Technology

WriterThesis TitleDegreeUniversityYearsort icon# of Pages
HARKNESS, Edward LAn introduction to the design of auditoria for the performance of chamber music.MBlgScUniversity of Sydney19671 vol
SPANNEY, K.D.Aspects of form in electronic musicMAUniversity of Western Aust.19691 vol
D'OMBRAIN, Geoffrey RobertThe concept of the electronic music studio North America 1972 MMusUniversity of Melbourne1974264
HARKNESS, Edward LSome aspects of stage design in concert hallsM.ArchUniversity of Newcastle1976271
LOH, Susie Yook-So,The development of electronic musicAdvDipTeachUniversity of Adelaide197682
BOLTON, Alan GrahamThe design of an electronic music synthesizerMAppSCUniversity of Adelaide19771 vol
CLINCH, PeterOral tract fluctuations in clarinet and saxophone performance: an acoustical analysis PhDMonash University1980188
ROWE, John PhillipComputer applications in an electronic music studioM.Eng.Sc.University of Melbourne1980177
AMABILE, PaulMusical theory in architectural designGDipArchQueensland University of Technology1982183
WALLACE, Margaret J.Second hearing recognition of music: the design and administration of a research instrument which examines one aspect of music listeningPhDUniversity of Canterbury1982284
FITTON Kaye R.Tristram Cary: pioneer of electronic music in EnglandMMusUniversity of Adelaide198362
DRUMMOND, Philip JohnComputer applications to music: a survey and review of the literature, 1949-1979MEngScUniversity of NSW1984441
PARISH, Brian MaxwellA graphics based scoring system for computer music synthesisMALaTrobe University19843 vol
HIRST, David GodfreyDigital sound analysis and synthesis using the short-time Fourier transform [sound recording]MALaTrobe University19852 vol +1 tape
WATSON, Charles RichardThe computer analysis of polyphonic music PhDUniversity of Sydney1985214
WILLIAMS, Craig EvanViolin bowing skill analysis : the mechanics and acoustics of the change in direction PhDUniversity of Melbourne1985520
GERRARD, GraemeCOMPOST : a language for computer music composition - sound synthesis from spectral functions MALaTrobe University19862 vol + accompanying
AMATO, NolaThe design and implementation of a keyboard scale tutoring systemMScUniversity of Western Aust.1988103
LEGG, Katherine AnnNonlinear mode coupling in vibrating mechanical systemsPhDUniversity of New England1988119
BOWERING, Philip GrahamA study of the relationship between synergy in the group dynamic of contemporary music making and the use of midi/personal computer based music systems in an OSI/ISDN environmentMAVictoria University of Wellington1990101
LEE, Helen OrielListening to music : the development of a technique to evaluate the quality of responses to music using the SOLO taxonomy M.EdUniversity of Tasmania1991252
MacGREGOR, Robert ColinThe design of computer-based composition software based on the intuitive symbolic representations of music by young children M.Ed (Hons)University of Wollongong1991130
SHOU, XiojangPLMUS: a programming language for computer music and its implementationMScUniversity of Melbourne1991134
TAWA, MichaelSound, music and architecture : a study of the relationship between sound, number, space and time in sacred music and architecture according to the Vedic, Pythagorean and Platonic traditions PhDUniversity of NSW1991289
YI, Dae-AmMusical analogy in Gothic & Renaissance architecture : a study of rational proportion in architecture PhDUniversity of Sydney1991319
GIBBS, John CharlesCopyright in electronic musicLLMUniversity of Melbourne199295
WOODCOCK, Timothy PThe compositional application of musical acoustics GDip MusGriffith University1992182
DYSON, FrancesThe silencing of sound: metaphysics, technology, mediaPhDUniversity of Technology Sydney1993153
SAZDOV, RobertThe digital audio samplerMMus Ed.University of Sydney199337
SZETO, CarolineCapturing gestures in live performances of electronic musicMMusUniversity of Sydney199367
WALSH, AndrewThe muting of organ pipesMScUniversity of Sydney199391
ATHAN, MelissaControl I'm here.MAMonash University1994316
COOK, Shane SamuelMinimum message length comparison of musical sequencesMScUniversity of Waikato1994114
