 (not yet in lib.
STRAZZULLO, GuyAn intercultural approach to composition and improvisationMA (Hons)University of Western Sydney200378
STRAND, JoachimThe cinesthetic montage of music-video: hearing the image and seeing the sound MCACurtin University of Technology2006102
STOKES, DavidLocalising Rock: Music, Media and Culture in Late Twentieth Century ChinaPhDUniversity of Melbourne2002224
STOCKBRIDGE, SallyThe Australian video music clip industryPhDAustralian Catholic University1991266
STEEDMAN, SamChange and growth of Australian music value chainsMARMIT University2008107
STEDMAN, Nikki JoannaThe role of the bass in pianoless jazz ensembles: 1952-2014PHDUniversity of Adelaide2016619
STEAD, MichelleLearning to listen : the construction of listening in electroacoustic music discoursePHDUniversity of Western Sydney2016267
STAPLETON, PeterThe rockumentaries, direct cinema, and the politics of the 1960sMAUniversity of Otago2011153
STAFFORD, AndrewPig city: from The Saints to Savage GardenMAQueensland University of Technology2004326
SPORT, KathyWomen's music in Australia: space, place, bodies, performancePhDMacquarie University2015243
SPIROU, PenelopeThe contemporary musical biopic: representing the lives of music artists in 21st century cinemaPhDMacquarie University2011304
SOTHERAN, Joy MareeCan creativity be accommodated In the competency paradigm? : a music industry case studyPhDUniversity of Technology Sydney2013369
SORRELL, UrsulaThe other side of the contemporary teen queen: an examination of the compelling structures of music videoMAUniversity of Otago2004139
SNELL, DaveWhat's it like to be a heretic? Heavy metal communities in practise.MSocScUniversity of Waikato2006120
SNELL, DaveThe everyday Bogans: Identity and community amongst Heavy Metal fansPhDUniversity of Waikato2012235
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SMITH, YvonnePut your ear to the track: riding Alt Country, the songline of Grace: a religionless gospel for the 21st centuryMAUniversity of Canterbury2005185
SMITH, Dianne MarieDeci-belles : gender and power in sound engineering for popular music in New ZealandPhDUniversity of Otago2009368
SMART, RonnieThe role linguistic, stylistic and sociocultural factors play in the popularity of contemporary Chinese-English codeswitching pop songs among urban youth in Shanghai PhD (Chinese)University of Canterbury2013
SMALL, Stephen KenethSongs of Middle America: Burt Bacharach and Hal David in the SixtiesMAUniversity of Otago2002195
SMALL, Stephen KenethPopular music, genre and the keyboardDMAUniversity of Auckland2009138 + 1 CD
SIMATUPANG, Gabriel Roosmargo Lono LastoroThe development of dangdut and its meanings: a study of popular music in Indonesia MAMonash University1996127
SHILL, GeneDigital Sampling and Appropriation as Approaches to Electronic Music Composition and ProductionPHDGriffith University2016TBA
SHERRIFF, Caleb'An awful lot of running' : Filk across time and space : wrock, trock, and the commercialisation of fan musicMA FilmUniversity of Auckland2013107
SHEPHERD, RebeccaRetro vertigo [manuscript] : the art of record production and representations of space and timbre in retro rock musicPhDMacquarie University2009238 + CD
SHEPERD, RebeccaRetro vertigo: the art of record production and representations of space and timbre in retro rock musicPhDMacquarie University2009238 + CD
SHEATHER, GayeRock, this city: a thematic history of live popular music in licensed venues in Newcastle, Australia, during the Oz/​Pub Rock era (1970s and 80s)PhDUniversity of Newcastle2013322
SHARE, Christopher'Getting a good sound:' The use of timbre by rock guitaristsMAMonash University1998197
SCOTT, Michael WilliamNew Zealand’s pop renaissance : a creative industry as ’after neo-liberal’ social policyPhDUniversity of Auckland2009258
SCHWER, Ruth ElizabethThe cello in New Zealand: history, composition, education, poular music and performance from the opinions of New Zealand musiciansMMusVictoria University of Wellington2000162
SCHULTZ, Marianne 'A Harmony of Frenzy' : New Zealand Performed on the Stage, Screen and Airwaves, 1862-1940PhDUniversity of Auckland2014334
SCHRAA, MichaelMusic video reconsidered : the aesthetics of convergenceMAUniversity of Otago2009119
RYAN, Bernadette ThereseThe Roles of Phleng Phuea Chiwit Music (Songs for Life) in Forming Identities within the Forces of Globalisation in Thailand: Individuated Perspectives Similar to ‘Sufficiency’ Philosophies PHDNot Applicable2016378
