Music Theatre

Writersort iconThesis TitleDegreeUniversityYear# of Pages
AGNEW, MelissaConsciousness of voice in the Australian theatre from the new wave to the new millennium PhDUniversity of Sydney2002378
ALLAN, John McDonaldDie tote Stadt: An Opera by Erich Wolfgang Korngold (1897-1957)MAMonash University2000348
ANDERSON, Gae MaryHarry Rickards: a performance-centred portrait from music hall to VaudevillePhDUniversity of Sydney1998370 ( 2 vol)
ANDERSON, LaurenThe glue of the world : popular music in film soundtracks MAMassey University1999160
ARMSTRONG-GRANT, PatriciaDame Joan Hammond - A Diva of CircumstanceMAMonash UniversityIn Progress (2007)
AYRES, Christopher VivianAn examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896 MA (Hons)Macquarie University1977212
BARNES, JulieWhitsunday: a bicentennial operaMAMonash University1991121
BASTON, KimScoring performance: the function of music in contemporary theatre and circusPhDLaTrobe University2008294
BEBAN, DanielGoing for a song: the New Zealand chant of auctions, housie and racingMAVictoria University of Wellington2001129 + 2 CD
BEBBINGTON, Warren ArthurThe operas of G.W.L. Marshall HallMMusUniversity of Melbourne1978295
BELLEGHEM, MatthewThe entertainment media advocacy coalition MAUniversity of Melbourne2004194
BENDRUPS, FayeService station : straying the Australian landscape : a modern Aussie ballad opera PhDVictoria University (Vic. Australia)1996196
BLOM, DianaInvocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for televisionMMUniversity of Sydney1972100
BOURNE, TracyIdentifying the music theatre voice: Acoustic and perceptual characteristics of male and female singers in 'belt' and 'legit' voice.PhDUniversity of Sydneyin progress (2006)
BRACKOVIC, JasnaPoor, pale, Rusalka: The Polymorphic Nature of the Heroine of Dvořák's RusalkaMMusNZ School of Music (Victoria + Massey)2014130
BRASIER, AngelinePauline Viardot: her music and the Spanish influenceMMusUniversity of Melbourne200088
BRAY, Kelsey O.J.The economic impact of opera tourism : including a case study of the 1992 Ballarat Opera Festival MBusVictoria University (Vic. Australia)1995235
BRENNAN, DavidThe opera performer as actor: an Australian perspective PhDUniversity of Newcastle2005530
BRENNAN, ReneeNew Zealand music videos : whose voices are being heard in the New Zealand music industry?MAAuckland University of Technology1999144
BRIGGS, Maria Sergeevna (née Okunev)Tertiary Opera Training in Australia and UK: Ethnographic PerspectivePhDUniversity of Sydney2015
BROWN, GregoryVocal writing in Stravinsky's Neo-classic music and especially The Rake's ProgressMCAUniversity of Wollongongin progress (NiC08/07)
BROWN, Patricia A.Sempre Libera: changes in singing style in Verdi's opera La Traviata during the first century of operatic sound recording THIS SEEMS TO BE A MISTAKE - CONFUSED WITH A THESIS BY AN AMERICAN PATRICIA BROWNPhDUniversity of NSW1996
BRUCE, KarenGiuditta Pasta and Maria Callas: phenomenon and impact of the acting singerMMusAustralian National Universityin progress (NiC08/07)
BRYON, ExperienceThe integrative performance theory: an anti-hermeneutic approach for operaPhDMonash University1999235
BUTLER, JenniferAmbiguity in nineteenth-century Russian literature and operaPhDUniversity of NSW2004359
CAMPBELL, FionaPeggy Glanville-Hicks' opera Sappho, a critical examinationMMusEdith Cowan University19952 microfiches
CHAN, SimonPractice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism.PhDQueensland University of Technologyin progress (2005)
CHARLES, RobinThe performerless performanceMAAuckland University of Technology200524
CHESNEY, SarahGothic imaginations in primo ottocento operaMMusVictoria University of Wellington2010259
COBCROFT, SamanthaFemale Vocal Writing in Operas of the Late 18th CenturyPhDUniversity of Newcastlein progress (NiC08/07)
CORN, Aaron David SamuelMusical instruments in cultural heritage collections : a case study of the Queensland Museum MPhilGriffith University1995199+ 112
COSTA, MarkA forgotten pedagogy : The Schillinger sytem of musical composition through the teachings of Richard BendaM.MusUniversity of Sydney201087p +1CD
COYLE, RebeccaScoring Australia: film music and Australian identities in Young Einstein, Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert PhDMacquarie University2002336
CRAWFORD, DrewEugene & Roie: music theatre compositionPhDUniversity of Sydney20052 vol + CD
