| AGNEW, Melissa | Consciousness of voice in the Australian theatre from the new wave to the new millennium | PhD | University of Sydney | 2002 | 378 |
| ALLAN, John McDonald | Die tote Stadt: An Opera by Erich Wolfgang Korngold (1897-1957) | MA | Monash University | 2000 | 348 |
| ANDERSON, Gae Mary | Harry Rickards: a performance-centred portrait from music hall to Vaudeville | PhD | University of Sydney | 1998 | 370 ( 2 vol) |
| ANDERSON, Lauren | The glue of the world : popular music in film soundtracks | MA | Massey University | 1999 | 160 |
| ARMSTRONG-GRANT, Patricia | Dame Joan Hammond - A Diva of Circumstance | MA | Monash University | In Progress (2007) | |
| AYRES, Christopher Vivian | An examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896 | MA (Hons) | Macquarie University | 1977 | 212 |
| BARNES, Julie | Whitsunday: a bicentennial opera | MA | Monash University | 1991 | 121 |
| BASTON, Kim | Scoring performance: the function of music in contemporary theatre and circus | PhD | LaTrobe University | 2008 | 294 |
| BEBAN, Daniel | Going for a song: the New Zealand chant of auctions, housie and racing | MA | Victoria University of Wellington | 2001 | 129 + 2 CD |
| BEBBINGTON, Warren Arthur | The operas of G.W.L. Marshall Hall | MMus | University of Melbourne | 1978 | 295 |
| BELLEGHEM, Matthew | The entertainment media advocacy coalition | MA | University of Melbourne | 2004 | 194 |
| BENDRUPS, Faye | Service station : straying the Australian landscape : a modern Aussie ballad opera | PhD | Victoria University (Vic. Australia) | 1996 | 196 |
| BLOM, Diana | Invocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for television | MM | University of Sydney | 1972 | 100 |
| BOURNE, Tracy | Identifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice. | PhD | University of Sydney | in progress (2006) | |
| BRACKOVIC, Jasna | Poor, pale, Rusalka: The Polymorphic Nature of the Heroine of Dvořák's Rusalka | MMus | NZ School of Music (Victoria + Massey) | 2014 | 130 |
| BRASIER, Angeline | Pauline Viardot: her music and the Spanish influence | MMus | University of Melbourne | 2000 | 88 |
| BRAY, Kelsey O.J. | The economic impact of opera tourism : including a case study of the 1992 Ballarat Opera Festival | MBus | Victoria University (Vic. Australia) | 1995 | 235 |
| BRENNAN, David | The opera performer as actor: an Australian perspective | PhD | University of Newcastle | 2005 | 530 |
| BRENNAN, Renee | New Zealand music videos : whose voices are being heard in the New Zealand music industry? | MA | Auckland University of Technology | 1999 | 144 |
| BRIGGS, Maria Sergeevna (née Okunev) | Tertiary Opera Training in Australia and UK: Ethnographic Perspective | PhD | University of Sydney | 2015 | |
| BROWN, Gregory | Vocal writing in Stravinsky's Neo-classic music and especially The Rake's Progress | MCA | University of Wollongong | in progress (NiC08/07) | |
| BROWN, Patricia A. | Sempre Libera: changes in singing style in Verdi's opera La Traviata during the first century of operatic sound recording THIS SEEMS TO BE A MISTAKE - CONFUSED WITH A THESIS BY AN AMERICAN PATRICIA BROWN | PhD | University of NSW | 1996 | |
| BRUCE, Karen | Giuditta Pasta and Maria Callas: phenomenon and impact of the acting singer | MMus | Australian National University | in progress (NiC08/07) | |
| BRYON, Experience | The integrative performance theory: an anti-hermeneutic approach for opera | PhD | Monash University | 1999 | 235 |
| BUTLER, Jennifer | Ambiguity in nineteenth-century Russian literature and opera | PhD | University of NSW | 2004 | 359 |
| CAMPBELL, Fiona | Peggy Glanville-Hicks' opera Sappho, a critical examination | MMus | Edith Cowan University | 1995 | 2 microfiches |
