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| ADAMEK, Catherine | Adelaide dance music culture : late 1980s to early 1990s | PHD | University of South Australia | 2016 | 336 |
| ADDISON-SMITH, Dorothy Jane | Collections of Australian music recordings in Melbourne public libraries | MA | Monash University | 1993 | 85 |
| ADSETT, Rosemary | The motivations, experiences and expectations of visitors attending the Tamworth country music festival | PhD | University of Queensland | 2012 | 263 |
| ANDERSON, Lauren | The glue of the world : popular music in film soundtracks | MA | Massey University | 1999 | 160 |
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| Anon | The wireless and the talkies: new technologies and their impact on the Australian popular music industry | PhD | University of Queensland | in progress (NiC08/07) | |
| Anon | Identifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice. | PhD | University of Sydney | in progress (2006) | |
| Anon | Musicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world music | MMus (Hons) | University of New England | in progress (NiC08/07) | |
| Anon | Practice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism. | PhD | Queensland University of Technology | in progress (2005) | |
| Anon | The Australian Musical: A Critical and Musical Survey | PhD | University of Sydney | in progress (NiC08/07) | |
| Anon | Female vocal training for musical theatre: the use of 'belt' and 'legit' vocal qualities | PhD | University of Sydney | in progress (NiC08/07) | |
| Anon | Music as metaphor in film | MMus | University of NSW | in progress (NiC08/07) | |
| Anon | World music: a perspective from Adelaide | MMus | University of Adelaide | in progress (NiC08/07) | |
| Anon | Buffy the vampire Slayer : a study of popular music on commercial television | PhD | University of Sydney | 2008 | 446 + 2 CD |
| Anon | "Light Music" by Australian composers in the postwar era. | PhD | University of Adelaide | in progress (2007) | |
| Anon | Contemporary Tradition: Japanese Traditional Music and the Live Club Scene in Tokyo | PhD | University of Adelaide | in progress (2002?) | |
| Anon | Evos music: The organisation of contemporary music performance in Perth in the 1980s and 90s | MMus | University of Western Aust. | in progress (NiC08/07) | |
| Anon | Ples and the production of lokal music in Port Moresby, Papua New Guinea | PhD | University of Otago | 2011 | |
| Anon | The use of popular music techniques in contemporary Australian guitar compositions | MMus | Australian National University | in progress (NiC08/07) | |
| Anon | 'Painting Testimonial Pictures' - Paul McCartney's appropriation of music hall techniques (1966-1969) | MMus | Auckland University of Technology | In Progress (2007) | |
| Anon | New Zealand's published music 1850-1913 | PhD | University of Auckland | In Progress (2009) | |
| Anon | Defining the Indefinable: An historical and cultural exploration of excellence in music | PhD | Australian National University | In progress (2010) | |
| ANTHONY, Brendan | ‘The Stairways to Mixing Heaven’: Designs for the Optimisation of Creative Mixing Practices in Popular Music Record Production | MMus | Griffith University | 2015 | |
| ARNOLD, Greg | Writing songs and writing a record: Inside the composition of an Acoustic Pop Album | PhD | University of Tasmania | 2013 | 175 |
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| AYRES, Christopher Vivian | An examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896 | MA (Hons) | Macquarie University | 1977 | 212 |
| BAKER, Jane Susanne | Learning, identity work, and music use in young garage band | PhD | University of Queensland | 2014 | |
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| BALLICO, Christina | Bury me deep in isolation: A cultural examination of a peripheral music industry and scene | PhD | Edith Cowan University | 2013 | |
| BANNISTER, Matthew | White man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa | PhD | University of Auckland | 2002 | 339 + 2 CDs |
| BARONE, Stefano | Fragile Scenes: Metal, Rap, and Electro in Post-Revolutionary Tunisia | PHD | Griffith University | 2016 | 271 |
| BARR, Adrian B. | The transcendent experience in experimental popular music performance | PhD | University of Western Sydney | 2012 | 364 |
| BARTLETT, Irene Mary | Sing out loud, sing out long: a profile of professional contemporary gig singers in the Australian context | DMA | Griffith University | 2011 | 212 |
| BARTUP, Marie Patricia | An annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand | MLIS | Victoria University of Wellington | 2002 | 86 |
| BARWICK, Linda | Critical perspectives on oral song in performance : the case of Donna Lombarda | PhD | Flinders University | 1986 | 2 vol + 2 cass |