CROTTY, JoelChoreographic music in Australia, 1913-1964: From foreign reliance to an independent Australian stancePhDMonash University1999421
DALE, TomMusic video: texts and contexts, at home and abroadMAUniversity of Auckland1995144
DAMBERG, ErikExotic Australia songs from the 1920s-1950sMAMacquarie University200367 + 2 CDs
DAVIDSON, AndrewThe Australian Musical: A Critical and Musical SurveyPhDUniversity of Sydneyin progress (NiC08/07)
DAWSON, JennyOpera in colonial Brisbane: the first twenty-five years (1859-1884)MMusUniversity of Queensland1987221
DeVERE, CatrionaThe Diva Desire: an examination of the perceptions and aspirations of Australian women striving to achieve an operatic career.PhDAustralian National Universityin progress (2007)
DO ROZARIO, Rebecca-Anne CharlotteDiscovering festive tragic musicals: communal crisis in contemporary stage and screen musicalsMAUniversity of Queensland1999158
DORAZARIO, Rebecca-Anne CharlotteDisney animated and theatrical musicals : interpreting the magic from The little mermaid to The little mermaidPhDMonash University2003372
DRAKE, George Warren JamesDramatic irony in WagnerMAUniversity of Auckland196295
DRYBROUGH, Katharine F.A comparative study of Handel's musical expression in five operas and the Opus 6 concerti grossi.MusMUniversity of Western Aust.19971 vol
DUNBAR-HALL, PeterHarmonic style as a dramaturgical device : a study of Zandonai's Francesca da RiminiMMusUniversity of NSW1989137
DUNSTAN, Kaylie JanePercussion and Theatrical Techniques: An Investigation into Percussion Theatre Repertoire and its Presence in Australian Classical Music CultureMMusUniversity of Sydney2016101
DUXBURY, Patricia DThe Orpehus legend in operaMAUniversity of Western Aust.1981206
EDMOND, MauraPostmodern attractions : music videos 2000-2010PhDUniversity of Melbourne2012299
ELLSMORE, CarolineThe siren subverted : the role of Violetta Valery in Giuseppe Verdi's 'La traviata' (1853)MMus (Hons)University of New England2010
EVANS, ChristineMy vicious angel : a one-act play with music MAUniversity of Western Sydney199856
FANANY, RunaThe Devil’s Due: the musical representation of the Devil in selected Hollywood film scoresPhDMonash University2011320
FERREIRA, RetteMusic by New Zealand composers for feature films made in New Zealand: historical background and case studiesPhDUniversity of AucklandIn Progress (2007)
FERREIRA, Riette (J. M.)New Zealand film music in focus : music by New Zealand composers for feature filmsPhDUniversity of Auckland2012
FINLAYSON, JamesCreative innovation in music videosMAUniversity of Waikato200688 + CDR
FORBES, Anne-Marie H.Celticism in British opera of the late nineteenth and early twentieth centuriesPhDUniversity of Queensland1992302
FOWLER, Richard J"I just want to be a successful artist" : Professional pathways to musical theatre careersMMusUniversity of Sydney2012158
FREW, Rebecca ElizabethBridging the training divide between studio preparation and characterisation in operatic performance using Michael Chekhov’s theory of Psychological GestureMMusUniversity of Melbourne2010
GARDNER, Lisa A.-M.Female vocal training for musical theatre: the use of 'belt' and 'legit' vocal qualitiesPhDUniversity of Sydneyin progress (NiC08/07)
GEDDES, PaulA thing about blood: exploring abjection in the musical theatre of Sondheim and co.PhDMacquarie University2002229
GIBSON, Robert R.Parsifal and Homosexuality: A study of the reception of Parsifal as a homoerotic textMMusUniversity of Sydney1998131
GOH, CalebCries from within : the struggles and triumphs of creating a Singaporean voice in musical theatrePhDEdith Cowan University2015
GOODWIN, WayneBruce Smeaton, Australian film music composer : his music and his method. Portfolio of compositionsMMus(Comp)University of Sydney2006153 + 2 vid) + Cd +
GRAHAM, EvelynPerformer-audience communication : investigating nonverbal expression of emotion in the performances of singers PhDJames Cook University2002372
GRANGER-BROWN, LorraineActing out of the depression : J.C. Williamson, 1893M.MusUniversity of Melbourne2011126
GRANT, Roxanne"White bread milk toast", performance art in the urban environment : a view of communicating ideas as public based performance art MCAJames Cook University1998152
GREENWELL, Andrée‘Theatres of Music’: recent composition-led worksDCAUniversity of Wollongong2012152