| CHAN, Simon | Practice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism. | PhD | Queensland University of Technology | in progress (2005) | |
| CHARLES, Robin | The performerless performance | MA | Auckland University of Technology | 2005 | 24 |
| CHESNEY, Sarah | Gothic imaginations in primo ottocento opera | MMus | Victoria University of Wellington | 2010 | 259 |
| COBCROFT, Samantha | Female Vocal Writing in Operas of the Late 18th Century | PhD | University of Newcastle | in progress (NiC08/07) | |
| CORN, Aaron David Samuel | Musical instruments in cultural heritage collections : a case study of the Queensland Museum | MPhil | Griffith University | 1995 | 199+ 112 |
| COYLE, Rebecca | Scoring Australia: film music and Australian identities in Young Einstein, Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert | PhD | Macquarie University | 2002 | 336 |
| CRAWFORD, Drew | Eugene & Roie: music theatre composition | PhD | University of Sydney | 2005 | 2 vol + CD |
| CROTTY, Joel | Choreographic music in Australia, 1913-1964: From foreign reliance to an independent Australian stance | PhD | Monash University | 1999 | 421 |
| DALE, Tom | Music video: texts and contexts, at home and abroad | MA | University of Auckland | 1995 | 144 |
| DAMBERG, Erik | Exotic Australia songs from the 1920s-1950s | MA | Macquarie University | 2003 | 67 + 2 CDs |
| DAVIDSON, Andrew | The Australian Musical: A Critical and Musical Survey | PhD | University of Sydney | in progress (NiC08/07) | |
| DAWSON, Jenny | Opera in colonial Brisbane: the first twenty-five years (1859-1884) | MMus | University of Queensland | 1987 | 221 |
| DeVERE, Catriona | The Diva Desire: an examination of the perceptions and aspirations of Australian women striving to achieve an operatic career. | PhD | Australian National University | in progress (2007) | |
| DO ROZARIO, Rebecca-Anne Charlotte | Discovering festive tragic musicals: communal crisis in contemporary stage and screen musicals | MA | University of Queensland | 1999 | 158 |
| DORAZARIO, Rebecca-Anne Charlotte | Disney animated and theatrical musicals : interpreting the magic from The little mermaid to The little mermaid | PhD | Monash University | 2003 | 372 |
| DRAKE, George Warren James | Dramatic irony in Wagner | MA | University of Auckland | 1962 | 95 |
| DRYBROUGH, Katharine F. | A comparative study of Handel's musical expression in five operas and the Opus 6 concerti grossi. | MusM | University of Western Aust. | 1997 | 1 vol |
| DUNBAR-HALL, Peter | Harmonic style as a dramaturgical device : a study of Zandonai's Francesca da Rimini | MMus | University of NSW | 1989 | 137 |
| DUNSTAN, Kaylie Jane | Percussion and Theatrical Techniques: An Investigation into Percussion Theatre Repertoire and its Presence in Australian Classical Music Culture | MMus | University of Sydney | 2016 | 101 |
| DUXBURY, Patricia D | The Orpehus legend in opera | MA | University of Western Aust. | 1981 | 206 |
| EDMOND, Maura | Postmodern attractions : music videos 2000-2010 | PhD | University of Melbourne | 2012 | 299 |
| ELLSMORE, Caroline | The siren subverted : the role of Violetta Valery in Giuseppe Verdi's 'La traviata' (1853) | MMus (Hons) | University of New England | 2010 | |
| EVANS, Christine | My vicious angel : a one-act play with music | MA | University of Western Sydney | 1998 | 56 |
| FANANY, Runa | The Devil’s Due: the musical representation of the Devil in selected Hollywood film scores | PhD | Monash University | 2011 | 320 |
| FERREIRA, Rette | Music by New Zealand composers for feature films made in New Zealand: historical background and case studies | PhD | University of Auckland | In Progress (2007) | |
