Music Theatre

Writersort iconThesis TitleDegreeUniversityYear# of Pages
AGNEW, MelissaConsciousness of voice in the Australian theatre from the new wave to the new millennium PhDUniversity of Sydney2002378
ALHADAD, HanaDreamtime Peter Pan: An exploration of participatory theatre processes, performance and the negotiation of identities among marginalised young people in BrisbanePhDUniversity of Queensland2013294
ALLAN, John McDonaldDie tote Stadt: An Opera by Erich Wolfgang Korngold (1897-1957)MAMonash University2000348
ANDERSON, Gae MaryHarry Rickards: a performance-centred portrait from music hall to VaudevillePhDUniversity of Sydney1998370 ( 2 vol)
ANDERSON, LaurenThe glue of the world : popular music in film soundtracks MAMassey University1999160
AnonIdentifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice.PhDUniversity of Sydneyin progress (2006)
AnonVocal writing in Stravinsky's Neo-classic music and especially The Rake's ProgressMCAUniversity of Wollongongin progress (NiC08/07)
AnonGiuditta Pasta and Maria Callas: phenomenon and impact of the acting singerMMusAustralian National Universityin progress (NiC08/07)
AnonPractice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism.PhDQueensland University of Technologyin progress (2005)
AnonFemale Vocal Writing in Operas of the Late 18th CenturyPhDUniversity of Newcastlein progress (NiC08/07)
AnonThe Australian Musical: A Critical and Musical SurveyPhDUniversity of Sydneyin progress (NiC08/07)
AnonThe Diva Desire: an examination of the perceptions and aspirations of Australian women striving to achieve an operatic career.PhDAustralian National Universityin progress (2007)
AnonFemale vocal training for musical theatre: the use of 'belt' and 'legit' vocal qualitiesPhDUniversity of Sydneyin progress (NiC08/07)
AnonMusic as metaphor in filmMMusUniversity of NSWin progress (NiC08/07)
AnonLate 19th-century Italian operaMMusUniversity of Newcastlein progress (NiC08/07)
AnonAspects of the operas of MenottiMMusUniversity of Newcastlein progress (NiC08/07)
AnonAnalysis of Scenes de Ballet by Igor StravinskyMMusUniversity of Adelaidein progress (NiC08/07)
AnonForward into the Past: Toward a Dance Ethnology of the Society of Creative Anachronism in AustraliaMPhilAustralian National Universityin progress (NiC08/07)
AnonA history of the Australian Opera and Ballet OrchestraMMusUniversity of NSWin progress (NiC08/07)
ÁnonDance Films as adaptations of Film MusicalsPhDMacquarie Universityin progress (2004)
AnonA comparative study of Puccini's Madam Butterfly and Miss SaigonMAUniversity of Queenslandin progress (NiC08/07)
AnonA comparative and stylistic study of two scenes from Benjamin Britten's opera Peter Grimes opus 33, from the complete studio recordings to the end of 1994MMusUniversity of NSWin progress (NiC08/07)
AnonExamination of the interrelationship between the cultural and economic environment and the structure of language and opera in Italy during the period 1900-1950MMusAustralian National Universityin progress 1997 (NiC08/07)
AnonDer Freischütz , Gothic Drama and representations of Witchcraft and the supernatural through LeitmotivPhDUniversity of NewcastleIn Progress (2000)
AnonDame Joan Hammond - A Diva of CircumstanceMAMonash UniversityIn Progress (2007)
AnonThe music theatre of Franz SchreckerPhDUniversity of Adelaidewithdrawn 1968
AYRES, Christopher VivianAn examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896 MA (Hons)Macquarie University1977212
BARNES, JulieWhitsunday: a bicentennial operaMAMonash University1991121
BASTON, KimScoring performance: the function of music in contemporary theatre and circusPhDLaTrobe University2008294
BEBAN, DanielGoing for a song: the New Zealand chant of auctions, housie and racingMAVictoria University of Wellington2001129 + 2 CD
BEBBINGTON, Warren ArthurThe operas of G.W.L. Marshall HallMMusUniversity of Melbourne1978295
BELLEGHEM, MatthewThe entertainment media advocacy coalition MAUniversity of Melbourne2004194
BENDRUPS, FayeService station : straying the Australian landscape : a modern Aussie ballad opera PhDVictoria University (Vic. Australia)1996196
BLOM, DianaInvocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for televisionMMUniversity of Sydney1972100
BRACKOVIC, JasnaPoor, pale, Rusalka: The Polymorphic Nature of the Heroine of Dvořák's RusalkaMMusNZ School of Music (Victoria + Massey)2014130
