| ABECASIS REQUENA, Silvana Beatriz | A study of the Argentine composer's style through analysis of selected instrumental pieces with piano. [Guastavino Carlos] | MMus | University of Newcastle | 2005 | 102 |
| ACKER, Yolanda | The Castilian composer Antonio José Martínez Palacios (1902-1936) : a biographical study with a catalogue of works | MMus | University of Melbourne | 1995 | 470 |
| ACKER, Yolanda | Music in Madrid during the Spanish Civil War (1936-1939) | PhD | Australian National University | 2020 | |
| ADAMS, Christopher Patten | Composition portfolio | MMus | University of Auckland | 2006 | 126 + 2 CDs |
| ADAMSON, Amanda | Petrucci's Motetti C : a critical edition and study of the anonymous motets | MMus | University of Auckland | 1992 | 310 |
| ADDISON-SMITH, Dorothy Jane | Collections of Australian music recordings in Melbourne public libraries | MA | Monash University | 1993 | 85 |
| AGGETT, Cathy | Australian art song: Pedagogical strategies for singers and singing teachers (working title) | PhD | University of Western Sydney | In Progress (2005) | |
| AGOSTINELLI, Josephine | Tradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used | MA (perf) | Monash University | 2005 | 67 |
| AITKEN, Thomas Craig | Richard Meale: a stylistic survey | MMus | University of Queensland | 1975 | 115 |
| ALDRED, Helen Mary | Ifi palasa: brass bands in Tonga | MMus | Victoria University of Wellington | 1997 | 330 |
| ALLAN, David A. | The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century | PhD | LaTrobe University | 2001 | 229 |
| ALLAN, John McDonald | Die tote Stadt: An Opera by Erich Wolfgang Korngold (1897-1957) | MA | Monash University | 2000 | 348 |
| ALSOP, Peter R. | Using aspects of language in computer based composition: three approaches to current Australian texts | MA | LaTrobe University | 1999 | 201 + 3 audio CDs |
| ALSOP, Peter Roger | Mapping gestures in the creation of intangible artworks | PhD | RMIT University | 2011 | 238 |
| AMARAL, Ulisses Coutinho | Not from here, not from there | PhD | University of Sydney | 2014 | |
| AN, Yu Lee | Publishers of New Zealand Music: a historical survey from 1840-2002 | MA Mus | University of Otago | 2003 | 364 |
| AN, Yu Lee | Music Publishing in London from 1780 to 1837 as reflected in music-publishers' catalogues. | PhD | University of Canterbury | 2008 (nyiC) | 350 + 932 |
| ANDERSON, Elizabeth | A study of fingering in selected sources of English virginal music | MMus | University of Melbourne | 1984 | 174 |
| ANDERSON, Gordon Athol | The motets of the thirteenth century manuscript La Clayette | MMus | University of Adelaide | 1969 | 2 vol |
| ANDERSON, Gordon Athol | The development of the motet in the thirteenth century | D.Mus | University of Adelaide | 1977 | 3 vol |
| ANDERSON, Peter James | The innovative music of Percy Grainger : an examination of the origins and development of free music | MMus | University of Melbourne | 1979 | 114 + cass |
| ANDREEVA, Natalia Vladimirovna | Analysis and interpretation of the piano sonatas of Galina Ustvolskaya in three volumes | PhD | University of Sydney | 2012 | 168p +2CD |
| ANGUS, Andrew S. | A critical examination and a transcription of the six published oboe sonatas of Giuseppe Sammartini | MMus | University of Western Aust. | 2003 | 1 vol |
| ANNABELL, Angela Ruth | Music in Auckland 1840-1855 : with reference to aspects of music in the Bay of Islands area both before and after 1840. | MA | University of Auckland | 1968 | 239 |
| Anon | Aspects of the music of Henry Purcell | MMus | University of Newcastle | In Progress (2006) | |
| Anon | Fifteenth-century modality: a comparison of the practice of Ockeghem and the theory of Tinctoris | MA | Monash University | in progress 2005 | |
| Anon | Analysis of selected chamber works by Haydn and Beethoven | MMus | University of Newcastle | in progress (NiC08/07) | |
| Anon | Sets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie Anderson | GradDipMus | Australian National University | in progress (NiC08/07) | |
| Anon | Andrew Schultz's Black River: an analysis | MMus (Hons) | University of Wollongong | in progress (NiC08/07) | |
| Anon | Relationship between the words and the music in the songs of Ivor Gurney | PhD | Griffith University | in progress (NiC08/07) | |
| Anon | Musicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world music | MMus (Hons) | University of New England | in progress (NiC08/07) | |
| Anon | Vocal writing in Stravinsky's Neo-classic music and especially The Rake's Progress | MCA | University of Wollongong | in progress (NiC08/07) | |
| Anon | Giuditta Pasta and Maria Callas: phenomenon and impact of the acting singer | MMus | Australian National University | in progress (NiC08/07) | |