| FERREIRA, Riette (J. M.) | New Zealand film music in focus : music by New Zealand composers for feature films | PhD | University of Auckland | 2012 | |
| FINLAYSON, James | Creative innovation in music videos | MA | University of Waikato | 2006 | 88 + CDR |
| FORBES, Anne-Marie H. | Celticism in British opera of the late nineteenth and early twentieth centuries | PhD | University of Queensland | 1992 | 302 |
| FOWLER, Richard J | "I just want to be a successful artist" : Professional pathways to musical theatre careers | MMus | University of Sydney | 2012 | 158 |
| FREW, Rebecca Elizabeth | Bridging the training divide between studio preparation and characterisation in operatic performance using Michael Chekhov’s theory of Psychological Gesture | MMus | University of Melbourne | 2010 | |
| GARDNER, Lisa A.-M. | Female vocal training for musical theatre: the use of 'belt' and 'legit' vocal qualities | PhD | University of Sydney | in progress (NiC08/07) | |
| GEDDES, Paul | A thing about blood: exploring abjection in the musical theatre of Sondheim and co. | PhD | Macquarie University | 2002 | 229 |
| GIBSON, Robert R. | Parsifal and Homosexuality: A study of the reception of Parsifal as a homoerotic text | MMus | University of Sydney | 1998 | 131 |
| GOH, Caleb | Cries from within : the struggles and triumphs of creating a Singaporean voice in musical theatre | PhD | Edith Cowan University | 2015 | |
| GOODWIN, Wayne | Bruce Smeaton, Australian film music composer : his music and his method. Portfolio of compositions | MMus(Comp) | University of Sydney | 2006 | 153 + 2 vid) + Cd + |
| GRAHAM, Evelyn | Performer-audience communication : investigating nonverbal expression of emotion in the performances of singers | PhD | James Cook University | 2002 | 372 |
| GRANGER-BROWN, Lorraine | Acting out of the depression : J.C. Williamson, 1893 | M.Mus | University of Melbourne | 2011 | 126 |
| GRANT, Roxanne | "White bread milk toast", performance art in the urban environment : a view of communicating ideas as public based performance art | MCA | James Cook University | 1998 | 152 |
| GREENWELL, Andrée | ‘Theatres of Music’: recent composition-led works | DCA | University of Wollongong | 2012 | 152 |
| GREGG, Stuart Charles John | CATSCAN/DOGMA: creating new music-theatre | MCA | University of Newcastle | 2007` | 77 |
| GROUNDS, Robyn E. | Music as metaphor in film | MMus | University of NSW | in progress (NiC08/07) | |
| GUNN, Malcolm | Enter 'Exhalted Guest:' the role of the music in an Indonesian feature film of 1955 | MA | Monash University | 1997 | 111 |
| GUNNER, Anne Lorraine | Dramatic intention in music: a preliminary survey of historical and contemporary evidence in the field of music in the theatre. | M.Litt | University of New England | 1984 | 263 |
| GUO, Xiaoduo | Silent film music composition in a cross-cultural context | MMUS | University of Adelaide | 2011 | 38 + DVD |
| HAINING, Emma | Developing Stagecraft and Vocal Technique | MCA | University of Newcastle | 2005 | 87 |
| HALDEY [Khaldei], Olga | Russian historical opera of the 19th century : a teacher guide | MMus Ed. | University of Sydney | 1993 | 158 |
| HALES, Aaron | The state on stage : a socio-political critique of Singaporean musical theatre | PhD | University of Western Aust. | 2009 | 276 |
| HALL, Stephen Marshall | Design issues in low-cost interactive multimedia show systems | MA | RMIT University | 1998 | vid |
| HAMILTON, Elizabeth Jane | An informed approach to performance practice issues in Lipstick (1998) - by Jacob ter Veldhuis | Unknown | Monash University | 2016 | |
| HAMMOND, Carl | REM: (Rapid eye movement): a musical | PhD | University of Sydney | 1998 | 1031 |
