Writersort iconThesis TitleDegreeUniversityYear# of Pages
ACRES, Samuel GeorgeToward an Ontology of Pop musicPhDUniversity of Tasmania2014221
ADAMEK, CatherineAdelaide dance music culture : late 1980s to early 1990sPHDUniversity of South Australia2016336
ADDISON-SMITH, Dorothy JaneCollections of Australian music recordings in Melbourne public libraries MAMonash University199385
ADSETT, Rosemary The motivations, experiences and expectations of visitors attending the Tamworth country music festivalPhDUniversity of Queensland2012263
ANDERSON, LaurenThe glue of the world : popular music in film soundtracks MAMassey University1999160
ANNABELL, Angela RuthNew Zealand’s cultural and economic development reflected in song : aspects of the New Zealand folk song ethos.PhDUniversity of Auckland1976473+ cass
ANTHONY, Brendan‘The Stairways to Mixing Heaven’: Designs for the Optimisation of Creative Mixing Practices in Popular Music Record ProductionMMusGriffith University2015
ARTHUR, Bronwen M.The wireless and the talkies: new technologies and their impact on the Australian popular music industryPhDUniversity of Queenslandin progress (NiC08/07)
ASHTON-BELL, Robert Linton TavisSound in sight: an autoethnographical case study of teaching and learning western music theoryPhDMonash University2015271
AYRES, Christopher VivianAn examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896 MA (Hons)Macquarie University1977212
BAKER, Jane SusanneLearning, identity work, and music use in young garage bandPhDUniversity of Queensland2014
BALL, Dorothy LouieThe popular element in the music of the English virginal school MMusUniversity of Auckland1979186
BALLICO, ChristinaBury me deep in isolation: A cultural examination of a peripheral music industry and scenePhDEdith Cowan University2013
BANNISTER, MatthewWhite man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa PhDUniversity of Auckland2002339 + 2 CDs
BARONE, StefanoFragile Scenes: Metal, Rap, and Electro in Post-Revolutionary TunisiaPHDGriffith University2016271
BARR, Adrian B.The transcendent experience in experimental popular music performancePhDUniversity of Western Sydney2012364
BARTLETT, Irene MarySing out loud, sing out long: a profile of professional contemporary gig singers in the Australian contextDMAGriffith University2011212
BARTUP, Marie PatriciaAn annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand MLISVictoria University of Wellington200286
BARWICK, LindaCritical perspectives on oral song in performance : the case of Donna Lombarda PhDFlinders University19862 vol + 2 cass
BATES, Nathanael JamesPop still eats itself: appropriation, quotation and assimilation in popular music (rock)MARMIT University200412 +2CDs
BAUDER, AmyAuthenticity in Australian country musicPhDMacquarie University2016329
BAULCH, EmmaMaking scenes: reggae, punk and death metal in 1990s BaliPhDMonash University2003346
BEBAN, DanielGoing for a song: the New Zealand chant of auctions, housie and racingMAVictoria University of Wellington2001129 + 2 CD
BENDRUPS, FayeService station : straying the Australian landscape : a modern Aussie ballad opera PhDVictoria University (Vic. Australia)1996196
BENIUK, DavidContemporary aboriginal songs and songwriters : post-colonialism, categorisation and orality MA (Hons)University of Wollongong199598
BIEDERMAN, Daniel, MarcThe Turntable as a musical instrument and the emergence of the concert turntablist : analytical notesMMusUniversity of Sydney2014
BINNS, Georgina MPatriotic and nationalistic song in Australia in 1919: a study of the popular sheet music genreMMusUniversity of Melbourne19882 vol
BIRON, Dean LeonardContemporary music and its audiencesPhDUniversity of New England2008224
BLANCH, Faye RosasNunga rappin [manuscript] : talkin the talk, walkin the walk ; young Nunga males and educationMAFlinders University2008168
BOLTE, AlisonAustralian popular music [kit] : its role in developing an appreciation of musical concepts. Presented through a resource kit suitable for junior secondary music students MMus Ed.University of Sydney1990350
BORIAGDAN, Joseph IreneoEnabling agency and cultural production [manuscript] : the dependent character of the independent music communityPhDFlinders University2005270
BOTH, LindsayStrange attractions? : rock music, minimalism and modernism in the chamber music of Michael Smetanin MMusUniversity of NSW1996115
BOULLE, MellanyChanging perceptions : interpretation of songs versus lyrics with a domestic violence themeMAMassey University2011116