| Anon | The use of the tuba family in Wagner's Ring | MMus | University of Newcastle | in progress (NiC08/07) | |
| Anon | Timbral perception: a study in sound colour, with emphasis on the listener's perspective, and aspects of Skryabin and Kandinsky | MMus | University of Melbourne | in progress (NiC08/07) | |
| Anon | Practice-led research on The Scapegoat in Musical Theatre Writing/Composition at QUT. Key concepts include songwriting, queer musicology and postcolonialism. | PhD | Queensland University of Technology | in progress (2005) | |
| Anon | Female Vocal Writing in Operas of the Late 18th Century | PhD | University of Newcastle | in progress (NiC08/07) | |
| Anon | Extramusical structures in the concerti of Larry Sitsky | MMus | Australian National University | in progress (NiC08/07) | |
| Anon | The orchestral music of Pierre Boulez: an examination of the musical and extramusical influences on three major works for orchestra by Pierre Boulez, from the point of view of the conductor | PhD | University of Western Aust. | in progress (NiC08/07) | |
| Anon | Performance practice in selected works of Sergei Prokofiev | MMus | Griffith University | in progress (NiC08/07) | |
| Anon | The Diva Desire: an examination of the perceptions and aspirations of Australian women striving to achieve an operatic career. | PhD | Australian National University | in progress (2007) | |
| Anon | The harmonic language of The Triumph of Time by Harrison Birtwhistle | PhD | University of Otago | in progress (NiC08/07) | |
| Anon | The Australian song cycle for voice and piano in the second half of the twentieth century: themes of a multi-layered society | PhD | University of Adelaide | in progress (NiC08/07) | |
| Anon | Sense of the sacred: Selected a cappella works by Anne Boyd, Nigel Butterley, and Clare MacLean | PhD | University of Adelaide | in progress (2001) | |
| Anon | Dramma per musica: A critical study of Handel's cantatas for solo voice and obbligato instruments, 1706 - 1709 | MMus | University of Sydney | in progress (NiC08/07) | |
| Anon | Late 19th-century Italian opera | MMus | University of Newcastle | in progress (NiC08/07) | |
| Anon | Fernando Sor's theory of harmony applied to the guitar | PhD | University of Auckland | 2011 | 1008 |
| Anon | Aspects of the operas of Menotti | MMus | University of Newcastle | in progress (NiC08/07) | |
| Anon | Frank Bridge and the English pastoral tradition. | MA | University of Western Aust. | in progress (NiC08/07) | |
| Anon | Conceptions of time and their implications in the analysis of selected twentieth century compositions | PhD | University of Newcastle | in progress (NiC08/07) | |
| Anon | Analysis of Scenes de Ballet by Igor Stravinsky | MMus | University of Adelaide | in progress (NiC08/07) | |
| Anon | William Walton's solo songs and song cycles | MMus | University of NSW | in progress (NiC08/07) | |
| Anon | Tonal and atonal fusion in Bartok's studies, Opus 18 | PhD | University of Melbourne | in progress (NiC08/07) | |
| Anon | "Light Music" by Australian composers in the postwar era. | PhD | University of Adelaide | in progress (2007) | |
| Anon | The life and music of Charles Edgar Ford (1881-1961) | MA | University of Western Aust. | in progress (NiC08/07) | |
| Anon | A comparative analysis of the 'Sonate Posthume' | GradDipMus | Australian National University | in progress (NiC08/07) | |
| Anon | A study in the comparison and contrast of the English Anthem of Pelham Humphrey | MMus | University of NSW | in progress (NiC08/07) | |
| Anon | The world interpreted: extra-musical influences on the composition and interpretation of Benjamin Britten and Peter Pears | PhD | University of Queensland | in progress (NiC08/07) | |
| Anon | Arrangements of Mozart's Operas for Harmoniemusik | MMus | Victoria University of Wellington | in progress (NiC08/07) | |
| Anon | The Preludes of Scriabin | PhD | University of Newcastle | in progress (NiC08/07) | |
| Anon | The inner voice: musical language and meaning in Clara Wieck Schumann's Piano Sonata, Lieder and other works | PhD | Griffith University | in progress (2007) | |
| Anon | Aesthetics in the Orchestration of Maurice Ravel | PhD | University of Melbourne | in progress | |
| Anon | Kurt Weill: music and politics in Germany | MMus | Griffith University | in progress (NiC08/07) | |
| Anon | The life and music of English cellist Robert Lindley (1776-1855) | PhD | University of Melbourne | in progress (2006) | |
| Anon | The virtuoso performer-composer: Brigid Burke's contribution to the clarinet repertoire | MMUS (perf) | University of Western Aust. | in progress (2006) | |
