Writersort iconThesis TitleDegreeUniversityYear# of Pages
ALLEN, SusanRené Maran's "Batouala", jazz-textPhDUniversity of Newcastle2012
ALSOP, Peter RogerMapping gestures in the creation of intangible artworksPhDRMIT University2011238
ANDERSON, NatashaRevolts of being : the abject and informe (formless) in music installation/performance MAVictoria University (Vic. Australia)200465
AnonBuffy the vampire Slayer : a study of popular music on commercial televisionPhDUniversity of Sydney2008446 + 2 CD
AnonMeanings in music texts and texts about music in Western Europe in the late 19th to early 20th centuriesGradDipMusAustralian National Universityin progress (NiC08/07)
AnonDissent and Dissonance: Understanding Musical Experiences and social movements in resistance in the early twenty first centuryPhDUniversity of Melbournein progress (2006)
AnonDefining the Indefinable: An historical and cultural exploration of excellence in musicPhDAustralian National UniversityIn progress (2010)
AnonExploring the influence of Confucianism on music learning among the Chinese-Australian DiasporaPhDMonash Universityin progress (2013)
ASKER, DonaldPersonal meanings and artistic processesPhDUniversity of Melbourne20013 vol
ASPDEN, Suzanne ElizabethPsyche's borrowed plumesMMusVictoria University of Wellington1992332
ATKINS, PeterMusic and the experience of the spiritualPhDUniversity of NSW2012385
AUBREY, David GrahamThe influence of music in redefining nationalism in Wales in the nineteenth and early twentieth centuries MAUniversity of Sydney1995212
AURIN, AndreasDialectical music and the LehrstückPhDUniversity of NSW2013312
BAKER, Jane SusanneLearning, identity work, and music use in young garage bandPhDUniversity of Queensland2014
BANNEY, David AndrewSymmetry and symmetry reduction in musicPhDUniversity of Newcastle2015
BARDWELL, GlennMusical expression and communication: an overviewMMus (perf)University of Melbourne1996121
BATES, Nathanael James Sampling and the 'Sound Object' in contemporary sonic artPhDRMIT University2013117
BEEVER, Allan DavidDevelopment and recapitulation : Wagner and Schopenhauer on music, opera, and art PhDUniversity of Auckland1998317
BETTS, Eleanor Ruth HelyarThe long dream of home: the experience of exile and its effect on the music of Bohuslav MartinuMMus (Perf)University of Sydney200977
BIGNELL, B.Musical utterance as a way of knowing : a contemporary epistemology of music PhDUniversity of Western Sydney2000499
BIGNELL, BarryActive participation in the emergence of musical phenomena: a commentary and guideM.EdUniversity of Melbourne1994231
BINNIE, MicheleFinding the Drastic : Exploring Forms of Attention in Piano PerformanceMMusVictoria University of Wellington2014
BIRCHLEY, Keith AndrewReading Barth with Mozart in mind: An exploration of Mozartean resonance in the theology of Karl BarthM.PhilUniversity of Queensland2012119
BIRON, Dean LeonardContemporary music and its audiencesPhDUniversity of New England2008224
BLESKIE, Oliver NicholasEarly traces of romanticism : an analysis of the philosophy of art expressed in Diderot's Encyclopedie, with particular reference to the articles on musicMAUniversity of Waikato2000295
BOLITHO, Wendy AnneSilent invocations : music, sublimation, and social transformationPhDMassey University2011252
BOTTOMLEY, John AJazz/culture : styles, formations, politics MAAustralian Catholic University199194
BRINCAT, LaurenI thought about playing guitar but there are too many musicians alreadyMVAUniversity of Sydney200569
BROWN, JudithFragmentation and authenticity: art and salvation in the thought of Ernst Bloch and Paul TillichPhDUniversity of Otago2001264
BUCK, MaryMusic, geometry, and the listener : space in the history of Western philosophy and Western classical musicPhDUniversity of New England2008TBA
BUTLER, Ronald KennethThe Influence of Theosophy on the Tradition of Speculative and Esoteric Theories of MusicPhDGriffith University2013
BYRNE, Benjamin AlexanderMurmurPhdUniversity of Technology Sydney2012187
BYWATER, Philip FrankAs the spirit moves : a study of personal spirituality as a source for musical inspirationMMus(Perf)University of Melbourne201090 + 1 CD
CAPORALI, UrsulaDeconstructing the structurePhDUniversity of Sydney2014199
