ZUMERIS, Bronius | Kicking against the pricks: Melbourne alternative music, 1978-1985 | MA | University of Melbourne | 1997 | 100 |
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ZEMKE-WHITE, Kirsten | Rap music in Aotearoa: a sociological and musicological analysis. | PhD | University of Auckland | 2000 | 395 |
YALCINKAYA, Can Turhan | 'Wounds of difference' : melancholy in Turkish film and popular music | PhD | Macquarie University | 2013 | 313 |
Wright, Rebecca | NZ Idol performance, talent and authenticity in a song contest: | MA | Auckland University of Technology | 2008 | 188 |
WOOLLEY, Nolan | English language development in remote indigenous Australian children : song making, music software, text production and community | M.Ed. | University of Melbourne | 2012 | 59 |
WOOLF, Hayden | Analysis of two works : Red liquid triangular conditon and Next minute paints Kate's collapse | M.Mus | University of Sydney | 2010 | |
WOODS, Sally | "We just want to play African music": the objectives, approaches to creativity and results of musicians recreating African popular music in Melbourne | MA | Monash University | 1990 | 158 |
WILSON, Brett | National identity : the Finn brothers' Everyone is here : "what it is to be a New Zealander" | MA | University of Otago | 2009 | 140 |
WICAL, Carol | Stand still, look pretty: representation and tradition in mainstream American women's country music 1972-2005 | M.Phil | University of Queensland | 2006 | 106 |
WHITELEY, Christina Jennifer | Reading the past through colonial piano music of New South Wales | PhD | University of New England | 2007 | TBA |
WEST, Richard William | Lost in the supermarket: the urban imagery of popular music | MA | University of Otago | 1996 | 198 |
WATSON, KA | Processes and Concepts in Present-Day Transcultural Violin Performance Practice | PhD | University of New England | 2014 | |
WATERS, Edgar Pemberton | Some aspects of the popular arts in Australia, 1880-1915 | PhD | Australian National University | 1962 | 1 vol |
WARREN, Brad | Reassessing subculture: Heavy Metal and subculture theory | MA | Monash University | 1995 | 174 |
WALSH, Michael James | Musical listening and social boundaries: framing ‘public’ and ‘private’ social life through sound | PhD | Monash University | 2010 | 241 |
WALLACE, Thomas Owen | Complex by composite - A comparative analysis of pop songs and observational photographs | MFA | University of NSW | 2014 | 94 |
WALDEN, Geoffrey Alan | It's only rock 'n' roll but I like it-- : a history of the early days of rock 'n' roll in Brisbane as told by some of the people who were there | PhD | Queensland University of Technology | 2003 | 326 |
VITOS, Botond | Experiencing electronic dance floors: a comparative research of techno and psytrance in Melbourne | PhD | Monash University | 2014 | 276 |
VINES, Nicholas | The legacy of Gesamtkunstwerk in Hollywood film + Portfolio of compositions | MMus | University of Sydney | 2005 | 38 + folio + 2 cds |
VINCENT, Adrian Lachlan | Folio of works | MRes | University of Melbourne | 2014 | |
VARNEY, CM | Music as muse : excerpt of Earworm, a novel, plus an accompanying exegesis : "Will Bunny stay dead? : The unreconstructed male in Grinderman and The Death of Bunny Munro" | MAART | University of Tasmania | 2015 | 77 |
TOULMIN, Matthew David | Recorded music : fairness in creation, exposure and reward | LLM | University of Auckland | 2010 | 116 |
TIMBS, Darnelle | Funkin’ cultural boundaries : popular music and socio-spatial change | M.Soc.Sc. | University of Waikato | 2007 | 200 |
THORPE, Vicki | We made this song : the group song writing processes of three adolescent rock bands | MMus | Victoria University of Wellington | 2007 | 178 |
THOMSON, Gavin B | Twentieth century minstrelsy : towards a sociological definition of the socio-aesthetic meaning of contemporary music | MA | University of Auckland | 1976 | MA |