| Anon | An evaluation of the concept of third stream music and its applicability to a selected work of Mark-Anthony Turnage | MusM | University of Western Aust. | in progress (NiC08/07) | |
| Anon | A Comparative Study of the Romantic Liederkreise with the Song Cycles of the 20th Century British Composers | MCA | University of Newcastle | in progress (NiC08/07) | |
| Anon | An analysis of Stockhausen's Traumformel | MusM | University of Western Aust. | in progress (NiC08/07) | |
| Anon | Satie's Socrate: an analytical study | MA | University of Otago | in progress (NiC08/07) | |
| Anon | The symphonies of Carl Vine | MPhil | University of Sydney | in progress (NiC08/07) | |
| Anon | Vocal expression and text portrayal in the music of Berio | MMus | Griffith University | in progress (NiC08/07) | |
| Anon | The use of popular music techniques in contemporary Australian guitar compositions | MMus | Australian National University | in progress (NiC08/07) | |
| Anon | David del Tredici and the curse of tonality | MA | Monash University | withdrawn c.2006 | |
| Anon | Der Freischütz , Gothic Drama and representations of Witchcraft and the supernatural through Leitmotiv | PhD | University of Newcastle | In Progress (2000) | |
| Anon | Facing the Music: A study of Italian musician portraits c. 1640-1780 | PhD | University of Melbourne | In Progress (2007) | |
| Anon | Dame Joan Hammond - A Diva of Circumstance | MA | Monash University | In Progress (2007) | |
| Anon | Max Reger and the orchestra | PhD | University of Adelaide | withdrawn 1967 | |
| Anon | The music theatre of Franz Schrecker | PhD | University of Adelaide | withdrawn 1968 | |
| Anon | Composing Women and Feminist Movements in France, Germany and England at the turn of the twentieth century | PhD | University of NSW | In progress (2005) | |
| Anon | Form and harmony in the later concerted works of Elliott Carter | PhD | Australian National University | In progress (2007) | |
| Anon | Crossover trends: The nexus between the Third Stream Movement and contemporary music | MMus | Griffith University | 2010 | 107 |
| Anon | "An integration of score-based and digitally produced composition" - folio of compositions and critical commentary | PhD | University of Queensland | In Progress (2009) | |
| Anon | New Zealand's published music 1850-1913 | PhD | University of Auckland | In Progress (2009) | |
| Anon | Soviet Music in the “Great Patriotic War”, 1941–45 | PhD | University of Melbourne | In Progress (2008) | |
| Anon | An Aural Analysis of Bel Canto:Tradition and interpretations as preserved through selected sound recordings | MMus | University of Adelaide | In progress (2006) | |
| Anon | Acoustic Ecology and the Documentation of Environments Using Soundscape Composition [working title] | PhD | University of South Australia | In Progress (2009) | |
| Anon | Defining the Indefinable: An historical and cultural exploration of excellence in music | PhD | Australian National University | In progress (2010) | |
| Anon | The Concert Virtuoso Then And Now: From Nineteenth-Century Virtuosity to Modernity | PhD | University of Sydney | In Progress (2012) | |
| ANSLOW, Dayle | Three masses by Antonio Cifra and their background in the Roman Counter-Reformation: a study and edition. | MMus | University of Auckland | 1998 | 348 |
| ANTONOV, Edward | Formulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'Aranyi | MMus | Monash University | 2015 | |
| AO, Yumin | A study on the thematic, narrative and musical structure of Yuan Zaju Injustice to Dou E | PhD | University of Otago | 2011 | 270 |
| ARMSTRONG, Newton | Folio of compositions [plus analysis of Brian Ferneyhough's Fourth string quartet] | M.Mus | University of Melbourne | 1996 | 49 + 7 scores |
| ARONOWICZ, Andrew | Composition folio | MMus | University of Melbourne | 2013 | |
| ARTINGSTALL, Elizabeth M. | Dufay, a man of the world: An investigation into Dufay's ceremonial motets | MA | Monash University | 1996 | 110 |
| ASHTON-BELL, Robert Linton Tavis | Sound in sight: an autoethnographical case study of teaching and learning western music theory | PhD | Monash University | 2015 | 271 |
| ASZODI, Jessica | Voicing subjectivity: Artistic Research in the realization of new Vocal Music | PHD | Griffith University | 2016 | 189 |
| ATCHISON, Mary | The structures and scribes of the chansonnier of the Oxford Bodleian MS Douce 308 | PhD | Monash University | 1995 | 2 vol |
| ATCHISON, Morag Catriona | The soloist as an ensemble singer | DMA | University of Auckland | 2013 | 141 |
| AUDAIN, Yvette Michelle | Composition folio | MMus | Victoria University of Wellington | 2002 | 2 vol |
| AUÉ, Johannes | (E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesis | MMus | University of Adelaide | 2010 | 240 + CD |
