HARKNESS, Edward L | An introduction to the design of auditoria for the performance of chamber music. | MBlgSc | University of Sydney | 1967 | 1 vol |
SPANNEY, K.D. | Aspects of form in electronic music | MA | University of Western Aust. | 1969 | 1 vol |
D'OMBRAIN, Geoffrey Robert | The concept of the electronic music studio North America 1972 | MMus | University of Melbourne | 1974 | 264 |
HARKNESS, Edward L | Some aspects of stage design in concert halls | M.Arch | University of Newcastle | 1976 | 271 |
LOH, Susie Yook-So, | The development of electronic music | AdvDipTeach | University of Adelaide | 1976 | 82 |
BOLTON, Alan Graham | The design of an electronic music synthesizer | MAppSC | University of Adelaide | 1977 | 1 vol |
CLINCH, Peter | Oral tract fluctuations in clarinet and saxophone performance: an acoustical analysis | PhD | Monash University | 1980 | 188 |
ROWE, John Phillip | Computer applications in an electronic music studio | M.Eng.Sc. | University of Melbourne | 1980 | 177 |
AMABILE, Paul | Musical theory in architectural design | GDipArch | Queensland University of Technology | 1982 | 183 |
WALLACE, Margaret J. | Second hearing recognition of music: the design and administration of a research instrument which examines one aspect of music listening | PhD | University of Canterbury | 1982 | 284 |
FITTON Kaye R. | Tristram Cary: pioneer of electronic music in England | MMus | University of Adelaide | 1983 | 62 |
DRUMMOND, Philip John | Computer applications to music: a survey and review of the literature, 1949-1979 | MEngSc | University of NSW | 1984 | 441 |
PARISH, Brian Maxwell | A graphics based scoring system for computer music synthesis | MA | LaTrobe University | 1984 | 3 vol |
HIRST, David Godfrey | Digital sound analysis and synthesis using the short-time Fourier transform [sound recording] | MA | LaTrobe University | 1985 | 2 vol +1 tape |
WATSON, Charles Richard | The computer analysis of polyphonic music | PhD | University of Sydney | 1985 | 214 |
WILLIAMS, Craig Evan | Violin bowing skill analysis : the mechanics and acoustics of the change in direction | PhD | University of Melbourne | 1985 | 520 |
GERRARD, Graeme | COMPOST : a language for computer music composition - sound synthesis from spectral functions | MA | LaTrobe University | 1986 | 2 vol + accompanying |
AMATO, Nola | The design and implementation of a keyboard scale tutoring system | MSc | University of Western Aust. | 1988 | 103 |
LEGG, Katherine Ann | Nonlinear mode coupling in vibrating mechanical systems | PhD | University of New England | 1988 | 119 |
BOWERING, Philip Graham | A study of the relationship between synergy in the group dynamic of contemporary music making and the use of midi/personal computer based music systems in an OSI/ISDN environment | MA | Victoria University of Wellington | 1990 | 101 |
LEE, Helen Oriel | Listening to music : the development of a technique to evaluate the quality of responses to music using the SOLO taxonomy | M.Ed | University of Tasmania | 1991 | 252 |
MacGREGOR, Robert Colin | The design of computer-based composition software based on the intuitive symbolic representations of music by young children | M.Ed (Hons) | University of Wollongong | 1991 | 130 |
SHOU, Xiojang | PLMUS: a programming language for computer music and its implementation | MSc | University of Melbourne | 1991 | 134 |
TAWA, Michael | Sound, music and architecture : a study of the relationship between sound, number, space and time in sacred music and architecture according to the Vedic, Pythagorean and Platonic traditions | PhD | University of NSW | 1991 | 289 |
YI, Dae-Am | Musical analogy in Gothic & Renaissance architecture : a study of rational proportion in architecture | PhD | University of Sydney | 1991 | 319 |
GIBBS, John Charles | Copyright in electronic music | LLM | University of Melbourne | 1992 | 95 |
WOODCOCK, Timothy P | The compositional application of musical acoustics | GDip Mus | Griffith University | 1992 | 182 |
DYSON, Frances | The silencing of sound: metaphysics, technology, media | PhD | University of Technology Sydney | 1993 | 153 |
SAZDOV, Robert | The digital audio sampler | MMus Ed. | University of Sydney | 1993 | 37 |
SZETO, Caroline | Capturing gestures in live performances of electronic music | MMus | University of Sydney | 1993 | 67 |
WALSH, Andrew | The muting of organ pipes | MSc | University of Sydney | 1993 | 91 |
ATHAN, Melissa | Control I'm here. | MA | Monash University | 1994 | 316 |
COOK, Shane Samuel | Minimum message length comparison of musical sequences | MSc | University of Waikato | 1994 | 114 |
VENNONEN, Kimmo | Submission for the Graduate Diploma in Music (Computer Music) | GradDipMus | Australian National University | 1994 | 1 vol + floppy disk |
