Philosophical

Writersort iconThesis TitleDegreeUniversityYear# of Pages
ANDERSON, NatashaRevolts of being : the abject and informe (formless) in music installation/performance MAVictoria University (Vic. Australia)200465
ASKER, DonaldPersonal meanings and artistic processesPhDUniversity of Melbourne20013 vol
ASPDEN, Suzanne ElizabethPsyche's borrowed plumesMMusVictoria University of Wellington1992332
ATKINS, PeterMusic and spirituality: Locating spirituality within paradigms of musical meaningPhDUniversity of NSWin progress (2005)
AUBREY, David GrahamThe influence of music in redefining nationalism in Wales in the nineteenth and early twentieth centuries MAUniversity of Sydney1995212
BARDWELL, GlennMusical expression and communication: an overviewMMus (perf)University of Melbourne1996121
BEEVER, Allan DavidDevelopment and recapitulation : Wagner and Schopenhauer on music, opera, and art PhDUniversity of Auckland1998317
BETTS, Eleanor Ruth HelyarMusic in Exile: A Study of the Effects of the Exile Experience on 20th Century Eastern European ComposersMMus (Perf)University of Sydneyin progress (2006)
BIGNELL, B.Musical utterance as a way of knowing : a contemporary epistemology of music PhDUniversity of Western Sydney2000499
BIGNELL, BarryActive participation in the emergence of musical phenomena: a commentary and guideM.EdUniversity of Melbourne1994231
BLESKIE, Oliver NicholasEarly traces of romanticism : an analysis of the philosophy of art expressed in Diderot's Encyclopedie, with particular reference to the articles on musicMAUniversity of Waikato2000295
BOTTOMLEY, John AJazz/culture : styles, formations, politics MAAustralian Catholic University199194
BRINCAT, LaurenI thought about playing guitar but there are too many musicians alreadyMVAUniversity of Sydney200569
BROWN, JudithFragmentation and authenticity: art and salvation in the thought of Ernst Bloch and Paul TillichPhDUniversity of Otago2001264
CARROLL, MarkWhen worlds collide: music and ideology in France, 1946-1954PhDUniversity of Adelaide2000303
CHAN, Amy Wai YeeComposing race and nation: intercultural music and postcolonial identities in Malaysia and Singapore.PhDAustralian National University2005326 + 1 CD
CHAN, Chi ManAspects of the impact of postmodernist thought on the analysis of musicMAUniversity of Sydney199675
CHEONG, Simplicius T.E.A critique of Adorno's philosophy of music : expression, creativity, formalism MAMacquarie University198888
CHU, KalalyCross-modal experience in music and visual art : their correspondences and a new perspective of appreciation in education PhDUniversity of NSW2008308
CRICHTON, Kieran"The Most Divine of All the Arts:" Neoplatonism, Anglo-Catholicism and music in the published writings of A.E.H. NicksonMMusAustralian Catholic University2005145+
DAVIES, StephenA discussion of the theories of musical unity proposed by Rudolph Reti, Hans Keller and Alan Walker MAMonash University1973497
DE HAAN, SimoneThe relationship between the composer, performer and listener in twentieth century musical practice: "a plea for reform" MusMUniversity of Western Aust.199496
De La FUENTE, EduardoSocial theory, music and modernityPhDGriffith University1998275
DENCH, ChrisTowards an ethics of musical compositionMMusUniversity of Melbourne199873
DENNISON, Jannah MarieThe integrity of melody and meaning: music as worship in the Taize communityMAUniversity of Otago2005188
DYSON, FrancesThe silencing of sound: metaphysics, technology, mediaPhDUniversity of Technology Sydney1993153
ELKINGTON, JeremyA studio investigation : approaching the sublime through the musical, the exotic and "the perfect"MAMonash University2002179
FAHEY, WinThere's a lot more to music than music: folk music, folk festivals and cultural differenceMAGriffith University199995
FISHER, JeremyMusic from another countryMAUniversity of Technology Sydney1996119
FORD, AndrewText and intertextuality: words about music about wordsDCAUniversity of Wollongong1993236 + 4 cass + 6 scores
FORSTER, JasonCommodified evil's wayward children: black metal and death metal as purveyors of an alternative form of modern escapismMAUniversity of Canterbury2006147
GONG, Xiao-qiangThe nature and meaning of music : towards relativity and universality of musicality : a study in East-West comparative aesthetics of musicPhDUniversity of Melbourne1995267