THACKRAY, Jeremy | The slow death of Everett True: A metacriticism | PHD | Queensland University of Technology | 2016 | 278 |
TELEVAVE, Su'eina Sharaon | Ua fuifui fa’atasi, ’ae vao eseese = Popular music amongst the Samoan diaspora community in Niusilaa | MA | University of Auckland | 2006 | 181 |
TAYLOR, Sarah | Geographical Information Systems for applied social research: the case of the live music industry in Sydney and Melbourne | PHD | RMIT University | 2016 | 108 |
TAKRU, Radhika | "I prefer their early stuff" : the effects of online music journalism on the authority of the popular music critic | MA | Monash University | 2013 | |
TAAFFE, Benjamin | Hip hop and hope : an exploration of political participation, performance and positioniong in young people's hip hop practices | PhD | Murdock University | 2012 | 308 |
SYKES, Robbie | Law Up Loud: Jurisprudence and Rock Music | PhD | Griffith University | 2014 | 400 |
SUTHERLAND, Bridget | Far off town : Dunedin to Nashville | PhD | University of Auckland | 2007 | 121 + 1CD |
SUNDSTRUP, Lief | The virtual orchestra [manuscript] : a systematic method of realising music composition through sample-based orchestral simulation | DCA | University of Wollongong | 2009 | 1 v. + CD |
STRONG, Catherine | "As a friend, as a trend, as an old memory": Popular music, memory and power | PhD | Australian National University | 2008 | 323 (not yet in lib. |
STRAZZULLO, Guy | An intercultural approach to composition and improvisation | MA (Hons) | University of Western Sydney | 2003 | 78 |
STRAND, Joachim | The cinesthetic montage of music-video: hearing the image and seeing the sound | MCA | Curtin University of Technology | 2006 | 102 |
STOKES, David | Localising Rock: Music, Media and Culture in Late Twentieth Century China | PhD | University of Melbourne | 2002 | 224 |
STOCKBRIDGE, Sally | The Australian video music clip industry | PhD | Australian Catholic University | 1991 | 266 |
STEEDMAN, Sam | Change and growth of Australian music value chains | MA | RMIT University | 2008 | 107 |
STEDMAN, Nikki Joanna | The role of the bass in pianoless jazz ensembles: 1952-2014 | PHD | University of Adelaide | 2016 | 619 |
STEAD, Michelle | Learning to listen : the construction of listening in electroacoustic music discourse | PHD | University of Western Sydney | 2016 | 267 |
STAPLETON, Peter | The rockumentaries, direct cinema, and the politics of the 1960s | MA | University of Otago | 2011 | 153 |
STAFFORD, Andrew | Pig city: from The Saints to Savage Garden | MA | Queensland University of Technology | 2004 | 326 |
SPORT, Kathy | Women's music in Australia: space, place, bodies, performance | PhD | Macquarie University | 2015 | 243 |
SPIROU, Penelope | The contemporary musical biopic: representing the lives of music artists in 21st century cinema | PhD | Macquarie University | 2011 | 304 |
SOTHERAN, Joy Maree | Can creativity be accommodated In the competency paradigm? : a music industry case study | PhD | University of Technology Sydney | 2013 | 369 |
SORRELL, Ursula | The other side of the contemporary teen queen: an examination of the compelling structures of music video | MA | University of Otago | 2004 | 139 |
SNELL, Dave | What's it like to be a heretic? Heavy metal communities in practise. | MSocSc | University of Waikato | 2006 | 120 |
SNELL, Dave | The everyday Bogans: Identity and community amongst Heavy Metal fans | PhD | University of Waikato | 2012 | 235 |
SMYLY, Brendan Paul | "You went there for the people and went there for the bands" the Sandringham Hotel - 1980 to 1998 | PhD | University of Western Sydney | 2010 | 242 |
SMITH, Yvonne | Put your ear to the track: riding Alt Country, the songline of Grace: a religionless gospel for the 21st century | MA | University of Canterbury | 2005 | 185 |