RUSSELL, Bruce Roland“What true project has been lost?”: Towards a social ontology of improvised sound work.PhDRMIT University2016146
ROUTLEY, Lois MAdolescent girls' interest in pop music : a mass media study M.EdMonash University1978225
ROGERS, Ian KeithMusicians and aspiration [electronic resource] : exploring the rock dream in independent musicPhDUniversity of Queensland2012162
RODRIGUEZ, Mariana"We ARE America!" cultural politics and Chicano movement legacies in the work of Los Tigres del Norte and El VezMScUniversity of Technology Sydney2007181
ROBERTSON, SallyMusic as a medium for human engagement: indigenous/non-indigenous musical interactions at two Australian festival sitesMAUniversity of Western Aust.2004151
ROBERTSON, BronwenSubterranean sounds and reverberations of dissent : identity and expression in Tehran's unofficial rock music scenePhDUniversity of Melbourne2010228 + 1 DVD
RHOOK, NatalieThe enduring impact of the Beatles' films: toward a history and genealogy of the rock music documentaryPhDUniversity of Melbourne2016
RENZO, AdrianLove in the first degree: handbag dance music and gay male culturePhDUniversity of Western Sydney2007342
REILLY, Brendan.Tiki to Mickey : the Anglo-American influence on New Zealand commercial music radio 1931-2008PhDUniversity of Canterbury2011344
REES, Sally AnneKaraoke : creating an intimate connection between artist and audience through popular music, an enquiry in performance and video MFAUniversity of Tasmania2005103 + 3 DVD
QUINN, StevenThinking on your feet : popular music and unpopular theory PhDAustralian Catholic University2000412
QUANDER, Shams BinHeadbanging in Dhaka: An exploration of the Bangladeshi Alternative Music SceneMMusUniversity of Sydney2013219
QUADER, Shams BinHeadbanging in Dhaka: An exploration of the Bangladeshi Alternative Music SceneM.PhilUniversity of Sydney2013218
PRYSOR, Gari LlurTop forty : finding the formula ; Masters of music - contemporary compositionMMUSUniversity of Otago201262 + 2 Discs
PRUITT, Lesley JessicaThe use of music in youth peacebuilding projectsPhDUniversity of Queensland2010216
PRITCHETT, SarahLiving to perform, playing for passion : a "girls" guide to rockMAUniversity of Auckland2002103
POWER, Geraldine MaryProjections of Spain in popular spectacle and chanson, Paris: 1889-1926PhDUniversity of Melbourne2013
POOLEY, Stephen GeorgeThe role of the Beatles' production team in the creation and establishment of the virtual nature of the recorded medium MMusGriffith University2001183 + 1 audio CD
PIOQUINTO, CeresDangdut: Indonesian popular music: gender and performancePhDUniversity of Sydney1995318
PAYNE, ChristopherTowards a morphology of rock: considerations in stylistic analysisPhDMonash Universitywithdrawn c.2005
PARKER, JamesAcoustic jurisprudence: listening to the trial of Simon BikindiPhDUniversity of Melbourne2013
PANICKAR, PearlUnderstanding cultural production for sustainability and diversity : a case study of the popular music industryPhDUniversity of South Australia2010333
PANICHI, DaveRegulation without representation : an overview of NSW live music policy 1992-2007 MMusUniversity of Sydney200756
OXENHAM, Michelle LProcesses of transformation : art into pop and back againMResQueensland University of Technology201461
OVERELL, Rosemary ThereseBrutal Belonging: affective intensities in, and between, Australia's and Japan's grindcore scenesPhDUniversity of Melbourne2012372
ORMSBY, SuzanneTe reo puoro Maori mai i mua tae noa mai ki inaianei = The voices of Maori music, past, present and future : Maori musicians of the 1960sMAUniversity of Auckland1996224
OLEARY, PaulA magpie process: a documentaryMARMIT University20001 vid
OLDS, Peter AndrewQuestions that need answers : an examination of the roles of context and art in theology with specific reference to the music of Bruce Cockburn MTheolUniversity of Auckland2002147
O'SHANNASSY, TimothyLiminal icons : Australian Indie A&R and crossover subcultures MAUniversity of Melbourne199883
O'REGAN, Jade SimoneWhen I Grow Up: The Development of the Beach Boys’ Sound (1962-1966)PhDGriffith University2014360
O'GRADY, PatrickStudio-based songwriting: music production and shaping the pop songPhDMacquarie University2016202
O'BRYAN, JessicaVocal Pedagogy and Repertoire Considerations in the Contemporary Voice Teaching Studio: A preliminary examination of the factors contributing to repertoire choice for adolescent singers in the contemporary voice-teaching studioMMusMonash University2007 nyic73
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