| ADDISON-SMITH, Dorothy Jane | Collections of Australian music recordings in Melbourne public libraries | MA | Monash University | 1993 | 85 |
| ANDERSON, Lauren | The glue of the world : popular music in film soundtracks | MA | Massey University | 1999 | 160 |
| ANNABELL, Angela Ruth | New Zealand’s cultural and economic development reflected in song : aspects of the New Zealand folk song ethos. | PhD | University of Auckland | 1976 | 473+ cass |
| ARTHUR, Bronwen M. | The wireless and the talkies: new technologies and their impact on the Australian popular music industry | PhD | University of Queensland | in progress (NiC08/07) | |
| AYRES, Christopher Vivian | An examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896 | MA (Hons) | Macquarie University | 1977 | 212 |
| BALL, Dorothy Louie | The popular element in the music of the English virginal school | MMus | University of Auckland | 1979 | 186 |
| BANNISTER, Matthew | White man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa | PhD | University of Auckland | 2002 | 339 + 2 CDs |
| BARTUP, Marie Patricia | An annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand | MLIS | Victoria University of Wellington | 2002 | 86 |
| BARWICK, Linda | Critical perspectives on oral song in performance : the case of Donna Lombarda | PhD | Flinders University | 1986 | 2 vol + 2 cass |
| BATES, Nathanael James | Pop still eats itself: appropriation, quotation and assimilation in popular music (rock) | MA | RMIT University | 2004 | 12 +2CDs |
| BAULCH, Emma | Making scenes: reggae, punk and death metal in 1990s Bali | PhD | Monash University | 2003 | 346 |
| BEBAN, Daniel | Going for a song: the New Zealand chant of auctions, housie and racing | MA | Victoria University of Wellington | 2001 | 129 + 2 CD |
| BENDRUPS, Faye | Service station : straying the Australian landscape : a modern Aussie ballad opera | PhD | Victoria University (Vic. Australia) | 1996 | 196 |
| BENIUK, David | Contemporary aboriginal songs and songwriters : post-colonialism, categorisation and orality | MA (Hons) | University of Wollongong | 1995 | 98 |
| BINNS, Georgina M | Patriotic and nationalistic song in Australia in 1919: a study of the popular sheet music genre | MMus | University of Melbourne | 1988 | 2 vol |
| BLANCH, Faye Rosas | Nunga rappin [manuscript] : talkin the talk, walkin the walk ; young Nunga males and education | MA | Flinders University | 2008 | 168 |
| BOLTE, Alison | Australian popular music [kit] : its role in developing an appreciation of musical concepts. Presented through a resource kit suitable for junior secondary music students | MMus Ed. | University of Sydney | 1990 | 350 |
| BORIAGDAN, Joseph Ireneo | Enabling agency and cultural production [manuscript] : the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
| BOTH, Lindsay | Strange attractions? : rock music, minimalism and modernism in the chamber music of Michael Smetanin | MMus | University of NSW | 1996 | 115 |
| BOURNE, Tracy | Identifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice. | PhD | University of Sydney | in progress (2006) | |
| BOWEN, Nigel | After the counterculture : from political protesters to music consumers - middle class youth subcultures 1975-1995 | MA(Hons) | Macquarie University | 1998 | 321 |
| BOWIE, Annette J. | Developments in western style contemporary music in South Korea, 1945-96 | MA | Monash University | 1997 | 124 |
| BREEN, Marcus | The popular music industry in Australia : a study of policy reform and retreat, 1982-1996 | PhD | Victoria University (Vic. Australia) | 1996 | 397 |
| BRENNAN, Renee | New Zealand music videos : whose voices are being heard in the New Zealand music industry? | MA | Auckland University of Technology | 1999 | 144 |
