| ANDERSON, Natasha | Revolts of being : the abject and informe (formless) in music installation/performance | MA | Victoria University (Vic. Australia) | 2004 | 65 |
| ASKER, Donald | Personal meanings and artistic processes | PhD | University of Melbourne | 2001 | 3 vol |
| ASPDEN, Suzanne Elizabeth | Psyche's borrowed plumes | MMus | Victoria University of Wellington | 1992 | 332 |
| ATKINS, Peter | Music and spirituality: Locating spirituality within paradigms of musical meaning | PhD | University of NSW | in progress (2005) | |
| AUBREY, David Graham | The influence of music in redefining nationalism in Wales in the nineteenth and early twentieth centuries | MA | University of Sydney | 1995 | 212 |
| BARDWELL, Glenn | Musical expression and communication: an overview | MMus (perf) | University of Melbourne | 1996 | 121 |
| BEEVER, Allan David | Development and recapitulation : Wagner and Schopenhauer on music, opera, and art | PhD | University of Auckland | 1998 | 317 |
| BETTS, Eleanor Ruth Helyar | Music in Exile: A Study of the Effects of the Exile Experience on 20th Century Eastern European Composers | MMus (Perf) | University of Sydney | in progress (2006) | |
| BIGNELL, B. | Musical utterance as a way of knowing : a contemporary epistemology of music | PhD | University of Western Sydney | 2000 | 499 |
| BIGNELL, Barry | Active participation in the emergence of musical phenomena: a commentary and guide | M.Ed | University of Melbourne | 1994 | 231 |
| BLESKIE, Oliver Nicholas | Early traces of romanticism : an analysis of the philosophy of art expressed in Diderot's Encyclopedie, with particular reference to the articles on music | MA | University of Waikato | 2000 | 295 |
| BOTTOMLEY, John A | Jazz/culture : styles, formations, politics | MA | Australian Catholic University | 1991 | 94 |
| BRINCAT, Lauren | I thought about playing guitar but there are too many musicians already | MVA | University of Sydney | 2005 | 69 |
| BROWN, Judith | Fragmentation and authenticity: art and salvation in the thought of Ernst Bloch and Paul Tillich | PhD | University of Otago | 2001 | 264 |
| CARROLL, Mark | When worlds collide: music and ideology in France, 1946-1954 | PhD | University of Adelaide | 2000 | 303 |
| CHAN, Amy Wai Yee | Composing race and nation: intercultural music and postcolonial identities in Malaysia and Singapore. | PhD | Australian National University | 2005 | 326 + 1 CD |
| CHAN, Chi Man | Aspects of the impact of postmodernist thought on the analysis of music | MA | University of Sydney | 1996 | 75 |
| CHEONG, Simplicius T.E. | A critique of Adorno's philosophy of music : expression, creativity, formalism | MA | Macquarie University | 1988 | 88 |
| CHU, Kalaly | Cross-modal experience in music and visual art : their correspondences and a new perspective of appreciation in education | PhD | University of NSW | 2008 | 308 |
| CRICHTON, Kieran | "The Most Divine of All the Arts:" Neoplatonism, Anglo-Catholicism and music in the published writings of A.E.H. Nickson | MMus | Australian Catholic University | 2005 | 145+ |
| DAVIES, Stephen | A discussion of the theories of musical unity proposed by Rudolph Reti, Hans Keller and Alan Walker | MA | Monash University | 1973 | 497 |
| DE HAAN, Simone | The relationship between the composer, performer and listener in twentieth century musical practice: "a plea for reform" | MusM | University of Western Aust. | 1994 | 96 |
| De La FUENTE, Eduardo | Social theory, music and modernity | PhD | Griffith University | 1998 | 275 |
| DENCH, Chris | Towards an ethics of musical composition | MMus | University of Melbourne | 1998 | 73 |
| DENNISON, Jannah Marie | The integrity of melody and meaning: music as worship in the Taize community | MA | University of Otago | 2005 | 188 |
| DYSON, Frances | The silencing of sound: metaphysics, technology, media | PhD | University of Technology Sydney | 1993 | 153 |
| ELKINGTON, Jeremy | A studio investigation : approaching the sublime through the musical, the exotic and "the perfect" | MA | Monash University | 2002 | 179 |
| FAHEY, Win | There's a lot more to music than music: folk music, folk festivals and cultural difference | MA | Griffith University | 1999 | 95 |
| FISHER, Jeremy | Music from another country | MA | University of Technology Sydney | 1996 | 119 |
| FORD, Andrew | Text and intertextuality: words about music about words | DCA | University of Wollongong | 1993 | 236 + 4 cass + 6 scores |
| FORSTER, Jason | Commodified evil's wayward children: black metal and death metal as purveyors of an alternative form of modern escapism | MA | University of Canterbury | 2006 | 147 |
| GONG, Xiao-qiang | The nature and meaning of music : towards relativity and universality of musicality : a study in East-West comparative aesthetics of music | PhD | University of Melbourne | 1995 | 267 |