CHONG, Min Yin | Digital sound sampling: electronic piracy or technological creativity? | LLM | University of Melbourne | 1995 | 109 |
STRYKOWSKI, Mark | The design and development of an interactive CAI program [interactive media] : an introduction to sound | MMus Ed. | University of Sydney | 1995 | 296 + comp zip disk |
WARD, James | The composer's assistant | MSc | University of Technology Sydney | 1995 | 159 + 1 video casset |
WATKIN, Michael | The blues [electronic resource] : an interactive hypermedia database (documentation of the development of a multimedia CAI programme) | MMus Ed. | University of Sydney | 1995 | 182 + comp laser dis |
LEMKE, Claudi | Maori involvement in sound recording and broadcasting 1919 to 1958 | MA (Anthrop) | University of Auckland | 1995 | 199 |
COYLE, Tom | The musical superhighway: the internet for the performing musician | MMus | Griffith University | 1996 | 56 |
CRACKNELL, Susan Elizabeth | An adaptable phase vocoder and its behaviour. | PhD | University of Melbourne | 1996 | 205 |
De ZUBICARAY, Helen | Circumscribing space : exploring the structure and function of the cell and enclosed space in twelfth-century architecture and music | PhD | University of Queensland | 1996 | 1 vol |
HABERFIELD, David | Explorations in contemporary electronic dance music, style and sound | MA | RMIT University | 1996 | var |
McNAB, Rodger J | Interactive applications of music transcription | MSc | University of Waikato | 1996 | 120 |
NICHOLLS, Mike | Submission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions] | MA | Australian National University | 1996 | 54 + video |
ROONEY, David | Playing second fiddle : a history of the relationship between technology and organisation in the Australian music economy 1901-1990 | PhD | Griffith University | 1996 | 334 |
BAINBRIDGE, David | Extensible optical music recognition | PhD | University of Canterbury | 1997 | 277 |
BOYLE, David | Musical analysis of works for performers and electronics : an alternative approach | MA (Hons) | University of Wollongong | 1997 | 120 + 1 CD |
CAMPBELL, Steven James | The application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software program | PhD | University of New England | 1997 | 355 |
COLLYER, Sally | The use of computers in aurally based voice classification for solo classical singers | MMus | Griffith University | 1997 | 190 |
LUBIN, Tom | An historical survey of technology used in the production & presentation of music in the 20th century | MA (Hons) | University of Western Sydney | 1997 | 236 |
MacMILLAN, Brendan | MML Analysis of melody | M Comp. Sc. | Monash University | 1997 | 198 |
RODGER, David | Motion tracking and the use of non-tactile controllers in real-time music performance | MA | LaTrobe University | 1997 | 188 + 1 videocassett |
REDHEAD, Grant | On the acoustical theory of the trumpet : is it sound? | M.Sc. | Massey University | 1997 | 266 |
CHIANG, Niann Tsuu | Optical music recognition: processing the sacred harp | MCMSC | University of Waikato | 1998 | 104 |
DRUMMOND, Jon Robert | Integrated development environment for computer music composition | MSc (Hons) | Macquarie University | 1998 | 106 + 1 CD-ROM |
HALL, Stephen Marshall | Design issues in low-cost interactive multimedia show systems | MA | RMIT University | 1998 | vid |
OLDHAM, Christine L | Development and validation of a music improvisation measuring instrument | M.Ed | University of Melbourne | 1998 | 242 |
SCHIEMER, Gregory | MIDI Tool Box: an interactive system for music composition | PhD | Macquarie University | 1998 | 304 + 2 CD-ROMs |
KREGER, Tim | Musical Application of Typogenetics | MMus | Australian National University | 1999 | 39 |
MacARTHUR, Jirrah Walker | Interval restriction : a composition system and its automation | MMus | University of Tasmania | 1999 | 1 vol + 2 cass |
WIJAYA, Kadir | Extending cantor: an optical music recognition system | MCMS | University of Waikato | 1999 | 114 |
JOHNSON, Robert Lloyd | Electronic music and the synthesiser | MA | RMIT University | 2000? | NS |
CABRERA, Densil | A psychoacoustical study of resonating sound art | PhD | University of Sydney | 2001 | 578 + 4 CDs |
MARR, Jennifer | The effects of music on imagery sequence in the Bonny method of guided imagery and music (GIM) | MMus | University of Melbourne | 2001 | 172 |
DEWSNIP, Michael J | Evaluating melody retrieval algorithms | MCMS | University of Waikato | 2002 | 131 |
KERSLAKE, Ben | Contemporary opera and the role of technology | MMus | Griffith University | 2002 | 75 |
LAVAN, Daniel | Vibrational characteristics of bell plates | MSc | University of Technology Sydney | 2002 | 92 |