BOURNE, TracyIdentifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice.PhDUniversity of Sydneyin progress (2006)
BOWEN, NigelAfter the counterculture : from political protesters to music consumers - middle class youth subcultures 1975-1995 MA(Hons)Macquarie University1998321
BOWIE, Annette J.Developments in western style contemporary music in South Korea, 1945-96MAMonash University1997124
BREEN, MarcusThe popular music industry in Australia : a study of policy reform and retreat, 1982-1996 PhDVictoria University (Vic. Australia)1996397
BRENNAN, ReneeNew Zealand music videos : whose voices are being heard in the New Zealand music industry?MAAuckland University of Technology1999144
BRETT, MarilynA study of ways in which classically trained singing teachers meet the pedagogical needs of singers of contemporary popular stylesMMusUniversity of Sydney2008115
BROMLEY, MarkMusicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world musicMMus (Hons)University of New Englandin progress (NiC08/07)
BROWN, PeterLove minus zero: existentialism and religious faith in Bob Dylan's lyrics MAUniversity of Newcastle1995203
BROWNE, SusanThe gender implications of dangdut kampungan : Indonesian 'low class' popular music MAMonash University199780
BRUNT, Shelley"Performing community: Japan's 50th Kouhaku Song Contest"PhDUniversity of Adelaide20062 vol + DVD
BRYANT, GaiCuban Folkloric and Traditional Music Styles: rumba, danzón, punto libre and bolero adapted for Jazz Big Band in Australia using Modern Compositional TechniquesPHDUniversity of Sydney2016
BURNS, RobertTransforming folk : innovation and tradition in English folk-rock musicPhDUniversity of Otago2008307
CALDWELL, David LukeThe rhetoric of rap: a social semiotic analysis of Kanye WestPhDUniversity of Sydney20101 v. + CD
CAMERON, Christopher PaulExploring applications of multi-dexterity in drum kit performanceMMusMonash University2016
CARAH, Nicholas‘Empowerment' within the brandscapes of popular music culture [electronic resource]PhDUniversity of Queensland2008
CARBONELLI, Guendalina MariaFabrizio de André: a popular intellectualPhDMonash University2013
CARROLL, Adrian D.Beat-mixing Rock music : Rock and electronic dance music merge to create the ManaraysM.AQueensland University of Technology2012118
CATTERMOLE, Jennifer AnneThe routes of roots of reggae in Aotearoa/New Zealand: the musical construction of place and identityMAMusUniversity of Otago2004224
CHAN, SimonPractice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism.PhDQueensland University of Technologyin progress (2005)
CHAPMAN, Ian CharlesDavid Bowie: life is a cabaretMAUniversity of Otago2005141
CHEN, Si-leA comparative study of value systems amongst popular and classical musiciansM.EdUniversity of Auckland200391
CHONG, Min YinDigital sound sampling: electronic piracy or technological creativity?LLMUniversity of Melbourne1995109
CHURTON, WadeAlternative music in New Zealand, 1981-2001: definitions, comparisons and historyMAUniversity of Canterbury2003161
CLARK, Imogen NicolaMusic to support physical activity in older adults with health conditionsPHDLaTrobe University2016227
CLEMENTS, Lucille DesotoRock'n'roll outlaw: the expression of freedom in cultureDCAUniversity of Technology Sydney2007100
CLOUGH, Brent StephenOuternational reggae culturesMAUniversity of Technology Sydney1999213 + CD
CODDINGTON, Anna PinengaSinging as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music MAUniversity of Auckland2004135
COLSON, GeoffroySustainability of musical heritage in the Tahiti: An analysis of aesthetic and cultural issues of change and hybridity with creative and collaborative responsesPhDUniversity of SydneyIn Progress (2012)
CONNIE, MeredithAn aesthetic of resistance : exploring a distorted soundworld in American popular music of the 20th century MPhilUniversity of Sydney2000191
COOPER, Sharon AnneYouth and the production of popular music: the generational rift M.EdUniversity of Newcastle199869
CORN, AaronDreamtime wisdom, modern-time vision : tradition and innovation in the popular band movement of Arnhem Land, AustraliaPhDUniversity of Melbourne2002239+ 182
COSTA, MarkA forgotten pedagogy : The Schillinger sytem of musical composition through the teachings of Richard BendaM.MusUniversity of Sydney201087p +1CD
COTTELL, SamAustralian Light Music 1950-1980: An analysis of genre and stylePhDUniversity of SydneyIn Progress (2014)
