| Anon | Aspects of the music of Henry Purcell | MMus | University of Newcastle | In Progress (2006) | |
| Anon | Fifteenth-century modality: a comparison of the practice of Ockeghem and the theory of Tinctoris | MA | Monash University | in progress 2005 | |
| Anon | Analysis of selected chamber works by Haydn and Beethoven | MMus | University of Newcastle | in progress (NiC08/07) | |
| Anon | Sets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie Anderson | GradDipMus | Australian National University | in progress (NiC08/07) | |
| Anon | Andrew Schultz's Black River: an analysis | MMus (Hons) | University of Wollongong | in progress (NiC08/07) | |
| Anon | Relationship between the words and the music in the songs of Ivor Gurney | PhD | Griffith University | in progress (NiC08/07) | |
| Anon | Musicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world music | MMus (Hons) | University of New England | in progress (NiC08/07) | |
| Anon | Vocal writing in Stravinsky's Neo-classic music and especially The Rake's Progress | MCA | University of Wollongong | in progress (NiC08/07) | |
| Anon | Giuditta Pasta and Maria Callas: phenomenon and impact of the acting singer | MMus | Australian National University | in progress (NiC08/07) | |
| CASHMAN, David W. | Text and music in the songs of troubadours of generation III (1160-1210) | PhD | University of Sydney | withdrawn c.2007 | |
| Anon | The use of the tuba family in Wagner's Ring | MMus | University of Newcastle | in progress (NiC08/07) | |
| Anon | Timbral perception: a study in sound colour, with emphasis on the listener's perspective, and aspects of Skryabin and Kandinsky | MMus | University of Melbourne | in progress (NiC08/07) | |
| Anon | Practice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism. | PhD | Queensland University of Technology | in progress (2005) | |
| CLARK, Jodi R. | The songs of Henry Handel Richardson | MMus | Monash University | withdrawn c.2005 | |
| Anon | Female Vocal Writing in Operas of the Late 18th Century | PhD | University of Newcastle | in progress (NiC08/07) | |
| Anon | Extramusical structures in the concerti of Larry Sitsky | MMus | Australian National University | in progress (NiC08/07) | |
| Anon | The orchestral music of Pierre Boulez: an examination of the musical and extramusical influences on three major works for orchestra by Pierre Boulez, from the point of view of the conductor | PhD | University of Western Aust. | in progress (NiC08/07) | |
| Anon | Performance practice in selected works of Sergei Prokofiev | MMus | Griffith University | in progress (NiC08/07) | |
| Anon | The Diva Desire: an examination of the perceptions and aspirations of Australian women striving to achieve an operatic career. | PhD | Australian National University | in progress (2007) | |
| DRABER, Christopher | The chamber music of Brahms presents an unusual array of progressive features disguised in a veil of conservatism | MA | Monash University | withdrawn c.2005 | |
| ELLSMORE, Caroline | The siren subverted : the role of Violetta Valery in Giuseppe Verdi's 'La traviata' (1853) | MMus (Hons) | University of New England | 2010 | |
| FOOTE, Andrew R. | Schubert's Winterreise in recordings: performance practice trends as revealed by a comparison of selected twentieth-century recordings | PhD | University of Western Aust. | in progress | |
| Anon | The harmonic language of The Triumph of Time by Harrison Birtwhistle | PhD | University of Otago | in progress (NiC08/07) | |
| GAME-LOPATA, Jenny | Gillian Karawe Whitehead: her life and work | MA | Monash University | 1999 | |
| Anon | The Australian song cycle for voice and piano in the second half of the twentieth century: themes of a multi-layered society | PhD | University of Adelaide | in progress (NiC08/07) | |
| Anon | Sense of the sacred: Selected a cappella works by Anne Boyd, Nigel Butterley, and Clare MacLean | PhD | University of Adelaide | in progress (2001) | |
| GRETTON, Harold | Historically-informed interpretation : a process in relation to the Deuxième grande sonate op.25 for solo guitar by Fernando Sor | PhD | Australian National University | 2010 | |
| Anon | Dramma per musica: A critical study of Handel's cantatas for solo voice and obbligato instruments, 1706 - 1709 | MMus | University of Sydney | in progress (NiC08/07) | |
| HAMILTON, Vivien | The French cantata and French vocal performance of eighteenth century France | MMus | University of Melbourne | withdrawn c.2006 | |
| Anon | Late 19th-century Italian opera | MMus | University of Newcastle | in progress (NiC08/07) | |
| Anon | Aspects of the operas of Menotti | MMus | University of Newcastle | in progress (NiC08/07) | |