SMITH, Dianne Marie | Deci-belles : gender and power in sound engineering for popular music in New Zealand | PhD | University of Otago | 2009 | 368 |
SMART, Ronnie | The role linguistic, stylistic and sociocultural factors play in the popularity of contemporary Chinese-English codeswitching pop songs among urban youth in Shanghai | PhD (Chinese) | University of Canterbury | 2013 | |
SMALL, Stephen Keneth | Songs of Middle America: Burt Bacharach and Hal David in the Sixties | MA | University of Otago | 2002 | 195 |
SMALL, Stephen Keneth | Popular music, genre and the keyboard | DMA | University of Auckland | 2009 | 138 + 1 CD |
SIMATUPANG, Gabriel Roosmargo Lono Lastoro | The development of dangdut and its meanings: a study of popular music in Indonesia | MA | Monash University | 1996 | 127 |
SHILL, Gene | Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production | PHD | Griffith University | 2016 | TBA |
SHERRIFF, Caleb | 'An awful lot of running' : Filk across time and space : wrock, trock, and the commercialisation of fan music | MA Film | University of Auckland | 2013 | 107 |
SHEPHERD, Rebecca | Retro vertigo [manuscript] : the art of record production and representations of space and timbre in retro rock music | PhD | Macquarie University | 2009 | 238 + CD |
SHEPERD, Rebecca | Retro vertigo: the art of record production and representations of space and timbre in retro rock music | PhD | Macquarie University | 2009 | 238 + CD |
SHEATHER, Gaye | Rock, this city: a thematic history of live popular music in licensed venues in Newcastle, Australia, during the Oz/Pub Rock era (1970s and 80s) | PhD | University of Newcastle | 2013 | 322 |
SHARE, Christopher | 'Getting a good sound:' The use of timbre by rock guitarists | MA | Monash University | 1998 | 197 |
SCOTT, Michael William | New Zealand’s pop renaissance : a creative industry as ’after neo-liberal’ social policy | PhD | University of Auckland | 2009 | 258 |
SCHWER, Ruth Elizabeth | The cello in New Zealand: history, composition, education, poular music and performance from the opinions of New Zealand musicians | MMus | Victoria University of Wellington | 2000 | 162 |
SCHULTZ, Marianne | 'A Harmony of Frenzy' : New Zealand Performed on the Stage, Screen and Airwaves, 1862-1940 | PhD | University of Auckland | 2014 | 334 |
SCHRAA, Michael | Music video reconsidered : the aesthetics of convergence | MA | University of Otago | 2009 | 119 |
RYAN, Bernadette Therese | The Roles of Phleng Phuea Chiwit Music (Songs for Life) in Forming Identities within the Forces of Globalisation in Thailand: Individuated Perspectives Similar to ‘Sufficiency’ Philosophies | PHD | Not Applicable | 2016 | 378 |
RUSSELL, Bruce Roland | “What true project has been lost?”: Towards a social ontology of improvised sound work. | PhD | RMIT University | 2016 | 146 |
ROUTLEY, Lois M | Adolescent girls' interest in pop music : a mass media study | M.Ed | Monash University | 1978 | 225 |
ROGERS, Ian Keith | Musicians and aspiration [electronic resource] : exploring the rock dream in independent music | PhD | University of Queensland | 2012 | 162 |
RODRIGUEZ, Mariana | "We ARE America!" cultural politics and Chicano movement legacies in the work of Los Tigres del Norte and El Vez | MSc | University of Technology Sydney | 2007 | 181 |
ROBERTSON, Sally | Music as a medium for human engagement: indigenous/non-indigenous musical interactions at two Australian festival sites | MA | University of Western Aust. | 2004 | 151 |
ROBERTSON, Bronwen | Subterranean sounds and reverberations of dissent : identity and expression in Tehran's unofficial rock music scene | PhD | University of Melbourne | 2010 | 228 + 1 DVD |
RHOOK, Natalie | The enduring impact of the Beatles' films: toward a history and genealogy of the rock music documentary | PhD | University of Melbourne | 2016 | |