| GRANT, Roxanne | "White bread milk toast", performance art in the urban environment : a view of communicating ideas as public based performance art | MCA | James Cooke University | 1998 | 152 |
| GREENWOOD, Andrew Alexander | Modernist musical performance as hermeneutics : three historical case studies from Bartok, Webern and Adorno's philosophy of music | M.Phil | University of Sydney | 2004 | 125 |
| HAIG, Christine | Our music; their music: identifiying meaning in musical experiences | PhD | University of Otago | 2004 | 322 |
| HALL, Meredith Ellen Grace | Music as social activity | MA | University of Adelaide | 1981 | 494 |
| HILL, Kathryn R. | The origins of postmodernism in music | PhD | University of Sydney | in progress (NiC08/07) | |
| HOPE, Alison | Papal thought on the nature of sacred music | GradDipMus | Australian National University | 1998 | 47 |
| HUANG, Yuh-Wen | Miró to music : transformation and cross disciplinary processes | DCA | University of Wollongong | 2002 | 136 + 6 scores |
| JENNINGS, Mark | Realms : a phenomenological, socio-cultural and theological-religious studies exploration of musical spaces | Ph.D | Murdock University | 2009 | 292 |
| JOHNS, Heather | A morphology of fusion thinking | MCA | James Cooke University | 1994 | 159 + 1 booklet |
| JOHNSON, Jo-Anne | An archaeology of periodisation in music history | MMus | Griffith University | 2000 | 55 |
| KINGSBURY, Justine Margaret Joy | The expression of emotion in music | MA | Victoria University of Wellington | 1991 | 79 |
| KOUVARAS, Linda Ioanna | Aspects of the postmodern condition in Southern cross, double concerto : a work by Barry Conyngham | MMus | University of Melbourne | 1991 | 92 |
| KUNG, Sandra Fang-Chien | Lifelong learning and music appreciation: a praxial lifelong learning approach for mature-age students in technological colleges of Taiwan | PhD | University of Western Aust. | 2004 | 357 |
| LANGLOIS, Roslyn J. | Meaning in music : towards criteria for a personal philosophy of music for the practising musician | MMus | University of Tasmania | 1992 | 70 + 7 cass |
| LANGSTON, Thomas W. | Capitalizing on community music : a case study of the manifestation of social capital in a community choir | EdD | University of Tasmania | 2005 | 347 |
| LARSEN, Gretchen L. | The symbolic consumption of music | PhD | University of Otago | 2003 | 263 |
| LEWIS, Bethan | Interrogating the aesthetic: the 'historically informed performance' contribution | M.Phil | University of Queensland | 2004 | 56 |
| LIVINGSTON, John Robert | Phenomenology, music, nature | PhD | University of Tasmania | 1999 | 212 |
| LOCKE, Kirsten Anna | Power and polyphony : contextualising the musical subject | M.Ed | University of Auckland | 2004 | 148 |
| MACARTHUR, Sally | Feminist aesthetics in music: politics and practices in Australia | PhD | University of Sydney | 1997 | 510 + 1 tape |
| MAJEED, Raamy | The culprits of musical expressiveness | MA | University of Otago | 2007 | 113 |
| MARSHMAN, Anne | Jung and music: a study of the relationships between Carl Jung's Analytical psychology and music | MMus | Griffith University | 2000 | 85 |
| McGEE, Mark | From Celibidache to Debussy : reflections on music and meaning | DMA | University of Melbourne | 2001 | 199 |
| MERCER, Christine | Henry Tate (1873 - 1926) and the creation of Australian Musical Identity | PhD | University of Melbourne | in progress (2004) | |
| MILLER, James David | The colour of preference brown, white or l/f? : the application of time series techniques to experimental aesthetics | MA | University of Auckland | 1980 | 135 |
| MILLINGTON, Aliese | Subject to Change: Nine constructions of the crossover between Western art music and popular musics | PhD | University of Adelaide | submitted 2007 | 257 |
| Monro, Gordon P | Portfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative Art | MMus (Comp) | University of Sydney | 2008 (nyiC) | 20 + DVD-audio + 2 DVD-video + 61 (essay) |
| MORGAN, Christy | An exploration of the performer-composer dynamic | M.Phil | University of Queensland | 2006 | 67 |
| MUNRO, Ian | Musical conversations | MCA | University of Newcastle | 2003 | 74 |
| MURPHY, Kerry | An analysis of the role and function of music criticism | MA | University of Melbourne | 1979 | 202 |
| PARKHILL, Peter | Sciencing about music : a critical review of ethnomusicological theory and method, as set out in the discipline's major texts | MA | University of Sydney | 1991 | 155 |
| PARLE, Rosemary | Music and the hemispheres | BA(Hons) | Macquarie University | 1984 | 1 vol |
| PRICTOR, Megan | Music and the ordinary listener: music appreciation and the media in England, 1918-1939 | PhD | University of Melbourne | 2000 | 299 |
