| ANDERSON, Natasha | Revolts of being : the abject and informe (formless) in music installation/performance | MA | Victoria University (Vic. Australia) | 2004 | 65 |
| ASKER, Donald | Personal meanings and artistic processes | PhD | University of Melbourne | 2001 | 3 vol |
| ASPDEN, Suzanne Elizabeth | Psyche's borrowed plumes | MMus | Victoria University of Wellington | 1992 | 332 |
| ATKINS, Peter | Music and spirituality: Locating spirituality within paradigms of musical meaning | PhD | University of NSW | in progress (2005) | |
| ATKINS, Peter | Music and the experience of the spiritual | PhD | University of NSW | 2012 | 385 |
| AUBREY, David Graham | The influence of music in redefining nationalism in Wales in the nineteenth and early twentieth centuries | MA | University of Sydney | 1995 | 212 |
| AURIN, Andreas | Dialectical music and the Lehrstück | PhD | University of NSW | 2013 | 312 |
| BAKER, Jane Susanne | Learning, identity work, and music use in young garage band | PhD | University of Queensland | 2014 | |
| BANNEY, David Andrew | Symmetry and symmetry reduction in music | PhD | University of Newcastle | 2015 | |
| BARDWELL, Glenn | Musical expression and communication: an overview | MMus (perf) | University of Melbourne | 1996 | 121 |
| BEEVER, Allan David | Development and recapitulation : Wagner and Schopenhauer on music, opera, and art | PhD | University of Auckland | 1998 | 317 |
| BETTS, Eleanor Ruth Helyar | The long dream of home: the experience of exile and its effect on the music of Bohuslav Martinu | MMus (Perf) | University of Sydney | 2009 | 77 |
| BIGNELL, B. | Musical utterance as a way of knowing : a contemporary epistemology of music | PhD | University of Western Sydney | 2000 | 499 |
| BIGNELL, Barry | Active participation in the emergence of musical phenomena: a commentary and guide | M.Ed | University of Melbourne | 1994 | 231 |
| BIRON, Dean Leonard | Contemporary music and its audiences | PhD | University of New England | 2008 | 224 |
| BLESKIE, Oliver Nicholas | Early traces of romanticism : an analysis of the philosophy of art expressed in Diderot's Encyclopedie, with particular reference to the articles on music | MA | University of Waikato | 2000 | 295 |
| BOLITHO, Wendy Anne | Silent invocations : music, sublimation, and social transformation | PhD | Massey University | 2011 | 252 |
| BOTTOMLEY, John A | Jazz/culture : styles, formations, politics | MA | Australian Catholic University | 1991 | 94 |
| BRINCAT, Lauren | I thought about playing guitar but there are too many musicians already | MVA | University of Sydney | 2005 | 69 |
| BROWN, Judith | Fragmentation and authenticity: art and salvation in the thought of Ernst Bloch and Paul Tillich | PhD | University of Otago | 2001 | 264 |
| BUCK, Mary | Music, geometry, and the listener : space in the history of Western philosophy and Western classical music | PhD | University of New England | 2008 | TBA |
| BYWATER, Philip Frank | As the spirit moves : a study of personal spirituality as a source for musical inspiration | MMus(Perf) | University of Melbourne | 2010 | 90 + 1 CD |
| CARROLL, Mark | When worlds collide: music and ideology in France, 1946-1954 | PhD | University of Adelaide | 2000 | 303 |
| CHAN, Amy Wai Yee | Composing race and nation: intercultural music and postcolonial identities in Malaysia and Singapore. | PhD | Australian National University | 2005 | 326 + 1 CD |
| CHAN, Chi Man | Aspects of the impact of postmodernist thought on the analysis of music | MA | University of Sydney | 1996 | 75 |
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| CHILDS, Codie | Spaces traversed : Master of Music portfolio submission thesis | MMus(Composition) | University of Auckland | 2011 | 61 + 2 DVDs |
| CHU, Kalaly | Cross-modal experience in music and visual art : their correspondences and a new perspective of appreciation in education | PhD | University of NSW | 2008 | 308 |
| CRICHTON, Ian Kieran | "The Most Divine of All the Arts:" Neoplatonism, Anglo-Catholicism and music in the published writings of A.E.H. Nickson | MMus | Australian Catholic University | 2004 | 145+ |
| DALGLEISH, Jodie | Notes for sound | MCW | Auckland University of Technology | 2011 | 225 |
| DAVIES, Stephen | A discussion of the theories of musical unity proposed by Rudolph Reti, Hans Keller and Alan Walker | MA | Monash University | 1973 | 497 |
| DAVIS, Angharad | Responding to referentiality: perspectives on listener interaction with musical quotation | MMus | University of Sydney | 2009 | 198 |
| DE HAAN, Simone | The relationship between the composer, performer and listener in twentieth century musical practice: "a plea for reform" | MusM | University of Western Aust. | 1994 | 96 |
