Art Music

Writersort iconThesis TitleDegreeUniversityYear# of Pages
ABECASIS REQUENA, Silvana BeatrizA study of the Argentine composer's style through analysis of selected instrumental pieces with piano. [Guastavino Carlos] MMusUniversity of Newcastle2005102
ACKER, YolandaThe Castilian composer Antonio José Martínez Palacios (1902-1936) : a biographical study with a catalogue of worksMMusUniversity of Melbourne1995470
ACKER, YolandaMusic in Madrid during the Spanish Civil War (1936-1939)PhDAustralian National UniversityIn Progress (2014)
ADAMS, Christopher PattenComposition portfolioMMusUniversity of Auckland2006126 + 2 CDs
ADAMSON, AmandaPetrucci's Motetti C : a critical edition and study of the anonymous motetsMMusUniversity of Auckland1992310
ADDISON-SMITH, Dorothy JaneCollections of Australian music recordings in Melbourne public libraries MAMonash University199385
AGGETT, CathyAustralian art song: Pedagogical strategies for singers and singing teachers (working title)PhDUniversity of Western SydneyIn Progress (2005)
AGOSTINELLI, JosephineTradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used MA (perf)Monash University200567
AITKEN, Thomas CraigRichard Meale: a stylistic surveyMMusUniversity of Queensland1975115
ALDRED, Helen MaryIfi palasa: brass bands in TongaMMusVictoria University of Wellington1997330
ALLAN, David A.The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth centuryPhDLaTrobe University2001229
ALLAN, John McDonaldDie tote Stadt: An Opera by Erich Wolfgang Korngold (1897-1957)MAMonash University2000348
ALLEN, ChrisAspects of the music of Henry PurcellMMusUniversity of Newcastlein progress (NiC08/07)
ALLEN, ClintCrossover trends: The nexus between the Third Stream Movement and contemporary musicMMusGriffith University2010107
ALSOP, Peter R.Using aspects of language in computer based composition: three approaches to current Australian textsMALaTrobe University1999201 + 3 audio CDs
AN, Yu LeePublishers of New Zealand Music: a historical survey from 1840-2002MA MusUniversity of Otago2003364
AN, Yu LeeMusic Publishing in London from 1780 to 1837 as reflected in music-publishers' catalogues.PhDUniversity of Canterbury2008 (nyiC)350 + 932
ANDERSON, ElizabethA study of fingering in selected sources of English virginal music MMusUniversity of Melbourne1984174
ANDERSON, Gordon AtholThe motets of the thirteenth century manuscript La Clayette MMusUniversity of Adelaide19692 vol
ANDERSON, Gordon AtholThe development of the motet in the thirteenth centuryD.MusUniversity of Adelaide19773 vol
ANDERSON, Peter JamesThe innovative music of Percy Grainger : an examination of the origins and development of free musicMMusUniversity of Melbourne1979114 + cass
ANDREEVA, Natalia VladimirovnaAnalysis and interpretation of the piano sonatas of Galina Ustvolskaya in three volumesPhDUniversity of Sydney2012168p +2CD
ANGUS, Andrew S.A critical examination and a transcription of the six published oboe sonatas of Giuseppe SammartiniMMusUniversity of Western Aust.20031 vol
ANNABELL, Angela RuthMusic in Auckland 1840-1855 : with reference to aspects of music in the Bay of Islands area both before and after 1840.MAUniversity of Auckland1968239
ANSLOW, DayleThree masses by Antonio Cifra and their background in the Roman Counter-Reformation: a study and edition.MMusUniversity of Auckland1998348
ANTONOV, EdwardFormulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'AranyiMMusMonash University2015
AO, YuminA study on the thematic, narrative and musical structure of Yuan Zaju Injustice to Dou EPhDUniversity of Otago2011270
APPELT, Carol R.Fifteenth-century modality: a comparison of the practice of Ockeghem and the theory of TinctorisMAMonash Universityin progress (NiC08/07)
ARCHER, GregAnalysis of selected chamber works by Haydn and BeethovenMMusUniversity of Newcastlein progress (NiC08/07)
ARMSTRONG, NewtonFolio of compositions [plus analysis of Brian Ferneyhough's Fourth string quartet]M.MusUniversity of Melbourne199649 + 7 scores
ARMSTRONG-GRANT, PatriciaDame Joan Hammond - A Diva of CircumstanceMAMonash UniversityIn Progress (2007)
ARTINGSTALL, Elizabeth M.Dufay, a man of the world: An investigation into Dufay's ceremonial motetsMAMonash University1996110
ASZODI, JessicaVoicing subjectivity: Artistic Research in the realization of new Vocal MusicPHDGriffith University2016189
ATCHISON, MaryThe structures and scribes of the chansonnier of the Oxford Bodleian MS Douce 308PhDMonash University19952 vol