| BATES, Nathanael James | Pop still eats itself: appropriation, quotation and assimilation in popular music (rock) | MA | RMIT University | 2004 | 12 +2CDs |
| BAUDER, Amy | Authenticity in Australian country music | PhD | Macquarie University | 2016 | 329 |
| BAULCH, Emma | Making scenes: reggae, punk and death metal in 1990s Bali | PhD | Monash University | 2003 | 346 |
| BEBAN, Daniel | Going for a song: the New Zealand chant of auctions, housie and racing | MA | Victoria University of Wellington | 2001 | 129 + 2 CD |
| BENDRUPS, Faye | Service station : straying the Australian landscape : a modern Aussie ballad opera | PhD | Victoria University (Vic. Australia) | 1996 | 196 |
| BENIUK, David | Contemporary aboriginal songs and songwriters : post-colonialism, categorisation and orality | MA (Hons) | University of Wollongong | 1995 | 98 |
| BIEDERMAN, Daniel, Marc | The Turntable as a musical instrument and the emergence of the concert turntablist : analytical notes | MMus | University of Sydney | 2014 | |
| BINNS, Georgina M | Patriotic and nationalistic song in Australia in 1919: a study of the popular sheet music genre | MMus | University of Melbourne | 1988 | 2 vol |
| BIRON, Dean Leonard | Contemporary music and its audiences | PhD | University of New England | 2008 | 224 |
| BLANCH, Faye Rosas | Nunga rappin [manuscript] : talkin the talk, walkin the walk ; young Nunga males and education | MA | Flinders University | 2008 | 168 |
| BOLTE, Alison | Australian popular music [kit] : its role in developing an appreciation of musical concepts. Presented through a resource kit suitable for junior secondary music students | MMus Ed. | University of Sydney | 1990 | 350 |
| BORIAGDAN, Joseph Ireneo | Enabling agency and cultural production [manuscript] : the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
| BOTH, Lindsay | Strange attractions? : rock music, minimalism and modernism in the chamber music of Michael Smetanin | MMus | University of NSW | 1996 | 115 |
| BOULLE, Mellany | Changing perceptions : interpretation of songs versus lyrics with a domestic violence theme | MA | Massey University | 2011 | 116 |
| BOWEN, Nigel | After the counterculture : from political protesters to music consumers - middle class youth subcultures 1975-1995 | MA(Hons) | Macquarie University | 1998 | 321 |
| BOWIE, Annette J. | Developments in western style contemporary music in South Korea, 1945-96 | MA | Monash University | 1997 | 124 |
| BRAAE, Nicholas | A Musicological Analysis of Nature's Best | M.A | University of Waikato | 2012 | 227 |
| BREAULT, Ainsley | Native noise: Māori popular music and indigenous cultural identity | M.Phil | Auckland University of Technology | 2010 | 63 |
| BREEN, Marcus | The popular music industry in Australia : a study of policy reform and retreat, 1982-1996 | PhD | Victoria University (Vic. Australia) | 1996 | 397 |
| BRENNAN, Renee | New Zealand music videos : whose voices are being heard in the New Zealand music industry? | MA | Auckland University of Technology | 1999 | 144 |
| BRETT, Marilyn | A study of ways in which classically trained singing teachers meet the pedagogical needs of singers of contemporary popular styles | MMus | University of Sydney | 2008 | 115 |
| BROWN, Peter | Love minus zero: existentialism and religious faith in Bob Dylan's lyrics | MA | University of Newcastle | 1995 | 203 |
| BROWNE, Susan | The gender implications of dangdut kampungan : Indonesian 'low class' popular music | MA | Monash University | 1997 | 80 |
| BRUNT, Shelley | "Performing community: Japan's 50th Kouhaku Song Contest" | PhD | University of Adelaide | 2006 | 2 vol + DVD |
| BRYANT, Gai | Cuban Folkloric and Traditional Music Styles: rumba, danzón, punto libre and bolero adapted for Jazz Big Band in Australia using Modern Compositional Techniques | PHD | University of Sydney | 2016 | |
| BURGESS, Nadia | A study of compositional techniques used in the fusion of art music with jazz and popular music | PhD | University of Sydney | 2014 | |
| BURNS, Robert | Transforming folk : innovation and tradition in English folk-rock music | PhD | University of Otago | 2008 | 307 |
| CALDWELL, David Luke | The rhetoric of rap: a social semiotic analysis of Kanye West | PhD | University of Sydney | 2010 | 1 v. + CD |
| CAMERON, Christopher Paul | Exploring applications of multi-dexterity in drum kit performance | MMus | Monash University | 2016 | |
| CARAH, Nicholas | ‘Empowerment' within the brandscapes of popular music culture [electronic resource] | PhD | University of Queensland | 2008 | |
| CARBONELLI, Guendalina Maria | Fabrizio de André: a popular intellectual | PhD | Monash University | 2013 | |
| CARROLL, Adrian D. | Beat-mixing Rock music : Rock and electronic dance music merge to create the Manarays | M.A | Queensland University of Technology | 2012 | 118 |