GRANT, Roxanne"White bread milk toast", performance art in the urban environment : a view of communicating ideas as public based performance art MCAJames Cooke University1998152
GREENWOOD, Andrew AlexanderModernist musical performance as hermeneutics : three historical case studies from Bartok, Webern and Adorno's philosophy of music M.PhilUniversity of Sydney2004125
HAIG, ChristineOur music; their music: identifiying meaning in musical experiencesPhDUniversity of Otago2004322
HALL, Meredith Ellen GraceMusic as social activityMAUniversity of Adelaide1981494
HILL, Kathryn R.The origins of postmodernism in musicPhDUniversity of Sydneyin progress (NiC08/07)
HOPE, AlisonPapal thought on the nature of sacred music GradDipMusAustralian National University199847
HUANG, Yuh-WenMiró to music : transformation and cross disciplinary processesDCAUniversity of Wollongong2002136 + 6 scores
JENNINGS, MarkRealms : a phenomenological, socio-cultural and theological-religious studies exploration of musical spacesPh.DMurdock University2009292
JOHNS, HeatherA morphology of fusion thinkingMCAJames Cooke University1994159 + 1 booklet
JOHNSON, Jo-AnneAn archaeology of periodisation in music historyMMusGriffith University200055
KINGSBURY, Justine Margaret JoyThe expression of emotion in musicMAVictoria University of Wellington199179
KOUVARAS, Linda IoannaAspects of the postmodern condition in Southern cross, double concerto : a work by Barry Conyngham MMusUniversity of Melbourne199192
KUNG, Sandra Fang-ChienLifelong learning and music appreciation: a praxial lifelong learning approach for mature-age students in technological colleges of TaiwanPhDUniversity of Western Aust.2004357
LANGLOIS, Roslyn J.Meaning in music : towards criteria for a personal philosophy of music for the practising musician MMusUniversity of Tasmania199270 + 7 cass
LANGSTON, Thomas W.Capitalizing on community music : a case study of the manifestation of social capital in a community choir EdDUniversity of Tasmania2005347
LARSEN, Gretchen L.The symbolic consumption of musicPhDUniversity of Otago2003263
LEWIS, BethanInterrogating the aesthetic: the 'historically informed performance' contributionM.PhilUniversity of Queensland200456
LIVINGSTON, John RobertPhenomenology, music, nature PhDUniversity of Tasmania1999212
LOCKE, Kirsten AnnaPower and polyphony : contextualising the musical subjectM.EdUniversity of Auckland2004148
MACARTHUR, SallyFeminist aesthetics in music: politics and practices in AustraliaPhDUniversity of Sydney1997510 + 1 tape
MAJEED, RaamyThe culprits of musical expressiveness MAUniversity of Otago2007113
MARSHMAN, AnneJung and music: a study of the relationships between Carl Jung's Analytical psychology and musicMMusGriffith University200085
McGEE, MarkFrom Celibidache to Debussy : reflections on music and meaning DMAUniversity of Melbourne2001199
MERCER, ChristineHenry Tate (1873 - 1926) and the creation of Australian Musical IdentityPhDUniversity of Melbournein progress (2004)
MILLER, James DavidThe colour of preference brown, white or l/f? : the application of time series techniques to experimental aestheticsMAUniversity of Auckland1980135
MILLINGTON, AlieseSubject to Change: Nine constructions of the crossover between Western art music and popular musicsPhDUniversity of Adelaidesubmitted 2007257
Monro, Gordon PPortfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative ArtMMus (Comp)University of Sydney2008 (nyiC)20 + DVD-audio + 2 DVD-video + 61 (essay)
MORGAN, ChristyAn exploration of the performer-composer dynamicM.PhilUniversity of Queensland200667
MUNRO, IanMusical conversationsMCAUniversity of Newcastle200374
MURPHY, KerryAn analysis of the role and function of music criticismMAUniversity of Melbourne1979202
PARKHILL, PeterSciencing about music : a critical review of ethnomusicological theory and method, as set out in the discipline's major texts MAUniversity of Sydney1991155
PARLE, RosemaryMusic and the hemispheresBA(Hons)Macquarie University19841 vol
PRICTOR, MeganMusic and the ordinary listener: music appreciation and the media in England, 1918-1939PhDUniversity of Melbourne2000299
PRITCHARD, Brian W.Societies in society: a case in historical sociology of musicMAUniversity of Canterbury1965367