| Anon | Frank Bridge and the English pastoral tradition. | MA | University of Western Aust. | in progress (NiC08/07) | |
| Anon | Conceptions of time and their implications in the analysis of selected twentieth century compositions | PhD | University of Newcastle | in progress (NiC08/07) | |
| Anon | Analysis of Scenes de Ballet by Igor Stravinsky | MMus | University of Adelaide | in progress (NiC08/07) | |
| Anon | William Walton's solo songs and song cycles | MMus | University of NSW | in progress (NiC08/07) | |
| Anon | Tonal and atonal fusion in Bartok's studies, Opus 18 | PhD | University of Melbourne | in progress (NiC08/07) | |
| KAY, Roslyn | French Requiems of the Nineteenth and Twentieth Centuries | PhD | University of Queensland | in progress (1999) | |
| Anon | "Light Music" by Australian composers in the postwar era. | PhD | University of Adelaide | in progress (2007) | |
| Anon | The life and music of Charles Edgar Ford (1881-1961) | MA | University of Western Aust. | in progress (NiC08/07) | |
| Anon | A comparative analysis of the 'Sonate Posthume' | GradDipMus | Australian National University | in progress (NiC08/07) | |
| McMAHON, Paul | Baroque performance practice pedogogy and the twenty-first century practitioner: the tenor repertoire of George Frideric Handel | PhD | Griffith University | 2012 | |
| McNAB, Michael | The employment and use of instrumental musicians or ministriles in the sixteenth and early seventeenth century | MMus | University of Melbourne | withdrawn c.2006 | |
| MERCER, Christine | Henry Tate (1873 - 1926) and the creation of Australian Musical Identity | PhD | University of Melbourne | 2010 nyic | |
| MUIR, Martin | The exposition, delineation and social impact of character in twentieth century opera: a comparative study of Alban Berg's Wozzeck and Larry Sitsky's The Golem | MMus | Australian National University | withdrawn c.2006 | |
| Anon | A study in the comparison and contrast of the English Anthem of Pelham Humphrey | MMus | University of NSW | in progress (NiC08/07) | |
| Anon | The world interpreted: extra-musical influences on the composition and interpretation of Benjamin Britten and Peter Pears | PhD | University of Queensland | in progress (NiC08/07) | |
| Anon | Arrangements of Mozart's Operas for Harmoniemusik | MMus | Victoria University of Wellington | in progress (NiC08/07) | |
| Anon | The Preludes of Scriabin | PhD | University of Newcastle | in progress (NiC08/07) | |
| Anon | The inner voice: musical language and meaning in Clara Wieck Schumann's Piano Sonata, Lieder and other works | PhD | Griffith University | in progress (2007) | |
| Anon | Aesthetics in the Orchestration of Maurice Ravel | PhD | University of Melbourne | in progress | |
| Anon | Kurt Weill: music and politics in Germany | MMus | Griffith University | in progress (NiC08/07) | |
| Anon | The life and music of English cellist Robert Lindley (1776-1855) | PhD | University of Melbourne | in progress (2006) | |
| Anon | The virtuoso performer-composer: Brigid Burke's contribution to the clarinet repertoire | MMUS (perf) | University of Western Aust. | in progress (2006) | |
| Anon | An evaluation of the concept of third stream music and its applicability to a selected work of Mark-Anthony Turnage | MusM | University of Western Aust. | in progress (NiC08/07) | |
| Anon | A Comparative Study of the Romantic Liederkreise with the Song Cycles of the 20th Century British Composers | MCA | University of Newcastle | in progress (NiC08/07) | |
| TSOU, Nan Chien | Chopin's Preludes opus 28: Historical context, performance practice, and pedagogical implications | PhD | Monash University | withdrawn c.2005 | |
| VAN DER MEULEN, S. | Empfindsamkeit in the music of the eighteenth century. | PhD | University of Melbourne | withdrawn c.2005 | |
| Anon | An analysis of Stockhausen's Traumformel | MusM | University of Western Aust. | in progress (NiC08/07) | |
| WERETKA, John | Four settings of Metastasio's Siroe: did a musico-dramatic theory exist in the Baroque period? | MMus | University of Melbourne | withdrawn c.2005 | |
| Anon | Satie's Socrate: an analytical study | MA | University of Otago | in progress (NiC08/07) | |
| Anon | The symphonies of Carl Vine | MPhil | University of Sydney | in progress (NiC08/07) | |
| Anon | Vocal expression and text portrayal in the music of Berio | MMus | Griffith University | in progress (NiC08/07) | |
| Anon | The use of popular music techniques in contemporary Australian guitar compositions | MMus | Australian National University | in progress (NiC08/07) | |
| Anon | David del Tredici and the curse of tonality | MA | Monash University | withdrawn c.2006 | |