| CATTERMOLE, Jennifer Anne | The routes of roots of reggae in Aotearoa/New Zealand: the musical construction of place and identity | MAMus | University of Otago | 2004 | 224 |
| CHAPMAN, Ian Charles | David Bowie: life is a cabaret | MA | University of Otago | 2005 | 141 |
| CHEN, Si-le | A comparative study of value systems amongst popular and classical musicians | M.Ed | University of Auckland | 2003 | 91 |
| CHICOINE, Matthew Robert | "The Detroit Way": creative exchange in music production, 1950-2000 | MA | University of Auckland | 2014 | 150 |
| CHONG, Min Yin | Digital sound sampling: electronic piracy or technological creativity? | LLM | University of Melbourne | 1995 | 109 |
| CHURTON, Wade | Alternative music in New Zealand, 1981-2001: definitions, comparisons and history | MA | University of Canterbury | 2003 | 161 |
| CLARK, Imogen Nicola | Music to support physical activity in older adults with health conditions | PHD | LaTrobe University | 2016 | 227 |
| CLEMENTS, Lucille Desoto | Rock'n'roll outlaw: the expression of freedom in culture | DCA | University of Technology Sydney | 2007 | 100 |
| CLOUGH, Brent Stephen | Outernational reggae cultures | MA | University of Technology Sydney | 1999 | 213 + CD |
| CODDINGTON, Anna Pinenga | Singing as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music | MA | University of Auckland | 2004 | 135 |
| CONNIE, Meredith | An aesthetic of resistance : exploring a distorted soundworld in American popular music of the 20th century | MPhil | University of Sydney | 2000 | 191 |
| COOPER, Sharon Anne | Youth and the production of popular music: the generational rift | M.Ed | University of Newcastle | 1998 | 69 |
| COOPER, Tonya | "Sometimes I live in the country, sometimes I live in town" : discourses of authenticity, cultural capital, and the rural/urban dichotomy in alternative country music | M.A | Victoria University of Wellington | 2012 | 132 |
| CORN, Aaron | Dreamtime wisdom, modern-time vision : tradition and innovation in the popular band movement of Arnhem Land, Australia | PhD | University of Melbourne | 2002 | 239+ 182 |
| COSTA, Mark | A forgotten pedagogy : The Schillinger sytem of musical composition through the teachings of Richard Benda | M.Mus | University of Sydney | 2010 | 87p +1CD |
| COTTELL, Sam | Australian Light Music 1950-1980: An analysis of genre and style | PhD | University of Sydney | In Progress (2014) | |
| COUNSEL, Graeme | The influence of the jali tradition on post-colonial and contemporary West African popular music | MMus | University of Melbourne | 1999 | 118 |
| COUNSEL, Graeme | Mande popular music and cultural policies in West Africa | PhD | University of Melbourne | 2006 | 318 |
| COURTEAU, Mona-Lynn | Music and dance performance, longing, and the construction of Brazil in Auckland, New Zealand | MA | University of Auckland | 2006 | 160 |
| COX, James | Hip hop : a modern minstrel show? | MA (Anthrop) | University of Auckland | 2007 | 71 |
| COYLE, Rebecca | Scoring Australia: film music and Australian identities in Young Einstein, Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert | PhD | Macquarie University | 2002 | 336 |
| CRAWFORD, Drew | Eugene & Roie: music theatre composition | PhD | University of Sydney | 2005 | 2 vol + CD |
| CREWE, Peter John | Rock music in San Francisco in the 1960's : its impact on American popular music | MA | LaTrobe University | 1991 | 205 |
| CROWDY, Denis | From black magic woman to black magic men: the music of Sanguma | PhD | Macquarie University | 2004 | 291 + 2 CDs |
| CROWDY, Denis Charles | Guitar style, open tunings and stringband music in Papua New Guinea | MA (Hons) | University of New England | 2001 | 144 |
| CUMMINGS, Joanne | Sold Out! An ethnographic study of Australian indie music festivals. | PhD | University of Western Sydney | 2007 (NyiC) | 314 |
| CUMMINS, Joseph | The Space and Time of Imagined Sound: Australian Literature and Music, 1945 to Present | PhD | University of NSW | 2015 | 232 |
| CUNDELL, Roger Guy Scott | Across the Pacific: the transformation of the steel guitar from Hawaiian folk instrument to popular music mainstay. | MPhil | University of Adelaide | 2014 | 151 |
| DALE, Tom | Music video: texts and contexts, at home and abroad | MA | University of Auckland | 1995 | 144 |
| DAMBERG, Erik | Exotic Australia songs from the 1920s-1950s | MA | Macquarie University | 2003 | 67 + 2 CDs |
| DAVIDSON, Gary Hayden | Anatomy of pop music: the work of pop performer and how their work is judged | MA | University of Melbourne | 1995 | 86 |
| DE CARVALHO LEAN, Flavia Lucia Rubini | Brazilian national identity in the lyrics of Chico Buarque | MA | University of Otago | 2012 | 139 |