BRASIER, AngelinePauline Viardot: her music and the Spanish influenceMMusUniversity of Melbourne200088
BRAY, Kelsey O.J.The economic impact of opera tourism : including a case study of the 1992 Ballarat Opera Festival MBusVictoria University (Vic. Australia)1995235
BRENNAN, DavidThe opera performer as actor: an Australian perspective PhDUniversity of Newcastle2005530
BRENNAN, ReneeNew Zealand music videos : whose voices are being heard in the New Zealand music industry?MAAuckland University of Technology1999144
BRIGGS, Maria Sergeevna (née Okunev)Tertiary Opera Training in Australia and UK: Ethnographic PerspectivePhDUniversity of Sydney2015
BROWN, Patricia A.Sempre Libera: changes in singing style in Verdi's opera La Traviata during the first century of operatic sound recording THIS SEEMS TO BE A MISTAKE - CONFUSED WITH A THESIS BY AN AMERICAN PATRICIA BROWNPhDUniversity of NSW1996
BRYON, ExperienceThe integrative performance theory: an anti-hermeneutic approach for operaPhDMonash University1999235
BURNS, Carolyn Claire IsabelleAdaptation and twentieth-century operaPhDUniversity of Sydney2014260
BUTLER, JenniferAmbiguity in nineteenth-century Russian literature and operaPhDUniversity of NSW2004359
CAMPBELL, FionaPeggy Glanville-Hicks' opera Sappho, a critical examinationMMusEdith Cowan University19952 microfiches
CASSIDY, CaitlinThe Making of Disgrace Kelly: Dragging the Diva through Cabarets, Pubs and Into the Recital HallM.AEdith Cowan University2013158
CHARLES, RobinThe performerless performanceMAAuckland University of Technology200524
CHESNEY, SarahGothic imaginations in primo ottocento operaMMusVictoria University of Wellington2010259
CLARKE, Justin R.Synchresis : Exploring gestural relationships between musical-sound and visual-gesture on film : Synchresis as a unifying concept for exploring and creating effective multimedia relationshipsM.M.AMassey University201280p + 1 CD
CORN, Aaron David SamuelMusical instruments in cultural heritage collections : a case study of the Queensland Museum MPhilGriffith University1995199+ 112
COSTA, MarkA forgotten pedagogy : The Schillinger sytem of musical composition through the teachings of Richard BendaM.MusUniversity of Sydney201087p +1CD
COYLE, RebeccaScoring Australia: film music and Australian identities in Young Einstein, Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert PhDMacquarie University2002336
CRAWFORD, DrewEugene & Roie: music theatre compositionPhDUniversity of Sydney20052 vol + CD
CROTTY, JoelChoreographic music in Australia, 1913-1964: From foreign reliance to an independent Australian stancePhDMonash University1999421
DALE, TomMusic video: texts and contexts, at home and abroadMAUniversity of Auckland1995144
DAMBERG, ErikExotic Australia songs from the 1920s-1950sMAMacquarie University200367 + 2 CDs
DAWSON, JennyOpera in colonial Brisbane: the first twenty-five years (1859-1884)MMusUniversity of Queensland1987221
DO ROZARIO, Rebecca-Anne CharlotteDiscovering festive tragic musicals: communal crisis in contemporary stage and screen musicalsMAUniversity of Queensland1999158
DORAZARIO, Rebecca-Anne CharlotteDisney animated and theatrical musicals : interpreting the magic from The little mermaid to The little mermaidPhDMonash University2003372
DRAKE, George Warren JamesDramatic irony in WagnerMAUniversity of Auckland196295
DRYBROUGH, Katharine F.A comparative study of Handel's musical expression in five operas and the Opus 6 concerti grossi.MusMUniversity of Western Aust.19971 vol
DUNBAR-HALL, PeterHarmonic style as a dramaturgical device : a study of Zandonai's Francesca da RiminiMMusUniversity of NSW1989137
DUNSTAN, Kaylie JanePercussion and Theatrical Techniques: An Investigation into Percussion Theatre Repertoire and its Presence in Australian Classical Music CultureMMusUniversity of Sydney2016101
DUXBURY, Patricia DThe Orpehus legend in operaMAUniversity of Western Aust.1981206
EDMOND, MauraPostmodern attractions : music videos 2000-2010PhDUniversity of Melbourne2012299
ELLSMORE, CarolineThe siren subverted : the role of Violetta Valery in Giuseppe Verdi's 'La traviata' (1853)MMus (Hons)University of New England2010
EVANS, ChristineMy vicious angel : a one-act play with music MAUniversity of Western Sydney199856
FANANY, RunaThe Devil’s Due: the musical representation of the Devil in selected Hollywood film scoresPhDMonash University2011320