| Anon | Der Freischütz , Gothic Drama and representations of Witchcraft and the supernatural through Leitmotiv | PhD | University of Newcastle | In Progress (2000) | |
| BROWNLEE, Philip | PhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee] | PhD | Victoria University of Wellington | 2007 | |
| MORGAN, Rachael | Composition portfolio for the completion of a Masters of Music | MMus | Victoria University of Wellington | 2006 | |
| MANN, Matthew | MMus (composition) portfolio | MMus | Victoria University of Wellington | 2005 | |
| Anon | Facing the Music: A study of Italian musician portraits c. 1640-1780 | PhD | University of Melbourne | In Progress (2007) | |
| Anon | Dame Joan Hammond - A Diva of Circumstance | MA | Monash University | In Progress (2007) | |
| GINTHER, Gerald Christopher | Life and Music of Reinhold Glière | PhD | University of Canterbury | In Progress (2008) | |
| DIXON, H. | Motets in the 15th century | MA | University of Sydney | withdrawn 1968 | |
| BERGIN, A.M. | The music of Giovanni Rovetta (?-1668) | MA | University of Otago | withdrawn 1968 | |
| SPINK, I.W.A. | The stylistic development of English song between 1620 and 1680 | PhD | University of Sydney | withdrawn 1968 | |
| MURPHY, M.S. | The use of handplucked instruments in the continuo body of the 17th and 18th centuries | MA | University of Sydney | withdrawn 1968 | |
| Anon | Max Reger and the orchestra | PhD | University of Adelaide | withdrawn 1967 | |
| Anon | The music theatre of Franz Schrecker | PhD | University of Adelaide | withdrawn 1968 | |
| MILLER, D.G. | The linguistic implications of Messiaen's music | MA | University of Sydney | withdrawn 1968 | |
| RAE, S. | A study of some modern techniques in choral composition | MMus | University of Sydney | withdrawn 1968 | |
| GLYNN, G. | The atonal works of Arnold Schoenberg | MA | University of Sydney | withdrawn 1968 | |
| CONSTANTINO, R. | An approach to the language of music through the relationship of poetic texts to song writing | PhD | University of Sydney | withdrawn 1968 | |
| Davies, P. | The repertoire of chamber music for wind instruments | MMus | University of Melbourne | withdrawn 1968 | |
| Anon | Composing Women and Feminist Movements in France, Germany and England at the turn of the twentieth century | PhD | University of NSW | In progress (2005) | |
| Anon | Form and harmony in the later concerted works of Elliott Carter | PhD | Australian National University | In progress (2007) | |
| Anon | "An integration of score-based and digitally produced composition" - folio of compositions and critical commentary | PhD | University of Queensland | In Progress (2009) | |
| Anon | New Zealand's published music 1850-1913 | PhD | University of Auckland | In Progress (2009) | |
| Anon | Soviet Music in the “Great Patriotic War”, 1941–45 | PhD | University of Melbourne | In Progress (2008) | |
| Anon | An Aural Analysis of Bel Canto:Tradition and interpretations as preserved through selected sound recordings | MMus | University of Adelaide | In progress (2006) | |
| Anon | Acoustic Ecology and the Documentation of Environments Using Soundscape Composition [working title] | PhD | University of South Australia | In Progress (2009) | |
| Anon | Defining the Indefinable: An historical and cultural exploration of excellence in music | PhD | Australian National University | In progress (2010) | |
| AGGETT, Cathy | Australian art song: Pedagogical strategies for singers and singing teachers (working title) | PhD | University of Western Sydney | In Progress (2005) | |
| MCNAMARA, Peter | The role of timbre and microtones in the music of Peter McNamara | PhD | University of Sydney | 2011 | |
| Anon | The Concert Virtuoso Then And Now: From Nineteenth-Century Virtuosity to Modernity | PhD | University of Sydney | In Progress (2012) | |
| Dominik Karski dissertation | KARSKI, Dominik | PhD | University of Melbourne | 2010 | |
| McKERN, Brett M. | The evening canticles : A creative response | PhD | University of Sydney | 2011 | |
| O'HALLORAN, Tom | Sustained aspects and precursors : towards a stylistic synthesis | MMus (Comp) | University of Sydney | 2011 | |
| MOORE, Kate | The point of origin : six essays on six pieces | PhD | University of Sydney | 2012 | |
| TERZER, Armin | Transcribing symphonic repertoire for eight horns principles and process leading from sources of inspiration and final product | DMA | Griffith University | 2011 | |
| WALLACE, Brenda | Reconstructing clients self-narrative: the role of metaphor and imagery in guided imagery and music | M.Mus | University of Melbourne | 2013 | |
| O’BRIEN, Christian | Composition folio | M.Mus | University of Melbourne | 2010 | |