| De La FUENTE, Eduardo | Social theory, music and modernity | PhD | Griffith University | 1998 | 275 |
| DELAVERE, Sara | Challenging the drumkit: musical identities and habitus | MRes | Macquarie University | 2015 | 88 |
| DENCH, Chris | Towards an ethics of musical composition | MMus | University of Melbourne | 1998 | 73 |
| DENNISON, Jannah Marie | The integrity of melody and meaning: music as worship in the Taize community | MA | University of Otago | 2005 | 188 |
| DERRICK, Reuben George | Acoustic illuminations: recorded space as soundscape composition | PhD | University of Canterbury | 2014 | |
| DYSON, Frances | The silencing of sound: metaphysics, technology, media | PhD | University of Technology Sydney | 1993 | 153 |
| ELKINGTON, Jeremy | A studio investigation : approaching the sublime through the musical, the exotic and "the perfect" | MA | Monash University | 2002 | 179 |
| FAHEY, Win | There's a lot more to music than music: folk music, folk festivals and cultural difference | MA | Griffith University | 1999 | 95 |
| FARNAN, Peter | Distilling an essence: the structuring of the recorded pop/rock song form | MMus | University of Melbourne | 2014 | |
| FISHER, Jeremy | Music from another country | MA | University of Technology Sydney | 1996 | 119 |
| FORD, Andrew | Text and intertextuality: words about music about words | DCA | University of Wollongong | 1993 | 236 + 4 cass + 6 sco |
| FORSTER, Jason | Commodified evil's wayward children: black metal and death metal as purveyors of an alternative form of modern escapism | MA | University of Canterbury | 2006 | 147 |
| FOSTER, DJ | Music: Pathways to Personal Meaning | PhD | University of New England | 2015 | 366 |
| FUNG, Annabella | Exploring the influence of Confucianism on music learning among the Chinese-Australian Diaspora | PhD | Monash University | in progress (2013) | |
| Garrido, Sandra | Negative Emotions in Music: What is the attraction? | PhD | University of NSW | 2012 | 310 |
| GONG, Xiao-qiang | The nature and meaning of music : towards relativity and universality of musicality : a study in East-West comparative aesthetics of music | PhD | University of Melbourne | 1995 | 267 |
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| GREENWOOD, Andrew Alexander | Modernist musical performance as hermeneutics : three historical case studies from Bartok, Webern and Adorno's philosophy of music | M.Phil | University of Sydney | 2004 | 125 |
| HAIG, Christine | Our music; their music: identifiying meaning in musical experiences | PhD | University of Otago | 2004 | 322 |
| HALE, Christopher John | Not skilled, but divine : Plato's Ion and the surrender of the human element in music performance | MMusPerf | University of Melbourne | 2011 | 40 |
| HALL, Meredith Ellen Grace | Music as social activity | MA | University of Adelaide | 1981 | 494 |
| HAMMOND, Jane | Dancing with ghosts: the topic of the pastoral explored in a folio of music compositions | PhD | Monash University | 2015 | |
| HARRISON, Holly | The logic of nonsense : personal process towards oppositionality and reorganisation as music composition | PhD | University of Western Sydney | 2014 | |
| HICKEY, Jocelyn Elizabeth | The voice in the darkness: one singer's journey to individuation | MMus | University of Melbourne | 2011 | |
| HILL, Kathryn R. | Buffy the vampire Slayer : a study of popular music on commercial television | PhD | University of Sydney | 2008 | 446 + 2 CD |
| HOLGATE, Gary | Interactions in improvised music: people at play | PhD | University of Sydney | 2014 | 188 |
| HOPE, Alison | Papal thought on the nature of sacred music | GradDipMus | Australian National University | 1998 | 47 |
| HUANG, Yuh-Wen | Miró to music : transformation and cross disciplinary processes | DCA | University of Wollongong | 2002 | 136 + 6 scores |
| JENNINGS, Mark | Realms : a phenomenological, socio-cultural and theological-religious studies exploration of musical spaces | Ph.D | Murdock University | 2009 | 292 |
| JOHNS, Heather | A morphology of fusion thinking | MCA | James Cook University | 1994 | 159 + 1 booklet |
| JOHNSON, Chloe Hope | Sonic intersections : subjectivity within punk aesthetics | M.A. | University of Melbourne | 2007 | 124 + 1 CD |
| JOHNSON, Jo-Anne | An archaeology of periodisation in music history | MMus | Griffith University | 2000 | 55 |
| KEOGH, Brent | Analyzing world music discourse in Australia | PhD | Macquarie University | 2014 | 298 |
| KINGSBURY, Justine Margaret Joy | The expression of emotion in music | MA | Victoria University of Wellington | 1991 | 79 |