| HANDSAKER, Kate | The making of a successful performance of the role of Cherubino | MMus (Perf) | Australian National University | 2001 | 78 |
| HARDWICK, Robert | Australian silent film music 1896-1909: the role of the Salvation Army Limelight Department | MMus | University of Melbourne | 1999 | 149 |
| HARRIS, Diana R | A consideration of the soundtrack in screen adaptations of Shakespeare. | PhD | University of Auckland | 2000 | 357 |
| HARRISON, Scott | A study of opera education in North America, the United Kingdom, Australia and New Zealand and the development of opera education in Queensland | MA | University of Queensland | 1995 | 281 |
| HART, Susan | Late 19th-century Italian opera | MMus | University of Newcastle | in progress (NiC08/07) | |
| HARVEY, Jonathan | Collit's Inn: The first successful all-Australian musical romance | MA | Monash University | 1995 | 106 |
| HAWKINS, Karen | Aspects of the operas of Menotti | MMus | University of Newcastle | in progress (NiC08/07) | |
| HEATH, Karen | The synthesis of music and dance: performance strategies for selected choreographic music works by Karlheinz Stockhausen | MA | Monash University | 2006 | 45 + CD |
| HISCOCKS, Wendy | The influence of Arthur Benjamin's film music on music he wrote for other genres | PhD | Australian National University | 2009 | 1 v. + 1 DVD + 1 VHS |
| HOCKING, Rachel | Crafting connections : original music for the dance in Australia, 1960-2000 | PhD | University of NSW | 2006 | 2 vol |
| HOLLAND, Brett William | A critical commentary exploring the potential inclusion of operatic arias in the traditional song recital. : references to Johannes Brahms Vier Ernste Gesänge OP. 121, Fünf Lieder Opus 105 and bass arias from Macbeth and Simon Boccanegra by Giuseppe Verdi | M.Phil | University of Queensland | 2004 | 66 |
| HORT, Harold | The development of music in Australia 1788-1850 | MA (Hons) | Macquarie University | 1979 | 392 + 2 cassettes |
| HOWARD, Brian | Folio of compositions | DMus | University of Melbourne | 1984 | 3 vol |
| HOWARD, Darren | An examination and analysis of two Australian new music theatre works: Liza Lim's The Oresteia and David Chesworth's The Two Executioners | MA | Monash University | 1999 | 88 |
| HOWE, Karl | Animation in e minor : the real in animated music videos | MA | Auckland University of Technology | 2004 | 25 |
| HOWLETT, May Catherine | The production of a contemporary chamber opera (The boy who wasn't there) | MA | Macquarie University | 2005 | 141 |
| HUGHES, William D. | Analysis of Scenes de Ballet by Igor Stravinsky | MMus | University of Adelaide | in progress (NiC08/07) | |
| HUNT, Katrina | Forward into the Past: Toward a Dance Ethnology of the Society of Creative Anachronism in Australia | MPhil | Australian National University | in progress (NiC08/07) | |
| HUNT, Katrina Margaret | The Female Voice in American Musical Theatre (1940-1955): Mary Martin and the Development of Integrated Vocal Style | PhD | Australian National University | 2016 | 436 |
| HURLEY, Jennifer Mary | Music video and gendered pleasures in the lives of young women and men | PhD | Deakin University | 1996 | 247 |
| HYATT, John Bamford | Otello and Othello | MA | University of Canberra | 1965 | 116 |
| INGS, Welby | Talking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text. | PhD | Auckland University of Technology | 2005 | 423 + DVD |
| JACKSON-TRETCHIKOFF, Julie | The operas of Michael Tippett : the inner values of Tippett as portrayed by selected female characters | MPhil | Massey University | 2006 | 107 |
| JACKSON-TRETCHIKOFF, Julie | Both Sides of the Curtain: Auckland Music Theatre Inc. 1919-2009 (with reference to the period from 1841 to 1918) | PhD | University of Auckland | 2013 | 260+ |