CARROLL, MarkWhen worlds collide: music and ideology in France, 1946-1954PhDUniversity of Adelaide2000303
CHAN, Amy Wai YeeComposing race and nation: intercultural music and postcolonial identities in Malaysia and Singapore.PhDAustralian National University2005326 + 1 CD
CHAN, Chi ManAspects of the impact of postmodernist thought on the analysis of musicMAUniversity of Sydney199675
CHEONG, Simplicius T.E.A critique of Adorno's philosophy of music : expression, creativity, formalism MAMacquarie University198888
CHILDS, CodieSpaces traversed : Master of Music portfolio submission thesisMMus(Composition)University of Auckland201161 + 2 DVDs
CHU, KalalyCross-modal experience in music and visual art : their correspondences and a new perspective of appreciation in education PhDUniversity of NSW2008308
CRICHTON, Ian Kieran"The Most Divine of All the Arts:" Neoplatonism, Anglo-Catholicism and music in the published writings of A.E.H. NicksonMMusAustralian Catholic University2004145+
DALGLEISH, JodieNotes for soundMCWAuckland University of Technology2011225
DAVIES, StephenA discussion of the theories of musical unity proposed by Rudolph Reti, Hans Keller and Alan Walker MAMonash University1973497
DAVIS, AngharadResponding to referentiality: perspectives on listener interaction with musical quotationMMusUniversity of Sydney2009198
DE HAAN, SimoneThe relationship between the composer, performer and listener in twentieth century musical practice: "a plea for reform" MusMUniversity of Western Aust.199496
De La FUENTE, EduardoSocial theory, music and modernityPhDGriffith University1998275
DELAVERE, SaraChallenging the drumkit: musical identities and habitusMResMacquarie University201588
DENCH, ChrisTowards an ethics of musical compositionMMusUniversity of Melbourne199873
DENNISON, Jannah MarieThe integrity of melody and meaning: music as worship in the Taize communityMAUniversity of Otago2005188
DYSON, FrancesThe silencing of sound: metaphysics, technology, mediaPhDUniversity of Technology Sydney1993153
ELKINGTON, JeremyA studio investigation : approaching the sublime through the musical, the exotic and "the perfect"MAMonash University2002179
FAHEY, WinThere's a lot more to music than music: folk music, folk festivals and cultural differenceMAGriffith University199995
FARNAN, PeterDistilling an essence: the structuring of the recorded pop/​rock song formMMusUniversity of Melbourne2014
FISHER, JeremyMusic from another countryMAUniversity of Technology Sydney1996119
FORD, AndrewText and intertextuality: words about music about wordsDCAUniversity of Wollongong1993236 + 4 cass + 6 sco
FORSTER, JasonCommodified evil's wayward children: black metal and death metal as purveyors of an alternative form of modern escapismMAUniversity of Canterbury2006147
FOSTER, DJMusic: Pathways to Personal MeaningPhDUniversity of New England2015366
Garrido, SandraNegative Emotions in Music: What is the attraction?PhDUniversity of NSW2012310
GONG, Xiao-qiangThe nature and meaning of music : towards relativity and universality of musicality : a study in East-West comparative aesthetics of musicPhDUniversity of Melbourne1995267
GRANT, Roxanne"White bread milk toast", performance art in the urban environment : a view of communicating ideas as public based performance art MCAJames Cook University1998152
GREENWOOD, Andrew AlexanderModernist musical performance as hermeneutics : three historical case studies from Bartok, Webern and Adorno's philosophy of music M.PhilUniversity of Sydney2004125
HAIG, ChristineOur music; their music: identifiying meaning in musical experiencesPhDUniversity of Otago2004322
HALE, Christopher JohnNot skilled, but divine : Plato's Ion and the surrender of the human element in music performanceMMusPerfUniversity of Melbourne201140
HALL, Meredith Ellen GraceMusic as social activityMAUniversity of Adelaide1981494
HAMEL, AlistairArtefactualism as an Ontology of ArtM.AVictoria University of Wellington201099
HAMMOND, JaneDancing with ghosts: the topic of the pastoral explored in a folio of music compositionsPhDMonash University2015
HARRISON, HollyThe logic of nonsense : personal process towards oppositionality and reorganisation as music compositionPhDUniversity of Western Sydney2014
