Western Art Music

Writer	Thesis Title	Degree	University	Year	# of Pages
ABECASIS REQUENA, Silvana Beatriz	A study of the Argentine composer's style through analysis of selected instrumental pieces with piano. [Guastavino Carlos]	MMus	University of Newcastle	2005	102
ACKER, Yolanda	The Castilian composer Antonio José Martínez Palacios (1902-1936) : a biographical study with a catalogue of works	MMus	University of Melbourne	1995	470
ADAMS, Christopher Patten	Composition portfolio	MMus	University of Auckland	2006	126 + 2 CDs
ADAMSON, Amanda	Petrucci's Motetti C : a critical edition and study of the anonymous motets	MMus	University of Auckland	1992	310
ADDISON-SMITH, Dorothy Jane	Collections of Australian music recordings in Melbourne public libraries	MA	Monash University	1993	85
AGOSTINELLI, Josephine	Tradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used	MA (perf)	Monash University	2005	67
AITKEN, Thomas Craig	Richard Meale: a stylistic survey	MMus	University of Queensland	1975	115
ALDRED, Helen Mary	Ifi palasa: brass bands in Tonga	MMus	Victoria University of Wellington	1997	330
ALLAN, David A.	The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century	PhD	LaTrobe University	2001	229
ALLAN, John McDonald	Die tote Stadt: An Opera by Erich Wolfgang Korngold (1897-1957)	MA	Monash University	2000	348
ALLEN, Chris	Aspects of the music of Henry Purcell	MMus	University of Newcastle	in progress (NiC08/07)
ALLEN, Clint	Crossover trends: The nexus between the Third Stream Movement and contemporary music	MMus	Griffith University	In progress (2008)
ALSOP, Peter R.	Using aspects of language in computer based composition: three approaches to current Australian texts	MA	LaTrobe University	1999	201 + 3 audio CDs
AN, Yu Lee	Publishers of New Zealand Music: a historical survey from 1840-2002	MA Mus	University of Otago	2003	364
AN, Yu Lee	Music Publishing in London from 1780 to 1837 as reflected in music-publishers' catalogues.	PhD	University of Canterbury	2008 (nyiC)	350 + 932
ANDERSON, Elizabeth	A study of fingering in selected sources of English virginal music	MMus	University of Melbourne	1984	174
ANDERSON, Gordon Athol	The motets of the thirteenth century manuscript La Clayette	MMus	University of Adelaide	1969	2 vol
ANDERSON, Gordon Athol	The development of the motet in the thirteenth century	D.Mus	University of Adelaide	1977	3 vol
ANDERSON, Peter James	The innovative music of Percy Grainger : an examination of the origins and development of free music	MMus	University of Melbourne	1979	114 + cass
ANGUS, Andrew S.	A critical examination and a transcription of the six published oboe sonatas of Giuseppe Sammartini	MMus	University of Western Aust.	2003	1 vol
ANNABELL, Angela Ruth	Music in Auckland 1840-1855 : with reference to aspects of music in the Bay of Islands area both before and after 1840.	MA	University of Auckland	1968	239
ANSLOW, Dayle	Three masses by Antonio Cifra and their background in the Roman Counter-Reformation: a study and edition.	MMus	University of Auckland	1998	348
APPELT, Carol R.	Fifteenth-century modality: a comparison of the practice of Ockeghem and the theory of Tinctoris	MA	Monash University	in progress (NiC08/07)
ARCHER, Greg	Analysis of selected chamber works by Haydn and Beethoven	MMus	University of Newcastle	in progress (NiC08/07)
ARMSTRONG, Newton	Folio of compositions [plus analysis of Brian Ferneyhough's Fourth string quartet]	M.Mus	University of Melbourne	1996	49 + 7 scores
ARMSTRONG-GRANT, Patricia	Dame Joan Hammond - A Diva of Circumstance	MA	Monash University	In Progress (2007)
ARTINGSTALL, Elizabeth M.	Dufay, a man of the world: An investigation into Dufay's ceremonial motets	MA	Monash University	1996	110
ATCHISON, Mary	The structures and scribes of the chansonnier of the Oxford Bodleian MS Douce 308	PhD	Monash University	1995	2 vol
AYRES, Helen	George Enescu : the complete musician : a study of violin virtuosity in Enescu's third sonata for piano and violin	DMusArts	University of Melbourne	2006	74
AYREY, Craig Leslie	Rameau and the Pastorale heroique a dramatic and structural analysis of Zais	MMus	University of Auckland	1978	172
BAAS, Warren Peter	Structure and functional harmony in the first and fifth symphonies of Gustav Mahler	MMus	University of Auckland	1992	214
BACKSTROM, Lynne	An investigation into the relationship between the experiences, philosophy and cello compositions of composer/performer Sarah Hopkins	MMus	University of Queensland	1994	62
BADLEY, Allan	The concertos of Leopold Hofmann (l738-l793)	PhD	University of Auckland	1986	3 vol
BAKKER-KING, Margaret R.	The cantatas of Domenico Cimarosa (1749-1801)	PhD	University of Adelaide	1988	2 vol