FERREIRA, Riette (J. M.)New Zealand film music in focus : music by New Zealand composers for feature filmsPhDUniversity of Auckland2012296
FINLAYSON, JamesCreative innovation in music videosMAUniversity of Waikato200688 + CDR
FORBES, Anne-Marie H.Celticism in British opera of the late nineteenth and early twentieth centuriesPhDUniversity of Queensland1992302
FOWLER, Richard J"I just want to be a successful artist" : Professional pathways to musical theatre careersMMusUniversity of Sydney2012158
FREW, Rebecca ElizabethBridging the training divide between studio preparation and characterisation in operatic performance using Michael Chekhov’s theory of Psychological GestureMMusUniversity of Melbourne2010
FURDUJ, BorisAcoustic instrument simulation in film music contextsMResMacquarie University2014135
GEDDES, PaulA thing about blood: exploring abjection in the musical theatre of Sondheim and co.PhDMacquarie University2002229
GIBSON, Robert R.Parsifal and Homosexuality: A study of the reception of Parsifal as a homoerotic textMMusUniversity of Sydney1998131
GOH, CalebCries from within : the struggles and triumphs of creating a Singaporean voice in musical theatrePhDEdith Cowan University2015
GOODWIN, WayneBruce Smeaton, Australian film music composer : his music and his method. Portfolio of compositionsMMus(Comp)University of Sydney2006153 + 2 vid) + Cd +
GRAHAM, EvelynPerformer-audience communication : investigating nonverbal expression of emotion in the performances of singers PhDJames Cook University2002372
GRANGER-BROWN, LorraineActing out of the depression : J.C. Williamson, 1893M.MusUniversity of Melbourne2011126
GRANT, Roxanne"White bread milk toast", performance art in the urban environment : a view of communicating ideas as public based performance art MCAJames Cook University1998152
GREENWELL, Andrée‘Theatres of Music’: recent composition-led worksDCAUniversity of Wollongong2012152
GREGG, Stuart Charles JohnCATSCAN/DOGMA: creating new music-theatreMCAUniversity of Newcastle2007`77
GUNN, MalcolmEnter 'Exhalted Guest:' the role of the music in an Indonesian feature film of 1955MAMonash University1997111
GUNNER, Anne LorraineDramatic intention in music: a preliminary survey of historical and contemporary evidence in the field of music in the theatre.M.LittUniversity of New England1984263
GUO, XiaoduoSilent film music composition in a cross-cultural contextMMUSUniversity of Adelaide201138 + DVD
HAINING, EmmaDeveloping Stagecraft and Vocal TechniqueMCAUniversity of Newcastle200587
HALDEY [Khaldei], OlgaRussian historical opera of the 19th century : a teacher guide MMus Ed.University of Sydney1993158
HALES, AaronThe state on stage : a socio-political critique of Singaporean musical theatrePhDUniversity of Western Aust.2009276
HALL, Stephen MarshallDesign issues in low-cost interactive multimedia show systemsMARMIT University1998vid
HAMILTON, Elizabeth JaneAn informed approach to performance practice issues in Lipstick (1998) - by Jacob ter VeldhuisUnknownMonash University2016
HAMMOND, CarlREM: (Rapid eye movement): a musicalPhDUniversity of Sydney19981031
HANDSAKER, KateThe making of a successful performance of the role of CherubinoMMus (Perf)Australian National University200178
HARDWICK, RobertAustralian silent film music 1896-1909: the role of the Salvation Army Limelight DepartmentMMusUniversity of Melbourne1999149
HARRIS, Diana RA consideration of the soundtrack in screen adaptations of Shakespeare.PhDUniversity of Auckland2000357
HARRISON, ScottA study of opera education in North America, the United Kingdom, Australia and New Zealand and the development of opera education in QueenslandMAUniversity of Queensland1995281
HARVEY, JonathanCollit's Inn: The first successful all-Australian musical romanceMAMonash University1995106
HEATH, KarenThe synthesis of music and dance: performance strategies for selected choreographic music works by Karlheinz StockhausenMAMonash University200645 + CD
HEWITT, K. W.A critical biography of Howard Vernon (1848-1921) and his contribution to Gilbert and Sullivan opera in AustraliaPhDUniversity of Sydney2012139
HISCOCKS, WendyThe influence of Arthur Benjamin's film music on music he wrote for other genresPhDAustralian National University20091 v. + 1 DVD + 1 VHS
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