HICKEY, Jocelyn ElizabethThe voice in the darkness: one singer's journey to individuationMMusUniversity of Melbourne2011
HOLGATE, GaryInteractions in improvised music: people at playPhDUniversity of Sydney2014188
HOPE, AlisonPapal thought on the nature of sacred music GradDipMusAustralian National University199847
HUANG, Yuh-WenMiró to music : transformation and cross disciplinary processesDCAUniversity of Wollongong2002136 + 6 scores
JENNINGS, MarkRealms : a phenomenological, socio-cultural and theological-religious studies exploration of musical spacesPh.DMurdock University2009292
JOHNS, HeatherA morphology of fusion thinkingMCAJames Cook University1994159 + 1 booklet
JOHNSON, Chloe HopeSonic intersections : subjectivity within punk aestheticsM.A.University of Melbourne2007124 + 1 CD
JOHNSON, Jo-AnneAn archaeology of periodisation in music historyMMusGriffith University200055
KEOGH, BrentAnalyzing world music discourse in AustraliaPhDMacquarie University2014298
KINGSBURY, Justine Margaret JoyThe expression of emotion in musicMAVictoria University of Wellington199179
KOUVARAS, Linda IoannaAspects of the postmodern condition in Southern cross, double concerto : a work by Barry Conyngham MMusUniversity of Melbourne199192
KUNG, Sandra Fang-ChienLifelong learning and music appreciation: a praxial lifelong learning approach for mature-age students in technological colleges of TaiwanPhDUniversity of Western Aust.2004357
LANDERS, Heath A.W.Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musicaMPhilUniversity of Newcastle2015307
LANGLOIS, Roslyn J.Meaning in music : towards criteria for a personal philosophy of music for the practising musician MMusUniversity of Tasmania199270 + 7 cass
LANGSTON, Thomas W.Capitalizing on community music : a case study of the manifestation of social capital in a community choir EdDUniversity of Tasmania2005347
LARSEN, Gretchen L.The symbolic consumption of musicPhDUniversity of Otago2003263
LEWIS, BethanInterrogating the aesthetic: the 'historically informed performance' contributionM.PhilUniversity of Queensland200456
LIVINGSTON, John RobertPhenomenology, music, nature PhDUniversity of Tasmania1999212
LOCKE, Kirsten AnnaPower and polyphony : contextualising the musical subjectM.EdUniversity of Auckland2004148
LOCKITT, Matthew JamesThe musical is drama: apollonian and dionysian dynamics and liminal ruptures in the contemporary musical theatre.PhDMonash University2014
LOUTH-ROBINS, TristanStill and moving lines [electronic resource] : listening and signification in sound artMMusUniversity of Adelaide201065 + CD + DVD
LYALL, MarkHatred and history : an exploration through voice, music and sound designPhDLaTrobe University2008121 + CD (49 min)
MAALSEN, SophiaThe Life History of SoundPhDUniversity of Sydney2013303
MACARTHUR, SallyFeminist aesthetics in music: politics and practices in AustraliaPhDUniversity of Sydney1997510 + 1 tape
MACLEAN, Hilary ClareSinging the Lord's song in a strange land [electronic resource] :compositional voice towards expression of Christian transcendencePhDUniversity of Western Sydney2009220
MAHER, JamesThe Christian songwriter as theologian : giving voice to the converted heart and mindM.T University of Divinity201371
MAJEED, RaamyThe culprits of musical expressiveness MAUniversity of Otago2007113
MARSHMAN, AnneJung and music: a study of the relationships between Carl Jung's Analytical psychology and musicMMusGriffith University200085
McGEE, MarkFrom Celibidache to Debussy : reflections on music and meaning DMAUniversity of Melbourne2001199
MEDCALF, Laura, JulieMusical intimacy and the negotiation of boundary challenges in contemporary music therapy practicePhDUniversity of Melbourne2016202
MERCER, ChristineHenry Tate (1873 - 1926) and the creation of Australian Musical IdentityPhDUniversity of Melbourne2010 nyic
METHURST, ReillyMujic of the footure : Jacques Lacan and concordant discordMMusUniversity of Auckland201182
MILLER, James DavidThe colour of preference brown, white or l/f? : the application of time series techniques to experimental aestheticsMAUniversity of Auckland1980135
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