AUDAIN, Yvette MichelleComposition folio MMusVictoria University of Wellington20022 vol
AUÉ, Johannes(E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesisMMusUniversity of Adelaide2010240 + CD
AURIN, AndreasDialectical music and the LehrstückPhDUniversity of NSW2013312
AXTENS, Hsiao-NiTone-cluster techniques in piano performance : methods of tone-cluster performance as required in Henry Cowell's 'The Tides of Manaunaun' (1912) and Einojuhani Rautavaara's Piano Sonata No. 2 'The Fire Sermon' (1970)MAMonash University201163p + 1CD
AYRES, Helen George Enescu : the complete musician : a study of violin virtuosity in Enescu's third sonata for piano and violin DMAUniversity of Melbourne200674
AYREY, Craig LeslieRameau and the Pastorale heroique a dramatic and structural analysis of ZaisMMusUniversity of Auckland1978172
BAAS, Warren PeterStructure and functional harmony in the first and fifth symphonies of Gustav Mahler MMusUniversity of Auckland1992214
BACKSTROM, LynneAn investigation into the relationship between the experiences, philosophy and cello compositions of composer/performer Sarah HopkinsMMusUniversity of Queensland199462
BADLEY, AllanThe concertos of Leopold Hofmann (l738-l793) PhDUniversity of Auckland19863 vol
BAKKER-KING, Margaret R.The cantatas of Domenico Cimarosa (1749-1801)PhDUniversity of Adelaide19882 vol
BALL, Dorothy LouieThe popular element in the music of the English virginal school MMusUniversity of Auckland1979186
BALOUGH, TeresaThe essential Grainger: Percy Grainger's Kipling settings, 1898-1947PhDUniversity of Western Aust.1985524 + 1 vocal score
BANDT, RosalieChance operations and indeterminate procedures in the work of John Cage, 1950-1970MAMonash University1974129
BANDT, RosalieModels and processes in repetitive music, 1960-1983PhDMonash University1983433
BANGERT, DanielDoing without thinking? Processes of decision-making in period instrument performancePhDUniversity of NSW2012248
BANKS, ZaneThe electric guitar in contemporary arts musicPhDUniversity of Sydney2014399
BARBELER, DamianShades of mimesis : self-similarity and other nature-based inspiration in compositionPhDUniversity of Sydney201089 + 8 score+ 2 CDs
BARKER, J.W.Max Reger and the orchestraPhDUniversity of Adelaidewithdrawn 1967
BARKL, MichaelFranco Donatoni's Etwas Ruhiger in Ausdruck; and folio of compositionsMMus (Hons)University of New England19852 vol
BARKL, Michael Laurence GordonVertigo: Riccardo Formosa's composition techniquePhDDeakin University1994301
BARLOW, DaleA portfolio of transcriptions and analyses towards Masters of Music MMus (Jazz)University of Canberra19972 vol
BARNARD, Geoffrey DavidIndeterminate composition and ideological determination MAUniversity of Technology Sydney2003106
BARNES, JulieWhitsunday: a bicentennial operaMAMonash University1991121
BARTLEET, Brydie-LeighGendering the podium: the journeys of professional woman conductorsPhDUniversity of Queensland2004328
BASTIAN, DudleyThe chorale prelude in English organ musicMAUniversity of Western Aust.1980177
BATTERHAM, AndrewFolio of compositions 2010-2011MMus(Comp)University of Melbourne2011239
BATTERHAM, Andrew BruceFootprints: the assimilation of extra-Classical elements in a compositional languagePhDUniversity of Melbourne2015
BEAR, LeanneSets and Violins: an investigation of contemporary performance styles of Artist/Violinists, with particular reference to the work of Laurie AndersonGradDipMusAustralian National Universityin progress (NiC08/07)
BEARDMORE, MeredithInterpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo fluteMMusUniversity of Sydney2011125
BEAVERSTOCK, John G.The employment of the organ in three great oratorios of Edward ElgarMusMUniversity of Western Aust.1995103
BEHRENS, LisaAspects of postmodernity in Australian piano miniatures: an analysis with regard to new tonalityMMusGriffith University1996306
BELBIN, JillianJohn Christopher Smith (1712-1795): His place in the development of English harpsichord music (including a performance edition of six suites of lessons for the harpsichord op. 3).MusMUniversity of Western Aust.19962 vol
BELLMANN, Héctor G.Categorization of tonal music style: a quantitative investigationPhDGriffith University2012282
BELSHAM-REVELL, GeoffreyA biography of Dom Stephen Moreno, O.S.B., with a complete catalogue of his worksMAUniversity of Western Aust.1990145
BEN-SALAMON, Nissana folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio filesMAMonash University2003c.50 + 4 scores + CD