| PRITCHARD, Brian W. | Societies in society: a case in historical sociology of music | MA | University of Canterbury | 1965 | 367 |
| QUINTEROS, Carmen Veronica | Creativity, order and discipline [J.S Bach; Ontology, Creation, Ontology, Phenomenology] | PhD | University of NSW | 2004 | 303 |
| SAPUNDZIJEV, Mary | The music of politics-politics in music. The choral miniature repertoire of first generation Macedonian composers: a re-assignment of Macedonian musical development | PhD | Monash University | 1996 | 3 vol + cass |
| SAVAGE, Stephen Leon | Behind the text, beyond the sound : investigations into processes of creative musical interpretation | PhD | Griffith University | 2008 | 234 + 4 CDs |
| SCHAEFER, Peter | Sound and circle: dualities of culture and content within creative work 1987-97 | DCA | University of Wollongong | 2002 | 2 vol + 2 comp optical disks |
| SEGAL, Deviani Sarah | The impact of feminist studies on the portrayal of women in music history : Fanny Hensel, a case study | MMus | University of Melbourne | 1993 | 42 |
| SELIG, Sandra | The rhythmic disfiguration of vision : re-thinking subjectivity and art after minimalism | MA | Queensland University of Technology | 1999 | 83 |
| SMITH, Graeme | The social meaning of Irish button accordian playing styles from 1900-1975 | PhD | Monash University | 1990 | 505 |
| STEFANAKIS, Mandy | Contemporary knowledge of what music is and does and the implications for music education | M Ed | University of Melbourne | 2003 | 296 |
| SVILANS, Marija | The harmonics of Aristoxenus and its influence on the writings of Aristides Quintilianus: an investigation into correspondences between two Greek music theorists | MA | University of Queensland | 1990 | 400 |
| TAWA, Michael | Sound, music and architecture : a study of the relationship between sound, number, space and time in sacred music and architecture according to the Vedic, Pythagorean and Platonic traditions | PhD | University of NSW | 1991 | 289 |
| TAYLOR, Jodie | Playing it Queer: Understanding queer gender, sexual and musical praxis in a 'new' musicological context | PhD | Griffith University | 2008 (not yet in lib. cat.) | 294 + 1 CD |
| TIEN, Adrien | Meanings in music texts and texts about music in Western Europe in the late 19th to early 20th centuries | GradDipMus | Australian National University | in progress (NiC08/07) | |
| TODD, Paul, Graham | The philosophies of Karlheinz Stockhausen in Aus den sieben Tagen and In Freundschaft: performance as a means of communication | MA | Monash University | 2004 | 53 + CD |
| TOLTZ, Joseph | Working title: Musical experiences in camps and ghettos under the control of the Nazis and their puppet allies, 1939-1945 - recollections of Jewish survivors | PhD | University of Sydney | In Progress (2006) | |
| TRAINER, Adam | Rock'n'roll cinema | PhD | Murdock University | 2005 | 412 |
| TUCKER, Alison | The Process of Listening to Music: A Connectionist Conceptualization | PhD | University of New England | 1999 | 2 vol |
| TURNER, Liz | Dissent and Dissonance: Understanding Musical Experiences and social movements in resistance in the early twenty first century | PhD | University of Melbourne | in progress (2006) | |
| VAN DE LAAR, Amy Therese | Johann Mattheson's "oratory in sound": the intelligibility of instrumental music | MA | Victoria University of Wellington | 2004 | 136 |
| WALKER, Rhett H | In what is constituted musical meaning, significance, value and greatness | PhD | University of Melbourne | 1993 | 231 |
| WARDS, Allan Ross | Musical interest, church attendance and personality | MA | Massey University | 1980 | 86 |
| WATER, Bolke | Making music: discourses of cultural negotiation in New Zealand | MA | Victoria University of Wellington | 2001 | 175 |
| WATSON, Gary Stephen | Shared intellectual property and the maintenance of cosmic order : an investigation into the significance of melodic sampling and transformation in the creation of new gending in Balinese gamelan music | MMus | University of Sydney | 1999 | 82 + CD |
| WATSON, Stephen | The effects of music in television commercials | PhD | University of Wollongong | 1992 | 630 + 1 vid rec |
| WESTON, Donna | Music and Musical Thought of the "New Age" | PhD | Griffith University | 1999 | 2 vol |
| WILLIAMS, Andrew | The functions of Walkman music | PhD | University of Adelaide | 2004 | NS |
| WINSOR, Keith | The music of the law: a comparative study in the history and philosophy of law and music in ancient civilisations of the west | MGenStud | University of NSW | 1983 | 300 |
| WOLFE, Jocelyn | These notes have hips, but not like Claudia Schiffer's! A study of the use of metaphor and figurative language in music instruction and the implication for students from different language backgrounds | MPhil | Griffith University | in progress (2005) | |