BALL, Dorothy Louie	The popular element in the music of the English virginal school	MMus	University of Auckland	1979	186
BALOUGH, Teresa	The essential Grainger: Percy Grainger's Kipling settings, 1898-1947	PhD	University of Western Aust.	1985	524 + 1 vocal score + 1 CD
BANDT, Rosalie	Chance operations and indeterminate procedures in the work of John Cage, 1950-1970	MA	Monash University	1974	129
BANDT, Rosalie	Models and processes in repetitive music, 1960-1983	PhD	Monash University	1983	433
BARKER, J.W.	Max Reger and the orchestra	PhD	University of Adelaide	withdrawn 1967
BARKL, Michael	Franco Donatoni's Etwas Ruhiger in Ausdruck; and folio of compositions	MMus (Hons)	University of New England	1985	2 vol
BARKL, Michael Laurence Gordon	Vertigo: Riccardo Formosa's composition technique	PhD	Deakin University	1994	301
BARLOW, Dale	A portfolio of transcriptions and analyses towards Masters of Music	MMus (Jazz)	University of Canberra	1997	2 vol
BARNARD, Geoffrey David	Indeterminate composition and ideological determination	MA	University of Technology Sydney	2003	106
BARNES, Julie	Whitsunday: a bicentennial opera	MA	Monash University	1991	121
BARTLEET, Brydie-Leigh	Gendering the podium: the journeys of professional woman conductors	PhD	University of Queensland	2004	328
BASTIAN, Dudley	The chorale prelude in English organ music	MA	University of Western Aust.	1980	177
BEAR, Leanne	Sets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie Anderson	GradDipMus	Australian National University	in progress (NiC08/07)
BEAVERSTOCK, John G.	The employment of the organ in three great oratorios of Edward Elgar	MusM	University of Western Aust.	1995	103
BEHRENS, Lisa	Aspects of postmodernity in Australian piano miniatures: an analysis with regard to new tonality	MMus	Griffith University	1996	306
BELBIN, Jillian	John Christopher Smith (1712-1795): His place in the development of English harpsichord music (including a performance edition of six suites of lessons for the harpsichord op. 3).	MusM	University of Western Aust.	1996	2 vol
BELSHAM-REVELL, Geoffrey	A biography of Dom Stephen Moreno, O.S.B., with a complete catalogue of his works	MA	University of Western Aust.	1990	145
BEN-SALAMON, Nissan	a folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio files	MA	Monash University	2003	c.50 + 4 scores + CD
BENDRUPS, Faye	Service station : straying the Australian landscape : a modern Aussie ballad opera	PhD	Victoria University (Vic. Australia)	1996	196
BENNETT, Jane L.	An examination of five serial compositions by Don Banks	MMus	University of Queensland	1998	155
BERETIN, Nena	A comparative study of solo classical guitar works by Elliott Carter and Luciano Berio	MMus (Musicology)	University of Sydney	2005	208
BERGIN, A.M.	The music of Giovanni Rovetta (?-1668)	MA	University of Otago	withdrawn 1968
BERRY, Anne Irma	A study of motivation through repertoire in intermediate cello students	PhD	University of Queensland	2007	217
BESENSKI, Helena	Franz Tunder (1614-1667) as an organist in seventeenth century North Germany : an examination of his life and selected works having reference to his social, musical and historical background	MMus	University of Auckland	1997	136
BETTS, Eleanor Ruth Helyar	Music in Exile: A Study of the Effects of the Exile Experience on 20th Century Eastern European Composers	MMus (Perf)	University of Sydney	in progress (2006)
BHANA, Usha	Tales "like softest music to attending ears": a study of narrative procedure across musical genres in works by Gounod, Prokofief, Berlioz and Tchaikovsky	MMus	Victoria University of Wellington	2002	150
BINNEY, Mary Helen	Harrison Birtwistle’s Nine settings of Celan : an analysis	MMus	University of Auckland	2006	175
BIRDWELL, John Cody	The utilization of folk song elements in selected works by Ralph Vaughan Williams and Percy Grainger with subsequent treatment exemplified in the wind band music of David Stanhope	DMA	Overseas	1996	104
BLACKBURN, Alana	"A third sound" : blending east and west in contemporary Japanese compositions for the recorder	MMus (Perf)	University of Sydney	2006	61
BLACKBURN, Andrew Stewart	Styles in the church music of Henry Purcell	MMus	University of Melbourne	1980	140
BLEAKLEY, Helen Ruth	Schumann's sonata for violin and piano op. 121: approaches to performance	MMus	University of Queensland	1999	43
BLINKHORN, Daniel	New music composition in computer-assisted environments	DCA	University of Wollongong	2007	134 + 14 CDs
BLOM, Diana	Invocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for television	MM	University of Sydney	1972	100
BLOM, Diana	An analysis of Music for Japan by Peter Sculthorpe	MMus	University of Sydney	1978	119