RENZO, Adrian | Love in the first degree: handbag dance music and gay male culture | PhD | University of Western Sydney | 2007 | 342 |
REILLY, Brendan. | Tiki to Mickey : the Anglo-American influence on New Zealand commercial music radio 1931-2008 | PhD | University of Canterbury | 2011 | 344 |
REES, Sally Anne | Karaoke : creating an intimate connection between artist and audience through popular music, an enquiry in performance and video | MFA | University of Tasmania | 2005 | 103 + 3 DVD |
QUINN, Steven | Thinking on your feet : popular music and unpopular theory | PhD | Australian Catholic University | 2000 | 412 |
QUANDER, Shams Bin | Headbanging in Dhaka: An exploration of the Bangladeshi Alternative Music Scene | MMus | University of Sydney | 2013 | 219 |
QUADER, Shams Bin | Headbanging in Dhaka: An exploration of the Bangladeshi Alternative Music Scene | M.Phil | University of Sydney | 2013 | 218 |
PRYSOR, Gari Llur | Top forty : finding the formula ; Masters of music - contemporary composition | MMUS | University of Otago | 2012 | 62 + 2 Discs |
PRUITT, Lesley Jessica | The use of music in youth peacebuilding projects | PhD | University of Queensland | 2010 | 216 |
PRITCHETT, Sarah | Living to perform, playing for passion : a "girls" guide to rock | MA | University of Auckland | 2002 | 103 |
POWER, Geraldine Mary | Projections of Spain in popular spectacle and chanson, Paris: 1889-1926 | PhD | University of Melbourne | 2013 | |
POOLEY, Stephen George | The role of the Beatles' production team in the creation and establishment of the virtual nature of the recorded medium | MMus | Griffith University | 2001 | 183 + 1 audio CD |
PIOQUINTO, Ceres | Dangdut: Indonesian popular music: gender and performance | PhD | University of Sydney | 1995 | 318 |
PAYNE, Christopher | Towards a morphology of rock: considerations in stylistic analysis | PhD | Monash University | withdrawn c.2005 | |
PARKER, James | Acoustic jurisprudence: listening to the trial of Simon Bikindi | PhD | University of Melbourne | 2013 | |
PANICKAR, Pearl | Understanding cultural production for sustainability and diversity : a case study of the popular music industry | PhD | University of South Australia | 2010 | 333 |
PANICHI, Dave | Regulation without representation : an overview of NSW live music policy 1992-2007 | MMus | University of Sydney | 2007 | 56 |
OXENHAM, Michelle L | Processes of transformation : art into pop and back again | MRes | Queensland University of Technology | 2014 | 61 |
OVERELL, Rosemary Therese | Brutal Belonging: affective intensities in, and between, Australia's and Japan's grindcore scenes | PhD | University of Melbourne | 2012 | 372 |
ORMSBY, Suzanne | Te reo puoro Maori mai i mua tae noa mai ki inaianei = The voices of Maori music, past, present and future : Maori musicians of the 1960s | MA | University of Auckland | 1996 | 224 |
OLEARY, Paul | A magpie process: a documentary | MA | RMIT University | 2000 | 1 vid |
OLDS, Peter Andrew | Questions that need answers : an examination of the roles of context and art in theology with specific reference to the music of Bruce Cockburn | MTheol | University of Auckland | 2002 | 147 |
O'SHANNASSY, Timothy | Liminal icons : Australian Indie A&R and crossover subcultures | MA | University of Melbourne | 1998 | 83 |
O'REGAN, Jade Simone | When I Grow Up: The Development of the Beach Boys’ Sound (1962-1966) | PhD | Griffith University | 2014 | 360 |
O'GRADY, Patrick | Studio-based songwriting: music production and shaping the pop song | PhD | Macquarie University | 2016 | 202 |
O'BRYAN, Jessica | Vocal Pedagogy and Repertoire Considerations in the Contemporary Voice Teaching Studio: A preliminary examination of the factors contributing to repertoire choice for adolescent singers in the contemporary voice-teaching studio | MMus | Monash University | 2007 nyic | 73 |