| BRETT, Marilyn | A study of ways in which classically trained singing teachers meet the pedagogical needs of singers of contemporary popular styles | MMus | University of Sydney | 2008 | 115 |
| BROMLEY, Mark | Musicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world music | MMus (Hons) | University of New England | in progress (NiC08/07) | |
| BROWN, Peter | Love minus zero: existentialism and religious faith in Bob Dylan's lyrics | MA | University of Newcastle | 1995 | 203 |
| BROWNE, Susan | The gender implications of dangdut kampungan : Indonesian 'low class' popular music | MA | Monash University | 1997 | 80 |
| BRUNT, Shelley | "Performing community: Japan's 50th Kouhaku Song Contest" | PhD | University of Adelaide | 2006 | 2 vol + DVD |
| CALDWELL, David Luke | The rhetoric of rap: a social semiotic analysis of Kanye West | PhD | University of Sydney | 2010 | 1 v. + CD |
| CARAH, Nicholas | ‘Empowerment' within the brandscapes of popular music culture [electronic resource] | PhD | University of Queensland | 2008 | |
| CATTERMOLE, Jennifer Anne | The routes of roots of reggae in Aotearoa/New Zealand: the musical construction of place and identity | MAMus | University of Otago | 2004 | 224 |
| CHAN, Simon | Practice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism. | PhD | Queensland University of Technology | in progress (2005) | |
| CHAPMAN, Ian Charles | David Bowie: life is a cabaret | MA | University of Otago | 2005 | 141 |
| CHEN, Si-le | A comparative study of value systems amongst popular and classical musicians | M.Ed | University of Auckland | 2003 | 91 |
| CHONG, Min Yin | Digital sound sampling: electronic piracy or technological creativity? | LL.M | University of Melbourne | 1995 | 109 |
| CHURTON, Wade | Alternative music in New Zealand, 1981-2001: definitions, comparisons and history | MA | University of Canterbury | 2003 | 161 |
| CLEMENTS, Lucille Desoto | Rock'n'roll outlaw: the expression of freedom in culture | DCA | University of Technology Sydney | 2007 | 100 |
| CLOUGH, Brent Stephen | Outernational reggae cultures | MA | University of Technology Sydney | 1999 | 213 + CD |
| CODDINGTON, Anna Pinenga | Singing as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music | MA | University of Auckland | 2004 | 135 |
| CONNIE, Meredith | An aesthetic of resistance : exploring a distorted soundworld in American popular music of the 20th century | MPhil | University of Sydney | 2000 | 191 |
| COOPER, Sharon Anne | Youth and the production of popular music: the generational rift | M.Ed | University of Newcastle | 1998 | 69 |
| CORN, Aaron | Dreamtime wisdom, modern-time vision : tradition and innovation in the popular band movement of Arnhem Land, Australia | PhD | University of Melbourne | 2002 | 239+ 182 |
| COUNSEL, Graeme | The influence of the jali tradition on post-colonial and contemporary West African popular music | MMus | University of Melbourne | 1999 | 118 |
| COUNSEL, Graeme | Mande popular music and cultural policies in West Africa | PhD | University of Melbourne | 2006 | 318 |
| COURTEAU, Mona-Lynn | Music and dance performance, longing, and the construction of Brazil in Auckland, New Zealand | MA | University of Auckland | 2006 | 160 |
| COX, James | Hip hop : a modern minstrel show? | MA (Anthrop) | University of Auckland | 2007 | 71 |
| COYLE, Rebecca | Scoring Australia: film music and Australian identities in Young Einstein, Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert | PhD | Macquarie University | 2002 | 336 |
| CRAWFORD, Drew | Eugene & Roie: music theatre composition | PhD | University of Sydney | 2005 | 2 vol + CD |
| CREWE, Peter John | Rock music in San Francisco in the 1960's : its impact on American popular music | MA | LaTrobe University | 1991 | 205 |