VENNONEN, KimmoSubmission for the Graduate Diploma in Music (Computer Music)GradDipMusAustralian National University19941 vol + floppy disk
CHONG, Min YinDigital sound sampling: electronic piracy or technological creativity?LLMUniversity of Melbourne1995109
STRYKOWSKI, MarkThe design and development of an interactive CAI program [interactive media] : an introduction to sound MMus Ed.University of Sydney1995296 + comp zip disk
WARD, JamesThe composer's assistantMScUniversity of Technology Sydney1995159 + 1 video casset
WATKIN, MichaelThe blues [electronic resource] : an interactive hypermedia database (documentation of the development of a multimedia CAI programme)MMus Ed.University of Sydney1995182 + comp laser dis
LEMKE, ClaudiMaori involvement in sound recording and broadcasting 1919 to 1958MA (Anthrop)University of Auckland1995199
COYLE, TomThe musical superhighway: the internet for the performing musicianMMusGriffith University199656
CRACKNELL, Susan ElizabethAn adaptable phase vocoder and its behaviour.PhDUniversity of Melbourne1996205
De ZUBICARAY, HelenCircumscribing space : exploring the structure and function of the cell and enclosed space in twelfth-century architecture and music PhDUniversity of Queensland19961 vol
HABERFIELD, DavidExplorations in contemporary electronic dance music, style and soundMARMIT University1996var
McNAB, Rodger JInteractive applications of music transcriptionMScUniversity of Waikato1996120
NICHOLLS, MikeSubmission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions]MAAustralian National University199654 + video
ROONEY, DavidPlaying second fiddle : a history of the relationship between technology and organisation in the Australian music economy 1901-1990 PhDGriffith University1996334
BAINBRIDGE, DavidExtensible optical music recognitionPhDUniversity of Canterbury1997277
BOYLE, DavidMusical analysis of works for performers and electronics : an alternative approach MA (Hons)University of Wollongong1997120 + 1 CD
CAMPBELL, Steven JamesThe application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software programPhDUniversity of New England1997355
COLLYER, SallyThe use of computers in aurally based voice classification for solo classical singersMMusGriffith University1997190
LUBIN, TomAn historical survey of technology used in the production & presentation of music in the 20th century MA (Hons)University of Western Sydney1997236
MacMILLAN, BrendanMML Analysis of melodyM Comp. Sc.Monash University1997198
RODGER, DavidMotion tracking and the use of non-tactile controllers in real-time music performance MALaTrobe University1997188 + 1 videocassett
REDHEAD, Grant On the acoustical theory of the trumpet : is it sound? M.Sc.Massey University1997266
CHIANG, Niann TsuuOptical music recognition: processing the sacred harpMCMSCUniversity of Waikato1998104
DRUMMOND, Jon RobertIntegrated development environment for computer music composition MSc (Hons)Macquarie University1998106 + 1 CD-ROM
HALL, Stephen MarshallDesign issues in low-cost interactive multimedia show systemsMARMIT University1998vid
OLDHAM, Christine LDevelopment and validation of a music improvisation measuring instrument M.EdUniversity of Melbourne1998242
SCHIEMER, GregoryMIDI Tool Box: an interactive system for music compositionPhDMacquarie University1998304 + 2 CD-ROMs
KREGER, TimMusical Application of TypogeneticsMMusAustralian National University199939
MacARTHUR, Jirrah WalkerInterval restriction : a composition system and its automation MMusUniversity of Tasmania19991 vol + 2 cass
WIJAYA, KadirExtending cantor: an optical music recognition systemMCMSUniversity of Waikato1999114
JOHNSON, Robert LloydElectronic music and the synthesiserMARMIT University2000?NS
CABRERA, DensilA psychoacoustical study of resonating sound artPhDUniversity of Sydney2001578 + 4 CDs
MARR, JenniferThe effects of music on imagery sequence in the Bonny method of guided imagery and music (GIM)MMusUniversity of Melbourne2001172
DEWSNIP, Michael JEvaluating melody retrieval algorithmsMCMSUniversity of Waikato2002131
KERSLAKE, BenContemporary opera and the role of technologyMMusGriffith University200275
LAVAN, DanielVibrational characteristics of bell platesMScUniversity of Technology Sydney200292