QUINTEROS, Carmen VeronicaCreativity, order and discipline [J.S Bach; Ontology, Creation, Ontology, Phenomenology]PhDUniversity of NSW2004303
SAPUNDZIJEV, MaryThe music of politics-politics in music. The choral miniature repertoire of first generation Macedonian composers: a re-assignment of Macedonian musical developmentPhDMonash University19963 vol + cass
SAVAGE, Stephen LeonBehind the text, beyond the sound : investigations into processes of creative musical interpretationPhDGriffith University2008234 + 4 CDs
SCHAEFER, PeterSound and circle: dualities of culture and content within creative work 1987-97DCAUniversity of Wollongong20022 vol + 2 comp optical disks
SEGAL, Deviani SarahThe impact of feminist studies on the portrayal of women in music history : Fanny Hensel, a case studyMMusUniversity of Melbourne199342
SELIG, SandraThe rhythmic disfiguration of vision : re-thinking subjectivity and art after minimalism MAQueensland University of Technology199983
SMITH, GraemeThe social meaning of Irish button accordian playing styles from 1900-1975PhDMonash University1990505
STEFANAKIS, MandyContemporary knowledge of what music is and does and the implications for music education M EdUniversity of Melbourne2003296
SVILANS, MarijaThe harmonics of Aristoxenus and its influence on the writings of Aristides Quintilianus: an investigation into correspondences between two Greek music theoristsMAUniversity of Queensland1990400
TAWA, MichaelSound, music and architecture : a study of the relationship between sound, number, space and time in sacred music and architecture according to the Vedic, Pythagorean and Platonic traditions PhDUniversity of NSW1991289
TAYLOR, JodiePlaying it Queer: Understanding queer gender, sexual and musical praxis in a 'new' musicological contextPhDGriffith University2008 (not yet in lib. cat.)294 + 1 CD
TIEN, AdrienMeanings in music texts and texts about music in Western Europe in the late 19th to early 20th centuriesGradDipMusAustralian National Universityin progress (NiC08/07)
TODD, Paul, GrahamThe philosophies of Karlheinz Stockhausen in Aus den sieben Tagen and In Freundschaft: performance as a means of communicationMAMonash University200453 + CD
TOLTZ, JosephWorking title: Musical experiences in camps and ghettos under the control of the Nazis and their puppet allies, 1939-1945 - recollections of Jewish survivorsPhDUniversity of SydneyIn Progress (2006)
TRAINER, AdamRock'n'roll cinema PhDMurdock University2005412
TUCKER, AlisonThe Process of Listening to Music: A Connectionist ConceptualizationPhDUniversity of New England19992 vol
TURNER, LizDissent and Dissonance: Understanding Musical Experiences and social movements in resistance in the early twenty first centuryPhDUniversity of Melbournein progress (2006)
VAN DE LAAR, Amy ThereseJohann Mattheson's "oratory in sound": the intelligibility of instrumental musicMAVictoria University of Wellington2004136
WALKER, Rhett HIn what is constituted musical meaning, significance, value and greatness PhDUniversity of Melbourne1993231
WARDS, Allan RossMusical interest, church attendance and personality MAMassey University198086
WATER, BolkeMaking music: discourses of cultural negotiation in New ZealandMAVictoria University of Wellington2001175
WATSON, Gary StephenShared intellectual property and the maintenance of cosmic order : an investigation into the significance of melodic sampling and transformation in the creation of new gending in Balinese gamelan music MMusUniversity of Sydney199982 + CD
WATSON, StephenThe effects of music in television commercialsPhDUniversity of Wollongong1992630 + 1 vid rec
WESTON, DonnaMusic and Musical Thought of the "New Age"PhDGriffith University19992 vol
WILLIAMS, AndrewThe functions of Walkman musicPhDUniversity of Adelaide2004NS
WINSOR, KeithThe music of the law: a comparative study in the history and philosophy of law and music in ancient civilisations of the westMGenStudUniversity of NSW1983300
WOLFE, JocelynThese notes have hips, but not like Claudia Schiffer's! A study of the use of metaphor and figurative language in music instruction and the implication for students from different language backgroundsMPhilGriffith Universityin progress (2005)
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