| CROWDY, Denis | From black magic woman to black magic men: the music of Sanguma | PhD | Macquarie University | 2004 | 291 + 2 CDs |
| CROWDY, Denis Charles | Guitar style, open tunings and stringband music in Papua New Guinea | MA (Hons) | University of New England | 2001 | 144 |
| CUMMINGS, Joanne | Sold Out! An ethnographic study of Australian indie music festivals. | PhD | University of Western Sydney | 2007 (NyiC) | 314 |
| DALE, Tom | Music video: texts and contexts, at home and abroad | MA | University of Auckland | 1995 | 144 |
| DAMBERG, Erik | Exotic Australia songs from the 1920s-1950s | MA | Macquarie University | 2003 | 67 + 2 CDs |
| DAVIDSON, Andrew | The Australian Musical: A Critical and Musical Survey | PhD | University of Sydney | in progress (NiC08/07) | |
| DAVIDSON, Gary Hayden | Anatomy of pop music: the work of pop performer and how their work is judged | MA | University of Melbourne | 1995 | 86 |
| De SILVA, Dayaneetha | Taking on the big boys: rock music and oppositionality in Singapore | MA | Australian National University | 1996 | 293 |
| DeBONO, John A | Heavy metal and archetype | M.Ed | LaTrobe University | 1991 | 51 |
| Di STASIO, Michael J | Young adolescents viewing experiences of popular music videoclips | M.Ed | Griffith University | 1994 | 95 |
| DIOR, Dalia | Sephardic song [manuscript] : a bridge between cultures | MA | Macquarie University | 2009 | 155 + Map + CD |
| DO ROZARIO, Rebecca-Anne Charlotte | Discovering festive tragic musicals: communal crisis in contemporary stage and screen musicals | MA | University of Queensland | 1999 | 158 |
| DOWNIE, Ellaine | Why a cappella? Why women? Why now? The a cappella movement in popular music in Australia from 1987-1995 | MA | Monash University | 1996 | 151 |
| DOYLE, Peter | Race with the devil: space, place and motion in popular music recording, 1900-1960 | PhD | Macquarie University | 2001 | 268 + 3 copies of 1 |
| DUANCE, Karyn | Compositional and performance techniques of women rock musicians | MMus | University of Sydney | 1999 | NiC |
| DUNBAR-HALL, Peter | Style and meaning : signification in contemporary Aboriginal popular music, 1963-1993 | PhD | University of NSW | 1994 | 387 |
| EAMSA-ARD, Lamnao | Thai popular music: the representation of national identities and ideologies within a culture in transition | PhD | Edith Cowan University | 2006 | 4 microfiche |
| ESSEX, Hildy | An enfant terrible in the concert hall: the influence of popular music on the works of Matthew Hindson | MMus | University of Melbourne | 2003 | 115 |
| EVANS, Mark | Secularising the sacred : the impact of Geoff Bullock and Hillsong Church on contemporary congregational song in Sydney, 1990-1999 | PhD | Macquarie University | 2002 | 304 + 3 CDs |
| FANANY, Runa | The Devil’s Due: the musical representation of the Devil in selected Hollywood film scores | PhD | Monash University | 2011 | 320 |
| FINLAYSON, James | Creative innovation in music videos | MA | University of Waikato | 2006 | 88 + CDR |
| FLEMING, Jenni K. | Transcribing improvised music: a comparison of part of the original transcription with the recording of Keith Jarrett's Koln concert. | MMus | University of Queensland | 1995 | 88 |
| FORSTER, Jason | Commodified evil's wayward children: black metal and death metal as purveyors of an alternative form of modern escapism | MA | University of Canterbury | 2006 | 147 |
| FRETHEY, Cameron | Better must come reggae as a new social movement | MScoSc | University of Waikato | 2010 | 140 |
| FURLAN, Alberto | Songs of continuity and change: the reproduction of Aboriginal culture through traditional and popular music | PhD | University of Sydney | 2005 | 440 |