SOLOMONS, Roger Malcolm | Absolute pitch : a widespread latent ability responsive to training using a new chroma-isolation method | PhD | University of NSW | 2002 | 571 |
UITDENBOGERD, Alexandra Louise | Music information retrieval technology | PhD | RMIT University | 2002 | 173 |
HUNTER, Barbara Louise | Neo-tribe: multiplicity, fluidity and flexibility in the electronic scene | PhD | University of Melbourne | 2003 | 214 |
LYONS, Andrew D. | Time space texture : an approach to audio-visual composition | PhD | University of Sydney | 2003 | 291 + 1 vid disk |
McCORMACK, Jon | The application of L-systems and developmental models to computer art, animation, and music synthesis | PhD | Monash University | 2003 | 380 |
PRESCOTT, Stuart Walker | RAFT in emulsion polymerization a two-part fugue of theory and experiment | PhD | University of Sydney | 2003 | 325 |
WICKS, Darren | Implementing music technology in the lower secondary classroom | M.Ed | Monash University | 2003 | 74 |
ANDERSON, Alan Johnston | Developing instructional strategies for desktop video assisted music teaching and learning | PhD | Southern Cross University | 2004 | 214 |
FITZGERALD, Thomas A | New music composition for live performance and interactive multimedia | DCA | University of Wollongong | 2004 | 180 + 6 folios + 4 D |
HOARE, Matthew | Electronic music beyond loudspeakers | MVA | University of Sydney | 2004 | 46 |
KNOWLES, Christopher J | Extending creative practice: the practical possibilities of designing unique software tools for the independent audio artist | MA | RMIT University | 2004 | 1 vol |
SALEH, Auriga | Content based audio retrieval using Bayesian networks | MIT | Monash University | 2004 | 94 |
STREET, Timothy | Nobody can stop the music: a critique of the responses of the American music industry to the onset of digital distribution in the late 1990s | MA | University of Canterbury | 2004 | 165 |
MITCHELL, Helen | Defining vocal quality in female classical singers : pedagogical, acoustical and perceptual studies | PhD | University of Sydney | 2004 | 248 |
FRANCIS, Richard | Patterning : creative sound composition from environmental recordings | MCPA | University of Auckland | 2004 | 51 + DVD + 7 sound d |
BLINKHORN, Daniel | Extra-musical consequence : reconsidering antecedent/consequent motivations | MA | University of Wollongong | 2005 | 68 + 1 CD |
CHOI, Young Ji | Towards better predictions of concert hall acoustic quality | PhD | University of Sydney | 2005 | 299 |
KELLY, Joan | The electronics of science fiction: The relationship between science fiction sound and the development of electronic music technology | MA | RMIT University | 2005 | 1 vol |
KUO, Christy | A machine learning approach to music classification | MSc | University of Waikato | 2005 | 124 |
HAMEED, Shamun | A study on the use of vocal samples and vocal transformation techniques in the music of Paul Lansky and Trevor Wishart + Portfolio of original compositions | MMus (Comp) | University of Sydney | 2005 | 79 + folio + 2CDs |
SIMMERMACHER, Christian | Detecting instruments in classical music : a view on timbre, musical features, and classification | MSc | University of Otago | 2005 | 85 |
BELLMANN, Hector Guillermo | Toward a scientific taxonomy of musical styles | M.Inf.Tech (Research) | Queensland University of Technology | 2006 | 183 |
BURRASTON, David M | Generative music and cellular automata | PhD | University of Technology Sydney | 2006 | 211 + CD-Rom |
FINLAYSON, James | Creative innovation in music videos | MA | University of Waikato | 2006 | 88 + CDR |
KRUEGER, Cornelia Corinna | The impact of the internet on business model evolution within the news and music sectors | PhD | University of South Australia | 2006 | 336 |
MARTYN, Dylan Anthony | Rethinking audio products: designing sound experiences | MAppSci | University of Otago | 2006 | 249 |
McPHERSON, John | Co-ordinating knowledge to improve optical music recognition | PhD | University of Waikato | 2006 | 172 |
HEWITT, Donna | Compositions for voice and technology [+ Dissertation] | PhD | University of Western Sydney | 2006 | 178 |
SUITER, Wendy | Text Manipulation: Voice with Audio or Acoustic Augmentation | MCA | University of Wollongong | 2007 | 2 vol + data disk + |
BLINKHORN, Daniel | New music composition in computer-assisted environments | DCA | University of Wollongong | 2007 | 134 + 14 CDs |
THORPE, Vicki | We made this song : the group song writing processes of three adolescent rock bands | MMus | Victoria University of Wellington | 2007 | 178 |
WATSON, Christopher | The effects of music notation software on compositional practices and outcomes [+ Composition Folio] | PhD | Victoria University of Wellington | 2007 | 2 vol |