BENDRUPS, FayeService station : straying the Australian landscape : a modern Aussie ballad opera PhDVictoria University (Vic. Australia)1996196
BENNETT, Jane L.An examination of five serial compositions by Don Banks MMusUniversity of Queensland1998155
BERETIN, NenaA comparative study of solo classical guitar works by Elliott Carter and Luciano Berio MMus (Musicology)University of Sydney2005208
BERGIN, A.M.The music of Giovanni Rovetta (?-1668)MAUniversity of Otagowithdrawn 1968
BERRY, Anne IrmaA study of motivation through repertoire in intermediate cello studentsPhDUniversity of Queensland2007217
BESENSKI, HelenaFranz Tunder (1614-1667) as an organist in seventeenth century North Germany : an examination of his life and selected works having reference to his social, musical and historical backgroundMMusUniversity of Auckland1997136
BETTS, CatherineReading the signs : assessing the salience of percussion symbols for use in percussion notationMMusUniversity of Western Aust.201073
BETTS, Eleanor Ruth HelyarThe long dream of home: the experience of exile and its effect on the music of Bohuslav MartinuMMus (Perf)University of Sydney200977
BHANA, UshaTales "like softest music to attending ears": a study of narrative procedure across musical genres in works by Gounod, Prokofief, Berlioz and TchaikovskyMMusVictoria University of Wellington2002150
BINNEY, Mary HelenHarrison Birtwistle’s Nine settings of Celan : an analysis MMusUniversity of Auckland2006175
BIRDWELL, John CodyThe utilization of folk song elements in selected works by Ralph Vaughan Williams and Percy Grainger with subsequent treatment exemplified in the wind band music of David StanhopeDMAOverseas1996104
BIRON, Dean LeonardContemporary music and its audiencesPhDUniversity of New England2008224
BLACK, Christopher JamesSound-as-art: the rise of the corporeal and noise in twentieth-century art practiceMMus(Comp)Victoria University of Wellington201291 + CD
BLACK, Christopher JamesSound-as-art : the rise of the corporeal and noise in twentieth-century art practiceMMusVictoria University of Wellington201291p+1CD
BLACK, ColinPortfolio of compositionsPhDUniversity of Sydney2013314 + 4 CDs
BLACK, Jessica CatherineThe New York Philharmonic behind the Iron Curtain: goodwill tour or Cold War propaganda?MMusUniversity of Melbourne2012
BLACKBURN, Alana"A third sound" : blending east and west in contemporary Japanese compositions for the recorder MMus (Perf)University of Sydney200661
BLACKBURN, Andrew StewartStyles in the church music of Henry PurcellMMusUniversity of Melbourne1980140
BLAMEY, Peter JohnSine waves and simple acoustic phenomena in experimental music[electronic resource] :with special reference to the work of La Monte Young and Alvin LucierPhDUniversity of Western Sydney2008286
BLEAKLEY, Helen RuthSchumann's sonata for violin and piano op. 121: approaches to performanceMMusUniversity of Queensland199943
BLINKHORN, DanielNew music composition in computer-assisted environmentsDCAUniversity of Wollongong2007134 + 14 CDs
BLOM, DianaInvocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for televisionMMUniversity of Sydney1972100
BLOM, DianaAn analysis of Music for Japan by Peter SculthorpeMMusUniversity of Sydney1978119
BLOM, DianaMinimal music: roles and approaches of teachers engaging students with a contemporary art music through composing activitiesPhDUniversity of Sydney20012 vol+5 CDR
BLYTH, AndrewPitch structure and process in the music of Edgard Varese : a study of four compositions MALaTrobe University198573
BOLAND, MargueriteForm and harmony in the later concerted works of Elliott CarterPhDAustralian National UniversityIn progress (2007)
BOLAND, Marguerite MareeThe all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositionsMALaTrobe University1999143
BOLLARD, DavidThe Weinen, Klagen Variations of Franz Liszt: a technical and stylistic studyMusMUniversity of Western Aust.197876
BONACCORSO, SebastianAndrew Schultz's Black River: an analysisMMus (Hons)University of Wollongongin progress (NiC08/07)
BONDS, Marion CarolThe symphonies of Sibelius: a re-examination of their technical and formal development-through progressive excision: compresson and integrationMAUniversity of Western Aust.1970237
BONETTI, RuthA performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboardMMusUniversity of Queensland19891 vol + 4 parts
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