GREGG, Stuart Charles JohnCATSCAN/DOGMA: creating new music-theatreMCAUniversity of Newcastle2007`77
GROUNDS, Robyn E.Music as metaphor in filmMMusUniversity of NSWin progress (NiC08/07)
GUNN, MalcolmEnter 'Exhalted Guest:' the role of the music in an Indonesian feature film of 1955MAMonash University1997111
GUNNER, Anne LorraineDramatic intention in music: a preliminary survey of historical and contemporary evidence in the field of music in the theatre.M.LittUniversity of New England1984263
GUO, XiaoduoSilent film music composition in a cross-cultural contextMMUSUniversity of Adelaide201138 + DVD
HAINING, EmmaDeveloping Stagecraft and Vocal TechniqueMCAUniversity of Newcastle200587
HALDEY [Khaldei], OlgaRussian historical opera of the 19th century : a teacher guide MMus Ed.University of Sydney1993158
HALES, AaronThe state on stage : a socio-political critique of Singaporean musical theatrePhDUniversity of Western Aust.2009276
HALL, Stephen MarshallDesign issues in low-cost interactive multimedia show systemsMARMIT University1998vid
HAMILTON, Elizabeth JaneAn informed approach to performance practice issues in Lipstick (1998) - by Jacob ter VeldhuisUnknownMonash University2016
HAMMOND, CarlREM: (Rapid eye movement): a musicalPhDUniversity of Sydney19981031
HANDSAKER, KateThe making of a successful performance of the role of CherubinoMMus (Perf)Australian National University200178
HARDWICK, RobertAustralian silent film music 1896-1909: the role of the Salvation Army Limelight DepartmentMMusUniversity of Melbourne1999149
HARRIS, Diana RA consideration of the soundtrack in screen adaptations of Shakespeare.PhDUniversity of Auckland2000357
HARRISON, ScottA study of opera education in North America, the United Kingdom, Australia and New Zealand and the development of opera education in QueenslandMAUniversity of Queensland1995281
HART, SusanLate 19th-century Italian operaMMusUniversity of Newcastlein progress (NiC08/07)
HARVEY, JonathanCollit's Inn: The first successful all-Australian musical romanceMAMonash University1995106
HAWKINS, KarenAspects of the operas of MenottiMMusUniversity of Newcastlein progress (NiC08/07)
HEATH, KarenThe synthesis of music and dance: performance strategies for selected choreographic music works by Karlheinz StockhausenMAMonash University200645 + CD
HISCOCKS, WendyThe influence of Arthur Benjamin's film music on music he wrote for other genresPhDAustralian National University20091 v. + 1 DVD + 1 VHS
HOCKING, RachelCrafting connections : original music for the dance in Australia, 1960-2000 PhDUniversity of NSW20062 vol
HOLLAND, Brett WilliamA critical commentary exploring the potential inclusion of operatic arias in the traditional song recital. : references to Johannes Brahms Vier Ernste Gesänge OP. 121, Fünf Lieder Opus 105 and bass arias from Macbeth and Simon Boccanegra by Giuseppe VerdiM.PhilUniversity of Queensland200466
HORT, HaroldThe development of music in Australia 1788-1850 MA (Hons)Macquarie University1979392 + 2 cassettes
HOWARD, BrianFolio of compositionsDMusUniversity of Melbourne19843 vol
HOWARD, DarrenAn examination and analysis of two Australian new music theatre works: Liza Lim's The Oresteia and David Chesworth's The Two ExecutionersMAMonash University199988
HOWE, KarlAnimation in e minor : the real in animated music videos MAAuckland University of Technology200425
HOWLETT, May CatherineThe production of a contemporary chamber opera (The boy who wasn't there)MAMacquarie University2005141
HUGHES, William D.Analysis of Scenes de Ballet by Igor StravinskyMMusUniversity of Adelaidein progress (NiC08/07)
HUMBERSTONE, James Henry ByrneCassations : Malcolm Williamson’s operas for musically-untrained childrenPhDUniversity of NSW2013134
HUNT, KatrinaForward into the Past: Toward a Dance Ethnology of the Society of Creative Anachronism in AustraliaMPhilAustralian National Universityin progress (NiC08/07)
HUNT, Katrina MargaretThe Female Voice in American Musical Theatre (1940-1955): Mary Martin and the Development of Integrated Vocal StylePhDAustralian National University2016436
HURLEY, Jennifer MaryMusic video and gendered pleasures in the lives of young women and menPhDDeakin University1996247
HYATT, John BamfordOtello and OthelloMAUniversity of Canberra1965116
INGS, WelbyTalking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text.PhDAuckland University of Technology2005423 + DVD
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