SOLOMONS, Roger MalcolmAbsolute pitch : a widespread latent ability responsive to training using a new chroma-isolation method PhDUniversity of NSW2002571
UITDENBOGERD, Alexandra LouiseMusic information retrieval technologyPhDRMIT University2002173
HUNTER, Barbara LouiseNeo-tribe: multiplicity, fluidity and flexibility in the electronic scenePhDUniversity of Melbourne2003214
LYONS, Andrew D.Time space texture : an approach to audio-visual composition PhDUniversity of Sydney2003291 + 1 vid disk
McCORMACK, JonThe application of L-systems and developmental models to computer art, animation, and music synthesisPhDMonash University2003380
PRESCOTT, Stuart WalkerRAFT in emulsion polymerization a two-part fugue of theory and experiment PhDUniversity of Sydney2003325
WICKS, DarrenImplementing music technology in the lower secondary classroom M.EdMonash University200374
ANDERSON, Alan JohnstonDeveloping instructional strategies for desktop video assisted music teaching and learningPhDSouthern Cross University2004214
FITZGERALD, Thomas ANew music composition for live performance and interactive multimediaDCAUniversity of Wollongong2004180 + 6 folios + 4 D
HOARE, MatthewElectronic music beyond loudspeakersMVAUniversity of Sydney200446
KNOWLES, Christopher JExtending creative practice: the practical possibilities of designing unique software tools for the independent audio artistMARMIT University20041 vol
SALEH, AurigaContent based audio retrieval using Bayesian networksMITMonash University200494
STREET, TimothyNobody can stop the music: a critique of the responses of the American music industry to the onset of digital distribution in the late 1990sMAUniversity of Canterbury2004165
MITCHELL, HelenDefining vocal quality in female classical singers : pedagogical, acoustical and perceptual studies PhDUniversity of Sydney2004248
FRANCIS, RichardPatterning : creative sound composition from environmental recordingsMCPAUniversity of Auckland200451 + DVD + 7 sound d
BLINKHORN, DanielExtra-musical consequence : reconsidering antecedent/consequent motivations MAUniversity of Wollongong200568 + 1 CD
CHOI, Young JiTowards better predictions of concert hall acoustic qualityPhDUniversity of Sydney2005299
KELLY, JoanThe electronics of science fiction: The relationship between science fiction sound and the development of electronic music technologyMARMIT University20051 vol
KUO, ChristyA machine learning approach to music classificationMScUniversity of Waikato2005124
HAMEED, ShamunA study on the use of vocal samples and vocal transformation techniques in the music of Paul Lansky and Trevor Wishart + Portfolio of original compositionsMMus (Comp)University of Sydney200579 + folio + 2CDs
SIMMERMACHER, ChristianDetecting instruments in classical music : a view on timbre, musical features, and classification MScUniversity of Otago200585
BELLMANN, Hector GuillermoToward a scientific taxonomy of musical stylesM.Inf.Tech (Research)Queensland University of Technology2006183
BURRASTON, David MGenerative music and cellular automataPhDUniversity of Technology Sydney2006211 + CD-Rom
FINLAYSON, JamesCreative innovation in music videosMAUniversity of Waikato200688 + CDR
KRUEGER, Cornelia CorinnaThe impact of the internet on business model evolution within the news and music sectorsPhDUniversity of South Australia2006336
MARTYN, Dylan AnthonyRethinking audio products: designing sound experiencesMAppSciUniversity of Otago2006249
McPHERSON, JohnCo-ordinating knowledge to improve optical music recognitionPhDUniversity of Waikato2006172
HEWITT, DonnaCompositions for voice and technology [+ Dissertation]PhDUniversity of Western Sydney2006178
SUITER, WendyText Manipulation: Voice with Audio or Acoustic AugmentationMCAUniversity of Wollongong20072 vol + data disk +
BLINKHORN, DanielNew music composition in computer-assisted environmentsDCAUniversity of Wollongong2007134 + 14 CDs
THORPE, VickiWe made this song : the group song writing processes of three adolescent rock bandsMMusVictoria University of Wellington2007178
WATSON, ChristopherThe effects of music notation software on compositional practices and outcomes [+ Composition Folio]PhDVictoria University of Wellington20072 vol
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