| GALE, Annas Thelma | Studies in the history and development of solo song and its accompaniment. | MA | University of Canterbury | 1954 | 152 |
| GAO, Zhiwen | How tertiary students use music to manage stress | MEd | Monash University | 2008 | 193 |
| GARDNER, Lisa A.-M. | Female vocal training for musical theatre: the use of 'belt' and 'legit' vocal qualities | PhD | University of Sydney | in progress (NiC08/07) | |
| Garrido, Sandra | Negative Emotions in Music: What is the attraction? | PhD | University of NSW | 2012 | 310 |
| GARTH, Alan | A study of an Australian rural music festival | MA | Deakin University | 2000 | 166 |
| GEORGE,Christina Anne Maree | Anthem for the year 2000 and beyond : Australian rock music and cultural identity | MA | Queensland University of Technology | 2002 | 168 |
| GIBSON, Andy | Production and perception of vowels in New Zealand popular music | MPhil | Auckland University of Technology | 2010 | 193 + CD. |
| GIBSON, Chris | Decentred sounds?: Systems of provision for popular music and a regional music industry | PhD | University of Sydney | 2000 | 374 |
| GIBSON, Lorena | Versioning for the love of it: Hip-Hop culture in Aotearoa | MA | Massey University | 2000 | 116 |
| GIUFFRE, Elizabeth | "Even better than the real thing"? : covers and the Australian music industry since 2000 | MA | Macquarie University | 2006 | 211 |
| GLEESON, Jean Clare | Counting time: a content analysis of the covers of the popular sheet music published by Charles Begg & Co. Ltd. | MLIS | Victoria University of Wellington | 2003 | 65 |
| GOODWIN, Wayne | Bruce Smeaton, Australian film music composer : his music and his method. Portfolio of compositions | MMus(Comp) | University of Sydney | 2006 | 153 + 2 vid) + Cd + |
| GRANT, Philip Malcom | A comparative analysis of the copyright protection provided to sound recordings and music videos (cinematograph films) under the Copyright Act 1968 (Commonwealth) in light of the development of music videos as independently marketable products | LL.M | University of Melbourne | 1988 | 125 |
| GRIFFITHS, Richard D | Punkturing the scab : a sociological investigation of anarcho-punk subculture | MA | University of Auckland | 2000 | 114 |
| GROENEWEGEN, David | The real thing? The rock music industry and the creation of Australian images 1958-1987 | MA | University of Melbourne | 1993 | 142 |
| GROUNDS, Robyn E. | Music as metaphor in film | MMus | University of NSW | in progress (NiC08/07) | |
| GUNDERS, John Samuel | Cultures of authenticity [electronic resource] : popular music, food television, and travel writing | PhD | University of Queensland | 2009 | 221 |
| GUNN, Malcolm | Enter 'Exhalted Guest:' the role of the music in an Indonesian feature film of 1955 | MA | Monash University | 1997 | 111 |
| HABERFIELD, David | Explorations in contemporary electronic dance music, style and sound | MA | RMIT University | 1996 | var |
| HALBERT, Colin | Music, language and style in Perth fanzines | MA | University of Western Aust. | 1996 | 136 |
| HALL, Margaret | Today's Song for Tomorrow's Church: The Role Played by Contemporary Popular Music in Attracting Young People to Church | PhD | Griffith University | 2007 | 364 |
| HAMMOND, Carl | REM: (Rapid eye movement): a musical | PhD | University of Sydney | 1998 | 1031 |
| HAMPEL, Kate | Hear no evil [videorecording] : obsession and fantasy on the underside of suburbia | MA | RMIT University | 1998 | 55 + video |
| HARRIS, Diana R | A consideration of the soundtrack in screen adaptations of Shakespeare. | PhD | University of Auckland | 2000 | 357 |
| HARRIS, Natasha | How to disappear : Radioheads struggle with the role of rock artist | MA | University of Melbourne | 2005 | 104 |