BLOM, Diana	Minimal music: roles and approaches of teachers engaging students with a contemporary art music through composing activities	PhD	University of Sydney	2001	2 vol+5 CDR
BLYTH, Andrew	Pitch structure and process in the music of Edgard Varese : a study of four compositions	MA	LaTrobe University	1985	73
BOLAND, Marguerite Maree	The all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositions	MA	LaTrobe University	1999	143
BOLLARD, David	The Weinen, Klagen Variations of Franz Liszt: a technical and stylistic study	MusM	University of Western Aust.	1978	76
BONACCORSO, Sebastian	Andrew Schultz's Black River: an analysis	MMus (Hons)	University of Wollongong	in progress (NiC08/07)
BONDS, Marion Carol	The symphonies of Sibelius: a re-examination of their technical and formal development-through progressive excision: compresson and integration	MA	University of Western Aust.	1970	237
BONETTI, Ruth	A performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboard	MMus	University of Queensland	1989	1 vol + 4 parts
BONIGHTON, Ian	Concerto da camera ; Sequenza ; Herod : an instrumental theatre mosaic	DMus	University of Melbourne	1971	2 scores
BONSEY, Joan	German Romanticism and its impact on Schubert, Schumann and Brahms : a study of the relationships between historical, ideological and musical developments in nineteenth century Germany with specific reference to Lieder and chamber works of Schubert, Schumann and Brahms	MMus	University of Melbourne	1972	147
BORER, Phillippe	The twenty-four caprices of Niccolo Paganini : their significance for the history of violin playing and the music of the Romantic era	PhD	University of Tasmania	1995	290
BORTOLUSSI, Anne	Possible influences of Bach on the harmonic and contrapuntal language of Brahms's Klavierstucke opp. 116-119	MMus	University of Melbourne	1991	75
BOTH, Lindsay	Strange attractions? : rock music, minimalism and modernism in the chamber music of Michael Smetanin	MMus	University of NSW	1996	115
BOURNE, Warren George	A kindling fever a study of some religious, socio-ethical and literary themes in music, between 1890 and 1920; with special reference to Debussy, Stravinsky and Schoenberg	PhD	University of Auckland	1969	648
BOYLE, David	Musical analysis of works for performers and electronics : an alternative approach	MA (Hons)	University of Wollongong	1997	120 + 1 CD
BRACANIN, Philip	Matyas Seiber: his three string quartets	MA	University of Western Aust.	1966	152
BRACANIN, Philip	The function of the thematic process in dodecaphonic music : a study in analytical method	PhD	University of Western Aust.	1970	345
BRASIER, Angeline	Pauline Viardot: her music and the Spanish influence	MMus	University of Melbourne	2000	88
BRAUN, Deniz Lucien	Ecstatic consonance: a third aesthetic in Scriabin's late piano works	MA	Monash University	2002	126
BRAY, Kelsey O.J.	The economic impact of opera tourism : including a case study of the 1992 Ballarat Opera Festival	MBus	Victoria University (Vic. Australia)	1995	235
BREEN, Andrea	Creating a place : women, land and improvisation	PhD	University of Tasmania	2000	335 + 2 cass + 2 CD
BREEN, Julia	Literary sources in the work of Debussy	MMus	University of Melbourne	1971	266
BRENNAN, David	The opera performer as actor: an Australian perspective	PhD	University of Newcastle	2005	530
BREYLEY, Gay Jennifer	Memory, music and displacement in the minor memoirs of Evelyn Crawford, Ruby Langford Ginibi and Lily Brett	PhD	University of Wollongong	2005	250
BRISLAN, Patrick	The horn parts of J.S. Bach	MA	Flinders University	1979	243
BROADSTOCK, Brenton	Folio of compositions	DMus	University of Melbourne	1988	1 score
BROMAGE, Lynette	Shakespeare: words in music : a study of the relationship between the poems in the plays of Shakespeare and musical settings over 400 years	MA	Monash University	1993	157
BROMAGE, Lynette	Relationship between the words and the music in the songs of Ivor Gurney	PhD	Griffith University	in progress (NiC08/07)
BROMLEY, Mark	Musicological study of Australian contemporary music with reference to cross-fertilisation of jazz and world music	MMus (Hons)	University of New England	in progress (NiC08/07)
BROWN, Andrew R.	Music composition and the computer : an examination of the work practices of five experienced composers	PhD	University of Queensland	2001	328
BROWN, Gregory	Vocal writing in Stravinsky's Neo-classic music and especially The Rake's Progress	MCA	University of Wollongong	in progress (NiC08/07)
BROWN, Judith	Fragmentation and authenticity: art and salvation in the thought of Ernst Bloch and Paul Tillich	PhD	University of Otago	2001	264
BROWN, Patricia Anne	John Dowland and the emergence of the English lute song	MA	University of Queensland	1969	240

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Western Art Music