| KOUVARAS, Linda Ioanna | Aspects of the postmodern condition in Southern cross, double concerto : a work by Barry Conyngham | MMus | University of Melbourne | 1991 | 92 |
| KUNG, Sandra Fang-Chien | Lifelong learning and music appreciation: a praxial lifelong learning approach for mature-age students in technological colleges of Taiwan | PhD | University of Western Aust. | 2004 | 357 |
| LANDERS, Heath A.W. | Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica | MPhil | University of Newcastle | 2015 | 307 |
| LANGLOIS, Roslyn J. | Meaning in music : towards criteria for a personal philosophy of music for the practising musician | MMus | University of Tasmania | 1992 | 70 + 7 cass |
| LANGSTON, Thomas W. | Capitalizing on community music : a case study of the manifestation of social capital in a community choir | EdD | University of Tasmania | 2005 | 347 |
| LARSEN, Gretchen L. | The symbolic consumption of music | PhD | University of Otago | 2003 | 263 |
| LEWIS, Bethan | Interrogating the aesthetic: the 'historically informed performance' contribution | M.Phil | University of Queensland | 2004 | 56 |
| LIVINGSTON, John Robert | Phenomenology, music, nature | PhD | University of Tasmania | 1999 | 212 |
| LOCKE, Kirsten Anna | Power and polyphony : contextualising the musical subject | M.Ed | University of Auckland | 2004 | 148 |
| LOCKITT, Matthew James | The musical is drama: apollonian and dionysian dynamics and liminal ruptures in the contemporary musical theatre. | PhD | Monash University | 2014 | |
| LOUTH-ROBINS, Tristan | Still and moving lines [electronic resource] : listening and signification in sound art | MMus | University of Adelaide | 2010 | 65 + CD + DVD |
| LYALL, Mark | Hatred and history : an exploration through voice, music and sound design | PhD | LaTrobe University | 2008 | 121 + CD (49 min) |
| MACARTHUR, Sally | Feminist aesthetics in music: politics and practices in Australia | PhD | University of Sydney | 1997 | 510 + 1 tape |
| MACLEAN, Hilary Clare | Singing the Lord's song in a strange land [electronic resource] :compositional voice towards expression of Christian transcendence | PhD | University of Western Sydney | 2009 | 220 |
| MAJEED, Raamy | The culprits of musical expressiveness | MA | University of Otago | 2007 | 113 |
| MARSHMAN, Anne | Jung and music: a study of the relationships between Carl Jung's Analytical psychology and music | MMus | Griffith University | 2000 | 85 |
| McGEE, Mark | From Celibidache to Debussy : reflections on music and meaning | DMA | University of Melbourne | 2001 | 199 |
| MEDCALF, Laura, Julie | Musical intimacy and the negotiation of boundary challenges in contemporary music therapy practice | PhD | University of Melbourne | 2016 | 202 |
| MERCER, Christine | Henry Tate (1873 - 1926) and the creation of Australian Musical Identity | PhD | University of Melbourne | 2010 nyic | |
| METHURST, Reilly | Mujic of the footure : Jacques Lacan and concordant discord | MMus | University of Auckland | 2011 | 82 |
| MILLER, James David | The colour of preference brown, white or l/f? : the application of time series techniques to experimental aesthetics | MA | University of Auckland | 1980 | 135 |
| MILLINGTON, Aliese | Subject to Change: Nine constructions of the crossover between Western art music and popular musics | PhD | University of Adelaide | submitted 2007 | 257 |
| Monro, Gordon P | Portfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative Art | MMus (Comp) | University of Sydney | 2008 (nyiC) | 20 + DVD-audio + 2 D |
| MOORE, Kate | The point of origin : six essays on six pieces | PhD | University of Sydney | 2012 | |
| MORGAN, Christy | An exploration of the performer-composer dynamic | M.Phil | University of Queensland | 2006 | 67 |
| MUNRO, Ian | Musical conversations | MCA | University of Newcastle | 2003 | 74 |
| MURPHY, Kerry | An analysis of the role and function of music criticism | MA | University of Melbourne | 1979 | 202 |
| MURPHY, Tamara | Bastard music | M.Mus. | University of Melbourne | 2008 | 34 |
| NAUGHTON, Chris | The thrill of making a racket : Nietzsche, Heidegger and community samba in schools | PhD | University of Auckland | 2007 | 312 + 1 DVD |
| NOEL, Robin Koreena Ayola | Global hip-hop : race, place and authenticity | MA | Griffith University | 2009 | 73 |
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| PANICKAR, Pearl | Understanding cultural production for sustainability and diversity : a case study of the popular music industry | PhD | University of South Australia | 2010 | 333 |
| PARKHILL, Peter | Sciencing about music : a critical review of ethnomusicological theory and method, as set out in the discipline's major texts | MA | University of Sydney | 1991 | 155 |