COUNSEL, GraemeThe influence of the jali tradition on post-colonial and contemporary West African popular musicMMusUniversity of Melbourne1999118
COUNSEL, GraemeMande popular music and cultural policies in West Africa PhDUniversity of Melbourne2006318
COURTEAU, Mona-LynnMusic and dance performance, longing, and the construction of Brazil in Auckland, New ZealandMAUniversity of Auckland2006160
COX, JamesHip hop : a modern minstrel show?MA (Anthrop)University of Auckland200771
COYLE, RebeccaScoring Australia: film music and Australian identities in Young Einstein, Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert PhDMacquarie University2002336
CRAWFORD, DrewEugene & Roie: music theatre compositionPhDUniversity of Sydney20052 vol + CD
CREWE, Peter JohnRock music in San Francisco in the 1960's : its impact on American popular music MALaTrobe University1991205
CROWDY, DenisFrom black magic woman to black magic men: the music of SangumaPhDMacquarie University2004291 + 2 CDs
CROWDY, Denis CharlesGuitar style, open tunings and stringband music in Papua New GuineaMA (Hons)University of New England2001144
CUMMINGS, JoanneSold Out! An ethnographic study of Australian indie music festivals.PhDUniversity of Western Sydney2007 (NyiC)314
CUMMINS, JosephThe Space and Time of Imagined Sound: Australian Literature and Music, 1945 to PresentPhDUniversity of NSW2015232
CUNDELL, Roger Guy ScottAcross the Pacific: the transformation of the steel guitar from Hawaiian folk instrument to popular music mainstay.MPhilUniversity of Adelaide2014151
DALE, TomMusic video: texts and contexts, at home and abroadMAUniversity of Auckland1995144
DAMBERG, ErikExotic Australia songs from the 1920s-1950sMAMacquarie University200367 + 2 CDs
DAVIDSON, AndrewThe Australian Musical: A Critical and Musical SurveyPhDUniversity of Sydneyin progress (NiC08/07)
DAVIDSON, Gary HaydenAnatomy of pop music: the work of pop performer and how their work is judgedMAUniversity of Melbourne199586
DE CARVALHO LEAN, Flavia Lucia RubiniBrazilian national identity in the lyrics of Chico BuarqueMAUniversity of Otago2012139
De SILVA, DayaneethaTaking on the big boys: rock music and oppositionality in SingaporeMAAustralian National University1996293
DeBONO, John AHeavy metal and archetypeM.EdLaTrobe University199151
DEVLIN, Desmond TEarly Sydney punk : methods in visual ethnographyPhDUniversity of Western Sydney2014
Di STASIO, Michael JYoung adolescents viewing experiences of popular music videoclipsM.EdGriffith University199495
DIECKMANN, SamanthaExploring musical acculturation: The musical lives of South Sudanese Australians, Filipino Australians and White Australians in BlacktownPhDUniversity of Sydney2016379
DIOR, DaliaSephardic song [manuscript] : a bridge between culturesMAMacquarie University2009155 + Map + CD
DO ROZARIO, Rebecca-Anne CharlotteDiscovering festive tragic musicals: communal crisis in contemporary stage and screen musicalsMAUniversity of Queensland1999158
DOUGAL, Josephine KathleenNation, culture and family : identity in a Scottish/Australian popular song tradition PhDCurtin University of Technology2010352
DOWNIE, EllaineWhy a cappella? Why women? Why now? The a cappella movement in popular music in Australia from 1987-1995MAMonash University1996151
DOYLE, PeterRace with the devil: space, place and motion in popular music recording, 1900-1960 PhDMacquarie University2001268 + 3 copies of 1
DUANCE, KarynCompositional and performance techniques of women rock musiciansMMusUniversity of Sydney1999NiC
DUNBAR-HALL, PeterStyle and meaning : signification in contemporary Aboriginal popular music, 1963-1993 PhDUniversity of NSW1994387
EAMSA-ARD, LamnaoThai popular music: the representation of national identities and ideologies within a culture in transition PhDEdith Cowan University20064 microfiche
EDMOND, MauraPostmodern attractions : music videos 2000-2010PhDUniversity of Melbourne2012299
ESSEX, HildyAn enfant terrible in the concert hall: the influence of popular music on the works of Matthew HindsonMMusUniversity of Melbourne2003115
EVANS, MarkSecularising the sacred : the impact of Geoff Bullock and Hillsong Church on contemporary congregational song in Sydney, 1990-1999 PhDMacquarie University2002304 + 3 CDs
FANANY, RunaThe Devil’s Due: the musical representation of the Devil in selected Hollywood film scoresPhDMonash University2011320
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